I'm not a big fan of giant floating head covers, but this one by Emmett Watson isn't bad. Rather atmospheric, in fact. As always with ARGOSY, this issue has some good authors inside: Donald Barr Chidsey, Bennett Foster, Richard Howells Watkins, Howard Rigsby (best remembered for paperbacks written under that name and as by Vechel Howard), and Robert E. Pinkerton, as well as the lesser-known Frances Shelley Wees, C.F. Kearns, and John Randolph Phillips. The stories by Chidsey, Foster, and Wees are serial installments, also common in ARGOSY. "Lost House" by Wees was published in hardcover by Macrae in 1938. "Cut Loose Your Wolf" by Foster was published in hardcover as TURN LOOSE YOUR WOLF by Jefferson House in 1938. I think the original title is better. And Chidsey's "Midas of the Mountains" was only a three-parter, probably closer to a novella than an actual novel, and as far as I know, it's never been reprinted.
This issue of SHORT STORIES features a good French Foreign Legion cover by Pete Kuhlhoff, although he's credited as E.H. Kuhlhoff. He was a good artist, as you can see here, but he's best remembered as a gun expert who contributed scores of articles and columns on the subject to various pulps. This issue has an excellent group of writers inside, as well: Clarence E. Mulford, Frank Richardson Pierce, J. Allan Dunn, James B. Hendryx, Bob Du Soe, Richard Howells Watkins, Henry Herbert Knibbs, and forgotten pulpsters Perry Adams, Alexander Lake, and Don Cameron Shafer. Plenty of good reading in those pages, I'll bet.
This cover is by H.W. Wessolowski, best remembered for his science fiction pulp covers, usually billed as Wesso or H.W. Wesso. But he did a number of covers for pulps in other genres, such as this issue of CLUES. Oddly enough, a number of the authors in this issue are probably best known as Western writers: T.T. Flynn, Tom Curry, Edward Parrish Ware, Oscar Schisgall, and Johnston McCulley. Although to be fair, all of those guys were very prolific in the detective pulps as well. Also on hand are John Wilstach, Richard Howells Watkins, Eric Taylor, and Lemuel de Bra, none of whom I actually think of as mystery writers. But they were good writers, and being good pulpsters, they could do a lot of different things in order to make a sale. Which makes me think this would be an entertaining issue.
By the spring of 1942, most of Herbert Morton Stoops' covers on BLUE BOOK were war-themed, not surprisingly, and so was a lot of the content. This issue has a great line-up of authors including H. Bedford-Jones, Richard Sale, Georges Surdez, Frederick Painton, Richard Howells Watkins, Jacland Marmur, a Tiny David story by Robert R. Mill, and a Free Lances of Diplomacy story by Clarence Herbert New. BLUE BOOK really packed in the great reading.
Pulp covers loved that bright red and yellow combination. Those are some scary-looking dogs on this cover by H.W. Scott, too. This issue of COMPLETE STORIES has some fine authors in it: Frederick C. Davis with a White Wolf story (ghosted under the name of the late Hal Dunning), George Harmon Coxe, Allan Vaughan Elston, Richard Howells Watkins, C.S. Montanye, Karl Detzer, and a pulpster I'm not familiar with, James Clarke. I've never read an issue of COMPLETE STORIES, but I know it doesn't have the same sort of reputation as the big-name general fiction pulps like ARGOSY, ADVENTURE, and SHORT STORIES. However, judging by the authors this looks like a pretty good issue.
I'll bet Fred MacIsaac's serial (Part 1 of 5 in this issue) isn't as funny as STRIP FOR MURDER, the similarly themed Shell Scott novel by Richard S. Prather, but the title is still intriguing. Just the idea seems unusually racy for DETECTIVE FICTION WEEKLY. Elsewhere in this issue are stories by Cornell Woolrich, J. Allan Dunn, Laurence Donovan, Richard Howells Watkins, and John H. Knox, so it looks pretty good.
Another good-looking issue of SHORT STORIES with a fine Mountie cover by Frank Spradling and stories by the all-star line-up of H. Bedford-Jones, Clarence E. Mulford, Harry Sinclair Drago, L. Patrick Greene, Hapsburg Liebe, S. Omar Barker, and Richard Howells Watkins. SHORT STORIES was always a high quality pulp.
Yep, that's Pulitzer Prize-winning poet Carl Sandburg his own self appearing in a pulp magazine. Of course, BLUE BOOK wasn't really a typical pulp magazine, and not only because it reprinted a number of Sandburg's poems. This looks like a fine issue with an Arms and Men story by H. Bedford-Jones, part of a Kioga serial by William L. Chester, a Tiny David story by Robert R. Mill, and other stories by Leland Jamieson, Fulton Grant, Richard Howells Watkins, James Francis Dwyer, and others. It's generally hard to beat the line-up of authors in any issue of BLUE BOOK, and that's certainly true here. Plus a good Foreign Legion cover by Herbert Morton Stoops, who provided top-notch covers month after month.
