Review: Gangland's Doom: The Shadow of the Pulps (50th Anniversary Edition) - Frank Eisgruber Jr.

I’ve been hearing about GANGLAND’S DOOM, the ground-breaking study of The Shadow by Frank Eisgruber Jr., for many years. By the time I got into pulp fandom in the early Eighties, the book’s original edition, published by Robert Weinberg, had been out for several years. It was reprinted later by Starmont House and Altus Press, but I never got around to picking up a copy and reading it.

When the fine folks at The Shadowed Circle decided to do a special 50^th Anniversary Edition, I got on board right away, knowing the quality of the work they do. And they certainly didn’t disappoint. I’ve just read the new edition of GANGLAND’S DOOM, and it’s fantastic.

This was one of the very first books of pulp scholarship. Eisgruber takes a good look at The Shadow’s true identity, the various false identities he employed in his war against crime, the many agents and helpers who also enlisted in that war, the great villains against whom The Shadow and his organization battled, and the multitude of settings used in the almost 400 novels in the pulp series. He covers as well the three main authors of the saga, Walter B. Gibson, Theodore Tinsley, and Bruce Elliott, and this new edition provides several appendixes, correspondence between Eisgruber and fellow Shadow expert Will Murray, and an interview with him.

Will long-time Shadow fans learn much that’s new in this volume? Well, probably not much. Numerous other books have been published that delve deeply into the history of the character, not to mention the many articles from the journal THE SHADOWED CIRCLE and earlier pulp fanzines. But is GANGLAND’S DOOM well-written, informative, and highly entertaining? It absolutely is. I don’t know of any Shadow fan who wouldn’t greatly enjoy this affectionate look at a favorite character.

And I did come across one idea I’d never encountered before, at least as far as I recall. Eisgruber discusses—and rightfully dismisses—Philip José Farmer’s speculation that the flying spy G-8, The Spider, and The Shadow were all the same man. I don’t buy that for a second, but Eisgruber mentions an alternate possibility, that following World War I, G-8 became the detective and master of disguise Secret Agent X, and I can believe that. I don’t know if it’s true or not, but it seems feasible to me. (Using the word “true” loosely, of course, since we are talking about pulp characters . . .)

As for the book itself, it’s beautifully produced. You’d expect no less from editor/publisher Steve Donoso and his associates. I was a Kickstarter backer and got my copy that way, but it’s available on Amazon in a hardcover edition with a cover and illustrations by Joseph Booth (the edition I read) and a paperback with a cover by Marcin Nowacki. There’s also a Kindle edition. You can also buy the print editions and plenty of other great Shadow material directly from the publisher, which is always an excellent option. If you’re a fan of The Shadow, I can’t recommend this one highly enough. It’s a great book and one of the best I’ve read so far this year.

Sunday Morning Bonus Pulp: Crime Busters, October 1938

Western pulps weren't the only ones that favored a red and yellow color scheme. Here's an example of one on CRIME BUSTERS, a detective pulp that often featured photo covers but not this time. It also specialized in series characters, and the line-up in this issue is full of heavyweight authors. There's a Click Rush story by Lester Dent, a Carrie Cashin story by Theodore Tinsley, a Clay Holt story by Carroll John Daly, a Red Drake story by W.T. Ballard, and a Doc Trouble story by Robert C. Blackmon. I've heard of Click Rush and Carrie Cashin, but I'll admit, the others are new ones on me. Daly's Clay Holt appeared in six stories, the first four in DIME DETECTIVE, this one in CRIME BUSTERS, and a final yarn in BLACK MASK. I'm guessing Ballard's Red Drake was probably a private eye. He appeared in more than two dozen stories in BLACK MASK, CRIME BUSTERS, and STREET & SMITH'S MYSTERY MAGAZINE. Blackmon's Doc Trouble appeared in 18 stories in CRIME BUSTERS and STREET & SMITH'S MYSTERY MAGAZINE. I'll bet these are all good characters and good stories, and if any of you are familiar with them, please feel free to tell us about them in the comments.

Dark Avenger: The Strange Saga of The Shadow - Will Murray

One of the first books I ever bought about pulps was THE DUENDE HISTORY OF THE SHADOW MAGAZINE by Will Murray, an author/editor/pulp fan who I probably met through our mutual friend Tom Johnson. This was more than 40 years ago, so some of the details have slipped my memory. But I was a big fan of The Shadow, having listened to the radio shows, read all the original novels published by Belmont (having no idea at the time that they were written by Dennis Lynds, another guy who would become a friend years later) and all the reprinted pulp novels from Bantam, Pyramid, Jove, Tempo, Dover, etc. So I dived into THE DUENDE HISTORY OF THE SHADOW MAGAZINE with great enthusiasm and was well-rewarded. I loved it. It’s one of the all-time best books about pulps, in my opinion. Plus it’s a beautiful oversized paperback with a great cover by Frank Hamilton.

Of course, my copy was lost in the Fire of ’08 and I never got around to replacing it.

But now we come to today, and Will Murray’s latest book DARK AVENGER: THE STRANGE SAGA OF THE SHADOW. This is a greatly revised and expanded version of THE DUENDE HISTORY OF THE SHADOW MAGAZINE and includes all the information Murray gleaned from the past forty-some-odd years of research. I opened it with the same enthusiasm I felt four decades ago and wasn’t the least bit disappointed. This is the best, most exhaustive volume about a single pulp magazine ever written.

Anything you want to know about THE SHADOW MAGAZINE is in here. The authors are covered extensively (mostly Walter B. Gibson, of course, but there’s plenty about Theodore Tinsley, Bruce Elliott, and Lester Dent, as well), as well as the editors and illustrators and the Street & Smith executives who were involved in the magazine’s production. The entire run of 325 novels is broken down into distinct categories, and Murray explores how they were written, how the series evolved, and the various influences that caused that evolution. He touches on the various versions of The Shadow after the pulp ended, but this is mostly about the 18-year run between 1931 and 1949. Rightly so, as far as I’m concerned since the pulp Shadow is my favorite.

The cover of this new edition is by Joe DeVito, who has done great covers for many of Murray’s books in recent years. I really like this one because it captures The Shadow’s personality quite well and also includes Myra Reldon, one of The Shadow’s agents from the novels who usually isn’t featured in artwork about the character and the pulp. An excellent job all around by DeVito. The book also includes a lot of the interior illustrations by Frank Hamilton from the earlier edition. I always loved Hamilton’s work and am very pleased to see these illustrations again. They really bring back a bygone era of pulp fandom filled with printed fanzines and books like THE DUENDE HISTORY OF THE SHADOW MAGAZINE.

Even if you’re a fan of The Shadow and read the original version, you’re going to want to read the new edition, too. I raced through it, unable to put it down, having the time of my life reliving memories of the Shadow novels I’ve read and being reminded of all the great ones still waiting for me to read. Between the great journal THE SHADOWED CIRCLE and the books devoted to the character by Will Murray, this is the new Golden Age of Shadow Fandom. DARK AVENGER gets my highest recommendation. It’s available in both e-book and trade paperback editions.

Sunday Morning Bonus Pulp: Detective Book Magazine, Fall 1938

All you have to do is look at how much is going on in this great cover to know it's by Norman Saunders. Holy cow! They just don't get much more pulpish than this one. Inside this issue of DETECTIVE BOOK MAGAZINE are a Duncan Maclain novel by Bayard Kendrick, a reprint of an Amusement Inc. story by Theodore Tinsley, and more yarns by James P. Olsen, Stewart Sterling, and Franklin H. Martin. Looks like a fantastic issue.  

Sunday Morning Bonus Pulp: Crime Busters, June 1938

The cover's not bad on this issue of CRIME BUSTERS (I don't know the artist), but man, look at the authors and series inside: Lester Dent with a Click Rush story, Walter B. Gibson (as Maxwell Grant) with a Norgil the Magician story, Norvell Page with a story featuring Angus Saint Cloud, the Death Angel (don't know this series, but what a great name!), Theodore Tinsley with a Carrie Cashin story, plus yarns by Frank Gruber, Wyatt Blassingame, and Arthur J. Burks. This looks like an absolutely great issue.

Master of Mystery: The Rise of the Shadow - Will Murray

This is the book that prompted me to read a Shadow novel, as I mentioned a few days ago. Will Murray has written a great deal about the character over the years, and MASTER OF MYSTERY: THE RISE OF THE SHADOW collects some of the best of it, including some updated material. Two lengthy interviews with Walter B. Gibson, a history of The Shadow radio show, interviews with Theodore Tinsley, who ghosted more than two dozen of the novels, John Nanovic, who edited the series for ten years, and Graves Gladney, one of the best known cover artists for the pulp. That’s a wealth of great Shadow-related material right there. Murray rounds out the volume with articles about illustrator Edd Cartier, Gibson’s involvement with the world of magic, and The Shadow’s influence on the creation of The Batman. I’d read some of this before but had a great time reading it again. MASTER OF MYSTERY: THE RISE OF THE SHADOW is not only informative but very entertaining, and I give it a very high recommendation.

Sunday Morning Bonus Pulp: Detective Book Magazine, Summer 1938

This issue of a lesser known pulp (lesser known to me, anyway) has a colorful, distinctive cover and a nice line-up of authors inside. Two of the stories are reprints, including the lead novel, A. Merritt's "Creep, Shadow!" The other reprint is one of Theodore A. Tinsley's Amusement Inc. yarns from the pulp BLACK ACES. The non-reprints include stories by Erle Stanley Gardner and Franklin H. Martin, so . . . pretty good stuff. I think Gardner must have loved writing for the pulps, otherwise why would he have continued to do so after he'd already started enjoying a lot of success with Perry Mason? By the way, the big guy in the green hat on this cover reminds me a little of Broderick Crawford.

Saturday Morning Western Pulp: Lariat Story Magazine, December 1935

That's a pretty dynamic cover by Emery Clarke on this issue of LARIAT STORY MAGAZINE. There are some really excellent writers to be found inside, too: Walt Coburn, Eugene Cunningham, Frederick C. Davis, James P. Olsen, and Theodore A. Tinsley all have stories in this issue, as well as lesser known authors Ralph Condon and Edgar L. Cooper, plus house-name John Starr, who could be any of those guys if you go by the theory that house-names were used when a writer had more than one story in an issue. If I had to venture a guess, I'd say that in this case, Starr is probably Olsen or Tinsley, both prolific pulpsters, or possibly Davis. Coburn and Cunningham were big names and an editor wouldn't have wanted to waste a story from either of them by putting a house-name on it. But all that's just speculation on my part. I love the title of Cunningham's yarn, "The Gun-Girl of Murder Mesa".

Sunday Morning Bonus Pulp: Crime Busters, February 1938

I'm not too fond of the photo covers on CRIME BUSTERS, but man, look at that line-up of authors! The Lester Dent story is part of his Click Rush, the Gadget Man, series, while Walter B. Gibson, writing as Maxwell Grant, contributes a Norgil the Magician yarn. Ted Tinsley's story features his female private eye, Carrie Cashin. The others are all series stories, too, although, while I certainly know the authors, I'm not familiar with the characters: Steve Fisher (Big Red Brennan), Norvell Page (Dick Barrett), Frank Gruber (Jim Strong), and Norman A. Daniels (Boxcar Reilly). Photo cover or not, I'd sure read this one if I had a copy of it.

Sunday Morning Bonus Pulp: Crime Busters, July 1938

Another great cover by Norman Saunders on this issue of CRIME BUSTERS, and look at the line-up of authors: Walter B. Gibson (writing as Maxwell Grant) with a Norgil the Magician story; Lester Dent (a Click Rush, Gadget Man story); Theodore Tinsley (a Carrie Cashin story); Steve Fisher (a Big Red Brennan story); Frank Gruber (a Jim Strong story); Alan Hathway (a Colby Lyman story); and George Allan Moffatt (a Duncan Dean story). Now, I'm not familiar with all those series characters, but I know the authors and know they could be counted on to produce entertaining yarns. And any pulp with Dent, Gibson, Gruber, Tinsley, and Fisher has got to be good reading!

Sunday Morning Bonus Pulp: Black Aces, May 1932

Supposedly, BLACK ACES was Fiction House's attempt to imitate the success of BLACK MASK, but it didn't last very long, only seven issues. Its failure wasn't due to the quality of the writers, though. This issue featured stories by Carroll John Daly, James P. Olsen, Eugene Cunningham, Theodore Tinsley, William Chamberlain, and Franklin Martin, all well-regarded pulp authors. And it had a cover by Rudolph Belarski. The newsstands were just too crowded for it to stand out, I suppose.

This is the last weekend pulp post of the year. I hope those of you who read them are still enjoying them. I've started to think that I won't be doing these forever, but I'm not ready to quit yet and plan to be at it for a good while yet.

Sunday Morning Bonus Pulp: Crime Busters, July 1939

That racy cover by Graves Gladney looks more like it ought to be on a Spicy pulp rather than one from Street & Smith. But hey, I like it. And inside are stories by Lester Dent, Walter B. Gibson, Paul Ernst, and Theodore Tinsley, four titans of the pulp business, along with Robert C. Blackmon and George Allen Moffatt. I don't think I've ever read an issue of CRIME BUSTERS. I'm pretty sure I don't own any. I would have bought this one if I'd been around in 1939, though.