Showing posts with label Oscar J. Friend. Show all posts
Showing posts with label Oscar J. Friend. Show all posts

Saturday, June 03, 2023

Saturday Morning Western Pulp: Popular Western, September 1944


Sam Cherry's cover on this issue of POPULAR WESTERN is a slightly humorous one, which is a little unusual for him. His covers were dramatic and often action-packed, but most of the time they're not funny. I like this one quite a bit. The blonde reminds me of Gloria Grahame. Inside are stories by Syl McDowell (a Sheriff Blue Steele yarn under the Tom Gunn pseudonym), Johnston McCulley, Oscar J. Friend, Cliff Walters, Alfred L. Garry, and house names Scott Carleton (a Buffalo Billy Bates story) and Jackson Cole.

Saturday, March 18, 2023

Saturday Morning Western Pulp: Range Riders Western, January 1948


This is a pulp that I own and read recently. My copy has a big chunk out of the front cover, so I’ve used the image from the Fictionmags Index. I think that cover is by George Rozen, but I wouldn’t swear to that. RANGE RIDERS (title later changed to RANGE RIDERS WESTERN) was one of the Thrilling Group’s Western pulps, published officially by Better Publications. It ran for 75 issues from December 1938 through April 1953. The lead novel in each issue featured Steve Reese, Hank Ball, and Dusty Trail, a trio of range detectives who work for the Cattlemen’s Protective Association. Reese, who is actually the hero of the series with Hank and Dusty providing support and occasional comic relief, also has a commission as a U.S. Marshal, so he has jurisdiction wherever he goes.

“The Bloody Bull Trail” in the January 1948 issue is by Oscar J. Friend, probably best remembered as an editor and literary agent, but he wrote a good number of Western and science fiction novels, too. He probably created the Steve Reese series since he was the main author of those novels during the pulp’s early years, then returned late in its run to contribute two more stories, of which this is the first. As the story opens, Reese is on the trail of a missing prize bull which was stolen from an Arizona rancher. Reese is also looking for another range detective who was assigned to the case first but has disappeared. Another rancher in the area, a Mexican don whose spread is an old Spanish land grant, also wanted that bull, so he’s the prime suspect in its theft, not to mention the disappearance of the other detective.

What Reese finds is that he and Hank and Dusty (who show up not long after he does) are in the middle of a complex plot involving water rights, gun smuggling, and a Mexican bandit known as El Gato. Murder ups the stakes as our heroes do a lot of riding and fighting and shooting to untangle all those threads.

Friend was an excellent writer whose work has more humor and literary touches than that of many Western pulpsters. At the same time, he never neglects the action and keeps this story moving along at a brisk, very satisfying pace. By this time, most Western writers, Friend included, had abandoned the “yuh mangy polecat” dialogue, making “The Bloody Bull Trail” read more like a yarn that could have been written in the Fifties, Sixties, or Seventies. It’s smooth and well-done and very entertaining. I liked it a lot.

I’ve always found it a little odd that none of these novels from RANGE RIDERS were reprinted in paperback during the Sixties and Seventies, like the other characters from the Thrilling Group’s Western hero pulps, Jim Hatfield, the Rio Kid, and the Masked Rider. Seems like they would have been prime material for reprinting by Popular Library or Curtis Books. “The Long Noose”, also by Friend and from the first issue of the pulp, was reprinted in hardback by Gateway Press in 1942 and in paperback by Handi-Books in 1947. The main characters’ names were changed in these reprints. I used to have a copy of the Gateway Press edition. Steve Reese became Simon Carter. I don’t remember what Hank Ball and Dusty Trail were changed to. All of Friend’s early novels from the series were also reprinted in England but apparently THE LONG NOOSE is the only American reprint from the series.

Moving on from the lead novel, the next story is a short-short, “Walk Out and Die”, published under the house-name Sam Brant. The Brant name has been connected to Frank Gruber, Louis L’Amour, and Syl McDowell. I think I remember reading somewhere that some of the Sam Brant stories may be by L. Ron Hubbard. I don’t think any of those authors wrote “Walk Out and Die”. It’s a tense little story about a sheriff with a prisoner who’s the target of a vengeful family of owlhoots. To me, it reads like the work of Bennie Gardner, better known under his pseudonym Gunnison Steele, and since there’s a Gunnison Steele novelette next up in this very issue, I suspect that Gardner wrote “Walk Out and Die” as well. He turned out a lot of short-shorts like this. Unfortunately, although “Walk Out and Die” starts out well, the ending is pretty weak and leaves a lot unresolved.

That Gunnison Steele novelette I mentioned is “Heir to Boothill Range”. It uses the very common plot of a young man returning to his hometown to find out who framed his father for rustling and then lynched him seven years earlier. While there’s nothing new about this one, plot-wise, Gardner does a good job with it, giving us a well-paced yarn with a likable protagonist, some fine action scenes, and a nicely handled romantic element. I nearly always like Bennie Gardner’s work and this is no exception.

Since this is a January issue, that means it was on the newsstands during December, so fittingly enough there’s a Christmas story, “A Happy Christmas” by C.V. Tench. This is a Northern, a suspenseful yarn about a trapper/prospector who has a sinister visitor on Christmas Eve. I guessed the late twist in this one, but it’s still an enjoyable, effective tale.

“Killer’s Cue” by William O’Sullivan has an unusual protagonist, an elderly Chinese cook who works in a saloon and hotel in a mining camp. He turns detective in order to find out who killed his best friend, an old codger prospector. The murderer’s identity is really obvious, but that doesn’t keep this from being a good story.

Harold F. Cruickshank wrote a bunch of aviation stories for the pulps, but from the mid-Forties through the early Fifties, he wrote a Western short story series called the Pioneer Folk (sometimes listed as the Sun Bear Valley series) that ran in RANGE RIDERS WESTERN. These stories feature a young married couple, Dal and Mary Baldwin, and their friends and neighbors in Sun Bear Valley. The one in this issue is called “Good Neighbor Gunfire”. To be honest, I skipped it, because I’ve forced myself to read some of this series in the past and never liked any of them. At this point, there aren’t many things I’m going to force myself to read.

The issue wraps up with “Trail Drive” by A. Kenneth Brant, a pseudonym for Brent Ashabranner. This generically-titled yarn about a trail boss trying to get a herd across a waterless stretch is well-written. Not much to it, but I enjoyed it.

Overall, I think this is a good issue of RANGE RIDERS WESTERN. The lead novel is excellent, one of the best in the series I’ve read, the Gunnison Steele novelette is very good, and all the stories are entertaining (except for the one I skipped, which may be good, too, just not to my taste). It’s been a while since I read an issue of this pulp. I think I may need to see if I can rustle up some more of them. (No pun intended.)

Sunday, December 19, 2021

Sunday Morning Bonus Pulp: Detective Novels, June 1944


Both stories featured on the cover of this issue of DETECTIVE NOVELS are by Norman A. Daniels, a stand-alone novella under his own name and a novella in the Candid Camera Kid series as by John L. Benton. Other authors in this issue include Oscar J. Friend (perhaps better known as an agent) writing as Owen Fox Jerome and lesser-known pulpsters Hal White and W. Fredric Kruger. I don't know the cover artist, but that guy looks suitably menacing. In 1944, I doubt if that little mustache was a coincidence, although he doesn't look like Hitler in any other respect.

Sunday, February 09, 2020

Sunday Morning Bonus Pulp: Thrilling Wonder Stories, Winter 1944


What a great cover by Rudolph Belarski on this issue of THRILLING WONDER STORIES. It's got everything: a space babe, a raygun, guys with knives, and a giant green Medusa. And inside are three stories by Henry Kuttner (one under his own name and one each as by Scott Morgan and Kelvin Kent), as well as yarns by Oscar J. Friend (writing as Ford Smith), Ross Rocklynne, and Robert Arthur. That's good stuff. This issue is available to read on-line at the Internet Archive.

Sunday, November 17, 2019

Sunday Morning Bonus Pulp: Thrilling Detective, April 1941


Now I understand why I never liked going to the barber shop. You never know when there might be some mug with a gat lurking there, ready to bump you off. However, if I'd ever seen a redhead like that in my local barber shop, I might have risked it anyway. The best known author is this issue of THRILLING DETECTIVE is probably Frederick C. Painton, who wrote a lot of serials for most of the major adventure pulps. Also in this issue are stories by author and literary agent Oscar J. Friend (writing as Owen Fox Jerome), pulp editors Charles S. Strong and Joseph Samachson (writing as William Morrison; Samachson's other claim to fame is creating the Martian Manhunter for DC Comics), Marvin Ryerson (not a pseudonym for Ryerson Johnson but an actual guy), Benton Braden (who appears to have been fairly prolific), and Cornelius Reece (who never published another story except this one, as far as the FMI knows). Not a stellar line-up, but I'll bet it's a fairly entertaining issue.

Sunday, August 11, 2019

Sunday Morning Bonus Pulp: Famous Detective Stories, August 1950


I think this may be the first "beautiful blonde in slinky red dress plus skeleton in diving costume" cover I've ever seen on a pulp. But of course I could be wrong about that. All I know is I like this cover quite a bit and it would certainly intrigue me enough to plunk down a quarter, if I had one. The lineup of authors inside is intriguing, too, since they're mostly better known for science fiction rather than detective stories: Murray Leinster, Ray Cummings, James MacCreigh (Frederik Pohl), and Oscar J. Friend, who was pretty well-known as a Western writer, too. Also on hand are Norman A. Daniels, who wrote everything, and Robert Sidney Bowen, who I always think of as an aviation writer, even though he wrote a lot of other things, too. I suspect it's a pretty entertaining issue.

Sunday, May 19, 2019

Sunday Morning Bonus Pulp: Thrilling Wonder Stories, February 1942


I've seen other science fiction pulp covers featuring some giant figure menacing fleeing crowds. Without reading the stories, I never know if they're meant to be taken literally or symbolically. And I don't suppose it makes a difference, if they're eye-catching and prompt a potential reader to fork over a dime (or a dime and a nickel, in this case) as this painting by Rudolph Belarski does. There's a good line-up of pulp SF writers inside this issue of THRILLING WONDER STORIES, too: Nelson S. Bond, Ray Cummings, Eando Binder (Earl and Otto Binder), Oscar J. Friend, and Alexander Samalman. 

Saturday, April 13, 2019

Saturday Morning Bonus Pulp: Popular Western, January 1944


The cover of this issue of POPULAR WESTERN is further proof, as if we needed it, that every poker game in the Old West ended in a shootout or a brawl. I'm sure there are plenty of fisticuffs and gunplay in the stories inside, which are by Tom Gunn (actually Syl McDowell, in this case, with another Painted Post yarn featuring Sheriff Blue Steele), Gunnison Steele (Bennie Gardner), Laurence Donovan, Oscar J. Friend, and house-name Scott Carleton with a Buffalo Billy Bates story. I've always found POPULAR WESTERN to be a pretty good Western pulp, and I'm sure this issue is no exception.

Saturday, April 09, 2016

Saturday Morning Western Pulp: Range Riders Western, December 1945


This week's scan comes to us again from David Lee Smith. It's from a Western pulp I like quite a bit, RANGE RIDERS. For those of you unfamiliar with the series, RANGE RIDERS was a character pulp, one of many from the Thrilling Group. By that I mean it had a lead novel in every issue featuring the same character, or in this case, group of characters. The other such pulps from Better/Standard Publications were TEXAS RANGERS (featuring Jim Hatfield), RIO KID WESTERN, and MASKED RIDER WESTERN. The stars of RANGE RIDERS were Steve Reese, Hank Ball, and Dusty Trail, a trio of range detectives who worked for the Cattlemen's Protective Association. The stories were billed as Steve Reese novels, but Hank and Dusty always played major roles, too. The series was created by Oscar J. Friend, or at least I assume it was since he wrote the first several novels. Many of the usual Thrilling Group suspects contributed to the series, including Tom Curry, Walker A. Tompkins, Gunnison Steele, T.W. Ford, Samuel Mines, and in this particular issue, Johnston McCulley. I haven't read this one, but I've enjoyed all the others I've read.

Also in this issue is a story by Harold Cruikshank in his Pioneer Folk series (also know as the Sun Bear Valley series). These are pretty mild tales about a group of homesteaders. I haven't read one in years, but this series was never a favorite of mine. They might be better than I remember, though. I guess Cruikshank wasn't familiar with a novel entitled RED HARVEST by a guy named Hammett . . . or didn't care.

Saturday, January 30, 2016

Saturday Morning Western Pulp: Range Riders, February 1939


I read this issue about 20 years ago and don't remember anything about it except that I liked it. Oscar J. Friend is best remembered as a literary agent and editor, but I've read several of his Range Riders novels and enjoyed all of them. For those of you unfamiliar with the series, it features the adventures of three range detectives, Steve Reese, Hank Ball, and Dusty Trail, who work for the Cattleman's Protective Association. I can't help but wonder if they knew Hashknife Hartley and Sleepy Stevens, or even Tombstone and Speedy. Anyway, I've read quite a few of them by different authors and always liked them. I'm a little surprised none of them were reprinted in the Sixties and Seventies when the other Western series characters from the Thrilling Group, Jim Hatfield, The Rio Kid, and The Masked Rider were all being reprinted.

Saturday, November 08, 2014

Saturday Morning Western Pulp: Blue Ribbon Western, February 1950


Oscar J. Friend is probably best remembered as an agent and editor in the science fiction field, but he wrote a number of Western novels, too, and the ones I've read have been pretty good. His novel HELL ON THE HALF-MOON is the only piece of fiction in this issue of BLUE RIBBON WESTERN, with only a couple of short features to round out the table of contents. I haven't read it and don't have this issue, but I'll bet it's an entertaining yarn.

Saturday, July 02, 2011

Saturday Morning Western Pulp: Range Riders Western, Fall 1940

Like TEXAS RANGERS with the Jim Hatfield novels, THE RIO KID WESTERN, and MASKED RIDER WESTERN, RANGE RIDERS WESTERN was another example of the Hero Pulp formula transplanted to a Western setting. Every issue featured a novel starring a trio of range detectives who work for the Cattleman's Protective Association.  The leader of the group is Steve Reese, and his two sidekicks are Hank Ball and Dusty Trail, who serve not only as back-up for Reese but also occasional comedy relief (although both are pretty competent and the series doesn't descend into slapstickery too often).  I've read a bunch of these stories and enjoyed most of them, especially the early ones by Oscar J. Friend, who evidently created the series.  Later on, Friend took some of his Range Riders novels, changed the titles and the names of the three main characters, and resold them to hardback publishers, a common practice in the pulp era.  Steve Reese became Simon Carter in these revisions.  I don't recall the new names of the other two characters.  This particular issue includes short stories by the always-reliable Gunnison Steele (Bennie Gardner), Jackson Cole (no telling who was behind this house-name), and Frank Carl Young.  I'm unfamiliar with Young's work, but a check of the Fictionmags Index shows that he was relatively prolific in the Western pulps from the mid-Thirties through the early Fifties.  I've probably read some of his stories, but if so, I don't remember them.