As I mentioned a while back, I had this issue of PLANET
STORIES out to read the Ray Bradbury story in it, "Jonah of the Jove
Run", so I thought it would be a good idea to read the rest of the stories.
I have only a few issues of PLANET STORIES, but I've read quite a few stories
that have been reprinted from it. In fact, back in the Seventies I read a
paperback called THE BEST OF PLANET STORIES, VOLUME I, the first in a planned
series from Pocket Books. It must not have sold very well, because there was
never a Volume II.
Anyway, the cover of the Spring 1948 issue is by Allan
Anderson, who painted many fine covers for Fiction House's science fiction,
Western, and adventure pulps. Most of the interior illustrations are by Al
McWilliams, a fine, prolific artist who worked in pulps and comics.
The issue leads off with the novella "The Outcasts of
Solar III" by Emmett McDowell, who also wrote mystery and Western pulp
stories and some mystery novels published as Ace Doubles in addition to his
science fiction. This yarn starts off as a tale of corporate intrigue involving
the testing of the first interstellar drive but eventually features a trip
across the galaxy and some of the Big Ideas SF is famous for. The scientist
hero's name is Jon Saxon, which might have been a tip of the hat to long-time
Western pulpster John A. Saxon but more likely just sounded like a hero's name
to McDowell. I didn't think the writing was very good in this one and the
ending was a bit of a letdown.
The short story "Mind-Worms" by Moses Schere is
next. I don't know anything about the author except that he published less than
a dozen science fiction stories in various magazines from the 1930s through the
'50s. This is a decent first contact story about Earth trying to establish
diplomatic relations with the inhabitants of Venus.
Following "Jonah of the Jove Run" is "Planet
in Reverse" by Henry Guth, even less prolific than Moses Schere with only
four stories listed on ISFDB. It's an odd story about a guy running a mostly
automated space freighter who lands on a planet where time runs backward. I
didn't care much for it.
The novelette "Space-Trap on Banya Tor" by W.J.
Matthews has an interesting plot about an effort to use the media to manipulate
public opinion and turn it against a gang of space pirates who have captured
the public's fancy. But then through a series of double-crosses, it becomes
more of a straightforward adventure story, which is not necessarily a bad
thing. W.J. Matthews is really obscure, with no stories listed on either the Fictionmags
Index or ISFDB, although there's one letter from a Wm. J. Matthews in the SF
magazine NEBULA in 1958. A check of this
invaluable site, though, shows that several of his stories appeared in
PLANET STORIES during the late Forties. I didn't think the writing was very
good in this one, but the plot had enough twists to keep me reading.
The by-line on the short story "Confusion Cargo"
is another new one to me: Kenneth Putnam. But some quick research reveals that
Kenneth Putnam is a pseudonym for Philip Klass, much better known under his
other pseudonym: William Tenn. Not surprisingly, given the number of excellent
stories published under the Tenn name, "Confusion Cargo" is very
well-written, certainly the best writing in this issue other than the Bradbury
story. It's a good yarn about a mutiny on a space freighter and its aftermath.
There's even a decent twist ending, although it's not a great shocker or
anything.
The issue wraps up with the novella "Design for
Doomsday" by Bryce Walton, an author I'd heard good things about but never
read. He was a prolific pulpster in the Forties and Fifties, turning out
adventure, Western, and detective yarns in addition to his science-fiction. His
novella in this issue of PLANET STORIES is a good SF adventure yarn, with Nazis
– I mean Martians – and their leader Hitler – I mean Zharkon – taking over the
Solar System. The plot finds a couple of members of the Terran underground
heading for Venus to infiltrate a sinister scientific citadel there to get
their hands on something that will break the Martians' iron grip on the system.
The story moves right along with plenty of action and the writing is decent.
There's also a lengthy letters section, The Vizigraph, with
contributions from Gardner Fox, Robert A. Bradley (who a year or so later would
marry a fellow fan named Marion Zimmer), Lin Carter, and Chad Oliver, among
others.
The Bradbury story is definitely the best one in this issue,
but a couple of the others are pretty good and they're all readable. Overall I
enjoyed it enough that I'd read another issue of PLANET STORIES, but probably
not for a while.
7 comments:
Thanks for the detailed review of this issue. I'll put a copy in the issue and hopefully I'll get around to reading the stories. I always liked the crazy over the top PLANET STORIES covers and the letter column which sometimes ran to 10 or more pages.
I think I have this one. I'll have to wait until I get back home from visiting relatives to check. I have a couple of copies of the Best of Planet Stories paperback. Leigh Brackett was editing it, and I really wish it had taken off.
Indeed...and Brackett sold that antho to Ballantine, rather than Pocket...I suspect either Judy-Lynn or Lester Del Rey was a lot more open to the potential for a series than whoever was editing for pocket might've been.
PLANET STORIES was sharply improving around the turn of the '50s, with Jerome Bixby on staff and generally trying to make sure that the Brackett and Bradbury stories weren't the only good ones in a given issue...it isn't cited as often as Sam Merwin (and then Sam Mines)'s similar work in upgrading TWS and STARTLING, though it should be. More Poul Anderson and Charles Harness and Margaret St. Clair...and the early Damon Knight...didn't hurt.
NooSFere sure has been a wonderful, reliable gallery, and was the best till Phil Stephensen-Payne started seriously stepping up Galactic Central's galleries.
I would have sworn it was Pocket, but youre right, Todd, it was Ballantine.
The models for the cover were Larry and Jean Admire, a couple of actors/models who posed for a variety of artists besides Anderson.
Larry especially has been featured on many, many western covers. Like Steve Holland, Larry was the go-to guy for a pulp artist.
Thanks for that info. I hadn't heard of Larry and Jean Admire, but there's still an awful lot I don't know about the art on pulps, paperbacks, etc.
William J. Matthews wrote some pulp sci-fi stories for Planet Stories, not very many. He lived in Portland, Oregon, 3 blocks from where I was raised as a kid. His son and I were best friends in the early 1950s. Matthews was an eccentric collector, I used to greatly enjoy digging through his stacks of magazines,his toy soldier armies, and thousands of pictures snipped from various sources. He was primarily a commercial artist.
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