Saturday Morning Western Pulp: Exciting Western, November 1948

This is a pulp that I own and read recently. That’s my copy in the scan, complete with a slam-bang cover by Sam Cherry. I’ve said it many times before, but I really like his work.

I also consistently enjoy the adventures of range detectives Tombstone Jones and Speedy Smith as penned by W.C. Tuttle. This issue’s novelette is called “Lovable Liars”, and as it opens, the pair of them are a-foot, having sold their horses and saddles anticipating that their boss at the Cattleman’s Association will send them to their next assignment via train. The boss expects them to ride horseback to the settlement of Smoke Tree, however, and since they sold their mounts and Tombstone then lost all their money trying out his supposedly foolproof system for blackjack . . . Well, the boys wind up riding the train, but they have to hop an illicit ride on a boxcar to do so. And then what happens? Why, the train gets held up, of course, and through a series of coincidences, Tombstone and Speedy are blamed for the robbery!

Clearing their names and corralling the actual train robbers complicates their original mission, which was to solve a murder for which the son of an old friend of their boss has been arrested. Our intrepid duo manage to accomplish all of that, of course, through a combination of luck, banter, fast action, and detective work that’s more clever than anyone gives them credit for. This is a consistently entertaining entry in a series I really like.

Cliff Walters, a prolific contributor to the Western pulps who’s all but forgotten these days, is next up with a story called “Bone Bonanza”, in which a young rancher who fancies himself an artist goes east in search of a career in fine art, only to have things work out differently than he expected. This is a very mild, lightweight story with a few interesting angles, and it’s an easy read that I don’t think will linger very long in anyone’s mind. But it’s a pleasant enough way to pass 15 minutes.

I sometimes wonder if the readers who bought these pulps realized that A. Leslie, Bradford Scott, and Jackson Cole (part of the time) were all the same guy. Some of them must have suspected. Under the A. Leslie name, Leslie Scott contributes the novelette “Washed in Blood” to this issue. The first part of the tale is fairly standard as young cowboy Jim Wayne clashes with three crooked brothers who run almost everything in the county. A saloon shootout leaves one of the brothers dead and Jim on the run as a fugitive. It’s when he holes up in an abandoned mission still being tended to by an old priest that the story becomes one of ghost pirates and hidden treasure. As always with a Scott story, the action is plentiful and well-written, and the settings are vivid. I really enjoyed this one.

I’ve read a couple of stories by Harold R. Stoakes, another forgotten writer, and enjoyed them. “The Red Stallion” in this issue is a modern-day Western about a horse that can’t be ridden and the relationship between a young man and his stepfather. Honestly, this seems less like a Western pulp story and more like something that would have appeared in a slick or even a literary magazine. It’s got enough angst to it that it could have been mawkish, but Stoakes keeps things pretty low-key and makes it work in a well-written story that reminds me of something Larry McMurtry might have written early in his career.

“One Man Wrecking Crew” is a short (maybe 2000 words, tops) story by the always dependable Donald Bayne Hobart. There’s not much plot to it, just some conflict between a young cowboy and a crooked saloon owner and his henchmen, and that’s just an excuse for a brutal fistfight scene. Hobart probably didn’t spend much time on this and picked up a quick 20 bucks or so, but he was enough of an old pro to make it fun to read.

The Navajo Tom Raine series has become one of my favorites. The novelette in this issue, “Ranger Out of Bounds” drops the reader down in the middle of the action as the Arizona Ranger investigates a land-and-water swindle that also involves the kidnapping of a beautiful young woman. The only break in the action comes when Raine is knocked out cold for a while. It’s a bit more complicated plot than usual for Lee Bond, who wrote this entry under the house-name Jackson Cole. Bond’s stories are pretty easy to identify: at least once in the story, the villains will stand around and explain the plot to each other, and the hero will face multiple enemies in a big, final gunfight. I thought this was an excellent story, and as usual, when I finished it I was eager to read more adventures of Navajo Tom Raine.

I don’t know anything about Clark Gray except that he published more than a hundred stories in various Western pulps and that he wrote the two worst Jim Hatfield novels in the whole series, “Lobo Colonel” (TEXAS RANGERS, January 1952) and “Warpath” (TEXAS RANGERS, June 1952). His story in this issue, “Tortilla Tenderfoot”, is about Pedro Gonzales, a reformed rustler who has lived a law-abiding life for years, only to be drawn back into a life of outlawry by the return of his former partner. This is a decent plot, but Gray plays it for laughs and the actual humor to be found in the story is pretty sparse. However, the writing isn’t bad, and although unimpressive, this is a much better story than either of Gray’s Hatfield novels.

All in all, this is a good solid issue of EXCITING WESTERN, due to top-notch series entries by Tuttle and Bond, a very good stand-alone by Scott, and some interesting short stories. It’s worth reading if you have a copy on your shelves.

Review: On the Dodge - D.B. Newton

Jim Bannister rides into the town of Antelope, Colorado, on the morning of the Fourth of July, but he’s not there to celebrate. Bannister is a fugitive from the law, the victim of an unjust murder conviction and a death sentence. But he escaped from jail and is now on a quest to clear his name, and there’s a chance that a man he hopes to find in Antelope can help with that goal.

Unfortunately, there’s a range war brewing in the area, and even though the town is full of Independence Day festivities, trouble is lurking right under the surface and quickly crops up, catching Bannister right in the middle of it.

I’ve been a fan of D.B. Newton’s Western novels for more than forty years. I first discovered them in the late Seventies when he was writing hardback Westerns for Doubleday’s Double D line under the pseudonym Dwight Bennett (his first and middle names, of course). It wasn’t long before I found out that he was also a prolific contributor to the Western pulps and even wrote a few of the Jim Hatfield novels in TEXAS RANGERS under the house-name Jackson Cole.

Eventually, when I became a writer myself, my first Westerns were entries in the Stagecoach Station series, which was created by D.B. Newton, who also wrote a number of them. I’ve always liked the fact that I shared a house-name with someone who wrote Jim Hatfield novels.

In the Sixties, Newton wrote an eight-book series for Berkley featuring a hero named Jim Bannister who was a fugitive from the law but not really an outlaw. ON THE DODGE is the first of those novels, all of which are in the process of being reprinted by Piccadilly Publishing. I just read it and thoroughly enjoyed it. Newton drops the reader down at a point where all hell’s fixin’ to bust loose, and I always appreciate an author who doesn’t waste any time getting the story going. Newton is from the same school of Western writing as L.P. Holmes and T.T. Flynn. He uses traditional plots but elevates them to a higher level with fine writing, well-developed characters, and moral and emotional complexity. ON THE DODGE has a real air of Greek tragedy about it, along with plenty of action and a very human and likable protagonist.

I had a paperback copy of the Berkley edition of ON THE DODGE for many years but never got around to reading it. That’s a good thing in a way because now I can read the new editions as they come out from Piccadilly. This one is a superb hardboiled Western that’s available in e-book and paperback editions. It gets a high recommendation from me. 

Saturday Morning Western Pulp: Texas Rangers, December 1945

This is a pulp that I own and read recently. That’s my brittle, battered, and tattered copy in the scan. The dramatic, eye-catching cover, as usual, is by Sam Cherry, who never painted a bad cover as far as I’m concerned, although of course I like some better than others.

The Jim Hatfield novel in this issue, “The Timber War”, has been attributed to Tom Curry, but I believe that’s incorrect. I’m convinced this one is actually by Leslie Scott. The terms “skalleyhooting” and “big skookum he-wolf”, common in his work, are used numerous times. There are quite a few vivid descriptive passages, although maybe not as many as you often find in a Scott novel. My theory is that Scott could always fill a few pages with description when he needed to, but also that whenever an editor needed to cut a few pages, those lengthy portraits of the landscape would be his first target. The plot, which finds a hidden criminal pitting two opposing forces—in this case, loggers and cowboys—against each other for his own benefit, is also classic Scott. To be fair, that’s a common Western plot no matter who the author is. I’ve written a few loggers vs. cowboys yarns myself. But this one, including the villain’s identity and the motivation for his scheming, is pure Scott and easy to see coming if you’ve read as many of his novels as I have. As further evidence, most of Curry’s Hatfield novels feature a proxy hero who winds up with the pretty girl. That happens in “The Timber War”, too, but it’s pretty much an afterthought, not a major part of the plot like it usually is with Curry. That’s my reasoning, but basically it boils down to knowing a Scott novel when I read one, and that’s what I think this is.

But is “The Timber War” any good, you ask? Oh, heck, yeah. Hatfield is sent to get to the bottom of the trouble brewing between Justin Flint’s logging crew and Clyde Cranley’s Double C ranch outfit. Sabotage has taken place on both sides. Tensions are running high and threaten to break out into open warfare. Hatfield gets ambushed a few times, helps out both sides, and figures out what’s really going on. There’s plenty of well-written action, and the pace never lets up for long. It’s formulaic, but nobody ever worked that formula better than Scott. I had a great time reading this, as I nearly always do with his work.

“Tenor on Horseback” is the only credit in the Fictionmags Index for Matt Sprague. Was that a pseudonym, or just the only story that Matt Sprague managed to sell? I don’t know, but I can say that this story about a couple of ranchers getting mixed up with an opera company touring the West is pretty polished and entertaining. It’s a humorous yarn without ever descending into slapstick, and there’s a nice twist at the end. I liked this one more than I expected to.

The issue wraps up with a story by an author I always expect to enjoy, Johnston McCulley. “Merry Christmas, Ranger” is about a Texas Ranger’s encounter with two outlaws when all he wants to do is make it home for Christmas so he can propose to the girl he wants to marry and then resign from the Rangers. The plot is pretty simple, but McCulley executes it very well and his fast-moving prose is always fun to read. The holiday is just a minor plot device; the story could have been written just as effectively without it. But the whole thing is enjoyable, and I’d say it’s another winner for McCulley.

This whole issue is a winner, in fact. All three stories are top-notch, and I greatly enjoyed reading this pulp. It’s well worth your time if you have a copy.

Saturday Morning Western Pulp: Exciting Western, September 1948

This is a pulp I own and read recently. That’s my copy in the scan, with an exciting and dramatic cover by Sam Cherry, who always delivered the goods. And I’ll have more to say about this cover later.

This issue leads off with another Tombstone and Speedy novelette by W.C. Tuttle, “The Hunches of Tombstone Jones”. In this one, our intrepid range detective duo aren’t on the trail of rustlers for a change. As a favor to their boss at the Cattlemen’s Association, they set out to investigate a case of high-grading at a gold mine. But when they arrive on the scene, they find the mine owner and his lawyer both dead. Is it murder? What does it have to do with the kidnapping of an inept young drummer from back east who sells ladies’ ready-to-wear goods? Why’s everybody so interested in a beautiful young woman and her son? Tombstone and Speedy will untangle all those threads, of course, with a lot of banter and gunplay along the way. After being a little disappointed in the last yarn I read in this series, “The Hunches of Tombstone Jones” really hits the mark. The dialogue is funny, the action is good, the detective work, mostly by Tombstone, is canny, and the plot hangs together nicely. This is a top-notch Tombstone and Speedy story.

“Catch Rope” is the third and final story in Chuck Martin’s short-lived series about crippled range detective Jim Bowen. It’s a good hardboiled Western yarn in which Bowen goes after a gang of rustlers who have kidnapped a rancher. Martin is nearly always worth reading, and this is an enjoyable story. I hoped it would bring some resolution to Jim Bowen’s continuing storyline, but it doesn’t, which is a shame.

Nels Leroy Jorgensen started out as a hardboiled crime and mystery writer in BLACK MASK before concentrating on Westerns later in his career, and I’ve enjoyed a number of his stories in the past. “Bullet Trail to Bexar”, his novelette in this issue, gets off to a promising start. It’s set in Texas in the spring of 1836, during the Texas revolution, and is about a young Texan on a mission to San Antonio. He gets saddled with a beautiful young woman along the way, and she has an agenda of her own. This should be a good story, but it’s riddled with anachronisms and blatant historical errors, as well as continuity glitches such as the young woman’s stepfather suddenly becoming her half-brother for the rest of the story. I wound up abandoning this one halfway through. It just has too many problems for it to be entertaining to me.

“Killer, Here I Come” is by Robert J. Hogan, best-known for the G-8 series, of course, but he wrote quite a few Westerns as well. This is the second story in this issue where the protagonist has a crippled leg. In this case, he’s not a range detective but rather a saddlemaker and veterinarian. He’s a very likable character, and you can’t help but root for him as he has to deal with an old enemy turned bank robber. I didn’t like this one whole-heartedly—there’s some cruelty to animals in it, and I have a hard time with that—but it’s a pretty good story overall.

Tom Parsons was a Thrilling Group house-name. The story under that by-line in this issue, “Born to Hang”, is the one illustrated by Cherry’s cover. Actually, I strongly suspect this is another case of a story being written to match an existing cover painting, because the scene lines up perfectly with the story. I also think there’s a very good chance the story was written by editor Charles S. Strong, who was also Western writer Chuck Stanley, author of a regular non-fiction column in EXCITING WESTERN. It’s a good yarn about a drifter framed for murder, and its only real drawback is that the ending isn’t as dramatic as it might have been. Still an enjoyable story, though.

Arizona Ranger Navajo Tom Raine has become one of my favorite Western pulp characters. In “Ride the Ghost Down, Ranger!”, he’s sent to find out who’s been attacking and burning out some homesteaders, which leads him to a mystery involving the inheritance of a valuable ranch. It’s a good story, and I’m convinced it’s the work of Lee Bond writing under the house-name Jackson Cole. Bond created the Navajo Tom Raine series and wrote more of the stories than anyone else, although C. William Harrison contributed quite a few, as well. This one ends with a big shootout between Raine and multiple bad guys, one of the trademarks of his stories.

The issue wraps up with “Reba Rides Alone” by D.B. Newton, one of my favorite Western authors. Of course, I can’t see that title without thinking about the country singer, but in this case, Reba is Mike Reba, a veteran outlaw who’s wounded and on the run when he encounters a young man determined to take up the owlhoot trail. This story is kind of predictable, but it’s very well written, and like all of Newton’s work, it’s worth reading.

This is a good issue overall of EXCITING WESTERN with a strong Tombstone and Speedy entry, a solid Navajo Tom Raine story, and the other stories are all okay with the exception of Jorgensen’s. If you have a copy, it’s certainly worth taking down from the shelves. If you don’t, the whole issue is also available on the Internet Archive.

Saturday Morning Western Pulp: Exciting Western, May 1948

This is a pulp that I own and read recently. That’s my copy in the scan, with a dramatic and very effective cover by Sam Cherry. I’ve always liked leather shirt cuffs like the ones the cowboy on this cover is wearing.

“Brains in Broken Fork”, the featured novelette in this issue, opens with our intrepid range detective due Tombstone Jones and Speedy Smith on their way to the cowtown of Broken Fork on a rainy night. They start to take shelter from the storm in an isolated cabin, only to find it occupied by a recently deceased corpse, and a rather active one, at that, since it starts to move around and startles our heroes into lighting a shuck out of there.

After that atmospheric opening, the rest of the story is the usual mix of action, mystery, colorful characters, and humorous dialogue. Tombstone and Speedy have been sent to Broken Fork to corral some rustlers, but they find that an old robbery and a cache of missing loot are mixed up in the case, as well. And of course, there’s a pretty girl, an old sheriff, and a deputy who’s smarter than he looks, which is a good description of Tombstone and Speedy, too. As much as I enjoy this series—and I got some good chuckles out of this one—it still strikes me as one of the more uninspired entries. The plot relies heavily on elements that author W.C. Tuttle has employed in other Tombstone and Speedy yarns, and unless I missed something, he leaves one fairly important plot point completely unresolved, as if he totally forgot about it. Tuttle definitely wasn’t at the top of his game in this one, although I enjoyed reading it.

“Shotgun Nester” is by Ray Hayton, an author I’m unfamiliar with. He appears to have been rather prolific for a while, turning out 20 stories in various Western pulps from 1946 to 1948. According to the Fictionmags Index, he died at 1947 at a young age, so I was intrigued enough to do a little research. Turns out he was from Monroe, Louisiana, but committed suicide in New York City when he was only 25. His obituary on the Find A Grave website says that he served in the Army during World War II and had been writing since high school. More than half of his published fiction came out after his death, so he had stories in inventory at several magazines. Judging by “Shotgun Nester”, he was a decent writer. The protagonist is a sodbuster with a chip on his shoulder who clashes with the local cattle baron. It’s a pretty traditional story, nothing special, but well-written. I have to wonder why a writer who was apparently selling stories hand over fist would kill himself, but there’s always a lot more going on in people’s lives than we know, isn’t there?

I’m happy to report that Navajo Tom Raine makes an appearance in this issue, in the novelette “A Ranger to Reckon With”. This series, published under the house-name Jackson Cole, was created by Lee Bond, who shared writing duties on it with C. William Harrison. I’m convinced this story is by Lee Bond. For one thing, the characters stand around explaining the plot to each other, a very common technique in Bond’s stories. For another, the final shootout pits Raine against three villains, a setup that occurs in almost every story I’ve ever read by him. In this one, Raine is sent to find out who’s responsible for lynching three sodbusters. Despite being familiar, it plays out just fine and is an enjoyable read.

The last time I read a Ben Frank story, I surprised myself by kind of liking it. His story in this issue, “Circle C Checker Coup”, doesn’t have a promising title. I was expecting a humorous yarn about a checker game. Well, checkers figures in the plot, all right, but so do robbery and murder. The protagonist is a young cowhand who has a photographic memory, something I don’t think I’ve encountered before in a Western pulp yarn. I liked this one, too, quite a bit, in fact.

“Stranger in Rocky Gulch” is by Reeve Walker, a Thrilling Group house-name, so I don’t know who wrote it and couldn’t hazard a guess from reading the story. It’s about a young trail boss trying to get home with the money from selling his herd, only to be detoured into a poker game with some sinister characters. It’s a decent story, slightly unpredictable in how it plays out.

The novelette “Owlhoot Buckaroo” is the second appearance in this issue by Lee Bond (assuming I’m right about him being the author of the Navajo Tom Raine story). This stand-alone story is about a young cowboy who spent ten years being raised by an outlaw gang, although he didn’t take part in any of their criminal activities. He’s trying to put that shady past behind him, but of course, it keeps coming back to haunt him, especially when he tries to save a ranch belonging to a beautiful young woman. Although the plot is pretty standard stuff, this is an excellent story, well-written with good characters and plenty of action. Bond was a formulaic writer but capable of turning out a really good yarn. This is one of the best I’ve read by him.

“Lead Evens the Score” is by the prolific Gladwell Richardson. The protagonist is a young cowboy who returns to a crooked town to get even with the stable owner, saloonkeeper, and sheriff who robbed him on his previous visit. He discovers he’s not the only one with a grudge against that trio and has to move fast to settle their hash himself. I haven’t read a lot by Richardson. This story is okay, if nothing special.

“Judge Guppy’s Colt Law” sounds like it might be a humorous story, which is not something I expect from Wayne D. Overholser. But no, this tale of a frontier jurist trying to save a young cowboy from a murder frame is the straightforward, slightly dour sort of Western yarn Overholser usually turned out. It’s not bad, but I’ve never been a big fan of Overholser’s work and this one didn’t convert me.

Overall, this is a good issue of EXCITING WESTERN, although I wouldn’t say it’s one of the best I’ve read. With a slightly below average but still entertaining Tombstone and Speedy yarn, a good but not outstanding Navajo Tom Raine story, and better than expected tales by Lee Bond (under his own name) and Ben Frank, it’s worth reading if you have a copy on your shelves.

Saturday Morning Western Pulp: Texas Rangers, February 1945

This is a pulp that I own and read recently. That’s my somewhat tattered copy in the scan. The dramatic cover is by Sam Cherry, who never painted a bad one.

“Guns of the Haunted Hills” is another fine Jim Hatfield novel by Leslie Scott writing as Jackson Cole. In this one, Hatfield is sent to the San Benito Valley in Texas’s Big Bend country to tackle some trouble brewing there, but in a nice twist, one reason Cap’n Bill McDowell gives him the job is get him away from some mysterious assassin who has been sending ominous drawings of a rattlesnake to Hatfield, before making an attempt to blow him up with a message doctored with explosive. It’s an odd touch for a Hatfield novel, but Scott makes it work.

The trouble in San Benito Valley centers around a coal mining company that has moved in, bringing a lot of Eastern European miners to dig out the coal. The local cattlemen aren’t happy about this, except for one young rancher, and a range war is brewing between him and the local cattle baron. The railroad is building a spur line into the valley as well, complicating matters even more. Hatfield barely shows up before somebody is trying to kill him. Are the attempts on his life connected to the job that’s brought him here, or has his mysterious enemy followed him to the Big Bend?

As usual, there’s quite a bit of trouble for Hatfield to untangle, and also as usual, Scott puts his mining and railroading background to good use. I don’t know how accurate his geology is, but a fella could learn a lot about a lot of things by reading these stories. I’m just out to be entertained, though, not educated, and Scott never fails to deliver on that score. I raced right through “Guns of the Haunted Hills” and thoroughly enjoyed it.

Due to wartime paper restrictions, this is one of the thin issues of TEXAS RANGERS, so it has only three short back-up stories. “Sweet Are the Uses of Sorghum” is a semi-humorous, entertaining tale by Allan K. Echols about an encounter with a Mexican café owner and a bank robber. E.E. Halleran, an author whose work I’m usually not fond of, contributes “Lawman’s Chance”, about a local star packer regarded as a big dummy who gets to use his detective skills to solve a murder. I liked this one all right. Ben Frank (real name Frank Bennett) is the author of two humorous series I don’t like at all, Doc Swap and Deputy Boo Boo Bounce, but his story in this issue, “Singing Bullets”, is a traditional Western yarn about a good-guy outlaw known as The Dodge City Kid catching a killer and clearing a friend’s name. This is the first of a short, four-story series, and I liked it a lot better than the other stories I’ve read by Frank. It reminded me a little of the Rawhide Kid and Kid Colt comic book stories, and I was always a big fan of those series.

This is a good issue overall, not surprising because although TEXAS RANGERS evolved over its 21-year run, I think it stayed consistently good. The mid-Forties issues are excellent with Leslie Scott and Tom Curry at the top of their games, soon to be joined as regular authors on the series by Walker A. Tompkins. Well worth reading if you have this issue on your shelves. It’s on the Internet Archive, too, if you’d prefer to read it there.

Saturday Morning Western Pulp: Exciting Western, May 1947

This is a pulp that I own and read recently. That’s my somewhat ragged copy in the scan. The cover is by Sam Cherry, as usual, and I like it, also as usual.

Ah, Tombstone and Speedy! A ghost story seems perfect for this pair of bumbling but surprisingly astute range detectives, and the novella “Ghost of the Tumbling K” brings them to the title ranch on their latest assignment for the Cattlemen’s Protective Association. However, they don’t know why they’re there, because the rancher who sent for them lies seriously wounded and unconscious. Tombstone and Speedy fetch help for the injured man and, in the process, discover that the ranch is supposed to be haunted. Since they don’t know why they were summoned, they decide to stay there and keep an eye on the place, which, of course, leads to a ghostly encounter.

Author W.C. Tuttle packs a lot of plot into his yarn, as he always does with the Tombstone and Speedy stories. Most of it revolves around the hidden loot of a mysterious outlaw known as the Yellow Mask, who is believed to have died several years earlier. But is he really dead? If he is, could it be his spirit haunting the Tumbling K? Tombstone and Speedy untangle the whole thing, of course, with plenty of action and humorous banter along the way. These stories are pretty formulaic, but they sure are entertaining.

“Indian Slap” is by Barry Scobee, the only pulp Western author with a mountain named after him. Scobee’s work is hit-or-miss for me but mostly good, and I enjoyed this tale about a white boy who was a captive of the Comanches trying to fit back in among a community of settlers. Scobee does a good job with the Central Texas setting, too.

“West of Windigo” is a novelette by Norrell Gregory. I don’t recall if I’ve read anything by Gregory before, but I liked this story of a railroad detective trying to find out who’s been stealing construction supplies, smuggling whiskey to the Indians, and generally trying to stir up trouble on a spur line that’s being built. Gregory moves things along nicely. This would have made a good B-Western movie in the Forties or Fifties.

“Badmen Are Plumb Foolish” is by Donald Bayne Hobart, a very prolific pulpster whose work I’ve come to enjoy. This story is about a gambler framed for a murder he didn’t commit, and despite its short length, maybe 2500 words, Hobart manages to work in a train robbery and a plot twist, too. This is a nice, enjoyable yarn by a real pro.

“Sheriff” by William O’Sullivan uses the “old lawman whose time has passed” plot, and not surprisingly, the old badge-toter has some life left in him after all, as an election campaign against his young whippersnapper deputy proves. This isn’t a memorable story at all, but it’s well-written and pleasant enough.

I’m convinced that Donald Bayne Hobart is also the author of “Bait for a Range-War Gallows”, even though it was published under the house-name Jackson Cole. The style reads very much like Hobart’s work. This is a range war story, as you probably guessed from the title, but it starts with a very nice twist: the range war is already over when the story begins. And everybody who supported the losing side is now considered an outlaw, including young cowboy Dake Latimer, who is holed up in an old adobe hut trying to fight off a horde of gunmen led by his mortal enemy who hates him because Latimer once stopped the lowdown hombre from raping a young woman. Hobart drops the reader down right in the middle of the action, which is something I always enjoy. Latimer gets out of that scrape but almost immediately finds himself in another one with a wounded youngster’s life on the line. Hobart packs a lot into this story and the action never slows down for more than a few paragraphs. This is just a superb Western yarn, one of the best I’ve read recently.

The protagonist of Nels Leroy Jorgensen’s novelette “Longrider Gun-Law” is also a good-guy owlhoot, the son of an Arizona lawman. He’s been below the border in Mexico rustling cattle and horses as part of a gang of American outlaws, but when the group disbands, he heads home to find the area being plagued by a series of stagecoach robberies. The plot developments in this one are pretty predictable, but Jorgensen’s tough prose makes it entertaining reading. Jorgensen’s career started in the early Twenties with detective and adventure yarns. He was a regular contributor to BLACK MASK during that pulp’s early glory days and eventually became a prolific Western pulpster, as well. I’ve enjoyed everything I’ve read by him.

There’s also an animal story by Harold F. Cruickshank in this issue, but I didn’t even try to read it. I loved wildlife yarns when I was a kid, but they just don’t work for me anymore.

Other than that, every story in this issue is good and I think it’s a fine issue overall. Although, as usual when there’s not a Navajo Tom Raine story, I missed that series.

To end on a more serious note that usual, I’ve realized that on several occasions recently, I’ve read and reviewed books and pulps that I previously read and reviewed several years ago, with absolutely no memory of reading and reviewing them before. At my age, this is a mite worrisome. If I have any doubts about a book or a pulp, I try to remember to search the blog and see if I’ve already covered it. But the key phrase there is “try to remember” because that’s where the problem lies, isn’t it? If any rate, if you see such duplication, it’s not intentional, and don’t hesitate to bring it to my attention. It’s helpful for me to know about such things.

Saturday Morning Western Pulp: Texas Rangers, July 1946

This is a pulp that I own and read recently. That’s my rather tattered copy in the scan, with a fine action cover painted by Sam Cherry.

The Jim Hatfield novel in this issue is by A. Leslie Scott writing under the Jackson Cole house-name, as is obvious from the vivid descriptions right from the start. The Lucky Hammer of the title is the name of a silver mine in Texas’s Big Bend region, so-called because the two old prospectors who discover the vein also find an ancient Aztec carving of a snake that’s shaped in the form of a hammer. Oh, and the hammer just happens to be lying next to the body of a dead man who appears to have guzzled down a drink from a poisoned waterhole.

Naturally, the silver strike results in the founding of a boomtown, and a boomtown always brings owlhoots, and eventually things get so lawless in the area that a call for help goes out to the Texas Rangers. And who’s going to respond to that call? I think we all know the answer to that question.

“The Lucky Hammer” is a dandy Jim Hatfield yarn full of the things that make Leslie Scott’s stories so enjoyable: a historical background, a terrible sandstorm on the desert, underground scenes in a mine, exploding dynamite, a missing archeologist, rustlers, smugglers, and gunfights galore. The big twist in the plot is fairly obvious, but to be honest, I would have felt cheated if it hadn’t been there. Sure, I knew it was coming, but I liked it anyway. Actually, there’s nothing in this novel that we haven’t seen in numerous other Hatfield novels by Scott, but he puts the various elements together so well, I still greatly enjoy reading them. He was at the top of his game in these mid-Forties Hatfield novels.

Bennie Gardner, who wrote as Gunnison Steele, turned out some excellent novels for the Thrilling Group Western character pulps, but he was also very prolific when it comes to short-short stand-alone stories. “Cold Creek Killer” in this issue is probably about 1500 words long, but in those words Gardner packs rustling, murder, and a canny sheriff bringing a killer to justice. The twist ending to this one is a little weak, I thought, but Gardner’s fast-moving prose still makes it fun to read.

Not surprisingly, I didn’t make it very far in Ben Frank’s “Doc Swap’s Powder Puff”. I just don’t like this series. I’m not sure why. The author, whose real name was Frank Bennett, puts words together well enough, but the Doc Swap stories just don’t work for me.

On the other hand, I really like the Long Sam Littlejohn stories by Lee Bond, and they’re every bit as formulaic as the Doc Swap yarns. In “Long Sam Collects a Bounty”, the good-guy outlaw is trying to corral a notorious outlaw and collect a reward, when he’s usually the one who’s the quarry in a situation like that. Naturally, his long-time nemesis, Deputy U.S. Marshal Joe Fry, shows up, too. Quite a few of the Long Sam stories, like this one, take place in the Big Thicket in East Texas, and that makes for a nice change-of-pace. I wish Bond had done a little more with the character, but I still enjoy the series and am always glad to read another one.

And the same holds true for most issues of TEXAS RANGERS. Even with Doc Swap and a slightly below-average Gunnison Steele story, this one is well worth reading if you have a copy on your shelves.

Saturday Morning Western Pulp: Texas Rangers, December 1954

This is a pulp that I own and read recently. That’s my taped, trimmed, and tattered copy in the scan, but other than being beat up, it’s intact and fully readable. The cover art is by Sam Cherry, as usual during this era of TEXAS RANGERS. It’s not one of his better covers, in my opinion, but it’s certainly not bad. I don’t think Cherry was capable of painting a bad cover.

The Jim Hatfield novel in this issue, “El Diablo’s Treasure”, is by Roe Richmond. I’ve mentioned many times in the past that Richmond’s Hatfield novels aren’t really to my taste, but I read one now and then anyway because he was a pretty good writer otherwise. This one starts out very promising. Hatfield is in Del Rio, on the Texas-Mexico border, and is already in the middle of his current assignment. He’s supposed to accompany a famous archeologist, the man’s beautiful daughter, and a young mining engineer who’s engaged to the girl, as they search for a famous lost mine in the Sierra Madre of Mexico. Not only is there the potential for gold, but the mine also is supposed to be the hiding place for a fortune in gems left there a couple of hundred years earlier.

Unfortunately, the arrangement with Mexico calls for the party to be escorted by a troop of Rurales commanded by an officer who is actually little more than a bandit, and there’s a gang of actual bandits roaming the area where the search is to take place. Throw in the fact that the archeologist’s daughter is a beautiful hellcat with her eye on Hatfield, angering her fiancée, and there’s plenty going on to wind up with Hatfield getting plenty of trouble heaped on his head.

That’s exactly what happens, as Richmond provides plenty of gritty, well-written fistfights, shootouts, and even some epic battles. There’s quite a bit to like in this novel. However, Richmond makes a serious misstep by never providing any sort of interesting backstory for the fortune that’s supposed to be hidden in the mine. It’s just sort of there, with a couple of vague hints that maybe the Conquistadores left it. There’s also no mention of anyone known as El Diablo, let alone an explanation of why it’s his treasure. Was Richmond simply referring to the Devil? Who knows?

My main objection to Richmond’s Hatfield novels is the presence of the annoying sidekicks he introduced to the series. Hatfield is called the Lone Wolf for a reason! Thankfully, although those characters are mentioned once, they play no part in this novel.

Ultimately, “El Diablo’s Treasure” isn’t a bad yarn. But Richmond shares something with Joseph Chadwick: he just doesn’t have a feel for the Jim Hatfield character. Hatfield never really seems like the same person who’s in the novels by Leslie Scott, Tom Curry, Walker Tompkins, and Peter Germano. If this had been a stand-alone with a totally different Texas Ranger, it would have been a better story. As is, it’s worth reading but not a great example of the series.

“War Bonnets in Wyoming” is a cavalry yarn by Gordon D. Shirreffs, one of the best all-around Western writers who was especially good in the cavalry sub-genre. In this one, the captain who’s in charge of establishing a new fort saves the life of a young Shoshone brave who’s being pursued by hostile Arapahoes. Will this be enough to save the lives of the captain, an Indian agent’s beautiful daughter, and a troop of cavalry later on? I think we know the answer to that, but Shirreffs is such a good writer it doesn’t matter. This story doesn’t have a lot of action, but it’s very suspenseful and I enjoyed it.

Harry Harrison Kroll isn’t somebody I think of as a Western writer. He wrote non-fiction about folklore and Americana, and his fiction is usually of the backwoods, hillbilly variety. But he made a few appearances in Western pulps, including the story “Catchers is Keepers” in this issue. It’s not actually a Western, though. It’s about a riverman on the Mississippi who finds a valuable raft and tries to salvage it, only to end up with trouble and a beautiful girl (but I repeat myself). Out of place though it may be, this is a fairly entertaining story.

Frank Castle got his start in the business assisting and ghosting for Western author Tom W. Blackburn, then went on to write dozens of stories under his own name for the Western pulps in the late Forties through the mid-Fifties. After that he became one of the most reliable novelists in the business, turning out books by the score: Westerns, hardboiled crime, nurse novels, soft-core novels, movie novelizations, and a lot of juvenile TV tie-in novels for Whitman under the name Cole Fannin. I’ve always thought Cole Fannin would have been a great Western pseudonym, but Castle chose to use Steve Thurman instead for the Westerns he didn’t publish under his real name. He also wrote some of the Lassiter novels under the house-name Jack Slade. I really like his work, so I was glad to see that he has a novelette in this issue called “Wild Night in Dodge”.

And a wild night it is. Dodge City is past its hell-raising peak since the railhead has long since moved on westward, but plenty of trouble is lurking there anyway for Kelly Shannon, who brings in a herd from Colorado. Before you know it, he’s met a beautiful redhead who looks just like a long-dead lover of his from Texas, he’s been accused of cheating at cards, he’s been blackjacked and knocked out, and he’s had ten thousand dollars stolen from him. And that’s just the start of a night full of fights, shootouts, double-crosses, and nefarious plans.

This is a terrific story, a 1950s Gold Medal Western novel in miniature. It’s got a hardboiled hero, a beautiful girl, and despicable villains everywhere Kelly Shannon turns. Frank Castle developed a very distinctive style that makes his later novels easy to identify, but it’s just in the formative stages here. The story races along and comes to a satisfying conclusion, and it just makes me want to read more by Castle. 

“Bedlam on the Box X” is by Ben Frank, the author of the Doc Swap series and a writer whose work I’ve grown to heartily dislike. This isn’t a Doc Swap story, so I had a little hope for it, but it’s the same sort of cutesy, allegedly humorous story and I gave up on it after a few pages. Ben Frank just isn’t for me, and I think I’m going to stop trying to read his stories. (I felt the same way about Syl McDowell’s Swap and Whopper series and finally warmed up to it, but I don’t believe it’s going to happen with Ben Frank.)

I don’t know a thing about Garold Hartsock except that he published a couple of dozen stories, mostly Westerns and a few detective stories, in the pulps during the Forties and Fifties. His story “Feud” in this issue is a grim tale about feuding families in Oregon and includes a stereotypical Romeo-and-Juliet element. Hartsock’s writing is pretty good, though, and he kept me turning the pages to the end, which was a major letdown. So, not bad, but not particularly good, either.

And that’s a pretty accurate description of this issue of TEXAS RANGERS, too. The Frank Castle novelette is superb, and the Shirreffs cavalry yarn is very good and well worth reading, too. The Hatfield novel is okay if you’re not expecting too much but frustrating in that it could have been much better, although if you just want to sample one of Richmond’s novels, this would be a good pick because the sidekicks aren’t in it. Otherwise, I’d say that if you own this one, read Castle and Shirreffs and skip the rest.

Saturday Morning Western Pulp: Texas Rangers, June 1954

This is a pulp that I own and read recently. That’s my copy in the scan. The cover artwork is by Sam Cherry, who did nearly all of the TEXAS RANGERS covers during the Fifties and always did a great job. This one illustrates, sort of, the opening scene of this issue’s novel.

As far as I’m concerned, there’s a Big Four of authors who wrote Jim Hatfield novels under the house-name Jackson Cole: A. Leslie Scott, the creator of the series; Tom Curry; Walker A. Tompkins; and Peter Germano, the author of this issue’s novel “The Outlaw Nobody Knew”. Germano, who also wrote a lot of very good novels under the name Barry Cord, was the most hardboiled of the bunch. His prose is terse and fast-moving, and there’s no “Yuh mangy polecat” dialect. While I love the standard Western pulp dialogue, I like this approach, too. (Roe Richmond actually wrote more Hatfields than Germano, but I don’t like his novels so I don’t count him as a major Hatfield author.)

Germano really packs a lot of plot and characters into “The Outlaw Nobody Knew”. The mysterious bandit boss of the title has kidnapped the governor’s son in an attempt to keep his brother from being hanged. Hatfield has only six days and the narrowest of leads to find the boy. His search takes him to a mining town in West Texas. At the same time, a young former carnival tightrope walker shows up in town on a quest of his own. Also on hand are a shady gambler/saloonkeeper, assorted gunmen, a hotel owner who quotes classic Greek literature, and an old desert rat prospector who thinks he’s actually a sea captain. There’s so much going on that it’s actually a little hard to keep track of at times, but Germano keeps the story racing along anyway until it arrives at a twist ending that isn’t really that much of a surprise but is very effective anyway.

There’s an oddity about this one in that Hatfield dresses differently than he usually does, sporting a long black frock coat, a string tie, and a flat-crowned black hat. That just happens to be what a character is wearing in an interior illustration which also features another character who looks like Wild Bill Hickok. And Germano specifically mentions that the local marshal resembles Wild Bill Hickok. My hunch is that this illustration existed before the story was written, and Germano made the descriptions match it. No way of knowing, of course, but I’m always suspicious about such things. What’s important, though, is that “The Outlaw Nobody Knew” is a good solid Hatfield novel, not one of the top rank but well worth reading.

Robert Virgil published only four stories, according to the Fictionmags Index. “Rancher’s Woman” in this issue is the first of those. And it’s a really good one, a well-written Western noir about a middle-aged rancher, his younger, beautiful, restless wife, and the world-weary hired hand who signs on. This is the stuff of countless Gold Medal novels, but Virgil distills it down to a few pages and then gives us a surprising, very effective ending. I know I have at least one of his other stories and may go ahead and read that issue soon.

Ben Frank was the pseudonym of a writer named Frank Bennett, who wrote mostly humorous Westerns for the pulps. He had a long series about an old-timer known as Doc Swap, and another about a deputy named Boo-Boo Bounce. I’m not a fan of either of those series. Frank’s story in this issue, “The Champ of Cottonwood County”, is a stand-alone, and while it’s a comedy, it’s not as silly as some of his that I’ve read. It’s a romantic comedy, at that, about a hapless rancher trying to woo the girl of his dreams while ignoring the fact that a female friend of his is prettier and more suitable in every way than the girl he pines after. There’s also a robbery, a fugitive outlaw, an overbearing rival rancher, and a little bit of action before things come to a predictable conclusion. It’s fairly well-written and mildly amusing, and for a Ben Frank yarn, I thought it was pretty good.

I’m a big fan of the cavalry novelettes Steuart Emery wrote for TEXAS RANGERS, and he did quite a few of them. The one featured in this issue is ”The Shooting Sawbones”. The protagonist, John Rawdon, is about to graduate from West Point when an accident leaves him with a permanent bum knee. He can’t serve as a combat officer, but he can become a medical officer, which he does. His first post is an isolated fort in Arizona Territory, and wouldn’t you know it, a series of unusual circumstances leaves Rawdon in command of the fort just as a horde of hostile Apaches show up to attack it. There’s also a girl—there’s always a girl—who, in this case, is the daughter of a bitter retired officer who hates army doctors. Sure, I knew most of what was going to happen in this one, but Emery can really write and his military stories have a definite air of authenticity. Plus his characters often don’t turn out exactly the way you think they will, and he can surprise me now and then with a plot twist. “The Shooting Sawbones” is a very entertaining story and I look forward to reading more of Emery’s work. He wrote hundreds of stories, going back to 1919, many of them aviation and air war yarns in the Twenties and Thirties. I need to sample some of those.

D.S. Halacy Jr. wrote dozens of stories for the pulps and the slicks in several different genres, including Westerns, mysteries, and sports stories. His contribution to this issue, a short-short titled “Family Affair” is about a U.S. Marshal corralling an outlaw, with a twist ending that’s pretty obvious. This is a minor but well-written story that doesn’t pack as much punch as it thinks it does.

Peter Fernandez is another author who published only a few stories, half a dozen according to the Fictionmags Index. “Apache Alibi” is about a shipment of gold on a stagecoach and the various would-be thieves plotting to get their hands on it. Like “Rancher’s Wife”, this is pure Western noir and is about as bleak as they come. It’s a good story, but it’ll leave you feeling a little grubby.

W.J. Reynolds wrote about 120 stories, most of them Westerns, in a career that covered the Forties, Fifties, Sixties, and a little way into the Seventies. “The Devil Walks Loudly” is about a braggart who tries to make himself into a fast gun, an effort that seems doomed to failure from the start. This story is hurt a little by the fact that there’s not a single likable character in it, but it moves along and works fairly well. Reynolds is worth reading, but this one isn’t one of his best stories.

There’s an installment of S. Omar Barker’s “Sagebrush Savvy” column, in which he answers questions from readers (supposedly; who know whether they’re legit or not) and I always enjoy these. Barker was an entertaining writer.

This is a good issue of TEXAS RANGERS. While some stories are better than others, they’re all worth reading and several of them are very good. The pulp era was starting to wind down by this point, but there was still plenty of good reading to be found among the ones that survived that long.

Review: The Guns of Fort Griffin - James J. Griffin

For more than twenty years, James J. Griffin has been turning out top-notch traditional Western novels and contemporary Western thrillers, often featuring Texas Rangers. I’ve always enjoyed his books, so I didn’t hesitate to pick up his latest novel, the first in a new series. Instead of a Texas Ranger, THE GUNS OF FORT GRIFFIN features a new character, Deputy United States Marshal Vic Verdugo, who enforces the law in Texas during the late Reconstruction Era, just before the Rangers were reformed and became the premier law enforcement organization in the Lone Star State.

Verdugo is sent by his boss, a federal district judge, to the lawless frontier settlement of Fort Griffin with orders to tame the town. The U.S. Army is establishing a fort of the same name near the settlement, but Verdugo can’t expect any help from the commanding officer. In fact, the man wants to declare martial law and place the town under federal jurisdiction. With Reconstruction coming to an end, Verdugo wants to prevent the army from taking over, knowing that would just cause more trouble from the resentful Texans in the long run.

It’s a good thing that Verdugo is fast on the draw and skilled with his fists, because he finds himself surrounded by enemies as he tries to bring about law and order. The owners of the saloons and gambling dens and whorehouses all oppose him, of course, and so do the wild cowboys from the trail herds that travel through the area and the buffalo hunters who make Fort Griffin their headquarters. As if all that wasn’t enough, three newcomers show up in town and are looking for trouble. Their names: Wyatt Earp, Doc Holliday, and Bat Masterson.

The action never lets up for long in this yarn, and Griffin does a fine job of making the fists and bullets fly. Vic Verdugo is a tough, likable protagonist and faces plenty of vicious enemies. There’s also a real sense of authenticity in the setting and historical characters. Griffin knows his stuff. I think this is one of his best novels and recommend it for fans of traditional Westerns. It’s available on Amazon from Dusty Saddle Publishing in e-book and paperback editions.

As an aside, Fort Griffin was a real place and it’s just a coincidence that the author has the same name. But the title, THE GUNS OF FORT GRIFFIN, isn’t really a coincidence because Jim Griffin is, like me, a long-time fan of the Western pulp TEXAS RANGERS. In fact, at one point he had a complete collection before donating it to the Texas Ranger Museum in Waco, Texas. And the November 1949 issue of TEXAS RANGERS features a Jim Hatfield novel by Tom Curry writing as Jackson Cole entitled (you guessed it) “Guns of Fort Griffin”. So now you know, as Paul Harvey used to say, the rest of the story.

Saturday Morning Western Pulp: Exciting Western, January 1947

This is a pulp that I own and read recently. That’s my copy in the scan, complete with a little scribbling on a dramatic Sam Cherry cover that I like. EXCITING WESTERN has become one of my favorite Western pulps because I really enjoy two of the series that ran regularly in its pages.

One of those series is, of course, the Tombstone and Speedy stories by W.C. Tuttle. The lead novella in this issue, “Trail of the Flame”, finds our intrepid heroes, range detective Tombstone Jones and Speedy Smith, enjoying some unexpected and newfound wealth in the form of a reward they received for capturing a notorious outlaw. Despite that, they run smack-dab into trouble—literally—when there’s a collision between the buggy they’ve bought and a fella on horseback fleeing from some pursuers. This lands the duo in the middle of a case involving a fabulously valuable gem, a herd of stolen polo ponies, a wealthy eastern dude who has come west, a town south of the border that’s a bandit stronghold, and a sinister Chinese smuggler. As you can tell, Tuttle crams a lot of plot into this yarn, and to be honest, it doesn’t hold together quite as well as some of the other stories in the series. But there’s plenty of action, the story races along at a fast clip, the banter is genuinely amusing, and Tombstone and Speedy are as likable as ever. As always, I really enjoyed reading it.

The other long-running series in EXCITING WESTERN that I like a lot is that featuring Arizona Ranger Navajo Tom Raine, the son of a famous lawman who was raised by the Navajo after his father was murdered in a range war. This series was started by Lee Bond writing under the house-name Jackson Cole, and C. William Harrison is known to have written many of the stories, too. I have a pretty strong hunch that the novelette “Loot of the Lobo Legion” in this issue is by Harrison. He’s a more polished and less formulaic writer than Bond. (Don’t get wrong, I enjoy Bond’s work, too.) In this story, Raine is sent to investigate the mysterious lynchings of three men, but when he arrives on the scene, he discovers that they were actually murdered before they were strung up. It appears that the local cattle baron is making a land grab and trying to get rid of the smaller ranchers in the area, but everything may not be exactly as it seems at first. Harrison’s Navajo Tom Raine stories usually have some sort of mystery angle to them, which is another thing that makes me believe he wrote this one. It’s a well-plotted tale, not much action until the end, but still very entertaining. Every time I read one of these, I find myself wanting to write a Navajo Tom Raine story myself. He’s a fine character.

I read another story by Barry Scobee not long ago and enjoyed it quite a bit, so I was predisposed to like his story in this issue, a novelette called “Hated Wire”. It has an intriguing premise: a cattle baron fences off his entire spread with barbed wire and has only one gate into the place. Any outsiders who venture onto the wrong side of the fence are never seen or heard from again. A neighboring rancher sets out to find out what happened to one of the men who disappeared. There’s a bizarre late twist which kind of comes out of left field, but it’s the sort of thing I generally like. However, in this case, I just didn’t care for the story. Something about the style rubbed me the wrong way, and none of the characters are likable, even the protagonist. This one might strike some other readers completely differently, but for me it’s a misfire.

Stephen Payne’s short story “Old Timer” is an unacknowledged reprint from the April 7, 1934 issue of STREET & SMITH’S WESTERN STORY MAGAZINE. It’s a well-written, low-key, poignant tale about an old range rider who gives up cowboying to become a farmer in partnership with an old friend. There’s no action and the entire story is character-driven, but I liked it anyway. I need to read more of Payne’s work.

Gunnison Steele was really Bennie Gardner. He was a top-notch writer who did some fine novels for the Western character pulps, but he was great with short stories, too, like this issue’s “The Meanest Man”. In this one, a rancher robs the local bank, kills the banker, and gets away with it, but then his partner turns him in. But is that what actually happened? Gardner throws in a clever way of getting to this story’s resolution and I enjoyed this one.

Sam Brant was a house-name, so we don’t know who wrote “Manhunters Ain’t Human”, the short story that wraps up this issue. The plot seems pretty simple: a merciless lawman tracks down a killer, but again there are some twists waiting for the reader that lead to a very satisfying conclusion. This story has a very similar feel to the Gunnison Steele story, which makes me suspect that Bennie Gardner might have been the author here, too, but again, it’s impossible to say for sure.

This is a good issue of EXCITING WESTERN. Not an outstanding one due to the Scobee story I didn’t like and the slightly below average Tombstone and Speedy yarn. But the Navajo Tom Raine novelette is excellent and the short stories are all solid. I’m already looking forward to the next issue of EXCITING WESTERN that I read.

Saturday Morning Western Pulp: Texas Rangers, March 1948

This is a pulp that I own and read recently. That’s my copy in the scan, with another fantastic cover by Sam Cherry. He was really at his peak during this era. Earlier this year when I reviewed the April 1950 issue of TEXAS RANGERS, one of the members of the WesternPulps email group commented that the Jim Hatfield novel in it, “The Rimrock Raiders”, sounded similar to the Hatfield novel in the March 1948 issue, “The Black Gold Secret”. So I had to find my copy and read that one, too. Now I have.

“The Black Gold Secret” and “The Rimrock Raiders” are both by A. Leslie Scott writing under the Jackson Cole house-name, so it’s not surprising that they’re similar. The basic concept—clashes between cattlemen and oil drillers who have moved into what was previously a ranching area—are the same, and Scott used that plot foundation in other novels, as well. But the details in “The Black Gold Secret” are different and it’s an equally entertaining yarn. Early on in this one, Hatfield extinguishes a burning oil well, something that he also does in “The Rimrock Raiders”, but does so in a totally different manner—and it makes for a slam-bang, very exciting scene, too. Scott layers in some geology and behind-the-scenes stuff about the oil industry and also provides plenty of shootouts and fistfights along the way. The vivid descriptions that are a Scott trademark are there but rather limited, as he keeps this one really racing along. Of course, there’s more going on than is apparent at first, but you know Hatfield will untangle all the villainy by the end, and it’s a pretty spectacular climax, too, as the main bad guy meets his end in an unexpected way. I had a great time reading this novel, and I’m sure I’ll be reading another by Scott before too much longer.

Tom Parsons was a Thrilling Group house-name, so there’s no telling who wrote “Gun Trail”, a short-short about a Texas Ranger doggedly tracking down a horse thief and murderer, only to find that things aren’t exactly what he thought they were. There’s not a lot to this story, but it’s short and punchy and enjoyable.

I started out not liking Joseph Chadwick’s work very much, but he’s won me over and become one of my favorite Western writers. I think he’s one of the best of the more hardboiled Western authors who rose to prominence in the postwar years. His novelette in this issue, “The Blizzard and the Banker”, is excellent. It’s about a small town in Dakota Territory trying to survive a hard winter. The local banker is the hero of a Western story, for a nice change, but there are several other good characters including an outlaw who’s maybe not quite as bad as his reputation would have you believe, a beautiful female faro dealer, and assorted villains. Chadwick does a fine job with the interactions of these characters as well as his depictions of the harsh weather. Just a really, really good story all the way around.

Allan K. Echols was one of those workmanlike writers who filled up the pages of Western, detective, and aviation pulps with hundreds of stories during a 30-year career (mid-Twenties to mid-Fifties; he passed away in 1953 but still had new stories coming out a couple of years later). He also wrote more than a dozen Western novels. And yet I’ve never run across anybody who proclaims themselves a big Allan K. Echols fan. His story in this issue, “Brother’s Keeper”, is an unacknowledged reprint from the January 1938 issue of ROMANTIC WESTERN. It’s not romantic at all, though. Instead, it’s about an apparently dull-witted sheriff who’s trying to figure out which of two rancher brothers is responsible for the murder of one of their enemies. It’s a well-written, solidly plotted story, and I enjoyed it, but I doubt that it’ll stick with me. Which probably helps to explain why Echols is pretty much forgotten even among devoted Western readers.

There’s also a Doc Swap story by Ben Frank in this issue. I’m sorry, but I didn’t even try to read it. I used to say that the Swap and Whopper stories by Syl McDowell in THRILLING WESTERN were my least favorite Western pulp series, but I’ve surprised myself by kind of warming up to them recently. Not so Doc Swap, which by this time had taken over from Lee Bond’s Long Sam Littlejohn as the regular backup series in TEXAS RANGERS. I just don’t find these appealing at all.

However, I’d still say this is a good issue of TEXAS RANGERS. The Hatfield novel and Joseph Chadwick’s novelette are both excellent, and the stories by Echols and Parsons are entertaining. If you have a copy, it’s well worth reading, as far as I’m concerned. And hey, you may actually like Doc Swap, you never know.

Saturday Morning Western Pulp: Texas Rangers, April 1950

This is a pulp that I own and read recently. That’s my copy in the scan, with one of my favorite Sam Cherry covers and maybe the single best depiction of Jim Hatfield that I’ve ever seen. That’s definitely the way Hatfield looks in my head as I read these pulps.

The Hatfield novel in this issue, “The Rimrock Raiders”, is by A. Leslie Scott writing as Jackson Cole. It centers around the conflict between some cattlemen in West Texas and the oil wildcatters who are moving into the region. One of those wildcatters strikes a gusher, resulting in an oil boom town and even more trouble. Naturally, it’s going to take a Texas Ranger to clean things up and expose the true villain behind all the problems, and of course that Ranger is Jim Hatfield.

In addition to knowing a lot about mining and railroading, Scott was also well-versed in geology and the oil business, and that knowledge comes through in this novel. I’m a long-time fan of oilfield yarns and this is a good one with a real sense of authenticity. There are two great scenes, one in which Hatfield comes up with a unique way of dealing with an oil rig that’s on fire, the other being the literally explosive climax that’s one of the best I’ve read in the series. Scott was at the top of his game in this one, which he rewrote and expanded a few years later into the Walt Slade novel GUNSMOKE OVER TEXAS, published by Pyramid in 1956. I read that version when I was in high school. I remembered the cover but nothing about the plot, so it didn’t spoil “The Rimrock Raiders” for me.

This novel, with its oilfield element, also reminds me of a strange discrepancy in the Hatfield series. Scott’s entries seem to be set around the turn of the 20^th Century, based on historical references, while the Hatfield novels by Tom Curry, the other main writer on the series for many years, read more like they’re set about twenty years earlier, around 1880. The novels by Walker A. Tompkins and Peter Germano are harder to pin down as to time period, but most of them seem to me to be set in the 1880s or 1890s. I find these continuity glitches, if you want to call them that, interesting, but they absolutely don’t bother me. I just enjoy the stories.

Tex Holt was a house-name used by Leslie Scott, Archie Joscelyn, and Claude Rister on novels. It also shows up on a dozen or so stories in various Thrilling Group Western pulps. That’s the by-line on “Ghost Riders of Haunted Pass” in this issue, a lightweight tale about a couple of drifting cowboys named Jim Norton and “Hungry” Hill who encounter a couple of phantom owlhoots. The banter between the protagonists reminded me a little of Syl McDowell’s Swap and Whopper stories, but not as silly and the story’s action doesn’t descend into slapstick comedy. It’s an okay story, but I have no idea who wrote it.

“Long Sam Crowns a King” is another entry in Lee Bond’s long-running series about the good-guy outlaw Long Sam Littlejohn. In this one, set in the South Texas brush country, Long Sam clashes with an old enemy, a former carpetbagger turned would-be cattle king. There’s some nice action, and for a change, the characters don’t stand around explaining the plot to each other. Long Sam’s nemesis, U.S. Marshal Joe Fry, is mentioned but doesn’t make an appearance. This is a solid story in a formulaic but consistently entertaining series.

“Red Butte Showdown” is by Jim Mayo, who we all know was actually Louis L’Amour. This story centers around a mysterious stranger who protects a couple of orphans (one of whom is a beautiful young woman, of course) from a villain who’s after the mine they’ve inherited. That plot sounds pretty well-worn, and to tell the truth, most of L’Amour’s plots were pretty standard stuff. But he was really, really good at them most of the time, and “Red Butte Showdown” is no exception. Not only that, but he throws in a pretty good plot twist at the end of this one. I’ve said for a long time that I think L’Amour was a better short story writer than he was a novelist, and this is a good example. I enjoyed this story a lot. It’s probably been reprinted in one of the many L’Amour short story collections, but I don’t know which.

Barry Scobee’s “Good Country for Murder” is a modern-day Western in which a park ranger in West Texas’s Big Bend encounters a vicious criminal. It’s a suspenseful, very well-written yarn that I thoroughly enjoyed. As I’ve mentioned before, Barry Scobee is the only pulp writer I know of who has a mountain named for him. It’s just outside Fort Davis, Texas, and was named after Scobee to honor his efforts in preserving the old military fort there. In addition to writing for the pulps, he was a newspaper reporter and editor in West Texas and his work really rings true when it’s set in that region. This is another very good story by him.

And this is a very good issue of TEXAS RANGERS, as well. A top-notch Hatfield novel, and four out of the five back-up stories are very good to excellent. The one story that’s weaker than the others is still entertaining. If you’re a fan of this pulp, have this issue on your shelves, and haven’t read it, I give it a high recommendation. (If you want to read the rewritten, Walt Slade version of the novel, GUNSMOKE OVER TEXAS, it’s available as an e-book on Amazon and would be well worth your time, too.)

Saturday Morning Western Pulp: Exciting Western, November 1946

This is a pulp that I own and read recently. That’s my copy in the scan. I think the cover is by Sam Cherry. The horse and rider look like his work to me. The Fictionmags Index agrees and attributes the cover to Cherry.

I always enjoy the Tombstone and Speedy stories by W.C. Tuttle, and the lead novella in this issue of EXCITING WESTERN, “Coyote Luck for Tombstone”, is no exception. Our somewhat hapless range detective heroes, Tombstone Jones and Speedy Smith, are sent to find out who’s behind the rustling on a ranch in southern Arizona, but in the process they run afoul of a mysterious bandit known as the Red Mask who’s been terrorizing the border country. Could it be that the two cases are connected? What do you think? With some help from a coyote that’s been turned into a pet and a trip across the border to a bandit sanctuary, not to mention a few attempts on their lives, Tombstone and Speedy untangle the mess and expose the villains. It’s another well-plotted, light-hearted, but also action-packed entry in the series.

I’m also a fan of the series about Arizona Ranger Navajo Tom Raine. In this issue’s “Ranger on the Run”, Raine is bushwhacked by a gunman who’s supposed to be locked up behind bars and winds up facing a showdown in an abandoned mine tunnel. These stories were published under the house-name Jackson Cole, and at least two authors contributed yarns to the series, Lee Bond (who created it) and C. William Harrison. I feel certain this is one of Bond’s efforts, since the villains spend a lot of time standing around explaining their schemes to each other and the final shootout features Raine against three bad guys. Both of those things are very common in Bond’s stories. Predictable they may be, but they move along nicely and have plenty of well-written action.

Gunnison Steele was really Bennie Gardner. I was fortunate enough to be friends with his son Barry Gardner for several years before Barry passed away. Bennie Gardner wrote quite a few novels featuring various Western pulp characters, but he was also really prolific when it comes to short-shorts, possessing the ability to pack interesting characters and plenty of plot into three or four pulp pages. His story in this issue, “Smoke on the Mountain”, is one of those, centered around an outlaw’s attempt to force an old-timer to reveal the location of some hidden money. The old-timer’s clever way of dealing justice to his tormentor is very effective. I’ve read a bunch of Gunnison Steele stories and enjoyed every one of them.

Del Rayburn published about two dozen stories in various Western pulps between 1944 and 1950 and also wrote one episode of the TV series DEATH VALLEY DAYS. Some of his stories were reprinted in a Powell Books paperback in the Sixties called TRAIL-BLAZERS WEST. His novelette “Tough Texas Tophand” from this issue was reprinted in the November 1951 issue of THRILLING WESTERN, where I’d read it before. To quote what I said about it then: The story is about the clash between a Texas cowboy and a clan of renegade Mormons in Montana. It’s a little over-the-top (the protagonist’s name is Hondo Uvalde) but the author won me over with plenty of well-written action and some interesting characters. I wouldn’t call “Tough Tophand” a Western classic, but it’s an enjoyable story. That’s still an accurate assessment. Curious about Rayburn, I did a little more digging and came across online claims that he was actually a TV network executive with some connection to STAR TREK. Some posters on a Star Trek bulletin board make a pretty scurrilous charge against him. The whole thing seems highly unlikely to me, but it’s an interesting example of the theory that you never know what you’re going to come across on the Internet.

Another masked bandit, this time known by the name Blue Mask, shows up in “Right Handy With a Rope” by veteran Western pulpster Donald Bayne Hobart. A new ranch hand with a secret shows up to hunt down the outlaw. This is another short-short, only four pages long. Hobart was a dependable writer so it’s fairly entertaining, but it’s a really minor piece of work.

The other long-running series in EXCITING WESTERN featured Pony Express rider Alamo Paige. These were published under the house-name Reeve Walker. “In the Line of Duty” in this issue finds Paige having to helping rescue a cavalry patrol besieged by a Sioux war party. The plot is pretty simple, but the story is very well-written and features more character development than usual for Paige, implying that he used to be a cowboy, or perhaps a cavalryman, or maybe even a reformed outlaw. I’ve seen speculation connecting Tom Curry, Charles N. Heckelmann, Walker A. Tompkins, and Chuck Martin with the Reeve Walker house-name, but really there’s no telling who wrote “In the Line of Duty” and the other Alamo Paige stories. It might be Heckelmann’s work, since his stories often have more fully developed characters, but really, who knows. Whoever wrote this one, it’s really good, probably the best Alamo Paige story I’ve read so far.

This is a really solid issue of EXCITING WESTERN overall. Some of the stories are better than others, of course, but all of them are entertaining and the yarns featuring Tombstone and Speedy and Alamo Paige are top-notch, outstanding entries in those series. If you have a copy of this one on your shelves, it’s very much worth reading.

Review: The Frontier Legion - Jackson Cole (?)

I read this novel when it first came out in paperback during the Sixties and loved it. I was reading all the Jim Hatfield paperbacks as they were published, and THE FRONTIER LEGION was one of my absolute favorites. Then I read it again in the Nineties and still liked it, but I wasn’t as impressed with it as I was the first time around. Now I’ve just read it again, after another thirty-year gap, and my reaction falls somewhere between the previous two: I don’t think THE FRONTIER LEGION is the very best Jim Hatfield novel, but it is really, really good. Why did I pick it up for a third time when I hardly ever reread a book, you ask? Well, I had a bibliographic reason this time around. I was trying to see if I could discover any clues as to who actually wrote the danged thing!

Let’s back up a little to some of the things I didn’t know when I first read the Popular Library paperback edition sixty years ago. For starters, I had no idea who painted the cover. Now all I have to do is look at the hats those hombres are wearing to know that it’s an A. Leslie Ross cover. A good one, too. For another thing, I had no idea that THE FRONTER LEGION was reprinted from the sixth (May 1937) issue of the pulp TEXAS RANGERS, where more than 200 Jim Hatfield novels appeared between 1936 and 1958. Oh, I was vaguely aware of pulps in those days because I was a Doc Savage fan, and the 1937 copyright date in this book was a giveaway that it probably appeared in one, but the details were still well beyond me. I didn’t know that the author, Jackson Cole, wasn’t a real person at all but rather a house-name hiding the true identities of the men who wrote the Hatfield novels.

A. Leslie Scott created this series for publisher Ned Pines and editorial director Leo Margulies. Scott wrote the first two novels, followed by one by Tom Curry, one by Samuel Mines, and then another by Curry. That brings us to THE FRONTIER LEGION, which for many years has been attributed to Scott as well. The thing is, it’s very obvious to anybody who’s read many of Scott’s novels that he didn’t write this one at all. For one thing, the Jackson Cole responsible for this novel gets a couple of things wrong: Hatfield’s commanding officer is Captain McNulty, who’s posted in the West Texas settlement of Alpine, instead of Captain "Roaring Bill" McDowell in Austin, and although he rides a golden sorrel stallion as he does in all the other novels, there’s no mention that the horse is named Goldy. These aren’t hugely important details, but I can’t believe that Leslie Scott would get them wrong. Also, this is the only novel in the entire series where these two discrepancies exist. This leads me to believe that whoever wrote THE FRONTIER LEGION didn’t contribute any other Jim Hatfield novels.

Yeah, yeah, all this is fine for bibliographic nuts like me, you’re likely thinking, but what about the story? Is THE FRONTIER LEGION a good yarn? Well, it starts off with an absolutely great train wreck and robbery carried out by an outlaw gang commanded by a brilliant but vicious mastermind known only as Allison. Allison’s gang has been wreaking havoc across West Texas, and Jim Hatfield has been assigned to break up the gang and bring Allison to justice. He’s on his way to carry out this mission, and that’s why he’s on this train to start with.

As usual, Hatfield is working undercover, which allows him to infiltrate the gang and get close to a beautiful saloon girl who has some connection with the owlhoot boss. He also has to deal with a young man who’s seeking vengeance on Allison for an earlier atrocity. Even the no-good varmints who work for Allison don’t know his true identity, which makes it very difficult for Hatfield to corral the true villain.

The author keeps this plot galloping along at a breakneck pace with plenty of well-written action, an occasional touch of humor, and a poignant moment here and there. The descriptions of the West Texas landscape aren’t anywhere near as vivid as you’ll find in Leslie Scott’s work, but they get the job done. It’s a very dramatic tale that generates a lot of suspense. I really enjoyed it and recommend it to any Hatfield fan despite the things that don’t quite line up with the rest of the series, as well as to any fan of rousing Western adventure yarns in general.

As to the author’s true identity, I have a pretty strong hunch I know who he was. But I’m still investigating, so I’ll have more to report on that in the near future, I hope.