Showing posts with label John Russell Fearn. Show all posts
Showing posts with label John Russell Fearn. Show all posts

Sunday, June 28, 2026

Sunday Morning Bonus Pulp: Thrilling Wonder Stories, Summer 1944


Let's see, we have a beautiful space babe, a stalwart hero, a ray-gun, and an octopus-like alien. Man, I love Earle Bergey's covers. The lead novella in this issue of THRILLING WONDER STORIES is by Ross Rocklynne, an author I've always found to be pretty entertaining, although I haven't read a great deal of his work. Also on hand are two well-known names in the science fiction field, John Russell Fearn writing under his pseudonym Polton Cross and Lloyd Arthur Eshbach, as well as Paul S. Powers, much better remembered these days for his stories about Sonny Tabor and Kid Wolf in WILD WEST WEEKLY. Rounding out the issue are stories by the lesser known Albert De Pina and Frank Ferry, along with an article by my old editor/mentor Sam Merwin Jr. If you'd like to check out this issue, the whole thing can be found on-line at the Internet Archive.

Tuesday, January 28, 2025

Now Available: Pulp Adventures #46 - Audrey Parente, ed.


PULP ADVENTURES #46 is out, and it’s another fine issue of this book/magazine from Bold Venture Press. More than half of this issue is devoted to the classic movie KING KONG, with a lengthy, in-depth examination by Bart Pierce of a long-time mystery: who played the woman Kong plucked out of her hotel room in the mistaken belief she was Ann Darrow (Fay Wray) and then callously threw her to her death when he realized she wasn’t? The answers—and there are indeed more than one—are surprising, and along the way there’s a lot of fascinating background information about the making of a movie that means a great deal to many of us.

Will Murray, one of my favorite authors in the business today, contributes a fine article detailing the writing of his two novels featuring King Kong that also feature another couple of guys you might have heard of: Tarzan and Doc Savage. Even though we’re from different parts of the country and our careers have developed in much different ways, I’ve always felt a certain kinship with Will Murray during the 40+ years we’ve known each other, so it came as no surprise in this article when he mentions knowing the lyrics to the theme song of the King Kong animated TV series from the Sixties. At one time, so did I, and although I can’t recall the whole thing right now, I can definitely still hear parts of that song playing in my head!

Micah Swanson Harris continues the King Kong theme by examining the possible influence of H. Rider Haggard’s fiction on Kong’s creator Merian C. Cooper. Haggard is one of those authors I really need to get around to reading more of, so I appreciated this article.

Over on the fiction side, this issue reprints H.P. Lovecraft’s “Facts Concerning the Late Arthur Jermyn and His Family” (also published as “The White Ape”), which is a Lovecraft story I hadn’t read until now. (That’s not unusual since I really haven’t read that much of Lovecraft’s work.) As often happens with Lovecraft, I love the creepy concept of this one. There are other reprints by John Russell Fearn (a nifty little suspense tale, the first non-SF by Fearn that I’ve read), John Burke, and Shelley Smith, plus brand-new stories by Riley Hogan (a nice Weird Western tale), Dr. Richard A. Olson (one of his stories about private eye Nick Stihl, a series I haven’t tried until now, but based on this one, I need to), and an action-packed yarn by the always entertaining Teel James Glenn about a convenience store robbery that features some surprising sword-swinging. There are some assorted book reviews by me, as well.

All in all, this issue of PULP ADVENTURES is great fun with some fine articles and great artwook. You can find it on Amazon or on the publisher’s website. Highly recommended.

Sunday, May 05, 2024

Sunday Morning Bonus Pulp: Marvel Stories, November 1940


J.W. Scott didn't do a lot of covers for science fiction pulps, concentrating instead on Western, detective, and sports titles, but the SF covers he did were good ones, like this issue of MARVEL STORIES. Raymond Z. Gallun and John Russell Fearn are the best-known authors in this one. The other authors on hand are Henry Haase, A. Fedor, Richard O. Lewis, D.D. Sharp, and John L. Chapman. If you're like me, some of those names make you go, "Who?" If you'd like to check out this issue, you can find it online here.

Sunday, August 27, 2023

Sunday Morning Bonus Pulp: Amazing Stories, October 1941


The unmistakable artwork of J. Allen St. John graces the cover of this issue of AMAZING STORIES, and with a St. John cover, it's no surprise that there's an Edgar Rice Burroughs story inside. In this case, it's "Invisible Men of Mars", the fourth and final novella that was fixed up into the John Carter novel LLANA OF GATHOL. I read that book many, many years ago in the Ballantine edition with an explosive Robert Abbett cover that you can see at the bottom of this post, but I don't remember a thing about it except that I liked it, because I liked all the John Carter books. I ought to read it again one of these days. Unlikely, but you never know. Anyway, before I wander too far off into the weeds . . . this issue of AMAZING STORIES also features stories by William P. McGivern (under the house-name P.F. Costello), David Wright O'Brien (under his pseudonym John York Cabot), editor Raymond A. Palmer (under the house-name A.R. Steber and in collaboration with Thornton Ayre, who was really John Russell Fearn), and Festus Pragnell (as himself). I sure loved those Mars books when I was a kid. I'll bet many of you reading this did, as well.



Friday, April 07, 2023

The Purple Wizard - Volsted Gridban (John Russell Fearn)


I’ve been aware of John Russell Fearn’s reputation as a prolific British science fiction author for a long time but hadn’t read anything by him until a short story in an issue of STARTLING STORIES not that long ago. That story was okay but didn’t impress me all that much.

I was still interested in reading more by Fearn, though, so I picked up a few e-books by him, reprints of British paperbacks he wrote during the paperback explosion in England following World War II. The first one I’ve gotten around to reading (because the description sounded interesting) is THE PURPLE WIZARD, a novel published originally by Scion Books in 1954 under the pseudonym Volsted Gridban, a pen-name that originated with E.C. Tubb but was used only a few times before Fearn took it on and was much more prolific under it.

This is a time travel novel in which a scientist invents a device that will transport people forward and backward in time. For the first full-fledged test of the gizmo, he sends his daughter and her fiancee back to the year 828, chosen on a whim because that’s the family’s phone number. The fiancee’s name, by the way, is Arthur. Hmmm . . . sending somebody named Arthur back to medieval England . . . I wonder what’s going to happen.

As it turned out, however, my suspicion about where the plot was going turned out to be completely wrong. I hope it’s not too much of a spoiler, but this is not a King Arthur story at all. Arthur and Kitty (the scientist’s beautiful daughter) do have a number of adventures when things go wrong and they’re marooned in the past, while in the present Kitty’s father struggles to retrieve them. They wind up being condemned to death by King Egbert, the first king of England. Will science save them in time?

THE PURPLE WIZARD is a novel of missed opportunities. There’s quite a bit I like about it. A very dry sense of humor runs through the book. The professor who comes up with the time travel device isn’t your typical mad scientist. Instead he’s a rather stuffy, middle-class British guy whose laboratory is a converted garden shed in his backyard. The thing that goes wrong and strands the time travellers is about as prosaic as you can get, which is also a nice change from the stereotypes. The explanation for how time travel works at least sounds good, no matter how far-fetched it really is. Fearn does a nice job with the setting, and there are a few action scenes that are okay, although I think they could have been more dramatic.

That low-key approach is THE PURPLE WIZARD’s main flaw as far as I’m concerned. It’s fine for a while, even appealing, but eventually in a book like this I want higher stakes and more blood and thunder. Even at its relatively short length, I think it could have achieved more of an epic feeling.

Despite that, I enjoyed this book enough that I intend to read more by Fearn. If there are any of his books those of you reading this can recommend, please do.

Sunday, March 12, 2023

Sunday Morning Bonus Pulp: Startling Stories, November 1947


This is a pulp that I own and read recently. That’s my copy in the scan. The cover is by Earle Bergey, a little more sedate than usual and not one of his better ones, but still not bad. Unlike the fans at the time (more about that later), I’m a big fan of Bergey’s work.

I’ve been reading stories by Murray Leinster, whose real name was Will F. Jenkins, for more than 50 years. I’m sure some of his stories were in various science fiction anthologies I read in junior high and high school. His novella “The Man in the Iron Cap” is the lead story in this issue of STARTLING STORIES. I’d barely started reading it when I came across this gut-punch of a passage:

The world, of course, was bright and new and shining on its sunlit side, and restful and peaceful and secure where night clothed it. In the countries where the sun shone men and women worked and children played and where the stars looked down they slept quietly.

But all assured themselves that they were secure. They were perfectly, perfectly safe. The world was made safe by Security, which was an organization of quite the wisest men on earth. They were at once the greatest scientists and the most able administrators. They had the welfare of everybody in mind.

They had begun, of course, by forbidding anybody to experiment with atom bombs because the human race could be wiped out by so few of them. They could make all the earth's atmosphere poisonously radioactive. Then everybody would die. But Security prevented that.

And presently it forbade the use of atomic energy as such in any form because, of course, any generator of atomic power makes radioactivity which may escape into the air. Not long after that, the wise men of Security learned that someone had been experimenting with germs and by accident had created a new and very deadly mutation.

It could have been used in biological warfare, but also it could have released a new and very deadly plague upon the world. So Security forbade experiments with germs. And still later a physicist discovered the principle of a very tiny generator which developed incredibly high voltages. Beams of deadly radiation became possible. So Security had to take steps to protect the world from that.

Security was very wise and very conscientious. It did not stop all scientific advance, of course. Its scientists experimented very carefully, in especially set-up Experimental Zones, with all due care that nothing could happen to endanger the people of Earth. Which meant, naturally, that they did not make any very dangerous experiments.

In time Security took a fatherly interest in public health because new plagues sometimes arise in nature. It issued directives governing quarantine and medicine in general and, of course, travel by individuals because individuals are sometimes disease carriers. And presently it was inevitable that Security should give advice on education, and arrange that technical knowledge should be restricted to stable personalities.

In a complex modern civilization a single paranoiac could cause vast damage if he were technically informed. So presently everybody took psychological tests, and those who received technical educations were strictly licensed by Security. Then libraries were combed and emptied of dangerous facts that lunatics could use to the detriment of mankind.

The people of Earth were very secure. They were protected against everything that Security could imagine as happening to them. But they weren’t free any longer. The tragedy was that many of the guiding minds of Security were utterly sincere, though there were self-seekers and politicians merely seeking soft jobs and importance among Security officials.

The guiding minds believed devoutly that they served humanity by using their greater knowledge and wisdom to protect human beings from themselves. But somehow, knowing their own motives, they did not see that they had created the most crushing tyranny ever known to men.

Looking around at our world, that’s chillingly prescient and would keep this story from being published in any mainstream SF market today. It’s also a little long-winded and repetitive, which is this story’s main flaw. Leinster recapitulates what’s going on a lot. Also, the plot depends on several huge coincidences.

That said, “The Man in the Iron Cap” has some real strengths, too. The protagonist is a scientist named Jim Hunt, who has been sentenced to life in prison for unauthorized experiments involving telepathy. He escapes, but then he stumbles into an alien invasion of telepathic, blood-sucking creatures from outer space that have taken over a mountainous, rural area and are gradually expanding into nearby cities. The Little Fellas, as their mind-controlled victims refer to them, are some of the creepiest villains I’ve ever encountered in science fiction. This story is really a cross between SF and horror. Leinster throws in some nice twists, as well, as Jim Hunt tries to figure out a way to defeat the aliens, and the ending is very satisfying. Leinster expanded this into a novel called THE BRAIN STEALERS, which was published as half of an Ace SF Double in 1954. I haven’t read that version and likely never will, but I really enjoyed “The Man in the Iron Cap” despite the somewhat dated writing.


I’ve been reading Jack Williamson’s work about as long as I have Murray Leinster’s. The first Williamson I remember reading is his novel GOLDEN BLOOD, which I bought in the Lancer Easy-Eye edition off the paperback spinner rack in Tompkins’ Drug Store when it was new. I really ought to reread that book one of these days. His short story “Through the Purple Cloud”, which appeared originally in the May 1931 issue of WONDER STORIES, is reprinted as a Hall of Fame Classic in this issue of STARTLING STORIES. That may be stretching it a little. The plot has an airliner flying through a purple cloud that suddenly appears in the sky in front of it and winding up crashing on a savage world in another dimension. Among the few survivors are an engineer (a lot of protagonists from this era of SF are engineers, of course), a beautiful girl, and a villainous brute. The struggle to survive and eventually get back to our own world ensues. This is mostly an action story with a little scientific speculation, but it’s well-written and moves right along at an entertaining pace. It’s actually a minor Williamson yarn, as far as I’m concerned, but I’m a big fan of his work and found it enjoyable if not quite a classic. I should note that it’s the cover story in both its pulp appearances, with the art on the WONDER STORIES cover provided by Frank Paul.

I’ve heard of British SF author John Russell Fearn for a long time, too, but unlike Leinster and Williamson, I’ve read very little by him. His story in this issue, “Chaos”, written under the pseudonym Polton Cross, is a “last days of Atlantis” yarn, in which Atlantis is a scientific paradise until something goes wrong and leads to its destruction. It’s well-written but a little dry for my taste.

The final story is “Anastomosis” by Clyde Beck, an early SF fan who published only four stories. This one is probably more fantasy than SF, a whimsical domestic comedy about a math professor, his young children, a mysterious visitor, and a gizmo. It reminded me a little of some of Robert Bloch’s humorous stories. Mildly amusing and worth a few smiles.

Wrapping things up is a lengthy editorial department/letters column called “The Ether Vibrates”. Some familiar names show up: Chad Oliver, Lloyd Arthur Eshbach, Stanley Mullen, Lin Carter, and Virgil Utter. The other correspondents are probably well-known to those more familiar with SF fandom from that era than I am. Several of them complain about Earle Bergey’s covers. One even calls them immoral. Me, I still like those Bergey space babes.

Another interesting letters section comment comes in response to a reader request for stories from some of the old-time SF authors. One of the authors he mentions is Ed Earl Repp. The editor's response says that Repp is staying busy with the "writing school" he runs (quote marks mine). We know from Frank Bonham's great essay "Tarzana Nights" that Repp wasn't running an actual school for writers. He was farming out Western pulp work to several writers, providing them with plot ideas, then selling the stories under his own name and splitting the money with the ghostwriters. Bonham seems rather bitter about this, but having been on both sides of that equation myself, I think Repp's operation was reasonably fair. He could have paid the ghosts less than half and found plenty of writers who'd be happy to get the work.

After that little digression, I should mention that the editor of STARTLING STORIES at this point in its run was none other than Sam Merwin Jr., who bought the first story under my name for MIKE SHAYNE MYSTERY MAGAZINE approximately 30 years later and had a huge impact on my career by asking me to write one of the Mike Shayne novellas under the Brett Halliday house-name. As I’ve mentioned many times before, I owe Sam a big debt, not just for the stories he bought but for the hastily scrawled but always enthusiastic and encouraging notes he sent along with dozens of story rejections in 1975 and ’76 when I was trying to break in. He put me on the path I’ve followed for almost half a century now.

Overall, I think this is a very good issue of STARTLING STORIES. If you want to check it out, the whole thing is available at the Internet Archive.

 


Sunday, February 12, 2023

Sunday Morning Bonus Pulp: Amazing Stories, August 1942


A nice, colorful, eye-catching cover by H.W. McCauley on this issue of AMAZING STORIES. G.H. Irwin, the author of the lead novel, was actually editor Raymond A. Palmer. I don't believe I've ever read any of RAP's fiction. There are some good authors in this issue, including Henry Kuttner, Nelson S. Bond, Ziff-Davis stalwarts Leroy Yerxa and David Wright O'Brien (writing as John York Cabot), old-timer Miles J. Breuer ("The Sheriff of Thorium Gulch"? Really?), John Russell Fearn, Festus Pragnell, and a couple I've never heard of, Jep Powell and Richard O. Lewis. Probably no classics here, but I'll bet it's an entertaining issue. 

Sunday, July 17, 2022

Sunday Morning Bonus Pulp: Startling Stories, May 1948


Earle Bergey, of course. And behind his cover in this issue of STARTLING STORIES: Henry Kuttner, Ray Cummings, Frank Belknap Long, Arthur Leo Zagat, Robert Moore Williams, Paul Ernst (a reprint from THRILLING WONDER STORIES twelve years earlier), George O. Smith, and John Russell Fearn. Not all of those are favorites of mine, but it's still a lineup of solid, prolific, well-respected science fiction authors.

Sunday, May 03, 2020

Sunday Morning Bonus Pulp: Amazing Stories, November 1942


Robert Gibson Jones did a lot of great covers for various Ziff-Davis pulps. I like this one on the November 1942 issue of AMAZING STORIES. Inside are stories by Eando Binder (actually Earl and Otto Binder, but you knew that, of course), Robert Bloch, Raymond Z. Gallun, Emil Petaja, David Wright O'Brien writing as Duncan Farnsworth, and John Russell Fearn writing as Thornton Ayre. I've read all those authors except Fearn, and I'm thinking I'll read something by him soon. 

Sunday, August 26, 2018

Sunday Morning Bonus Pulp: Thrilling Wonder Stories, Summer 1946


I like this Earle Bergey cover, but then, I always like Earle Bergey covers. I don't recall ever reading anything by Stanton Coblentz, who wrote the lead story in this issue, and I probably should. The other authors in this issue of THRILLING WONDER STORIES include Murray Leinster, Ross Rocklynne, Noel Loomis, John Russell Fearn writing as Polton Cross, and an author I've never heard of, Charles F. Ksanda, who sold only a handful of stories. I really like the science fiction from this era and need to read more of it.

Sunday, August 31, 2014

Sunday Morning Bonus Pulp: Marvel Stories, April 1941


This is a pulp I owned and read many years ago. I don't remember anything about it except the cover and the fact that I enjoyed it. Not surprising since the authors included Jack Williamson and Ray Cummings. The Polton Cross story in this one is probably the only thing I've ever read by John Russell Fearn. I have no memory of it. Fearn is one of those authors I've seen mentioned many times, just haven't actually read his stories.