I’ve gotten interested in the obscure pulp author Henry Treat Sperry, probably because when I looked him up on the Fictionmags Index, I noticed something odd. His first published story was “Hands Beyond the Grave” in the September 1934 issue of TERROR TALES, the first issue of that iconic Weird Menace pulp. Sperry’s second story, though, was “Posies for the Widdy” in the First December Number, 1934, of RANCH ROMANCES. Anybody who can go directly from TERROR TALES to RANCH ROMANCES is my kind of writer!
I don’t have that issue of RANCH ROMANCES, but I do have the facsimile reprint
edition of that TERROR TALES published by Steeger Books, so I went ahead and
read Sperry's story. It starts off as if Sperry was influenced to a certain extent by H.P.
Lovecraft. The narrator of the story is a well-to-do young New Englander named
Robert Mercer, who awakens one night to find a sinister, amorphous shape
lurking at the foot of his bed. There’s lot of “nameless dread”, “unspeakable
terror”, and “too horrified to move”. But then, unlike most of Lovecraft’s
protagonists, Sperry has his hero bound out of bed, grab an ornamental javelin
off the wall, and attack the lurking presence. It doesn’t do much good, of
course: the thing vanishes with an explosion that leaves Mercer senseless. He
calls a buddy of his, a doctor who’s also a psychical researcher, and with the
help of an elderly female medium, they set out to find out what it is that’s
haunting Mercer and why.
That early battle is the high point of the action in this story, which goes
back to brooding and being scared, as well as a murder and finally an explanation
of sorts. Honestly, I thought this yarn cried out for one more twist that never
came, but for a debut story, it’s well-written and flows well, even though you
wouldn’t exactly call it fast-paced. More action and dialogue than HPL, though.
I haven’t been able to find out much about Henry Treat Sperry. He was born in
1903 and died in 1938 at age 35. He was married and worked as an assistant editor
at Popular Publications, helping with several of the pulps to which he sold
stories. His writing career lasted only four years, but during that time he
published almost 70 stories, most of them Weird Menace but with a scattering of
detective and G-Man yarns, a few Western romances, and even an air-war story or
two. One of his Western romances was called “Locoed Cowgirl” (RANCH ROMANCES,
First February Number, 1938). I’m sure it was innocent enough, but I can’t help
but think that would be a good title for a Weird Menace/Western romance
crossover about a seemingly demonically possessed cowgirl. I’d read that.
In the meantime, the other stories in the first issue of TERROR
TALES look great, and I plan to read them, too. That facsimile reprint is
available on Amazon or directly from the Steeger Books website.
2 comments:
This one was included in the 1966 anthology HOUSE OF LIVING DEARTH AND OTHER TERROR TALES from William Hamling's Corinth House, and edited by Earl Kemp under the name "Jon Hanlon" -- one of two "Hanlon" anthologies to mine the early issues of TERROR TALES, with a third anthology covering stories from the short-lived (three issues) companion mag, DOCTOR DEATH. (The others are DEATH'S LOVING ARMS AND OTHER TERROR TALES (1966) and STORIES FROM DOCTOR DEATH AND OTHER TERROR TALES (1966).
None of these would win any literary prizes, but as prime examples of the "shudder pulp" market, they are great fun.
Thanks, Jerry. I've owned many of the Corinth pulp reprints over the years, but I've never come across any of those Weird Menace collections. Earl always maintained that Hamling's lawyer assured him all of the pulp material he reprinted was in the public domain. The Phantom Detective novels probably were (or at least are now), but the rest of the stuff clearly wasn't.
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