Herbert Morton Stoops painted all different sorts of covers for BLUE BOOK, including action-packed scenes like this one. While some are better than others, of course, he was a great cover artist and I've never seen one I didn't like. The fiction in BLUE BOOK was just as consistent as the covers. Of course, it helps when you have three stories by H. Bedford-Jones in an issue. In this case, there's one under his own name, one with his fictional collaborator Captain L.B. Williams, and one as Gordon Keyne. Also on hand are adventure pulp stalwarts Fulton Grant, Leland Jamieson, Warren Hastings Miller, William J. Makin (with a Red Wolf of Arabia story), William L. Chester (with an installment of a Kioga serial), and lesser-known writers Carl Cole and C.M. Chapin. This is the only story by Carl Cole listed in the Fictionmags Index. Who knows, maybe he was H. Bedford-Jones, too. You can't rule it out.
I don't think this cover is as good as many others by Herbert Morton Stoops, but this is an important issue of BLUE BOOK anyway. It's the last one that was a true pulp. Trimmed, maybe, but still a pulp. The next issue it went to the larger quarto size. As usual with BLUE BOOK, H. Bedford-Jones is well-represented in the Table of Contents with three stories, one under his own name and one each as by Gordon Keyne and Michael Gallister. Also contributing to this issue are Richard Wormser, Georges Surdez, Lemuel de Bra, Robert R. Mill, Raymond S. Spears, Jacland Marmur, and little-known writers John Upton Terrell, George Agnew Chamberlain, Charles Wellington Furlong, and George Weston. With Bedford-Jones anchoring their stable, BLUE BOOK always had good authors in its pages.
I don't recall seeing many aviation-themed covers by Herbert Morton Stoops, but this is a good one. I really like the blend of colors on it. Not surprisingly for BLUE BOOK during this era, there are three H. Bedford-Jones stories in this issue--one under his own name, one under his name as well as that of his fictional collaborator Captain L.B. Williams, and one as Gordon Keyne. Other notable writers on hand are Warren Hastings Miller, Leland Jamieson, Kenneth Perkins, William Chester (with a Kioga story), and Robert R. Mill (with a Tiny David story). As a blend of the pulp and slick sensibilities, nothing else came close to BLUE BOOK.
