Saturday Morning Western Pulp: Ranch Romances, First August Number, 1955

This is a pulp that I own and read recently. That’s my somewhat tattered copy in the scan. The cover art is by Clarence Doore. His signature is visible in the lower left corner. It’s not one of Doore’s best covers, in my opinion, but it’s certainly not bad.

Giff Cheshire is a hit-or-miss author for me. Most of what I’ve read by him has been entertaining but a little bit too much on the bland side for my taste. Some of his stories are more hardboiled and are pretty good. His novella that leads off this issue, “Torment Trail”, is very hardboiled and is an excellent yarn. The protagonist, Cleve Gantry (great name for a Western hero) is partners in a hardscrabble ranch with young wastrel Nat Cole (maybe not as good a name, since Nat “King” Cole, one of my father’s favorite singers, was already very popular by the mid-Fifties). Cole pulls a robbery and frames Gantry for it. Gantry breaks out of jail and sets out to track down Cole, partially to clear his name but mostly because he wants to kill the no-good hombre. Gantry’s vengeance quest is complicated, though, by Cole’s beautiful sister and some other hardcases who are after the loot from the robbery. Set mostly in the desert—and Cheshire makes good use of that setting—this is a fast-moving, suspenseful story with some good action scenes, a fine protagonist, and a very gritty tone. I really enjoyed “Torment Trail”, which is easily the best thing I’ve ever read by Cheshire.

D.S. Halacy Jr. wrote several dozen Western and detective stories for the pulps. I’d read one story by him in the past and thought it was okay but nothing more than that. His story in this issue, “The Five Hundred Dollar Shot” is about a down-on-his-luck rancher who is willing to go to any lengths to provide for his family, even if it means going after a wanted outlaw for the reward. This is a pretty bleak story with a mostly unlikable protagonist, but it doesn’t turn out exactly like you might expect and that’s usually a good thing. So it’s nothing special, but it is a readable yarn.

“Bachelor Trouble” is by Lewis Chadwick, who wrote only half a dozen Western stories, all published in 1955 and 1956. An old rancher decides that one of the cowboys who works for him is going to marry his daughter, but the cowboy doesn’t go along with that idea. That’s all there is to the story, but it’s decently written and everything is resolved in a pleasant enough manner.

James Clyde Harper was reasonably prolific, turning out approximately 50 stories in a career that lasted from the early Thirties to the mid-Fifties. But I didn’t care for his story “The Phantom Rifle” in this issue. It’s a mystery in which a group of settlers with a wagon train try to start a town, only to have several of their number murdered by a mysterious rifleman. The writing struck me as clumsy, and the motivation for the plot just wasn’t believable considering the place and time. This one is a clear miss as far as I’m concerned.

W.W. Hartwig published only three stories, all in RANCH ROMANCES. “The Bride’s Father” in this issue is the last of them. It’s a pure romance yarn about a young cowboy courting the daughter of a railroad tycoon. This is a well-written story with good characters, and although I thought the author could have done a little more with it, I liked it quite a bit.

Alice Axtell was the author of about thirty stories, all of them in RANCH ROMANCES in the Forties and Fifties. Her story “Big Man” is about the feud between a big rancher and the owner of a smaller spread. Their clash takes some nasty turns, and there’s more riding on it for the little rancher than just his business. The girl he wants to marry is watching to see how he handles this problem. This is another story that’s pure romance, but it’s well-written and I enjoyed it.

There are also installments of two serials, “Longhorn Stampede” by Philip Ketchum and “The Vengeance Riders” by Jack Barton, who was really Joseph Chadwick. Ketchum and Chadwick were both fine writers and I’m sure these are good stories, but as I’ve mentioned before, I have the novel version of THE VENGEANCE RIDERS and will get around to reading it one of these days, and I may have a copy of LONGHORN STAMPEDE, too. If I don't, there's a good chance I will have in the reasonably near future.

Rounding out the issue are the usual features—Western movie news, pen pals, astrology—and a somewhat Western-themed crossword puzzle completely filled out in pencil by one of the previous owners of this copy. Only a couple of erasures, too, so a pretty good job. Somehow, things like this make me feel a closer kinship to the person who owned this one originally. I can just imagine her—or him, RANCH ROMANCES is bound to have had some male readers, too—sitting at a kitchen table in 1955, working the crossword puzzle after a long day. That could be all wrong, of course, I have no way of knowing, but it’s an image I find appealing.

Overall, this is a fairly solid issue of RANCH ROMANCES. There’s only one outstanding story, but the Cheshire novella is really good and all the other stories except the one I didn’t like are well-written and entertaining, if not particularly memorable. If you have a copy, it’s worth reading. You might even want to do the crossword puzzle if somebody hasn’t beaten you to it. 

Saturday Morning Western Pulp: 5 Western Novels Magazine, June 1953

This is a pulp that I own and read recently. My copy isn’t in the greatest shape, but that’s it in the scan, featuring a nice, evocative cover by Clarence Doore. You can feel the sweltering heat just looking at it, can’t you? One oddity of note is that it’s 5 WESTERN NOVELS MAGAZINE on the cover and the masthead on the title page, but FIVE WESTERN NOVELS MAGAZINE on the spine, the indicia, and the page headers. I’m going to make the arbitrary decision to use the version with the number when I refer to it in this post.

Calling this 5 WESTERN NOVELS MAGAZINE was something of an exaggeration, of course. The contents actually consist of three novellas, two novelettes, and a bonus short story. This title was, for the most part, a reprint pulp. There’s only one original story in this issue, and that’s the novella that leads things off, “Pistol Partners” by Lee Floren.

Now, Lee Floren has never been one of my favorite Western authors, but I’m coming to enjoy his work more over time. Also, this story features his longest-running series characters, Buckshot McKee and Tortilla Joe, a couple of drifting cowpokes who always manage to wind up in the middle of dangerous situations and sinister mysteries. I’ve read several novels starring Buck and Joe and enjoyed them. In “Pistol Partners”, they’ve come to New Mexico to answer a call for help from an old friend who is sick and has to go to the hospital. He wants Buck and Joe to take care of his pet cat for him.

That cat turns out to be a tame mountain lion named Madagascar Jones. The “hospital” in which the old friend is holed up is a boarding house run by a beautiful former madam, and all the boarders are beautiful saloon girls, one of whom is the unlikely bride of the old codger who summoned Buck and Joe. A ruthless cattle baron wants the old-timer’s land, several men have been killed, supposedly by the mountain lion Madagascar Jones, and Buck and Joe get shot at several times. This is the goofiest Lee Floren story I’ve read, rivaling W.C. Tuttle’s Sheriff Henry yarns in places. But it’s also full of action, well-plotted, and a lot of fun. There are a few examples of the slapdash writing common in Floren’s work—a guy rides up on horseback, for example, and in the very next paragraph he came up on foot and his horse is hidden in the brush—but if you can forgive that, and I can, “Pistol Partners” is pretty darned enjoyable.

William Hopson’s novelette “Trail Drive Boss” first appeared in the September 1945 issue of POPULAR WESTERN. As you can tell from the title, it’s a trail drive yarn in which a young cattleman butts heads with a crooked town boss who controls the only water in the area and uses exorbitant prices to steal herds. There’s also a beautiful woman involved, of course, and not everything is as it seems at first. Hopson was inconsistent but mostly very good, and this is an excellent tale that I enjoyed.

“Sixgun Sweepstakes”, a novella by Walker A. Tompkins, is a reprint from the June 1948 issue of POPULAR WESTERN. Tompkins is a long-time favorite of mine, and he doesn’t disappoint in this story about a town-taming lawman from Texas who’s the marshal of a town in Washington state. He throws in an intriguing angle about the friction between ranchers and wheat farmers but never really does anything with that plot element. Instead, this is a Fourth of July story with a rodeo and a big celebration highlighted by a stagecoach race. One of the marshal’s old enemies shows up in town before the shindig begins, and the romantic triangle between the two of them and the beautiful daughter of a state senator complicates matters before the villain’s true plan is revealed.

Tompkins is in good form in this story. There’s plenty of action, a fight on a train, the stagecoach race, and a few plot twists. It would have been better if the fight had been on top of the train (anybody who’s read much of my work knows I love those scenes), and a running shootout during the stagecoach race would have been nice. But that’s just me. “Sixgun Sweepstakes” is a solid yarn that would have made a good 1950s Western movie.

The novella “Dead Man’s Gold” by Larry A. Harris first appeared in the June 1948 issue of THRILLING WESTERN. A young man’s search for a fortune in gold supposedly hidden by his crazy uncle in the Devil’s River country of Texas puts him in conflict with a crooked banker and a corrupt lawman. The story moves right along and there’s plenty of action, but the writing is pretty flat and bland and the protagonist is so stupid that it stretches the reader’s willing suspension of disbelief too far. He does one dumb thing after another just to keep the plot going. Harris wrote hundreds of stories for the pulps but only a few novels, all of them featuring the Masked Rider. One of those was reprinted in paperback, Harris’s only book publication that I know of. I’ve read a few things by him in the past and found them okay at best. This one is a clear misfire.

The short story “Reunion at Amigo” is by veteran Western writer Allan K. Echols and originally appeared in the June 1948 issue of MASKED RIDER WESTERN. It’s about an old outlaw who has escaped from prison and is searching for his son. It’s pretty well-written overall, but the final twist is so obvious that it detracts quite a bit from the story’s appeal.

This issue wraps up with “The Necktie Party”, a novelette by Malcolm Wheeler-Nicholson from the July 1948 issue of EXCITING WESTERN. At first glance, this is a cavalry vs. the Apaches yarn, but as it turns out, there’s more to it than that as a young lieutenant tries to save a civilian scout from being lynched, prevent a new Indian war, and round up the bad guys, all at the same time. As always, Wheeler-Nicholson brings an undeniable air of authenticity to a story with a military background. This is an enjoyable tale weakened by an ending that’s not very dramatic and resolves things too easily.

As far as I remember, this is the first issue of 5 WESTERN NOVELS MAGAZINE, so I don’t have any basis to compare and say how it stacks up against the others in the series. Just as a Western pulp, though, I think it’s a little below average. I was surprised at how good the Floren story is, and there’s nothing wrong with the Hopson tale, but the entries by Tompkins, Wheeler-Nicholson, and Echols were good but could have been better, and the one by Harris just isn’t very good. I really like the cover by Clarence Doore, though. Overall, probably worth reading, but don’t rush to your shelves to see if you have a copy.

Saturday Morning Western Pulp: Thrilling Western, November 1951

I featured this cover more than ten years ago, but I recently read my copy of this pulp. That’s it in the scan. This is one of my favorite Western pulp covers. It’s by Clarence Doore, which I didn’t know when I posted about it the first time. I also mentioned in the earlier post that I had read the expanded paperback version of Leslie Scott’s novella “The Texan”, which was published by Paperback Library in 1952 under the pseudonym Scott Leslie. I’m pretty sure that was wrong, because when I read the pulp version in this issue, I didn’t remember it at all.

As the cover says, it’s set in Tombstone, and a lot of historical characters appear in it: the Earp brothers, Doc Holliday, Johnny Behan, Curly Bill Brocius, Johnny Ringo, the Clantons and McLowreys, Three-Finger Jack Robles, etc. A few historical incidents figure peripherally in the plot. But mostly it’s the story of Jed Slone, the Texan of the title, who has spent the past several years in Mexico living the life of a good-guy outlaw, including leading his band of helpers known as the Dorados, which, according to Scott, means “Golden Men” because they all wear yellow shirts. Now, I don’t know if that’s what it means at all, and I’m too lazy to look it up, but hey, I’m willing to go with that. Sure. It’s a nice dramatic bit, even though the Dorados play no part in this yarn other than being mentioned.

Mostly “The Texan” is about Jed Slone sorting out who’s been rustling cattle from the Cross G ranch owned by old Don Roberto Garcia, who has a beautiful niece named Gypsy. (Scott liked naming heroines Gypsy. I can think of several others.) While he’s doing that, he hangs around with Wyatt Earp, makes a mortal enemy out of Curly Bill, and does a lot of riding and shooting. The identity of the mastermind behind all the trouble is extremely obvious.

But (you’ve heard this before) I don’t care. Scott writes great action scenes, he indulges in some of his patented flowery landscape descriptions that somehow work just fine for me, and the story is paced to keep me flipping the pages. This one shows a few more signs of hurried writing that most of Scott’s stories, but nothing that I can’t overlook. I just like the way the guy tells a tale.

I don’t know anything about William L. Jackson except that he wrote dozens of Western and sports yarns for various pulps in the Forties and Fifties. His story in this issue, “Run Him Out”, is about the clash between a liveryman and a powerful rancher. It’s well-written but not very memorable.

Clay Randall was actually Clifton Adams, and Adams was always good. His novelette in this issue, “Fire Fight”, is no exception. It has a fairly standard plot—a big land and cattle company is trying to run out the smaller ranchers—but the villains use range fires as their primary weapon instead of rustling, which is a bit of an unusual twist. Adams’ writing, as always, is hardboiled and fast-paced and the plot takes some intriguing turns. There’s one plot hole that bothered me some, but overall this is a good yarn, not top-notch Adams but certainly worth reading.

“Never Come Back” is a short story by the prolific and dependable Giff Cheshire. It’s about a rancher who runs off the wild, outlaw brother of the girl he loves, only to have the young man return looking for vengeance, backed by a gunslinger he’s fallen in with. Well-written and with good characterization, it has a nice gunfight and a satisfying conclusion. I don’t think Cheshire will ever be one of my favorite Western writers, but his work is usually entertaining.

The issue wraps up with the novelette “Tough Tophand” by Del Rayburn, billed on the Table of Contents as a Western classic because it’s actually a reprint from the November 1946 issue of EXCITING WESTERN, where it appeared under the title “Tough Texas Tophand”. The story is about the clash between a Texas cowboy and a clan of renegade Mormons in Montana. It’s a little over-the-top (the protagonist’s name is Hondo Uvalde) but the author won me over with plenty of well-written action and some interesting characters. I don’t know anything about Del Rayburn except that he wrote a couple of dozen stories for the Western pulps from the late Forties to the mid-Fifties. I wouldn’t call “Tough Tophand” a Western classic, but it’s an enjoyable story.

This is a solid issue of THRILLING WESTERN with a great cover, a very good story by Leslie Scott, and good stories by the other authors who contributed. I’m glad I finally got around to reading it.