Herbert Morton Stoops painted all different sorts of covers for BLUE BOOK, including action-packed scenes like this one. While some are better than others, of course, he was a great cover artist and I've never seen one I didn't like. The fiction in BLUE BOOK was just as consistent as the covers. Of course, it helps when you have three stories by H. Bedford-Jones in an issue. In this case, there's one under his own name, one with his fictional collaborator Captain L.B. Williams, and one as Gordon Keyne. Also on hand are adventure pulp stalwarts Fulton Grant, Leland Jamieson, Warren Hastings Miller, William J. Makin (with a Red Wolf of Arabia story), William L. Chester (with an installment of a Kioga serial), and lesser-known writers Carl Cole and C.M. Chapin. This is the only story by Carl Cole listed in the Fictionmags Index. Who knows, maybe he was H. Bedford-Jones, too. You can't rule it out.
I don't think this cover is as good as many others by Herbert Morton Stoops, but this is an important issue of BLUE BOOK anyway. It's the last one that was a true pulp. Trimmed, maybe, but still a pulp. The next issue it went to the larger quarto size. As usual with BLUE BOOK, H. Bedford-Jones is well-represented in the Table of Contents with three stories, one under his own name and one each as by Gordon Keyne and Michael Gallister. Also contributing to this issue are Richard Wormser, Georges Surdez, Lemuel de Bra, Robert R. Mill, Raymond S. Spears, Jacland Marmur, and little-known writers John Upton Terrell, George Agnew Chamberlain, Charles Wellington Furlong, and George Weston. With Bedford-Jones anchoring their stable, BLUE BOOK always had good authors in its pages.
As far as I'm concerned, BLUE BOOK was at its peak in the mid-to-late Thirties, although it remained at a pretty high level on into the Forties. But that's the era when it had great authors and a long run of consistently excellent covers by Herbert Morton Stoops. Here's one of them, illustrating a story from H. Bedford-Jones' series "Trumpets From Oblivion". Bedford-Jones had two other stories in this issue, an installment of "Ships and Men" (a "collaboration" between him and the fictional Captain L.B. Williams) and one under his Gordon Keyne pseudonym. Other authors in this issue are Will Jenkins (better known under his pseudonym Murray Leinster), Georges Surdez, Karl Detzer, and Fulton T. Grant. That's a great bunch of pulpsters.
By the spring of 1942, most of Herbert Morton Stoops' covers on BLUE BOOK were war-themed, not surprisingly, and so was a lot of the content. This issue has a great line-up of authors including H. Bedford-Jones, Richard Sale, Georges Surdez, Frederick Painton, Richard Howells Watkins, Jacland Marmur, a Tiny David story by Robert R. Mill, and a Free Lances of Diplomacy story by Clarence Herbert New. BLUE BOOK really packed in the great reading.
I don't recall seeing many aviation-themed covers by Herbert Morton Stoops, but this is a good one. I really like the blend of colors on it. Not surprisingly for BLUE BOOK during this era, there are three H. Bedford-Jones stories in this issue--one under his own name, one under his name as well as that of his fictional collaborator Captain L.B. Williams, and one as Gordon Keyne. Other notable writers on hand are Warren Hastings Miller, Leland Jamieson, Kenneth Perkins, William Chester (with a Kioga story), and Robert R. Mill (with a Tiny David story). As a blend of the pulp and slick sensibilities, nothing else came close to BLUE BOOK.
I had to look at this BLUE BOOK cover by the great Herbert Morton Stoops for a while before I figured out what was going on, because at first I thought the guy in the center at the bottom of the picture, in the middle of all these knights in armor, was firing a flintlock rifle. Well, that could make for an interesting story, I figured. But then I realized it's actually a crossbow he's shooting. Still a fine cover. And inside is the usual outstanding line-up of authors, including BLUE BOOK stalwarts H. Bedford-Jones (with a story in his Arms and Men series . . . and hey, it's called "The Conquering Crossbow" . . . well, that explains everything), William J. Makin with a Red Wolf of Arabia story, and Robert R. Mill with the first story in his Shock Troops of Justice series (I have the reprints of both those series published by Black Dog Books but haven't read them yet). Also on hand are the classic Western author Willliam MacLeod Raine, Leland Jamieson, William J. Makin again with his other series featuring gypsy sleuth Isaac Heron, Sidney Herschell Small, and William L. Chester with an installment of a Kioga of the Wilderness serial. That's a really impressive issue.
Yep, that's Pulitzer Prize-winning poet Carl Sandburg his own self appearing in a pulp magazine. Of course, BLUE BOOK wasn't really a typical pulp magazine, and not only because it reprinted a number of Sandburg's poems. This looks like a fine issue with an Arms and Men story by H. Bedford-Jones, part of a Kioga serial by William L. Chester, a Tiny David story by Robert R. Mill, and other stories by Leland Jamieson, Fulton Grant, Richard Howells Watkins, James Francis Dwyer, and others. It's generally hard to beat the line-up of authors in any issue of BLUE BOOK, and that's certainly true here. Plus a good Foreign Legion cover by Herbert Morton Stoops, who provided top-notch covers month after month.
