This is a pulp that I own and read recently. That’s my copy in the scan. The cover is by Sam Cherry, of course.
The Jim Hatfield story in this issue, “Rustlers
Ride”, has been attributed to A. Leslie Scott, but when I started
reading it, I said, “Wait a minute. This has to be a Tom Curry
story.” The first two chapters have all the hallmarks of a Hatfield
yarn by Curry, including several scenes setting up the plot before
Hatfield is ever introduced and a proxy hero in the person of
stalwart young rancher Arch Haley. The prose is the straightforward
storytelling of Curry, as well, lacking any of the descriptions and
catch phrases you always find in Scott’s work.
Then, in
Chapter 3, everything changes. The writing is definitely Scott’s,
and that continues to the end of the novel. There are a number of
plot twists that don’t turn out the way they seem to be set up in
the first two chapters. If I had to guess, I’d say Tom Curry
started this novel, and then for some unknown reason Scott took over
with the third chapter. I could be ’way off on that theory, of
course. This is pure speculation on my part. But it comes from
reading a bunch of both authors’ work over the past 60
years.
Anyway, regardless of who wrote what, is “Rustlers
Ride” a good Jim Hatfield novel? Yes, it is. Despite the title,
rustling plays almost no part in this story. Instead, it’s about a
gold strike in West Texas and the gang of outlaws preying on the
mines and the nearby town. Hatfield foils numerous of the gang’s
plans before finally figuring out who the mastermind is, and even
though the big boss’s identity is pretty obvious, it still involves
one of those nice twists mentioned above. The breakneck pace and the
action scenes are good, as always. There’s nothing here Hatfield
fans haven’t read many times before, but it’s done well and I had
a really good time reading this story.
Moving on, Leslie
Ernenwein’s short story “Outlaw Hunch” is about a former
owlhoot gone straight and turned livery stable owner who has to
consider a return to outlawry, but for noble reasons. This is a
fairly lightweight, almost humorous story until it turns deadly
serious near the end. I really like the way Ernenwein writes, and
this is a very good story, reprinted from the March 1946 issue of THE
RIO KID WESTERN. I need to read more of Ernenwein’s novels.
Wayne
D. Overholser’s novelette “Traitors’ Blood is Red” originally
appeared in the April 1947 issue of THRILLING WESTERN. Like much of
Overholser’s work, it’s set in the Pacific Northwest. This story
involves espionage and a conspiracy during the Civil War which, if it
succeeds, will not only alter the course of the war but change the
entire country as well. It’s an odd plot—you don’t often think
of the Pacific Northwest in terms of being important to the Civil
War, or at least I don’t—but Overholser makes it work. The
writing is a little bland, but I find that to be true of most of
Overholser’s stories.
Tom Curry appears under his own name
with a short story original to this issue, “Stranger in Town”. A
drifting gambler is blamed for a murder he didn’t commit and has to
uncover the truth. It’s a fairly common plot, but Curry, always a
dependable writer, does a good job with it.
I don’t know
anything about Cibolo Ford except that he published several dozen
stories in various Western pulps in the Thirties, Forties, and
Fifties. The name has always sounded like a pseudonym to me, but I
don’t know that it is. His story story “Widelooper Luck”, also
original to this issue, features cowpokes Stony Lonesome and
Stingaree Stanton helping their friend Gooble Nutter save his ranch
from the evil scheming of lawyer J. Tubelo Zero. Those names were
almost enough to make me skip this one, but I stuck with it and it’s
actually okay. Mildly humorous, and I found myself liking the
characters, which I didn’t expect to.
Barry Scobee is the
only pulp writer to have a mountain named after him. It’s in the
Davis Mountains in West Texas, near the town of Fort Davis. In
addition to writing for the pulps, Scobee was a journalist and
newspaper publisher and was instrumental in getting old Fort Davis, an
abandoned military outpost from frontier days, restored and turned
into a tourist attraction. His story in this issue, “Always Wanting
Something”, is a reprint from the January 1946 issue of THE RIO KID
WESTERN. It’s about a young cowboy at a turning point in his life,
trying to figure out which direction to go, and is well written
enough but never really very involving.
Best remembered for
his Western poetry, S. Omar Barker turned out quite a bit of fiction
as well. His story “Rowdy Romance”, as you’d expect from that
title, is a humorous tale about a cowboy who sets aside his wild,
devil-may-care ways in order to try to win a girl, only to have
things turn out differently than he expects. Barker had an appealing
way with words and the story is entertaining without ever really
amounting to much. It’s a reprint from the December 1936 issue of
THRILLING WESTERN.
There are also interior illustrations by
H.L. Parkhurst and Nick Eggenhoffer, among other, unsigned
illustrations.
I enjoyed this issue because “Rustlers Ride”
is a slightly above-average Jim Hatfield novel and the short story by
Leslie Ernenwein is pretty good. The other stories are highly
forgettable. But I’m glad I read the Hatfield yarn.
