Showing posts with label Will F. Jenkins. Show all posts
Showing posts with label Will F. Jenkins. Show all posts

Sunday, October 15, 2023

Sunday Morning Bonus Pulp: Complete Northwest Magazine, July 1938


It seems like it's been a while since I posted a Mountie cover, so here's one I like by one of my favorite pulp and paperback cover artists, A. Leslie Ross. Since this cover features a Mountie, Ross couldn't give him a hat with an enormous brim, as he usually does on Western covers, but I like it anyway. Quite a bit to like inside this issue, too, as it features two stories by Harry Sinclair Drago, one under his name and one as by Will Ermine, as well as yarns by Murray Leinster, Charles H. Snow, C.V. Tench, and Zachary Strong (probably E.B. Mann). That's a good lineup.

Sunday, March 12, 2023

Sunday Morning Bonus Pulp: Startling Stories, November 1947


This is a pulp that I own and read recently. That’s my copy in the scan. The cover is by Earle Bergey, a little more sedate than usual and not one of his better ones, but still not bad. Unlike the fans at the time (more about that later), I’m a big fan of Bergey’s work.

I’ve been reading stories by Murray Leinster, whose real name was Will F. Jenkins, for more than 50 years. I’m sure some of his stories were in various science fiction anthologies I read in junior high and high school. His novella “The Man in the Iron Cap” is the lead story in this issue of STARTLING STORIES. I’d barely started reading it when I came across this gut-punch of a passage:

The world, of course, was bright and new and shining on its sunlit side, and restful and peaceful and secure where night clothed it. In the countries where the sun shone men and women worked and children played and where the stars looked down they slept quietly.

But all assured themselves that they were secure. They were perfectly, perfectly safe. The world was made safe by Security, which was an organization of quite the wisest men on earth. They were at once the greatest scientists and the most able administrators. They had the welfare of everybody in mind.

They had begun, of course, by forbidding anybody to experiment with atom bombs because the human race could be wiped out by so few of them. They could make all the earth's atmosphere poisonously radioactive. Then everybody would die. But Security prevented that.

And presently it forbade the use of atomic energy as such in any form because, of course, any generator of atomic power makes radioactivity which may escape into the air. Not long after that, the wise men of Security learned that someone had been experimenting with germs and by accident had created a new and very deadly mutation.

It could have been used in biological warfare, but also it could have released a new and very deadly plague upon the world. So Security forbade experiments with germs. And still later a physicist discovered the principle of a very tiny generator which developed incredibly high voltages. Beams of deadly radiation became possible. So Security had to take steps to protect the world from that.

Security was very wise and very conscientious. It did not stop all scientific advance, of course. Its scientists experimented very carefully, in especially set-up Experimental Zones, with all due care that nothing could happen to endanger the people of Earth. Which meant, naturally, that they did not make any very dangerous experiments.

In time Security took a fatherly interest in public health because new plagues sometimes arise in nature. It issued directives governing quarantine and medicine in general and, of course, travel by individuals because individuals are sometimes disease carriers. And presently it was inevitable that Security should give advice on education, and arrange that technical knowledge should be restricted to stable personalities.

In a complex modern civilization a single paranoiac could cause vast damage if he were technically informed. So presently everybody took psychological tests, and those who received technical educations were strictly licensed by Security. Then libraries were combed and emptied of dangerous facts that lunatics could use to the detriment of mankind.

The people of Earth were very secure. They were protected against everything that Security could imagine as happening to them. But they weren’t free any longer. The tragedy was that many of the guiding minds of Security were utterly sincere, though there were self-seekers and politicians merely seeking soft jobs and importance among Security officials.

The guiding minds believed devoutly that they served humanity by using their greater knowledge and wisdom to protect human beings from themselves. But somehow, knowing their own motives, they did not see that they had created the most crushing tyranny ever known to men.

Looking around at our world, that’s chillingly prescient and would keep this story from being published in any mainstream SF market today. It’s also a little long-winded and repetitive, which is this story’s main flaw. Leinster recapitulates what’s going on a lot. Also, the plot depends on several huge coincidences.

That said, “The Man in the Iron Cap” has some real strengths, too. The protagonist is a scientist named Jim Hunt, who has been sentenced to life in prison for unauthorized experiments involving telepathy. He escapes, but then he stumbles into an alien invasion of telepathic, blood-sucking creatures from outer space that have taken over a mountainous, rural area and are gradually expanding into nearby cities. The Little Fellas, as their mind-controlled victims refer to them, are some of the creepiest villains I’ve ever encountered in science fiction. This story is really a cross between SF and horror. Leinster throws in some nice twists, as well, as Jim Hunt tries to figure out a way to defeat the aliens, and the ending is very satisfying. Leinster expanded this into a novel called THE BRAIN STEALERS, which was published as half of an Ace SF Double in 1954. I haven’t read that version and likely never will, but I really enjoyed “The Man in the Iron Cap” despite the somewhat dated writing.


I’ve been reading Jack Williamson’s work about as long as I have Murray Leinster’s. The first Williamson I remember reading is his novel GOLDEN BLOOD, which I bought in the Lancer Easy-Eye edition off the paperback spinner rack in Tompkins’ Drug Store when it was new. I really ought to reread that book one of these days. His short story “Through the Purple Cloud”, which appeared originally in the May 1931 issue of WONDER STORIES, is reprinted as a Hall of Fame Classic in this issue of STARTLING STORIES. That may be stretching it a little. The plot has an airliner flying through a purple cloud that suddenly appears in the sky in front of it and winding up crashing on a savage world in another dimension. Among the few survivors are an engineer (a lot of protagonists from this era of SF are engineers, of course), a beautiful girl, and a villainous brute. The struggle to survive and eventually get back to our own world ensues. This is mostly an action story with a little scientific speculation, but it’s well-written and moves right along at an entertaining pace. It’s actually a minor Williamson yarn, as far as I’m concerned, but I’m a big fan of his work and found it enjoyable if not quite a classic. I should note that it’s the cover story in both its pulp appearances, with the art on the WONDER STORIES cover provided by Frank Paul.

I’ve heard of British SF author John Russell Fearn for a long time, too, but unlike Leinster and Williamson, I’ve read very little by him. His story in this issue, “Chaos”, written under the pseudonym Polton Cross, is a “last days of Atlantis” yarn, in which Atlantis is a scientific paradise until something goes wrong and leads to its destruction. It’s well-written but a little dry for my taste.

The final story is “Anastomosis” by Clyde Beck, an early SF fan who published only four stories. This one is probably more fantasy than SF, a whimsical domestic comedy about a math professor, his young children, a mysterious visitor, and a gizmo. It reminded me a little of some of Robert Bloch’s humorous stories. Mildly amusing and worth a few smiles.

Wrapping things up is a lengthy editorial department/letters column called “The Ether Vibrates”. Some familiar names show up: Chad Oliver, Lloyd Arthur Eshbach, Stanley Mullen, Lin Carter, and Virgil Utter. The other correspondents are probably well-known to those more familiar with SF fandom from that era than I am. Several of them complain about Earle Bergey’s covers. One even calls them immoral. Me, I still like those Bergey space babes.

Another interesting letters section comment comes in response to a reader request for stories from some of the old-time SF authors. One of the authors he mentions is Ed Earl Repp. The editor's response says that Repp is staying busy with the "writing school" he runs (quote marks mine). We know from Frank Bonham's great essay "Tarzana Nights" that Repp wasn't running an actual school for writers. He was farming out Western pulp work to several writers, providing them with plot ideas, then selling the stories under his own name and splitting the money with the ghostwriters. Bonham seems rather bitter about this, but having been on both sides of that equation myself, I think Repp's operation was reasonably fair. He could have paid the ghosts less than half and found plenty of writers who'd be happy to get the work.

After that little digression, I should mention that the editor of STARTLING STORIES at this point in its run was none other than Sam Merwin Jr., who bought the first story under my name for MIKE SHAYNE MYSTERY MAGAZINE approximately 30 years later and had a huge impact on my career by asking me to write one of the Mike Shayne novellas under the Brett Halliday house-name. As I’ve mentioned many times before, I owe Sam a big debt, not just for the stories he bought but for the hastily scrawled but always enthusiastic and encouraging notes he sent along with dozens of story rejections in 1975 and ’76 when I was trying to break in. He put me on the path I’ve followed for almost half a century now.

Overall, I think this is a very good issue of STARTLING STORIES. If you want to check it out, the whole thing is available at the Internet Archive.

 


Sunday, October 30, 2022

Sunday Morning Bonus Pulp: Blue Book, May 1939


As far as I'm concerned, BLUE BOOK was at its peak in the mid-to-late Thirties, although it remained at a pretty high level on into the Forties. But that's the era when it had great authors and a long run of consistently excellent covers by Herbert Morton Stoops. Here's one of them, illustrating a story from H. Bedford-Jones' series "Trumpets From Oblivion". Bedford-Jones had two other stories in this issue, an installment of "Ships and Men" (a "collaboration" between him and the fictional Captain L.B. Williams) and one under his Gordon Keyne pseudonym. Other authors in this issue are Will Jenkins (better known under his pseudonym Murray Leinster), Georges Surdez, Karl Detzer, and Fulton T. Grant. That's a great bunch of pulpsters.

Saturday, May 18, 2019

Saturday Morning Western Pulp: Real Western, April 1937


I feel like I ought to know who did the artwork on the cover of this issue of REAL WESTERN, but I don't. The artist's style is familiar, though. Inside are stories by well-known Western pulpsters Frank C. Robertson, Oscar Schisgall, Clem Yore, and Will F. Jenkins (a reprint of a story originally published in BLACK MASK under Jenkins' pseudonym Murray Leinster). There's also a story by Fred Fincerer, a name that's totally unknown to me, probably because this may well be the only story he ever published.

Sunday, May 06, 2018

Sunday Morning Bonus Pulp: Double-Action Gang, February 1937


I've never read much from the gang pulps, but this issue of DOUBLE-ACTION GANG looks like a pretty good one, and a bit unusual, too, because most of what's inside it was written by a pair of authors much better known for their Westerns. The featured novel "This Way to Hell", which fills up about two-thirds of the issue, is by Harry Sinclair Drago, who had a long, prolific career as a Western novelist and pulpster under his own name and the pseudonyms Bliss Lomax and Will Ermine. The supposedly true story about the Jesse James gang attributed to Bill Stiles is actually by Ed Earl Repp. And there are two stories by Will F. Jenkins, one under his own name and one under his much more famous pseudonym Murray Leinster. While Jenkins/Leinster isn't really famous as a Western author, he wrote quite a few of them. On top of all that, I like the cover. If I actually owned a copy of this pulp, I'd read it, you can count on that.

Sunday, March 12, 2017

Sunday Morning Bonus Pulp: Thrilling Wonder Stories, April 1947


That cover is by Earle Bergey. (Was there ever any doubt?) I know his work was controversial at the time, but dang, I like his covers. This issue of THRILLING WONDER STORIES contains stories by Henry Kuttner, Bryce Walton, George O. Smith, L. Sprague de Camp, and Will F. Jenkins twice, once under his most famous pseudonym Murray Leinster and once as William Fitzgerald. My old mentor Sam Merwin Jr. was the editor. Good stuff.