Sunday Morning Bonus Pulp: 10-Story Detective Magazine, January 1943

This issue of 10-STORY DETECTIVE MAGAZINE features another great Norman Saunders cover, with stories inside by some top-notch authors: Norman A. Daniels (with a second story under his pseudonym David M. Norman), Harold Q. Masur, Walt Sheldon, J. Lane Linklater, and even Walker A. Tompkins, best known for his Westerns, of course. Plus some I haven't heard of, such as Tagre Detbar, Byron Dalrymple, and Thomas Lamar.

Saturday Morning Bonus Pulp: Popular Western, January 1944

The cover of this issue of POPULAR WESTERN is further proof, as if we needed it, that every poker game in the Old West ended in a shootout or a brawl. I'm sure there are plenty of fisticuffs and gunplay in the stories inside, which are by Tom Gunn (actually Syl McDowell, in this case, with another Painted Post yarn featuring Sheriff Blue Steele), Gunnison Steele (Bennie Gardner), Laurence Donovan, Oscar J. Friend, and house-name Scott Carleton with a Buffalo Billy Bates story. I've always found POPULAR WESTERN to be a pretty good Western pulp, and I'm sure this issue is no exception.

Forgotten Books: Captain Shark #1: By Pirate's Blood . . ., Richard Silver (Kenneth Bulmer)

British author Kenneth Bulmer is best remembered for his scores of fantasy and science fiction novels, but like a good freelancer, he wrote a little bit of everything and was especially good at historical and nautical fiction. Those two genres are combined in the Captain Shark novels, a two-book series of paperback originals Bulmer wrote for Pinnacle Books in 1975. Both books are available as e-books from Thunderchild Publishing.

It seems unlikely that the protagonist of these books, Captain Sebastian Shark, was born with that name, but that’s the only way he’s ever referred to in BY PIRATE’S BLOOD . . ., the first volume. Shark is the captain of the sloop Draco, and he’s not so much a pirate as he is the mortal enemy of the Spanish, out for revenge on them more than loot. He does, however, have the usual motley, colorful crew of buccaneers sailing with him.

Bulmer barely touches on a fairly extensive back-story in which Shark is captured by Barbary Corsairs as a young man and learns swordplay from another captive, a Spaniard (the only Spaniard Shark likes) and medicine from an Arab. (Wasn't Captain Blood actually a medical doctor? It’s been close to fifty years since I read Sabatini’s novel.) Eventually escaping from the Corsairs, Shark winds up in the Caribbean, throws in with Henry Morgan, takes part in the sacking of Panama, and finally becomes the captain of his own ship and crew. Because many of his friends have suffered at the hands of the Spanish Inquisition, Shark declares an unofficial war on them.

And that’s where BY PIRATE’S BLOOD . . . begins. It’s a rather episodic tale in which Shark and his men clash with other pirates, capture a Spanish ship, and take a beautiful young Spanish noblewoman prisoner. Shark and the girl even wind up marooned on a deserted island, but things don’t play out the way you might expect. And before you know it, he’s a prisoner in a castle on a Spanish-held island, and then who should show up but the beautiful Captain Elizabeth Wren, a female pirate who is Shark’s former lover, sometimes ally, and sometimes enemy. The action hardly ever slows down, and Bulmer really packs this yarn full of twists and turns and then . . . it’s over.

Yep, BY PIRATE’S BLOOD . . . ends in a semi-cliffhanger, and this really leads me to believe that Bulmer wrote this story as one long novel that Pinnacle split in two for publication. In those days, short books were in fashion, and Pinnacle published a lot of ’em in the men’s adventure genre, which includes swashbucklers like this.

I really enjoyed this book. Bulmer had a good touch with his characters and wrote some really good action scenes. I’m a landlubber, through and through, but I was able to follow the sea battles just fine. I would have been really annoyed, though, when I got to the end and found that the story just stops . . . if I didn’t have the second and final book, JAWS OF DEATH, queued up on my Kindle ready to read.

And that’s what I’ll be posting about next Friday.

Caz, Vigilante Hunter #1: Slaughter at Buzzard's Gulch - Scott Harris

Scott Harris has become a very popular Western author in the past couple of years, best known for his series featuring Brock Clemons and the non-fiction volumes he’s edited about Western novels, movies, and TV shows. But he’s also writing a series of Western action novels about a character known only as Caz, Vigilante Hunter. (Just to be clear, he is a vigilante, he doesn’t hunt vigilantes.) In the best tradition of Western TV shows such as CHEYENNE, he’s a drifter who helps people out and hunts down bad guys who need hunting down simply because it’s the right thing to do. And he doesn’t show any mercy to those bad guys, either.

I’ve just read the first book in this series, SLAUGHTER AT BUZZARD’S GULCH, and it certainly doesn’t stint on the action. Caz takes pity on a mistreated soiled dove and winds up being targeted for death by the owner of the whorehouse and his brutal minions. Much shooting, fighting, and stabbing ensues. Harris never lets the pace slow down for very long, but when it does, it’s to put in some nice bit of characterization. Caz is enough of an anti-hero to give this book a little of the same feeling as the Edge books and other British Western series written by the Piccadilly Cowboys. In his dispensing of his own brand of justice, he also comes across like a Western Mack Bolan at times, although there’s no organization he’s fighting like Bolan took on the Mafia. He’s certainly a compelling character, and creating characters like that seems to be Harris’s strong suit.

Most traditional Western readers ought to enjoy SLAUGHTER AT BUZZARD’S GULCH. You can get it for a great price in a boxed set including the first four books in the series.

Overlooked Movies: Desperate Journey (1942)

DESPERATE JOURNEY is a World War II movie that I somehow missed seeing on TV when I was growing up. In fact, I’m not sure I’d even heard of it until recently. It was made in 1942, long before the war was over, and stars Errol Flynn, Ronald Reagan, Arthur Kennedy, Alan Hale, and Ronald Sinclair as the survivors of a crash landing when the B-17 they’re in is shot down in Germany after a successful bombing run. It’s not enough for them to avoid capture by the Nazis and escape into Holland. They decide to turn themselves into a five-man invasion force and wreak as much havoc with the German war effort as they can along the way.

As helmed by veteran action director Raoul Walsh, this movie hardly ever slows down. Our intrepid heroes are in and out of one jam after another, blowing stuff up real good and confounding the German officer leading the effort to capture them, played by Raymond Massey. Along the way they even meet a pretty girl who’s a member of the German resistance, although there’s no time for any romance before the guys are dashing off to carry out another act of sabotage. Despite the serious subject matter—and the fact that not everybody makes it out alive—DESPERATE JOURNEY is almost breezy at times with its over-the-top adventure and wisecracking heroes.

I thoroughly enjoyed this movie. It’s old-fashioned entertainment. Flynn and Reagan are very good in their roles. Reagan has the best scene, when he’s being interrogated by Massey and pressured to give up Allied secrets. The script sort of glosses over the fact that out of the five protagonists, only one (Sinclair’s character) is actually British, although they’re all in the RAF. But that international flavor is at least acknowledged, even if nothing much is made of it. There’s some good miniature work, maybe not up to the same level as the Lydecker brothers over at Republic (but when it comes to miniature work, what was?) and an excellent car chase late in the picture. I’m glad I came across this movie and watched it, and if you haven’t seen it, it’s definitely worthwhile.

Sunday Morning Bonus Pulp: Thrilling Adventures, February 1938

It's been a while since there's been a Mountie cover in this series, so here's one from the February 1938 issue of THRILLING ADVENTURES. Not only does this issue feature a cover with a two-gun Mountie on it, there are stories inside by E. Hoffmann Price, Edmond Hamilton, Philip Ketchum, Arthur J. Burks, and S. Gordon Gurwit. That's a pretty strong line-up for any pulp with the word "Adventure" in the title.

Saturday Morning Western Pulp: .44 Western, October 1947

.44 WESTERN MAGAZINE was another solidly dependable Western pulp from Popular Publications, and this issue has a nice action-packed cover. The lead novella is by Max Kesler. I don't know anything about him, but I've seen several oil field stories by him and this appears to be another one, judging by its title. Other authors in this issue are Walker A. Tompkins (one of my favorite Western writers), Will C. Brown (actually C.S. Boyles, Jr., the other writer from Cross Plains, Texas, who was a few years older than Robert E. Howard), Lee E. Wells, Harold F. Cruickshank, and Harrison Colt, a name that's always struck me as a pseudonym or house-name, but I don't have any confirmation of that. This looks like a pretty good issue.

Forgotten Books: Hearts of the West - Jean Marie Stine, ed.

As I’ve mentioned here before, I recall seeing new issues of RANCH ROMANCES on the magazine racks in various drugstores during the late Sixties and early Seventies. It was the last true pulp, although by then it was slightly smaller than regular pulp size and had trimmed page edges. I never bought any of those issues, though, because it had “romance” right there in the title, and I didn’t read romances. That’s what my mother read, for gosh sake!

However, over the past fifteen years or so, I’ve read numerous issues of RANCH ROMANCES and have developed a real appreciation of the Western romance. Far from being sappy, many of them have their fair share of gritty action. Romance is a pretty primal emotion, after all, and a talented storyteller can spin a good yarn from it.

HEARTS OF THE WEST is a collection of Western romances gathered from a variety of pulps and a few slick magazines. None of them are from RANCH ROMANCES, and indeed, only one story is from a pulp recognized as a Western romance title, THRILLING RANCH STORIES. But that doesn’t make them any less well-written and entertaining.

The book opens with “Guardian Angel” by Gene Austin, originally published in THRILLING WESTERN, November 1952 as “The Beautiful Guardian”. When I started reading this one, I immediately realized it was familiar, and when I looked it up, I discovered that it appeared in an issue of THRILLING WESTERN I had read and blogged about fairly recently, so I’ll just repeat what I said about it there: “The Beautiful Guardian” by Gene Austin, an author who wrote several dozen stories for assorted Western pulps, none of which I recall reading until this one. It’s a pleasant enough yarn about a young cowboy, a trio of trouble-making brothers he’s feuding with, and two beautiful young women, one of whom he wants to marry and the other who wants to marry him. This seems like it should have appeared in RANCH ROMANCES in an earlier era, but it’s probably not hardboiled enough for the Fifties version of that magazine.

“Frontier Spirit” by Ann P. Hurt appeared in DOUBLE-ACTION WESTERN, February 1956, as “The Resourceful Week of Little Silly” by A.P. Hurt. It’s a wagon train story about the pampered daughter of a rich man who has to take care of herself and deal with the dangers of the frontier. The plot’s fairly predictable, but I thought it was handled well and I enjoyed the story.

John and Ward Hawkins were brothers from Canada who started writing for the pulps in the Thirties, mostly detective and adventure stories, but by the Forties they were writing serials for THE SATURDAY EVENING POST and COLLIER’S and eventually wound up in Hollywood where they wrote a lot of TV episodes for such series as VOYAGE TO THE BOTTOM OF THE SEA, BONANZA, and LITTLE HOUSE ON THE PRAIRIE. Their story “Pioneer Woman”, published in the August 31, 1940 issue of LIBERTY as “Pioneer Lady”, is another wagon train tale, although it’s set for the most part in St. Joseph, Missouri, as a wagon train is forming to head for Oregon. The protagonist is a young woman with two children whose abusive gambler husband has abandoned her, but he shows up to make her life miserable just as she’s trying to make a new start by joining the wagon train. Some nice twists, as well as a murder, give this story a fairly hard edge, and it works quite well.

Charles H. Snow, the author of “Blue Eyes and Blue Steel”, from the March 1934 issue of THRILLING RANCH STORIES, is best remembered for one thing these days: a novella called “One ‘Hopped-up’ Cowboy” which appeared in the July 1936 issue of WILD WEST STORIES AND COMPLETE NOVEL MAGAZINE. I’ve never read it, but I seem to recall reading that the hero of that one is known as The Marijuana Kid. Snow is an interesting author over and above that one story, though. A former miner, he was blinded in an accident in 1914 and decided to become a writer in an attempt to support his family. He dictated his stories to his daughter, who then typed and submitted them. He sold a good number of stories to the pulps in the Twenties and Thirties but found his best market in England, where he sold more than 400 novels under several different pseudonyms. He was also elected to the position of justice of the peace in Napa, California, during the Twenties and served as a mentor to Western writer L.P. Holmes, who always referred to him as Judge Snow. I had never read any of his work before “Blue Eyes and Blue Steel”, but I really enjoyed this tale about a rancher’s daughter pursuing a dangerous outlaw. I saw the big twist coming but thought the story was well-written enough to be very entertaining, anyway. Snow skimps a little on the action at the end, but I was still impressed enough that I want to read more by him.

Zachary Strong was a house-name, so there’s really no telling who wrote “Cup of Happiness”, which appeared in the April 1940 issue of COMPLETE NORTHWEST. It’s a Northern, as you’d expect from the magazine where it was published, and takes place in Canada. A schoolteacher who loses her job when the boomtown where she’s been teaching is abandoned for a new strike elsewhere decides to become a prospector herself. Things don’t go well. The resolution of this one seems really far-fetched to me, but I’m not a miner, so what do I know?

“The Marquis and Miss Sally”, EVERYBODY’S MAGAZINE, June 1903, under the name Oliver Henry, is set in a roundup camp on the Texas range and features the trademark twist ending of an O. Henry story. I didn’t see the twist coming until very late in the game. This is an excellent story. I put O. Henry in a book once as a supporting character, before he was a writer and was just a bank clerk named William Sydney Porter.

“End of the Trail” by editor Jean Marie Stine is the only tale original to this collection. It’s a “stranger rides into town and takes on the local bully” story with a couple of nice twists. Well-written and shows that Stine knows Westerns.

Frank Bennett, writing under the pseudonym Ben Frank, had stories in many issues of TEXAS RANGERS during the Fifties, most of them featuring his series character Doc Swap, and to be honest, I’m not a fan of them. His stand-alone story “The Bar-Girl, the Battle, and the Bar-D” (TEXAS RANGERS, July 1957, as “A Woman for the Bar-D”) is pretty good, though. A widowed rancher looking for someone to care for his young daughter hires a woman who’s new in town and winds up with more trouble than he bargained for. This one is a lot grittier than the author’s Doc Swap stories, which probably explains why I liked it quite a bit.

“Big Nose Kate’s Man”, by Marie Antoinette Parks, originally published in REAL WESTERN STORIES, June 1956, as “They Ain’t Going to Lynch My Man” by Will Watson, is a short, mostly historical piece about Doc Holliday and his lover Big Nose Kate set in Fort Griffin, Texas, when Doc is arrested for murder. It’s okay but there’s not much to it, making it the weakest story in the collection.

Overall, I found HEARTS OF THE WEST very entertaining, with several excellent stories (the ones by the Hawkins brothers, Charles H. Snow, and O. Henry were my favorites) and all of them quite readable. I’d love to see more such collections of Western romance stories from the pulps and think this one is well worth reading.

Larry Kent News From Piccadilly Publishing

BIG NEWS FROM PICCADILLY PUBLISHING

Private Eye Larry Kent started his life as the hero of a half-hour radio show on Australia’s Macquarie Network, and was inspired chiefly by the success of the hardboiled mysteries of Carter Brown. As the popularity of the radio show grew, the Cleveland Publishing Pty. Ltd decided to publish a series of Larry Kent novels. Two authors, Don Haring (an American who lived in Australia) and Des R Dunn (a Queenslander) are primarily associated with the series. Between 1954 and 1983, Larry appeared in well over 400 adventures.

Kent is a typical hard boiled private eye. He smokes Camels, drinks whiskey and within the first dozen pages or so, has usually met a dame and is fighting for his life. His mean streets are pure New York (although the radio series was set in Australia) and include Harlem nightclubs and Jersey roadhouses.

Generally the body counts are high: about six deaths per novel.
But there’s another side to Larry Kent. He’s a Vietnam war veteran, he used to work for the CIA and still does, usually reluctantly, on occasion. And once, when an attempt was made on his life, the Agency paid for him to have plastic surgery that altered his appearance ... something he never quite managed to get used to.

Larry Kent is fast and fun, and Piccadilly Publishing is proud to be bringing his cases to a whole new generation of fans, complete with their original ‘good girl’ artwork.
The first FOUR books will be available on APRIL 4th!

A Thompson machine gun erupted its violence as soon as the door began to move. A guy stood in the opening, his big gun smoking in his hand. I took one shot and sent a shell into his stomach. The guy went back on his heels for two very deliberate paces, then folded onto his knees. His gun slipped out of his hands and came into the doorway.

There was another guy with my dying friend—a guy with the most surprised face in New York. He wore a hat over his eyes, but I could see a crooked nose and thin lips and a fat-jowled jaw.

I said, “Sleep tight, punk.”

I let him have it.

There’s something about me makes me ornery when guys pump lead into my doorway late at night.

(I had two or three of the original Australian editions of Larry Kent novels but never got around to reading them before they were lost in the fire of '08. I've always been curious about the series and hoped someone would reprint some of the books. Now Piccadilly Publishing has brought the series back, and I just bought the first four books, which are already available. I'm looking forward to reading them!)

Overlooked Movies: Wild Card (2014)

I’m not sure how I completely missed this 2014 movie starring Jason Statham, based on a novel (HEAT) by William Goldman, with a screenplay by Goldman. Even odder, there was already a movie based on that novel, also with a Goldman screenplay, made in 1986 starring Burt Reynolds. I’m sure we watched it—we watched just about everything Burt was in, back then—but I don’t remember it. So, taking WILD CARD on its own merits (I haven’t read the book, either), it turns out to be a decent little action film.

Statham plays Nick Wild (a name change to justify the title, I suppose), who works as a bodyguard/“chaperone” in Las Vegas. A very wealthy but innocent young man hires Nick to show him around town and protect him while he’s gambling. Meanwhile, a hooker friend of Nick’s gets raped and badly beaten up by the vicious son of a mobster, and when Nick finds out about that, he sets out to get revenge for her. He’s also trying to get his hands on enough money to retire to Corsica and sail around on the Mediterranean.

Those plot strands weave in and out in a rather meandering fashion, and that aimlessness hurts the movie. On the other hand, the dialogue is good, as you’d expect from a movie written by William Goldman, and the cast, which also includes Jason Alexander and Stanley Tucci, does a good job. Statham is always likable. There’s enough action to keep things interesting, and also as you’d expect, it’s handled well. WILD CARD is a pleasant enough way to spend some time and I enjoyed it. It’s just not very memorable.