Review: Six White Horses - James Robert Daniels

Several years ago, James Robert Daniels published his first novel, THE COMANCHE KID, and accomplished a rare feat: he wrote a classic Western novel first time out of the gate. He followed that with a sequel, JANE FURY, that was almost as good. His third novel, SIX WHITE HORSES, will be released tomorrow, and I was fortunate enough to read an advance copy. I was hoping it would live up to the tradition of excellence Daniels has already established.

I’m happy to report that it does.

The narrator/protagonist of SIX WHITE HORSES is James Quinn, a Texas Ranger who became a lawman after fighting in the Civil War and then heading west to try life as a cowboy. Packing a star hasn’t necessarily been an improvement, however. When the book opens, he’s in pretty bad shape, having suffered serious bullet and knife wounds in the process of apprehending the notorious outlaw Cole Twist. But Quinn manages to make it to Corpus Christi (a town I know pretty well, by the way, and it rings true in Daniels’ version) with Twist as his prisoner. Twist gets locked up in the local jail, and Quinn lands in the hospital, where he meets the beautiful Quaker nurse/schoolteacher China Smallwood.

Quinn’s recuperation, his romance with China, his efforts to track down the rest of Twist’s gang, and the struggle to keep the colorful and charismatic but thoroughly evil owlhoot behind bars make up the rest of the novel. As in his previous books, Daniels makes good use of the traditional Western elements, but he raises SIX WHITE HORSES to a higher level with vivid, finely polished writing and compelling characters. James Quinn has a great voice, and you can’t help but like and root for him.

SIX WHITE HORSES may not be quite as good a book as THE COMANCHE KID—as I said, that one’s a classic—but it is a superb Western, and I give it a very high recommendation. It’ll be available tomorrow in e-book, paperback, and audio editions, but you can pre-order any of them now.

Sunday Morning Bonus Pulp: Street & Smith's Top-Notch, March 1933

This issue of TOP-NOTCH has a good cover by John Coughlin, an artist I associate more with DETECTIVE STORY MAGAZINE, whether that impression is correct or not. The lead novella is by an author whose name wasn't familiar to me, R.E. Dupuy. But a little investigation revealed a pretty interesting story. Richard Ernest Dupuy was a newspaper reporter who served as an artilleryman in World War I, then stayed in the army and made a career out of it. But he had sold a few pulp stories before the war and took it up again in the late Twenties, placing a story in WEIRD TALES but concentrating on war and adventure yarns for various pulps. That came to an end when World War II began and Dupuy became the Director of Public Information at the Supreme Headquarters Allied Expeditionary Force, where he reported directly to General Eisenhower. It was Dupuy who announced to the world via radio when the invasion of Normandy began on D-Day. Pretty good for an old pulpster. After the war, Dupuy retired as a colonel and wrote military history books. I've never read anything by him, as far as I recall. There are only three other pieces of fiction in this issue of TOP-NOTCH, all of them by authors who wrote a lot of Westerns: Galen C. Colin, J. Allan Dunn, and Walker A. Tompkins, who has one of his Ozar the Aztec/Lost Race novelettes in this issue under the house-name Valentine Wood. Dunn, of course, wrote a lot of other genres besides Westerns, but he was a stalwart in that field. Quite a few issues of TOP-NOTCH can be found on-line, but this doesn't appear to be one of them.

Saturday Morning Western Pulp: Exciting Western, January 1950

This is a pulp that I own and read recently. That’s my copy in the scan. I think the cover is by Sam Cherry, although I’m not as sure of that as I sometimes am, and I find it pretty interesting. In all the books I’ve written, I don’t recall ever writing a shootout that involves a windmill. It doesn’t strike me as being a very good place to take cover, but maybe this hombre didn’t have any choice.

Range detectives Tombstone Jones and Speedy Smith are on hand, as usual, as the issue opens with W.C. Tuttle’s novelette “A Mixture of Mavericks”. The boys are assigned to a case where they’re supposed to settle a dispute over unbranded yearlings, but they wind up with another sort of “maverick”: a baby. And that baby is part of a case involving a mine payroll robbery, a kidnapping, and some fistfights and shootouts. Yep, it’s the old “heroes get stuck taking care of a baby” plot. I’ve used it myself. It nearly always works. It does so in this story, which is funny and action-packed, as well as pretty well-plotted. This is a strong entry in a consistently strong series.

Most of the stories by Lee Bond that I’ve read were parts of series, but “The Desert Builds a Noose” in this issue is a stand-alone, which finds a sheriff trying to discover the truth about the murder of an old prospector. This is a good story, and I like the title. The only problem I had with it is that I found the ending a little muddled, but that could always be just me.

I don’t know anything about John C. Ropke except that he published about 30 stories between 1950 and 1955 and nothing after that. A mixture of Westerns, sports stories, and jungle adventure yarns. “Boomerang” in this issue is a rodeo story about brothers who are both bronc riders. The younger brother is jealous of his older brother’s success. This starts out like a YA story in which lessons are learned. Well, lessons are learned, all right, but it turns a lot darker along the way, which was not what I expected. It’s well-written and packs a punch, enough so that it makes me interested in reading something else by Ropke.

“Devil in the Cook Shack” is by Robert J. Hogan, author of the G-8 series. Hogan did quite a few Westerns, too, and I tend to like his work. This one is a more lighthearted yarn about a young man from the East who inherits his grandfather’s ranch. It’s not really a tenderfoot-makes-good story like you might expect, though. Although the protagonist isn’t an experienced cowboy, he’s spent enough time on the ranch in the past that he’s not totally lost, either. The ranch cook has a man-crazy teenage sister who plays all the ranch hands against each other. There’s also a swindling horse buyer and a gunslinging gambler. It’s a mildly amusing blend of romance and action, a minor effort from Hogan but enjoyable enough.

“Sure Sign of Trouble” is by Donald Bayne Hobart, one of my favorites, and finds a young rancher in conflict with his older neighbor. The twist in this story is pretty easy to spot, but it’s interesting because the final shootout takes place with the protagonist on a windmill platform, just as depicted on this issue’s cover. When that happens, I always wonder if the publisher already had the cover painting and the editor asked the author to write a story to fit it. Hobart is a good enough writer that even though there’s not much to this story, it’s still entertaining.

The last novelette by Nels Leroy Jorgensen I read wasn’t very good, so I was a little wary heading into “Gunflame Survey”, which wraps up this issue. It’s not bad, though. The protagonist is a tough, two-gun surveyor who’s blackmailed into carrying out a phony survey for a land-grabbing villain. Things don’t play out exactly as the bad guy intends, though. Some of the writing is pretty rushed and awkward, and since Jorgensen had been in the business since 1923, I can only surmise that his talents deteriorated some with age. I know all too well how that can happen! Anyway, this story has some decent action and an interesting plot, even if the writing is inconsistent.

I was a little disappointed that there’s no Navajo Tom Raine story in this issue, since I’ve grown really fond of that series, but a top-notch Tombstone and Speedy yarn makes up for a lot. None of the other stories are exceptional, but they’re all entertaining. This one’s worth a look if you have a copy.

A Rough Edges Rerun Review: Spade & Archer - Joe Gores

Joe Gores’ SPADE & ARCHER is a prequel to Dashiell Hammett’s THE MALTESE FALCON, one of the greatest – if not the greatest – private eye novels ever written. I have to admire anyone who would even attempt such a thing, let alone an author who could pull it off successfully. Thankfully, Gores does.

He starts with what I think is a brilliant decision to structure the novel in the form of three linked novellas, harkening back to Hammett’s novels RED HARVEST and THE DAIN CURSE. SPADE & ARCHER is a little different, of course, because its component parts were written to be published together, instead being published first as separate stories in BLACK MASK. Also, the time span of SPADE & ARCHER is longer than what you usually find in novels that were actually cobbled together from pulp yarns, since the three parts take place in 1921, 1925, and 1928. The first part begins with Sam Spade in Tacoma, working for the Continental Detective Agency (that’s right, he’s a Continental Op), but it’s not long before he moves to San Francisco and opens his own one-man agency, hiring a seventeen-year-old girl named Effie Perrine as his secretary. He investigates the theft of a small fortune in gold coins from a ship that arrives in San Francisco and also locates the runaway teenage son of a wealthy banker.

Those two plotlines crop up again in the second part, set four years later, which finds Spade investigating the death of another banker that might be natural causes, might be suicide, or might be murder. Gores continues weaving together strands from the first two parts in the concluding section, in which Spade takes on a partner, an old detective acquaintance named Miles Archer who happens to be married to a woman who was in love with Spade before he went off to fight in World War I. The newly-formed Spade & Archer agency investigates the theft of a large amount of cargo from the San Francisco docks, while Spade on his own tries to track down a quarter of a million dollars in buried treasure. Gores winds up tying everything together in a complex plot worthy of the pulp era.

That faithfulness to the roots of the hardboiled PI genre is this book’s greatest achievement, as far as I’m concerned. Other than a greater amount of frankness about the fact that Spade is sleeping with Iva Archer and with some of his female clients, SPADE & ARCHER really could have been written and published in the 1920s. Some authors these days, if they were trying to write a prequel to THE MALTESE FALCON, probably would have felt compelled to coarsen the language and make the sex and violence more graphic. Not Gores. He’s content to spin a pulp yarn and does a magnificent job of it.

Some readers are opposed to the concept of pastiches in general, and I can understand that. It would be pretty hypocritical of me to feel that way, however, since I’ve always made a large part of my living writing about characters created by other people. I do believe, though, that an author writing a pastiche ought to at least try to stay faithful to the spirit of the original creation. That’s what Joe Gores has done in SPADE & ARCHER. I’m sure a lot of you have read this book already, but if you haven’t, it gets my highest recommendation. It’s a wonderful novel, and probably the best thing I’ve read so far this year. And it really, really makes me want to reread some Hammett.

(Despite my good intentions [road to Hell paved with, etc., etc.] I don't recall reading anything else by Dashiell Hammett since this post originally appeared on May 1, 2009. I have, however, read Max Allan Collins' terrific RETURN OF THE MALTESE FALCON and highly recommend it as well. SPADE & ARCHER is still available in e-book and paperback editions, and if you're a private eye fan and haven't read it yet, you should grab a copy and remedy that.)

Review: The Gray Man - Mark Greaney

I’ve had this book for a number of years, and being in the mood for a thriller, I finally got around to reading it. It’s the first book in a very successful series that also led to Mark Greaney writing several books in the Tom Clancy franchise.

The title character is Courtland Gentry, who was a CIA agent until the Agency turned on him and forced him into a life as a professional assassin. With the CIA after him as well as the enemies he’s made along the way, it’s a very dangerous profession, but he’s the best at it. He also has a strict code of honor and won’t take on any jobs that conflict with it. As far as he’s concerned, he’s eliminating the bad guys, one by one.

All this is already established when the book begins. In a quest for revenge, the brother of one of Gentry’s targets leverages a giant international corporation into using all its assets to go after him. Billions of dollars are at stake. Hundreds of professional killers want to take him out as he makes his way across Europe, but he has to survive in order to reach the Normandy region of France and rescue some kidnapped innocents. Much action ensues.

That’s the plot of THE GRAY MAN. It’s not complicated at all, basically just one long chase/shootout in various locations against various enemies. To make that work, you have to be a pretty darned good writer, and thankfully, Mark Greaney is. The pace is relentless, the action scenes are top-notch, Court Gentry is a great protagonist, and Greaney gives the supporting cast enough personality that we care about them. Yes, the action is over the top, and suspending disbelief when it comes to Gentry still being able to function despite all the punishment he takes is a bit of a stretch. But as I always say, squint your eyes and hold your mouth just right, and it works. I raced through this book and had a good time reading it.

That said, at a little more than 400 pages, I thought it was maybe a hundred pages too long. Greaney himself seems to think it might be a little padded, because late in the book he has Gentry musing about how so much of what he’s done on his trek didn’t accomplish anything. Also, in the spirit of fairness, I think I might be letting my age and my reading history influence me here. Greaney writes so well I think this would have been a fantastic 160 page paperback . . . but that’s not what the publisher paid him to write, is it?

So I’m glad I finally got around to reading THE GRAY MAN. There are 15 more books in the series, but they all appear to be 500-600 pages long. If I thought this one was too long at 400 and change, I’m not sure when or if I’ll be ready to tackle the next one. But if you enjoy longer books, and I know some of you do, and you’re a fan of modern thrillers but haven’t checked out the Gray Man series, I highly recommend that you do so. It’s available in e-book and paperback editions from Amazon.

Review: Queen's Own - George C. Appell

I’d read several Western pulp stories by George C. Appell and enjoyed them, and I own some of his Western novels that I haven’t read yet, but I didn’t know he had written any historical novels until I came across this one, which was published as a paperback original by Dell in 1955 and never reprinted as far as I know. The great George Gross cover caught my eye immediately, and I was intrigued enough to go ahead and read it.

The story takes place in India during the 1897 uprising by the Afridis and the Pathans against British colonial rule. The nominal protagonist is Captain Ian Macleod, a Canadian/Scots officer in the lancer regiment tasked with keeping the peace in part of the Northwest Frontier. QUEEN’S OWN really has an ensemble cast, though, with characters ranging from its commanding officer to a younger officer who’s rivals with Macleod, a beautiful half-caste dancer who’s a spy, her gun-running father, the beautiful young American woman who’s engaged to Macleod’s rival, and the leader of the uprising who wants to wipe out the British.

If you’re thinking this sounds like it would have made a good movie, you’re right. I can easily imagine it as a fairly big budget production in the Forties or Fifties. You can cast it in your head as well as I can, according to your own preferences, except for the commanding officer who has to be C. Aubrey Smith. I won’t budge on that one.

But I was talking about the book. Well, Appell was a good writer. I always thought his style was a bit more literary than most Western pulpsters, and he gives that free reign here, creating a very vivid setting and inhabiting it with complex, fully developed characters. The problem with QUEEN’S OWN is that there’s very little action in it. The first two-thirds of the book is almost all political intrigue and soap opera. It’s well-written, no doubt about that, but even so, I was waiting for something else to happen.

The final third of the book is much more eventful, but even there, a frustratingly large amount of the action occurs off-screen. However, the ending is pretty satisfying, the characters are interesting, and the historical background is handled well. The whole thing just needed a little more oomph, I guess you could say.

I’m glad I read QUEEN’S OWN, and I think that overall it’s worthwhile, but if you’re going to give it a try, you should know it’s not quite the sexy, action-packed, historical adventure that the cover promises.

Sunday Morning Bonus Pulp: Far East Adventure Stories, January 1931

I don't know who painted the cover on this issue of FAR EAST ADVENTURE STORIES, but it's pretty eye-catching. That's a tough-looking Cossack. I assume he's the protagonist of Malcolm Wheeler-Nicholson's serial "The Red Cossack". This issue has a sterling lineup of authors that also includes H. Bedford-Jones, Hugh B. Cave, Lawrence G. Blochman, Chart Pitt, and Jack D'Arcy (D.L. Champion). Also on hand are W.C. Harding, better known under his pseudonym Anson Hard, along with H.C. Langer, real name Hedwig Langer (never heard of her), and newcomer H. DeWitt Thomason, who has no other credits in the Fictionmags Index, so his story here may well be the extent of his career. FAR EAST ADVENTURE STORIES didn't last long, only a dozen issues, but it published some good stuff.

Saturday Morning Western Pulp: Thrilling Ranch Stories, September 1948

I don't have any idea who painted this cover, but I like it fairly well. I've still never read an issue of THRILLING RANCH STORIES. I'm going to have to, one of these days. This issue features one of my favorite Western writers, Joseph Chadwick, as well as Clee Woods, Joe Archibald (best remembered, I suspect, as an aviation pulpster, but he wrote everything), Harold F. Cruickshank (definitely best remembered as an aviation pulpster), Bruce Douglas, and Marian O'Hearn, as well as lesser-known pulpster Monica Morton. Oh, wait! Monica Morton was really Johnston McCulley, so never mind. Not lesser-known at all. Chadwick and McCulley make this a worthwhile issue.

It Was Fifty Years Ago Today . . .

 

Still the love of my life and always will be.

Review: American Treasure Hunters: The Pirate and Alamo - Andrew M. Dare

I really enjoyed the first two books in the American Treasure Hunters series, THE HUNT FOR CONFEDERATE GOLD and THE BOSTON TEA PARTY CONSPIRACY, but I’ve been especially looking forward to the third book, THE PIRATE AND THE ALAMO, since, as you can tell from the title, it takes place in Texas.

It’s safe to say I was not disappointed. At all.

This one finds our teenage protagonists, Ben Prescott, Porter Rockwell, and Latch McCrae, in San Antonio with Ben’s wealthy uncle, who plans to bid at an auction for a Corvette Stingray that once belonged to an astronaut. But of course things become more complicated than that when they come into possession of an antique powder horn that might have belonged to Jim Bowie. And, also of course, that powder horn has some sort of cipher etched into it and another secret lurking inside, as well. Before you know it, the guys are untangling a mystery that involves not only the battle of the Alamo but also the notorious pirate Jean Lafitte, and once again they find themselves in danger from forces that want to uncover the truth first, for their own nefarious ends.

I raced through this novel and had an absolutely great time reading it. The fast-paced prose and intricate plot from author Andrew M. Dare would have been very entertaining regardless of where the book was set, but having it take place in areas I know fairly well made it even more enjoyable. For example, when there’s a great chase scene along the River Walk, I couldn’t help but think of the time I had supper with Bill and Judy Crider at one of the restaurants right there by the river. I’ve been to the Alamo and inside the Menger Hotel many times. When the trail leads to the Lost Pines area in central Texas, I know what it looks like because I’ve driven through there many, many times (in a different location than the scenes in the book, but in the same stretch of pines that runs through that part of Texas). I always get a kick out of fiction set in places I know, and this book is a prime example of that. Andrew M. Dare, mentioned above, is actually a house-name, and the author of this one is David Afsharirad, a Texan his own self, so he knows what he's talking about.

Throw in the fact that the three protagonists are just so dang likable, and I can’t help but feel like THE PIRATE AND THE ALAMO is one of the best books I’ve read so far this year. It’s available on Amazon in e-book, hardcover, and audio editions, and I give it a very high recommendation.