Nobody could accuse TERROR TALES, or any of the other Weird Menace pulps, for that matter, of being subtle and restrained. That's certainly true of this cover by John Howitt, which is one of the more lurid that I recall. The lineup of authors inside this issue is pretty much an all-star one for this genre: Hugh B. Cave, Wyatt Blassingame, Wayne Rogers, Paul Ernst, Nat Schachner, and James A. Goldthwaite writing as Francis James. All those guys wrote other things, too, of course, but they were prolific and well-regarded contributors to the Weird Menace pulps.
Showing posts with label Paul Ernst. Show all posts
Showing posts with label Paul Ernst. Show all posts
Sunday, September 07, 2025
Sunday Morning Bonus Pulp: Terror Tales, July 1935
Nobody could accuse TERROR TALES, or any of the other Weird Menace pulps, for that matter, of being subtle and restrained. That's certainly true of this cover by John Howitt, which is one of the more lurid that I recall. The lineup of authors inside this issue is pretty much an all-star one for this genre: Hugh B. Cave, Wyatt Blassingame, Wayne Rogers, Paul Ernst, Nat Schachner, and James A. Goldthwaite writing as Francis James. All those guys wrote other things, too, of course, but they were prolific and well-regarded contributors to the Weird Menace pulps.
Sunday, October 13, 2024
Sunday Morning Bonus Pulp: Detective Tales, August 1935
This issue of DETECTIVE TALES starts off with a good, dramatic cover by Walter Baumhofer and has a strong line-up of authors inside: top pulpsters Frederick C. Davis, Norvell Page, Paul Ernst, Wyatt Blassingame, Franklin H. Martin, J. Lane Linklater, R.T.M. Scott, and George Armin Shaftel (once as himself and once under the pseudonym George Rosenberg), plus lesser-known George Edson and Wilton Hazzard along with house-name Emerson Graves. Davis, Page, Blassingame, and Ernst would make this pulp well worth reading for me if I owned a copy, which I don't.
Sunday, July 17, 2022
Sunday Morning Bonus Pulp: Startling Stories, May 1948
Earle Bergey, of course. And behind his cover in this issue of STARTLING STORIES: Henry Kuttner, Ray Cummings, Frank Belknap Long, Arthur Leo Zagat, Robert Moore Williams, Paul Ernst (a reprint from THRILLING WONDER STORIES twelve years earlier), George O. Smith, and John Russell Fearn. Not all of those are favorites of mine, but it's still a lineup of solid, prolific, well-respected science fiction authors.
Sunday, April 17, 2022
Sunday Morning Bonus Pulp: Thrilling Wonder Stories, August 1936
This is the first issue of THRILLING WONDER STORIES after Ned Pines bought WONDER STORIES from Hugo Gernsback and changed the title. That's certainly an eye-catching cover. I don't know the artist. Equally eye-catching is the lineup of authors in this issue: A. Merritt, Ray Cummings, Stanley G. Weinbaum, Otis Adelbert Kline, Paul Ernst, Eando Binder (Earl and Otto Binder), Arthur Leo Zagat, and Mort Weisinger, who also happened to be the editor. That's just an excellent group of writers. You can read this issue on-line here, along with a lot of other issues of THRILLING WONDER STORIES. You know, between the issues I own and all the issues that are available on-line, I could just about spend the rest of my life reading pulps of all kinds. And when I retire, I might just do that.
Sunday, May 10, 2020
Sunday Morning Bonus Pulp: Detective Tales, November 1937
That looks like a Tom Lovell cover to me, although I could certainly be wrong about that. I'm sure there are some good authors inside, including Norbert Davis, Paul Ernst, and Dale Clark. Also on hard are authors I'm less familiar with: John Hawkins, Walter C. Brown, John Kobler, Charles Boswell, Robert W. Thompson, Thomas A. Hoge, and H.T. Sperry. If they sold to Popular Publications, I'll bet they're pretty good, too.
Sunday, October 21, 2018
Sunday Morning Bonus Pulp: Argosy, March 4, 1939
Lots of red to catch a potential reader's eye in this ARGOSY cover by George Rozen. Complete novelettes by Frank Richardson Pierce and Paul Ernst are pretty good selling points, too, along with serial installments by Allan Vaughan Elston, George Washington Ogden (a reprint of a serial from ALL-STORY in 1918), and Marco Page.
Sunday, September 23, 2018
Sunday Morning Bonus Pulp: Weird Tales, November 1934
That's a Margaret Brundage cover, of course. What else could it be? And this issue is so packed with stories that Robert E. Howard, H.P. Lovecraft, and August Derleth don't even make the cover. E. Hoffmann Price, Paul Ernst, and Kirk Mashburn are still remembered today, but I doubt if S. Gordon Gurwit is exactly a household name. I don't know that I've ever read anything by him. Still, his work was popular during that era, because I've seen his name on numerous pulp covers. Anyway, with issues like this, it's easy to see why WEIRD TALES is such an iconic pulp magazine.
Sunday, April 15, 2018
Sunday Morning Bonus Pulp: Clues Detective Stories, July 1935
The cover on this issue of CLUES DETECTIVE STORIES makes it look more like an adventure pulp than a mystery magazine, at least to me. And the presence of E. Hoffmann Price with the lead novel makes it just seem even more like that. But that's okay with me, since I always like Price's work. Also in this issue are stories by Cleve F. Adams, Paul Ernst, William Merriam Rouse, Arden X. Pangborn, and others.
Sunday, February 12, 2017
Sunday Morning Bonus Pulp: Ace Mystery, May 1936
I have a facsimile reprint of the first issue of ACE MYSTERY
MAGAZINE from May 1936 and read it recently. (I don't own the original magazine.) It’s primarily a Weird Menace pulp
but it has strong overtones of the mystery and detective pulps as well, and
even some supernatural yarns.
It gets off to a strong start with the novella "The Singing Scourge" by Frederick C. Davis. This one involves a beautiful young heiress (is there any other kind?) who’s driven into a killing frenzy by a strange, high-pitched song that comes out of nowhere and that only she can hear. Her fiancĂ© takes on the role of two-fisted detective to find out what’s going on. Most of the action takes place in an isolated mansion and there are a number of sinister characters lurking around, so you’d expect the goings-on to be suitably creepy, and they are. Davis was an excellent writer no matter what the genre. He tells a pretty standard story here but does it very well.
Laurence Hammond’s story concerns an heiress as well. "Death's Heiress", in fact, as the title tells us. She’s a beautiful redhead from Boston who inherits a fortune from her crazy old uncle in New Orleans. But when she arrives she winds up being trapped in an old plantation house with her uncle’s lawyer, Edmond LaRue. (And if you think a lawyer named Edmond LaRue is going to turn out to be bad news...well, you’ve read a pulp story or two in your time, haven’t you?) Despite having a pretty good idea what’s going to happen, Hammond’s writing is atmospheric enough that I enjoyed this story. I haven’t encountered Hammond’s work before, but I’d read more by him.
I don't know anything about Ben George, either, but his story "Cat-Man" is more like something you'd find in WEIRD TALES, rather than a Weird Menace pulp. It's about an artist who has become rich and famous by painting portraits of cats that belong to wealthy members of high society. But when he crosses a Crazy Old Cat Lady (to borrow a term from THE SIMPSONS), he finds himself cursed and believes he's turning into a cat. This is an okay story for the most part, but it's cursed, too—with a really lame ending.
Maitland Scott is better remembered as R.T.M. Scott, the author of the first two novels about The Spider, which were packaged together and reprinted by Berkley Books in the Sixties. I remember buying those and reading them nearly fifty years ago. I recall that I liked them, but that’s about it. Unfortunately, Scott’s novelette in this issue, “Priestess of Pain”, isn’t very good. The protagonist is a would-be writer whose childhood sweetheart marries a friend of his, then apparently dies in a car wreck, then comes back to life as one of the minions of an evil occultist who practically twirls his mustache. The writing is too florid even for a Weird Menace pulp (and that’s saying a lot), and there are some continuity glitches that make me think this might have been rewritten from an earlier, unsold manuscript.
Steve Fisher is the author of some well-regarded hardboiled crime novels, one of which, NO HOUSE LIMIT, was reprinted by Hard Case Crime. His story "Satan's Faceless Henchmen" in this issue is also a crime yarn, although a much more lurid one. It's the tale of a resurrection racket in which a gang of evil monks steals freshly dead corpses and brings them back to life in return for a payment of a quarter of a million dollars. The explanation behind all this is less than convincing, but the pace is fast and the action scenes are good.
"Wolf Vengeance" by Rex Grahame is a backwoods tale about the rivalry between two half-brothers over the beautiful girl they both love. One of the brothers was practically raised by wolves and has a strange affinity with them, and when he disappears it sets a chain of violent events in motion. The twists in this yarn are pretty obvious, but it's well-written, with a nice sense of its swampy locale.
John H. Knox was one of the leading authors of Weird Menace stories, but his contribution to this issue, "The Corpse Queen's Lovers", is a supernatural yarn more like what you'd find in WEIRD TALES. It concerns an archeological expedition in search of artifacts from an ancient religion in the New Mexico hills, and that Southwestern setting gives this story a nice distinction. Naturally enough, what the expedition finds is dangerously evil, and Knox tells the story in smooth, well-written prose.
Paul Ernst is best remembered as the author of the pulp novels featuring The Avenger, but he also wrote a lot of weird fiction and straight mystery tales. "Nightmare House" mixes the two genres effectively. It has some Weird Menace trappings—an eccentric scientist and a gorilla—but it's basically a detective yarn with a beat cop (who would have been played by Ward Bond if this had ever been filmed) serving as the protagonist. A minor but entertaining story.
Hugh B. Cave was one of the pulps' best and most prolific writers, turning out top-notch work in numerous genres for many different magazines. His novelette in this issue, "The Horde of Silent Men", concerns a group of businessmen who are meeting mysterious deaths one by one, until only the son and daughter of two of the men (who had died earlier of natural causes) are left and are threatened by the same doom that claimed the others. Though it's plenty creepy in places, this is really more of a mystery yarn, and the solution is fairly interesting. It's not in the top rank of Cave's work, but it's certainly enjoyable.
As is this entire issue. There are a couple of weak stories, but the ones by Davis and Knox are excellent and the others are well-written. Plus it has a good cover by Howard Sherman. For a hybrid of Weird Menace and mystery pulp, ACE MYSTERY is pretty darned good, based on this issue, and I wouldn't hesitate to read another.
It gets off to a strong start with the novella "The Singing Scourge" by Frederick C. Davis. This one involves a beautiful young heiress (is there any other kind?) who’s driven into a killing frenzy by a strange, high-pitched song that comes out of nowhere and that only she can hear. Her fiancĂ© takes on the role of two-fisted detective to find out what’s going on. Most of the action takes place in an isolated mansion and there are a number of sinister characters lurking around, so you’d expect the goings-on to be suitably creepy, and they are. Davis was an excellent writer no matter what the genre. He tells a pretty standard story here but does it very well.
Laurence Hammond’s story concerns an heiress as well. "Death's Heiress", in fact, as the title tells us. She’s a beautiful redhead from Boston who inherits a fortune from her crazy old uncle in New Orleans. But when she arrives she winds up being trapped in an old plantation house with her uncle’s lawyer, Edmond LaRue. (And if you think a lawyer named Edmond LaRue is going to turn out to be bad news...well, you’ve read a pulp story or two in your time, haven’t you?) Despite having a pretty good idea what’s going to happen, Hammond’s writing is atmospheric enough that I enjoyed this story. I haven’t encountered Hammond’s work before, but I’d read more by him.
I don't know anything about Ben George, either, but his story "Cat-Man" is more like something you'd find in WEIRD TALES, rather than a Weird Menace pulp. It's about an artist who has become rich and famous by painting portraits of cats that belong to wealthy members of high society. But when he crosses a Crazy Old Cat Lady (to borrow a term from THE SIMPSONS), he finds himself cursed and believes he's turning into a cat. This is an okay story for the most part, but it's cursed, too—with a really lame ending.
Maitland Scott is better remembered as R.T.M. Scott, the author of the first two novels about The Spider, which were packaged together and reprinted by Berkley Books in the Sixties. I remember buying those and reading them nearly fifty years ago. I recall that I liked them, but that’s about it. Unfortunately, Scott’s novelette in this issue, “Priestess of Pain”, isn’t very good. The protagonist is a would-be writer whose childhood sweetheart marries a friend of his, then apparently dies in a car wreck, then comes back to life as one of the minions of an evil occultist who practically twirls his mustache. The writing is too florid even for a Weird Menace pulp (and that’s saying a lot), and there are some continuity glitches that make me think this might have been rewritten from an earlier, unsold manuscript.
Steve Fisher is the author of some well-regarded hardboiled crime novels, one of which, NO HOUSE LIMIT, was reprinted by Hard Case Crime. His story "Satan's Faceless Henchmen" in this issue is also a crime yarn, although a much more lurid one. It's the tale of a resurrection racket in which a gang of evil monks steals freshly dead corpses and brings them back to life in return for a payment of a quarter of a million dollars. The explanation behind all this is less than convincing, but the pace is fast and the action scenes are good.
"Wolf Vengeance" by Rex Grahame is a backwoods tale about the rivalry between two half-brothers over the beautiful girl they both love. One of the brothers was practically raised by wolves and has a strange affinity with them, and when he disappears it sets a chain of violent events in motion. The twists in this yarn are pretty obvious, but it's well-written, with a nice sense of its swampy locale.
John H. Knox was one of the leading authors of Weird Menace stories, but his contribution to this issue, "The Corpse Queen's Lovers", is a supernatural yarn more like what you'd find in WEIRD TALES. It concerns an archeological expedition in search of artifacts from an ancient religion in the New Mexico hills, and that Southwestern setting gives this story a nice distinction. Naturally enough, what the expedition finds is dangerously evil, and Knox tells the story in smooth, well-written prose.
Paul Ernst is best remembered as the author of the pulp novels featuring The Avenger, but he also wrote a lot of weird fiction and straight mystery tales. "Nightmare House" mixes the two genres effectively. It has some Weird Menace trappings—an eccentric scientist and a gorilla—but it's basically a detective yarn with a beat cop (who would have been played by Ward Bond if this had ever been filmed) serving as the protagonist. A minor but entertaining story.
Hugh B. Cave was one of the pulps' best and most prolific writers, turning out top-notch work in numerous genres for many different magazines. His novelette in this issue, "The Horde of Silent Men", concerns a group of businessmen who are meeting mysterious deaths one by one, until only the son and daughter of two of the men (who had died earlier of natural causes) are left and are threatened by the same doom that claimed the others. Though it's plenty creepy in places, this is really more of a mystery yarn, and the solution is fairly interesting. It's not in the top rank of Cave's work, but it's certainly enjoyable.
As is this entire issue. There are a couple of weak stories, but the ones by Davis and Knox are excellent and the others are well-written. Plus it has a good cover by Howard Sherman. For a hybrid of Weird Menace and mystery pulp, ACE MYSTERY is pretty darned good, based on this issue, and I wouldn't hesitate to read another.
Sunday, January 29, 2017
Sunday Morning Bonus Pulp: 5 Detective Novels Magazine, November 1949
A reprint detective pulp from the Thrilling Group. With a reprint magazine, you'd expect a pretty good line-up of authors, and you've got one in this issue: George Harmon Coxe, George Bruce, Ray Cummings, Paul Ernst, Steve Fisher, and Richard Sale. Lots of good reading there, I suspect.
Sunday, November 20, 2016
Sunday Morning Bonus Pulp: Detective Tales, February 1938
This almost looks like a Weird Menace cover, and sure enough, there are stories by Weird Menace stalwarts Hugh B. Cave and Wyatt Blassingame in this issue. There are also stories by prolific, reliable pulpsters Paul Ernst, Emile C. Tepperman, and Ray Cummings (twice, once under his own name and once as Gabriel Wilson). That's plenty to make me think this was probably a pretty good issue.
Sunday, October 30, 2016
Sunday Morning Bonus Pulp: Dime Mystery, July 1936
Have to go with a Weird Menace pulp on the day before Halloween. This issue of DIME MYSTERY features a cover by Tom Lovell and stories by several masters of the genre, including Norvell Page, John H. Knox, Paul Ernst, and Wayne Rogers. Pretty spooky stuff, I imagine.
Sunday, January 03, 2016
Sunday Morning Bonus Pulp: Detective Tales, July 1937
I love the dangerous, gun-totin' women in many of Tom Lovell's covers for the Western pulps, and here's proof they showed up in his detective pulp covers, too. This one's a blonde, not a redhead, but still not a gal you'd want to cross. Inside are stories by Norvell Page, Paul Ernst, Wyatt Blassingame, Ray Cummings, Wayne Rogers, and more. Hope they lived up to the promise of that cover.
Sunday, October 04, 2015
Sunday Morning Bonus Pulp: The Feds, March 1937
Featuring an adventure of the Federal Gorilla Bureau! Seriously, this cover seems to be illustrating a story by Alan Hathway called "The Gorilla Speaks", but I have no idea what it's about. Other authors in this issue are Steve Fisher, Paul Ernst, Laurence Donovan, Norman A. Daniels, Ben Conlon, George Allan Moffatt, Jean Francis Webb, and William G. Bogart. If you're keeping score, that's four guys who wrote Doc Savage novels (Hathway, Donovan, Daniels, and Bogart) and another who wrote under the Kenneth Robeson by-line (Ernst, on THE AVENGER), plus the fellow who wrote Pete Rice (Conlon) and one of the many Phantom Detective authors (Webb). Quite a line-up.
Sunday, April 05, 2015
Sunday Morning Bonus Pulp: Detective Story, January 1940
Jazz hands! That's how I react whenever I see three hanging bodies and somebody points a gun at me. Snark aside, Paul Ernst and Walter Ripperger were both pretty good writers, so I'm sure this is a decent issue of DETECTIVE STORY, which rightly or wrongly I've always thought to be on the rather stodgy side.
Sunday, February 15, 2015
Sunday Morning Bonus Pulp: Crime Busters, July 1939
That racy cover by Graves Gladney looks more like it ought to be on a Spicy pulp rather than one from Street & Smith. But hey, I like it. And inside are stories by Lester Dent, Walter B. Gibson, Paul Ernst, and Theodore Tinsley, four titans of the pulp business, along with Robert C. Blackmon and George Allen Moffatt. I don't think I've ever read an issue of CRIME BUSTERS. I'm pretty sure I don't own any. I would have bought this one if I'd been around in 1939, though.
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