This is a pulp that I own and read recently. That’s my copy in the scan. The cover art is by George Rozen, who has become one of my favorite Western pulp cover artists even though he’s probably best remembered for his covers on various issues of THE SHADOW.
I don’t know anything about Alexander Wallace except that he produced about
three dozen stories for various pulps, mostly from Fiction House, between 1946
and 1954. His novelette “The White Peril” in this issue has an Indian as its
protagonist, a young Crow chief called Blue Star, who has to battle a white
gunrunner with plans to arm the Sioux, who are bitter enemies to the Crow. I
don’t recall reading anything else by Wallace, but maybe I should because the writing
in this one is very good. The story moves along well and I enjoyed it.
“Water Power” is a more humorous story than the others I’ve read by Ed La
Vanway. It’s about a water witcher using a divining rod to head off a war
between a cattle baron and some sodbusters. It’s pretty lightweight but okay
reading.
Joseph Chadwick has become one of my favorite hardboiled Western authors. His
novelette “Home to Boot Hill” features a first-person narrator, sort of unusual
for Westerns of this era, a former Texas Ranger who fears he’s gone gun-shy. But
he returns home to New Mexico anyway to help his old flame (who is now married)
fight off attempts by the local cattle baron (yeah, another of those pesky
cattle barons) to force her off her ranch. Nice gritty action and an offbeat
protagonist make this one work all the way around. I liked it a lot.
Next up is the novelette “The Saddle Pards at Buzzard Butte”, an entry in a
series I usually skip, Swap and Whopper by Syl MacDowell. These are slapstick
comedy Westerns starring a couple of hapless saddle tramps, Swap Bootle and
Whopper Whaley. (Think sort of Abbott and Costello in the contemporary West,
but not quite.) I decided I was going to read this one and stick with it to the
end, no matter what. And I did. It’s a bizarre concoction featuring a guitar,
road construction, and a baseball game. To my surprise, I actually smiled a
couple of times. MacDowell was a good writer. His more traditional Westerns are usually
pretty entertaining. Although it’s not saying much, this is my favorite Swap
and Whopper story so far. Will that make me go back and dig out all the ones I’ve
skipped in the past? Not likely. But if I come across another one, I’ll at
least give it a try.
C. William Harrison is a consistently good writer, so it’s no surprise that his
short story “Granger—Draw or Die!” is an enjoyable yarn. It’s about a cowboy
who gives up that life to become a farmer and his inevitable clash with the
cattleman who’s his former employer. Well done, with some good characters and
action.
I’m pretty sure I read H. Bedford-Jones’s novelette “Dead Man’s Boots” in the
November 1936 issue of THRILLING WESTERN in which it first appeared. It’s
reprinted in this issue, and since it’s been more than 20 years since I read it
the first time, I tackled it again. It’s a fine story (I’m not sure
Bedford-Jones was capable of writing anything else) about a gun-swift drifter riding
away from trouble in the border country and right into more trouble involving a
double-cross partnership between a crooked saloon owner and a cattle baron.
(Lots of cattle barons in this issue.) While the plot is suitably twisty and
there’s plenty of action, I’ve always felt that while Bedford-Jones’s traditional
Westerns are good, they’re not quite as strong as his historical and straight
adventure yarns. “Dead Man’s Boots” is a prime example of that. There’s nothing
wrong with it except that it reads like the sort of story that dozens of other
Western pulpsters could have written just as well. Maybe that’s holding HB-J to
a higher standard than I should, I don’t know, but that’s the way this story
struck me.
I always enjoy Ray Gaulden’s work, too. His short story in this issue, “Boom
Town Trouble-Shooter” is a mining story involving a boom town (no surprise
there, considering the title) and yet another crooked saloon owner. Gaulden
packs quite a bit of plot and action into a story of less than 10 pages and
does a good job of it.
Ernest Haycox’s short story “Skirmish at Dry Fork” is a reprint from the July
25, 1942 issue of the slick magazine COLLIER’S. But it’s right at home in
THRILLING WESTERN, as well. It’s about a group of cavalry troopers who visit a town
for a celebration on payday and their inevitable clash with a bunch of cowboys
leading to a saloon brawl. Then a young soldier falls for one of the soiled doves
who works in the saloon, leading to more trouble. Since this is an Ernest
Haycox story, you know it’s well-written, and while Haycox’s work sometimes
leaves me a little cold, I really liked this one. Some nice action and very
good characters and a few poignant touches make it work really well.
“Six-Gun Specter” is a short story bylined Johanas L. Bouma, rather than the
more common J.L. Bouma. It’s a tale about a young man with two outlaw brothers
who’s trying to escape his family’s shady past. A stagecoach robbery and a
beautiful young woman prove to be turning points for him. This is a pretty good
story marred by a very rushed ending.
Robert Ferguson is the author of “Medicine”, a short story about an Apache
attack on an isolated ranch in Arizona. Ferguson published only a handful of
stories. This is the only one I’ve read, and I didn’t like it at all. Didn’t
care for the writing, didn’t like the characters, and almost didn’t finish it.
That happens sometimes. Might’ve just been me.
Overall, I’d say this is an above-average issue of THRILLING WESTERN, based on
the good cover by George Rozen, the stories by Ernest Haycox, Joseph Chadwick, and Alexander
Wallace, and the offbeat elements in some of the other stories. And I even kind
of enjoyed the Swap and Whopper yarn! Maybe I will check out some of the others
in the series.
2 comments:
Who does consistently good western humor stories?
W.C. Tuttle and Robert E. Howard. I'd give Tuttle the edge because his stories also blend action and mystery with the humor.
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