Showing posts with label Everett Raymond Kinstler. Show all posts
Showing posts with label Everett Raymond Kinstler. Show all posts

Saturday, May 16, 2026

Saturday Morning Western Pulp: Ranch Romances, Second August Number, 1957


This is a pulp that I own and read recently. That’s my copy in the scan, and it’s in halfway decent shape for a change. The cover art is by Sam Cherry. Most of his covers aren’t signed, but you can see his signature in the lower right corner of this one, although it’s backwards, meaning the art was flipped.

Edwin Booth is a familiar name to me because he wrote at least a dozen Western novels, many of them published in the Ace Doubles line. I don’t recall ever reading anything by him until now. He’s the author of this issue’s lead novella, “Once a Killer”, which finds the protagonist, Fred Irwin, returning to the hometown he left ten years earlier after killing a man in a gunfight. Everybody figured that meant he had turned into an outlaw, but in reality, he’s become a hard-working cowboy and finally saved up enough money to buy a ranch of his own. Unfortunately, he finds himself in the middle of trouble orchestrated by a crooked saloon owner who wants to take over the town and all the surrounding ranches. Naturally, Irwin comes to the aid of an old rancher and the man’s beautiful daughter, and more trouble ensues. This is a very standard plot, but Booth provides some nice action scenes and a few well-developed characters. Overall, though, his style is definitely on the bland side, and that keeps this story from having the impact it might have had otherwise. It’s not bad, and I would read Booth’s work again, but I’m not going to be on the lookout for it.

Frank C. Robertson was a long-time, very prolific Western pulpster and novelist. His short story in this issue, “Practical Woman”, is a contemporary Western set in the Fifties, a domestic drama about the marriage of a spinster schoolteacher and a hard-headed rancher. It’s well-written, as all of Robertson’s work that I’ve read is, but it’s very low-key and unexciting and really peters out in the end. Robertson was a good author, but this isn’t a very good story.

Thankfully, old reliable Walker A. Tompkins comes along next with the novelette “The Deputy’s Daughter”. In this one, a young cowboy who buys a ranch finds himself framed for murder by the local cattle baron who wants to take over his spread. His only hope is the deputy sheriff’s beautiful blond daughter, who takes a likin’ to him and believes he’s innocent. This is a fast-moving, very entertaining yarn that suffers a little from the fact that it’s not a novella or even an actual novel. I felt like it could have used some room to develop the plot and characters more, and because of that, the ending feels a little rushed. I still liked it quite a bit, though.

“Heritage of Wrath” by M.E. Bradshaw (Marjory Bradshaw) is a Mountie story about a young RCMP officer who has to arrest the father of the girl he loves for murder, which makes her break off their engagement because she refuses to believe he’s guilty. Our Mountie hero has to dig deeper into the case to find out what really happened. This is an okay tale with a somewhat disappointing ending. Bradshaw published two dozen stories during the Fifties, all of them in RANCH ROMANCES.

Stephen Payne was very prolific, turning out several hundred stories for various Western pulps and digests between 1925 and 1970, along with a handful of novels. “Killer’s Conscience” in this issue is narrated by a 14-year-old ranch kid whose father was convicted of a murder he didn’t commit and sent to prison. The narrator’s encounter with an outlaw may hold the key to clearing his father’s name. This is a solid, well-written story that I enjoyed.

There’s also an installment of a serialized novel, Philip Ketchum’s THE STALKERS, that I didn’t read. I may have the book version of that one. I’ll have to check my shelves.

I should mention, as well, that there are several excellent interior illustrations by Everett Raymond Kinstler. I don’t talk about interior illustrations much, and I probably should. Kinstler was one of the very best at those.

Overall, considering how highly I rate many of the 1950s issues of RANCH ROMANCES, this one is probably a little below average. All of the stories kept me reading, but none of them really stood out as being top-notch, either. The ones by Tompkins and Payne are easily the best of the bunch, and the one by Booth is worth reading. Maybe don’t rush to your shelves to see if you have a copy, though.

Saturday, November 25, 2023

Saturday Morning Western Pulp: Ranch Romances, Second July Number, 1955


This is a pulp that I own and read recently. That’s my copy in the scan. I don’t know the artist. I’ve said before that RANCH ROMANCES was a good Western pulp during the Fifties, and this issue is no exception. It leads off with “Stampede Valley”, a novella by J.L. Bouma, a prolific author of Western pulp stories and novels. Bouma used very traditional plots but handled them well. This one has a powerful rancher trying to crowd out the smaller outfits in the valley. The protagonist is a young cowboy who works for the cattle baron but comes to realize he’s on the wrong side. This is a well-written, enjoyable tale that seems a little rushed at the end, its only real drawback.

Bill Burchardt’s stories and novels are often set in Indian Territory. “The Deputy’s Daughter” finds one of Judge Parker’s deputy marshals using his own daughter as bait to catch an owlhoot. It’s not a terrible story, but the writing never really caught my interest and there’s not much of a payoff. I’ve enjoyed other Burchardt stories more in the past.

The novelette “Renegade’s Girl” finds two lawmen transporting a convicted killer by train over a snowy Montana landscape to the town here he’ll be hanged. The outlaw’s victim was the twin brother of one of the lawmen. This is an excellent set-up, and since the author is Walker A. Tompkins, one of my favorites, it’s no surprise that this is a taut, suspenseful yarn. Tompkins is always good, and he’s at the top of his game in this one.

There are three more short stories in this issue. “Sinner Man” by Talmage Powell is about a traveling preacher, his beautiful daughter, and a vengeance-seeking gunfighter. “Woman for a Hoeman” is a terrible title for a cattlemen-vs.-sodbusters story by Ed La Vanway. “To Brand a Maverick” is a rare Western by Milton Lesser/Stephen Marlowe under his Adam Chase pseudonym that’s about the son of an outlaw deciding whether to go straight or follow in his father’s footsteps. All are well-written, and all have rather limp endings that really dilute their effectiveness. But they’re all readable.

There are also some assorted features and short fact articles I didn’t read, as usual, as well as the third of four serial installments of THE VENGEANCE RIDERS, a novel by Joseph Chadwick under his pseudonym Jack Barton. I didn’t read the serial, either, but I have the Popular Library edition of the novel and I might get around to reading it one of these days. Chadwick is usually good. And this is a good issue of RANCH ROMANCES based on the stories by Tompkins and Bouma, even though the rest of the fiction is pretty forgettable. It also has some nice interior art by Everett Raymond Kinstler.

UPDATE: Here's the paperback edition of THE VENGEANCE RIDERS.



Sunday, March 19, 2023

Sunday Morning Bonus Pulp: Short Stories, July 1951


SHORT STORIES was still using those red sun covers even this late in its run. This one is by Everett Raymond Kinstler. By this time, the magazine was using a lot of reprints. Every story in this issue, in fact, is a reprint. But with authors such as Ernest Haycox, William Chamberlain, Cliff Farrell, Bennett Foster, Edward Parrish Ware, Jackson Gregory, and Stephen Chalmers, most readers probably still got their money's worth. By the way, I have carried a knife in my teeth before, and while climbing up a cliff, to boot. Sometimes I think it's a wonder my friends and I survived childhood.