Saturday Morning Western Pulps: Western Trails, March 1937

The cover on this issue of WESTERN TRAILS is by Ray Quigley. I don't know anything about him except that he painted a dozen or so pulp covers in the late Thirties and early Forties. The lineup of authors in this issue is a good one: L.P. Holmes, Carl McK. Saunders (really Philip Ketchum), Van Cort (really Wyatt Blassingame), Clyde A. Warden (with a Bert Little story), Robert E. Mahaffey, Andor de Soos (who did about 15 stories for various Western and gang pulps in the late Thirties), and Kenneth P. Wood. I've read and enjoyed all those authors except de Soos and Wood.

Saturday Morning Western Pulp: Ranch Romances, Second August Number, 1957

This is a pulp that I own and read recently. That’s my copy in the scan, and it’s in halfway decent shape for a change. The cover art is by Sam Cherry. Most of his covers aren’t signed, but you can see his signature in the lower right corner of this one, although it’s backwards, meaning the art was flipped.

Edwin Booth is a familiar name to me because he wrote at least a dozen Western novels, many of them published in the Ace Doubles line. I don’t recall ever reading anything by him until now. He’s the author of this issue’s lead novella, “Once a Killer”, which finds the protagonist, Fred Irwin, returning to the hometown he left ten years earlier after killing a man in a gunfight. Everybody figured that meant he had turned into an outlaw, but in reality, he’s become a hard-working cowboy and finally saved up enough money to buy a ranch of his own. Unfortunately, he finds himself in the middle of trouble orchestrated by a crooked saloon owner who wants to take over the town and all the surrounding ranches. Naturally, Irwin comes to the aid of an old rancher and the man’s beautiful daughter, and more trouble ensues. This is a very standard plot, but Booth provides some nice action scenes and a few well-developed characters. Overall, though, his style is definitely on the bland side, and that keeps this story from having the impact it might have had otherwise. It’s not bad, and I would read Booth’s work again, but I’m not going to be on the lookout for it.

Frank C. Robertson was a long-time, very prolific Western pulpster and novelist. His short story in this issue, “Practical Woman”, is a contemporary Western set in the Fifties, a domestic drama about the marriage of a spinster schoolteacher and a hard-headed rancher. It’s well-written, as all of Robertson’s work that I’ve read is, but it’s very low-key and unexciting and really peters out in the end. Robertson was a good author, but this isn’t a very good story.

Thankfully, old reliable Walker A. Tompkins comes along next with the novelette “The Deputy’s Daughter”. In this one, a young cowboy who buys a ranch finds himself framed for murder by the local cattle baron who wants to take over his spread. His only hope is the deputy sheriff’s beautiful blond daughter, who takes a likin’ to him and believes he’s innocent. This is a fast-moving, very entertaining yarn that suffers a little from the fact that it’s not a novella or even an actual novel. I felt like it could have used some room to develop the plot and characters more, and because of that, the ending feels a little rushed. I still liked it quite a bit, though.

“Heritage of Wrath” by M.E. Bradshaw (Marjory Bradshaw) is a Mountie story about a young RCMP officer who has to arrest the father of the girl he loves for murder, which makes her break off their engagement because she refuses to believe he’s guilty. Our Mountie hero has to dig deeper into the case to find out what really happened. This is an okay tale with a somewhat disappointing ending. Bradshaw published two dozen stories during the Fifties, all of them in RANCH ROMANCES.

Stephen Payne was very prolific, turning out several hundred stories for various Western pulps and digests between 1925 and 1970, along with a handful of novels. “Killer’s Conscience” in this issue is narrated by a 14-year-old ranch kid whose father was convicted of a murder he didn’t commit and sent to prison. The narrator’s encounter with an outlaw may hold the key to clearing his father’s name. This is a solid, well-written story that I enjoyed.

There’s also an installment of a serialized novel, Philip Ketchum’s THE STALKERS, that I didn’t read. I may have the book version of that one. I’ll have to check my shelves.

I should mention, as well, that there are several excellent interior illustrations by Everett Raymond Kinstler. I don’t talk about interior illustrations much, and I probably should. Kinstler was one of the very best at those.

Overall, considering how highly I rate many of the 1950s issues of RANCH ROMANCES, this one is probably a little below average. All of the stories kept me reading, but none of them really stood out as being top-notch, either. The ones by Tompkins and Payne are easily the best of the bunch, and the one by Booth is worth reading. Maybe don’t rush to your shelves to see if you have a copy, though.

Sunday Morning Bonus Pulp: Thrilling Adventures, March 1939

Pith helmet alert! I think the cover on this issue of THRILLING ADVENTURES may be by Richard Lyon, who did a lot of them for various Thrilling Group pulps in the Thirties. It's a striking cover, that's for sure. An oddity about this issue is that all the authors except one are best remembered for their Westerns: Philip Ketchum, Edward Parrish Ware, Rolland Lynch, Ben Conlon, and Harold F. Cruickshank. The one author who wasn't a prolific contributor to the Western pulps, Ray Millholland, is the only one who appears to have written a traditional Western yarn in this issue. I say "appears to" because I'm just basing that on the story titles. I don't have this issue and haven't read it. The Cruickshank story is kind of a Western, since it's an animal story and part of a series about a white wolf. I really ought to read more stories from THRILLING ADVENTURES. Most of the issues look great!

Saturday Morning Western Pulp: Cowboy Stories, July 1934

I don't know who painted the gritty cover on this issue of COWBOY STORIES, but I like it. I think it would have made a good cover for a Western paperback, too. COWBOY STORIES was Street & Smith's third-string Western pulp behind WESTERN STORY and WILD WEST WEEKLY, and the authors in this issue kind of reflect that. Philip Ketchum and S. Omar Barker were top-notch Western pulpsters, but the others are unfamiliar names to me: Allan Martin, Rand Rios, Joseph C. Salak, William Lester, W.F. Bilbrey, Guy Carson, and Wallace K. Norman. Several of those published only one story, and none were prolific. Even so, that doesn't mean their stories weren't good. I don't own this issue, so I doubt if I'll ever find out.

Sunday Morning Bonus Pulp: Top-Notch, April 1935

I've read quite a few stories published originally in Street & Smith's TOP-NOTCH, but never an issue of the pulp itself. I don't own any, as far as I recall, but there are a number of issues available on the Internet Archive. Not this one, though. That cover by William Soare caught my eye, as did the fact that the lead novel is by Thomas Walsh, an old pulpster who was still active and writing for ELLERY QUEEN'S MYSTERY MAGAZINE when I was reading EQMM in the Sixties. Also on hand in this issue are Philip Ketchum, William Merriam Rouse, Bob du Soe, Bruce Douglas, and Harold F. Cruickshank. That's a pretty good bunch of writers.

The Wrap Up

2025, like all the years before it, was a mixture of good and bad around here. Health issues became a little more challenging this year and took up more time, but I feel like I’m still in pretty good shape for an old-timer. My writing production isn’t what it once was, but I managed to turn out more than half a million words, which amounted to almost six novels. No short stories this year. Most importantly, I feel like the work is still pretty good quality. My schedule is fairly full again for 2026, but changes are looming. But when aren’t they?

Of course, reading is still very important to me, as it has been ever since I first visited the bookmobile when I was six years old. I read 149 books this year, a nice number but down some from last year. Here are my ten favorite books (not best, necessarily, but favorite) that I read this year, alphabetical by author:

SHARPE’S TIGER, Bernard Cornwell

GANGLAND’S DOOM: THE SHADOW OF THE PULPS, Frank Eisgruber Jr.

RANCHO BRAVO #1: CALHOON, Thorne Douglas (Ben Haas)

THE CHRONICLES OF HANUVAR, VOLUME 2: THE CITY OF MARBLE AND BLOOD, Howard Andrew Jones

LONGHORN STAMPEDE, Philip Ketchum 

SARA AND THE MAD DOG, Stephen Mertz

ROBERT E. HOWARD: THE LIFE AND TIMES OF A TEXAS WRITER, Willard M. Oliver

SOMETIME LOFTY TOWERS, David C. Smith

STORYTELLER: HELPFUL HINTS AND TALL TALES FROM THE WRITING LIFE, Carlton Stowers

’NADA, Daniel Boyd (Dan Stumpf)

At least a dozen more books could have made this list and some of them probably would have on a different day. I read a lot of good books. I believe all of those listed above are still in print and easily available except for the Western novel by Philip Ketchum.

So what does 2026 hold in store? Who knows? I plan to keep writing and reading for the foreseeable future, and I figure most of the other stuff will take care of itself. My thanks to all of you reading this, some of whom have been here for more than twenty years. We’ll see how long we can keep it going.

UPDATE: In response to a request in the comments, here are the other books I considered for my top ten list, in the order in which I read them: THE RULE OF THREES, Jeffrey Deaver; THE ART OF RON LESSER, VOLUME 2, Robert Deis, Bill Cunningham, eds.; ONCE A FIGHTER, Les Savage Jr.; SWITCHEROO, Emmett McDowell; GUN LAW AT VERMILION, Matt Stuart (L.P. Holmes); HAMILTON'S HAREM, William Kane (Ben Haas); THE JOY WHEEL, Paul W. Fairman; KNIGHT OF DARKNESS: THE LEGEND OF THE SHADOW, Will Murray; THE WILD ADVENTURES OF SHERLOCK HOLMES, VOLUME 5, Will Murray; OVERBOARD, George F. Worts; THE BULLET GARDEN, Stephen Hunter; THE RED TASSEL, David Dodge; DREAM TOWN, David Baldacci; MARIHUANA, William Irish (Cornell Woolrich); and EYE WITNESS, George Harmon Coxe. Any of these books are well worth your time.

Saturday Morning Western Pulp: Leading Western, October 1946

The cover on this issue of LEADING WESTERN is by H.W. Scott, an artist I generally like. This one is okay, but I'm not all that fond of the sketchy, unfinished look which was common on Western pulps in the late Forties and Fifties on covers by Scott and other artists. Inside are stories by some pretty good writers, including Philip Ketchum, Laurence Donovan, Giff Cheshire, Paul Craig (who was also Giff Cheshire), Norrell Gregory, and Harold R. Stoakes. The Trojan Western pulps, like those from Columbia, were low-budget, hit-or-miss affairs, but there are good stories to be found in them if you look. I don't own a copy of this one, but with those authors, I'd be willing to give it a try if I did.

Sunday Morning Bonus Pulp: Detective Tales, September 1939

I think this is a Tom Lovell cover on this issue of DETECTIVE TALES, but I'm not absolutely certain. I am certain, though, that there's a great lineup of authors in these pages: Norbert Davis, Cleve F. Adams, Wyatt Blassingame, William B. Rainey (also Wyatt Blassingame), Emile C. Tepperman, Philip Ketchum, William R. Cox, Stewart Sterling, and Ray Cummings. Every one of those guys was a prolific, top-notch pulpster, and I'm sure this was a well-above average issue. 

Review: Longhorn Stampede - Philip Ketchum

A couple of weeks ago, I read the issue of RANCH ROMANCES that contained the first installment of Philip Ketchum’s serialized novel “Longhorn Stampede”. I didn’t read that installment in the pulp because I thought I had the novel version and would probably read it one of these days. Well, it turns out that I didn’t have a copy, but then I discovered that it was published by Popular Library with an A. Leslie Ross cover, and temptation got the better of me. I found an affordable copy, ordered it, and read it as soon as it arrived. That turned out to be a good choice all around!

Llano Smith is a Texas cowboy helping drive a trail herd to the railhead in Kansas. When the owner of the herd falls sick, Llano heads for a nearby town to see if he can find a doctor. This turns out to be a mistake, because the settlement is actually run by an owlhoot who is in league with a rustling kingpin. Llano winds up in all sorts of trouble, including being framed for murder and thrown in jail to await trial and hanging.

Ah, but Llano has a secret, you see. He’s actually a reformed outlaw from Texas named Sam Todd who hit the vengeance trail when a gang of carpetbaggers wiped out his family after the war. He’s settled the score with all of them except one, and he’s lost the thirst for revenge on that one, figuring it’s better to take a new name and start a new life. (None of this is a spoiler. Ketchum lays out all the background pretty early in the book.)

Anybody who’s read many traditional Western novels and/or watched many Western movies will be able to foresee most of what happens in this novel. Coincidence plays a rather large part in Ketchum’s plot, but that doesn’t really bother me. What’s important is that he was a writer with an excellent hardboiled style who really knew how to keep a story moving along. And there are a few minor surprises as everything doesn’t work out exactly like you might expect it to.

Llano Smith is a fine protagonist, plenty tough and not always likable but still sympathetic enough for the reader to root for him. Ketchum does a very good job with the inevitable romantic triangle involving Llano, a rancher’s beautiful daughter, and a beautiful saloonkeeper in the outlaw town. At times these scenes are actually pretty racy for the time period. The action scenes are gritty and effective and build up to a smashing climax.

My copy of LONGHORN STAMPEDE has some damage to the front cover, which is probably why it was fairly affordable, but that’s it in the scan anyway. The cover isn’t really a wraparound illustration, but the back cover has more Ross art, so I’m including it as well. I love those Popular Library editions from the Fifties. Consistently good books with good covers. I’m glad I was prompted to pick this one up and read it.

Saturday Morning Western Pulp: Ranch Romances, First August Number, 1955

This is a pulp that I own and read recently. That’s my somewhat tattered copy in the scan. The cover art is by Clarence Doore. His signature is visible in the lower left corner. It’s not one of Doore’s best covers, in my opinion, but it’s certainly not bad.

Giff Cheshire is a hit-or-miss author for me. Most of what I’ve read by him has been entertaining but a little bit too much on the bland side for my taste. Some of his stories are more hardboiled and are pretty good. His novella that leads off this issue, “Torment Trail”, is very hardboiled and is an excellent yarn. The protagonist, Cleve Gantry (great name for a Western hero) is partners in a hardscrabble ranch with young wastrel Nat Cole (maybe not as good a name, since Nat “King” Cole, one of my father’s favorite singers, was already very popular by the mid-Fifties). Cole pulls a robbery and frames Gantry for it. Gantry breaks out of jail and sets out to track down Cole, partially to clear his name but mostly because he wants to kill the no-good hombre. Gantry’s vengeance quest is complicated, though, by Cole’s beautiful sister and some other hardcases who are after the loot from the robbery. Set mostly in the desert—and Cheshire makes good use of that setting—this is a fast-moving, suspenseful story with some good action scenes, a fine protagonist, and a very gritty tone. I really enjoyed “Torment Trail”, which is easily the best thing I’ve ever read by Cheshire.

D.S. Halacy Jr. wrote several dozen Western and detective stories for the pulps. I’d read one story by him in the past and thought it was okay but nothing more than that. His story in this issue, “The Five Hundred Dollar Shot” is about a down-on-his-luck rancher who is willing to go to any lengths to provide for his family, even if it means going after a wanted outlaw for the reward. This is a pretty bleak story with a mostly unlikable protagonist, but it doesn’t turn out exactly like you might expect and that’s usually a good thing. So it’s nothing special, but it is a readable yarn.

“Bachelor Trouble” is by Lewis Chadwick, who wrote only half a dozen Western stories, all published in 1955 and 1956. An old rancher decides that one of the cowboys who works for him is going to marry his daughter, but the cowboy doesn’t go along with that idea. That’s all there is to the story, but it’s decently written and everything is resolved in a pleasant enough manner.

James Clyde Harper was reasonably prolific, turning out approximately 50 stories in a career that lasted from the early Thirties to the mid-Fifties. But I didn’t care for his story “The Phantom Rifle” in this issue. It’s a mystery in which a group of settlers with a wagon train try to start a town, only to have several of their number murdered by a mysterious rifleman. The writing struck me as clumsy, and the motivation for the plot just wasn’t believable considering the place and time. This one is a clear miss as far as I’m concerned.

W.W. Hartwig published only three stories, all in RANCH ROMANCES. “The Bride’s Father” in this issue is the last of them. It’s a pure romance yarn about a young cowboy courting the daughter of a railroad tycoon. This is a well-written story with good characters, and although I thought the author could have done a little more with it, I liked it quite a bit.

Alice Axtell was the author of about thirty stories, all of them in RANCH ROMANCES in the Forties and Fifties. Her story “Big Man” is about the feud between a big rancher and the owner of a smaller spread. Their clash takes some nasty turns, and there’s more riding on it for the little rancher than just his business. The girl he wants to marry is watching to see how he handles this problem. This is another story that’s pure romance, but it’s well-written and I enjoyed it.

There are also installments of two serials, “Longhorn Stampede” by Philip Ketchum and “The Vengeance Riders” by Jack Barton, who was really Joseph Chadwick. Ketchum and Chadwick were both fine writers and I’m sure these are good stories, but as I’ve mentioned before, I have the novel version of THE VENGEANCE RIDERS and will get around to reading it one of these days, and I may have a copy of LONGHORN STAMPEDE, too. If I don't, there's a good chance I will have in the reasonably near future.

Rounding out the issue are the usual features—Western movie news, pen pals, astrology—and a somewhat Western-themed crossword puzzle completely filled out in pencil by one of the previous owners of this copy. Only a couple of erasures, too, so a pretty good job. Somehow, things like this make me feel a closer kinship to the person who owned this one originally. I can just imagine her—or him, RANCH ROMANCES is bound to have had some male readers, too—sitting at a kitchen table in 1955, working the crossword puzzle after a long day. That could be all wrong, of course, I have no way of knowing, but it’s an image I find appealing.

Overall, this is a fairly solid issue of RANCH ROMANCES. There’s only one outstanding story, but the Cheshire novella is really good and all the other stories except the one I didn’t like are well-written and entertaining, if not particularly memorable. If you have a copy, it’s worth reading. You might even want to do the crossword puzzle if somebody hasn’t beaten you to it. 

Saturday Morning Western Pulp: Western Aces, December 1934

WESTERN ACES usually had good covers, like this one by Rafael DeSoto that appeared on the magazine's second issue. The authors inside are a mixture of the well-known and the obscure. L.L. Foreman, Philip Ketchum (writing as Carl McK. Saunders), Orlando Rigoni, Larry A. Harris, and Clyde A. Warden (writing as Les Rivers) were all prolific, solid Western pulpsters. Eugene R. Dutcher, Leon V. Almirall, and Francis P. Verzani are less well-remembered, but that doesn't mean their stories aren't good. I don't own this issue, but that cover sure would have caught my eye if I'd been browsing the newsstand back in 1934. If I'd had a spare dime, there's a good chance I would have bought it.

Saturday Morning Western Pulp: Giant Western, February 1952

Here's another Wanted Poster cover, this one by Sam Cherry. GIANT WESTERN was one of the Thrilling Group Western pulps, although it didn't last as long as most of them. The lead story in this issue is by Clifton Adams writing as Clay Randall, so I'm sure it's good. Philip Ketchum, another consistently good author, is also in this issue, along with a couple of writers I'm not familiar with, Lee Priestly and Sam Carson, both of which appear to be real names. I expected Sam Carson to turn out to be a house-name, but it's not, according to the Fictionmags Index. I don't believe I've ever read an issue of GIANT WESTERN. I don't own this one, and it doesn't appear to be available on-line, although PDFs of several other issues can be found at the Internet Archive.

Sunday Morning Bonus Pulp: All-American Fiction, May/June 1938

That's an intriguing cover by Rudolph Belarski on this issue of ALL-AMERICAN FICTION, and what a lineup of authors! It's hard to beat H. Bedford-Jones, Max Brand, Cornell Woolrich, Philip Ketchum, Richard Sale, and Karl Detzer. Also on hard are the lesser-known Eustace Cockrell, Robert Cochran, J.R. Beehan, and Thomas Nelson. The author of the featured story "Meet Me in Miami", Joseph Mickler, has only two credits in the Fictionmags Index, both in Munsey pulps in 1938, for whatever that's worth. I would read this issue just for those other guys if I had a copy.

Saturday Morning Western Pulp: 10 Story Western Magazine, October 1944

That is one rough-looking hombre on this issue of 10 STORY WESTERN MAGAZINE. I'm not sure if that cover is by Sam Cherry or Robert Stanley, but it's a mighty good one no matter who painted it. I don't own this issue, but if you do, it looks like a good one to read since it includes stories by L.P. Holmes, Norman A. Fox, Tom W. Blackburn, Philip Ketchum, William Heuman, Gunnison Steele (Bennie Gardner), William R. Cox, and lesser-known authors Morgan Lewis and Joe Payne. It would be hard to find a better lineup of authors in a Western pulp from the mid-Forties.

Sunday Morning Bonus Pulp: Popular Detective, July 1950

Nothing like a beautiful blonde with a Tommy gun, as Rudolph Belarski demonstrates on this cover. There are some good authors in this issue of POPULAR DETECTIVE, including Stewart Sterling with a Gil Vine novelette (Gil Vine was a private detective in the pulps who became a house dick in a hotel when Sterling moved him to novels). Also on hand are Philip Ketchum (best known for his Westerns), O.B. Myers (best known for aviation yarns), Ray Cummings (best known for his science fiction), and detective pulp stalwarts J. Lane Linklater and Will Oursler, plus little-known, at least to me, Lew Talian and B.J. Benson.

Saturday Morning Western Pulp: Leading Western, June 1946

I feel like I should know who did the cover on this issue of LEADING WESTERN. Somebody here or on Facebook will tell me, and I'll update the post. Meanwhile, there's a strong lineup of Western pulpsters in this one: Philip Ketchum, Laurence Donovan, Giff Cheshire, John Reese (as John Jo Carpenter), and Jhan Robbins, along with house-name Randolph Barr. Looks like a solid issue. 

Saturday Morning Western Pulp: 10 Story Western Magazine, June 1947

This looks like a Robert Stanley cover to me, although, as always, I could be wrong. But I think I'm correct about there being some very good Western pulp authors inside this issue of 10 STORY WESTERN MAGAZINE: D.B. Newton, Philip Ketchum, William R. Cox, John Reese (with two stories, one under his usual John Jo Carpenter pseudonym, one under a name I haven't encountered before, Camford Cheavly), and Robert Turner, along with the lesser known Harold R. Stoakes, Ben T. Young, Jim Chapman, Ray Hayton, and Jimmy Nichols (who was really Jhan Robbins, fairly prolific under both names but little remembered). Like all the Popular Publications Western pulps, 10 STORY WESTERN MAGAZINE was consistently good.

Saturday Morning Western Pulp: Fifteen Western Tales, October 1942

Wanted posters show up a lot on Western pulp covers. Usually, the outlaw depicted on the poster is standing there either shooting or about to shoot. You can't really tell if the fellow on the cover of this issue of FIFTEEN WESTERN TALES is also the one on the reward dodger, but there's a good chance he is. There are stories by some fine Western pulpsters in this issue: Philip Ketchum, William Heuman, Thomas Thompson, and Frank Bonham. Other well-known authors in this one include Joe Austell Small, R.S. Lerch, John Wilstach (better known for his adventure yarns in ARGOSY and elsewhere), Carl G. Hodges (best remembered for his mystery stories and novels), and Edwin K. Sloat. Then there are the ones I'm not familiar with--P.J. Delanoye, Roy B. Angell, and W.W. Montgomery--and house names Ray P. Shotwell and Lance Kermit. I'm going to name the hero in a Western novel Lance Kermit one of these days. I'm sure this is a good issue since the Popular Publications Western pulps were consistently top-notch.

UPDATE: As Paul Herman points out in the comments, this hombre is wearing a lawman's star, so he's not the outlaw on the wanted poster. And since there's powdersmoke coming from the barrel of his gun, I reckon we can figure he just ventilated the owlhoot in question. Dadgum it, I don't know how I missed that! Thanks, Paul.

Saturday Morning Western Pulp: Complete Western Book Magazine, February 1952

I don't own this pulp, but it looks like a fine issue of COMPLETE WESTERN BOOK MAGAZINE, starting with the usual excellent cover by Norman Saunders. Inside are stories by a really strong group of authors: D.B. Newton (twice, once as himself and once under the house-name Ken Jason), Philip Ketchum, Dean Owen, H.A. DeRosso, Frank Castle, and Kenneth Fowler. An issue that's almost certainly worth reading if you're fortunate enough to have a copy.

The Ghost Riders - Philip Ketchum

Young rancher Johnny Lang returns to his hometown in New Mexico after serving five years in prison. He was guilty of the robbery he committed, but there were extenuating circumstances. Johnny was railroaded behind bars anyway by his enemy, local cattle baron Ben Mohegan. In most traditional Western novels, Johnny would want to settle the score with Mohegan, but not in Philip Ketchum’s THE GHOST RIDERS, published as half of an Ace Double with William Heuman’s HARDCASE HALLORAN in 1963. Johnny doesn’t plan to stay long; he just wants to pay a visit to the old home place and then light out for Oregon. No more trouble, he vows.

Yeah, you know that’s not going to last long.

Johnny winds up in a shooting scrape and has to head for the hills to hide out from a posse. While he’s doing that, an old friend shows up looking for him, and that leads to Johnny getting involved in a beautiful stranger’s vengeance quest, as she has a grudge against Mohegan, too. Not only that, the smaller ranchers in the area are tired of Mohegan riding roughshod over them and have decided to fight back against him, and of course they figure Johnny will jump at the chance to lead them. Nope, after being in prison, Johnny just wants peace. If only people would stop shooting at him . . .

Veteran pulpster and paperbacker Philip Ketchum knew how to spin a fast-moving, hardboiled Western yarn, that’s for sure. THE GHOST RIDERS races along with plenty of action and interesting, well-developed characters. For somebody who doesn’t want trouble, Johnny Lang sure finds plenty of it, and everything comes to a climax that’s particularly satisfying to me, although I can’t say why without venturing too far into spoiler territory. Like nearly all the Ace Double Westerns I’ve read, this is a solid, enjoyable novel, and if you’re a fan of traditional Westerns, THE GHOST RIDERS is well worth reading.