THE FAR COUNTRY is another Western collaboration between
star James Stewart and director Anthony Mann, and it's a good one. Stewart,
playing the same sort of hardboiled character that he does in his other films
for Mann, is a cowboy taking a herd of cattle to Alaska for the Klondike gold
rush. He runs into all sorts of trouble along the way, most notably a corrupt
lawman played by John McEntire. The character seems to be based on the
real-life criminal Soapy Smith, who ruled Skagway, Alaska during the late 1890s.
Stewart's sidekicks are the always watchable Walter Brennan and Jay C. Flippen. McEntire's chief henchman is a young, slender, and very sinister Jack Elam, one of my favorite character actors. (You've all heard the "Who's Jack Elam?" story, I assume?) Henry Morgan is also one of the villains, which is a little hard to accept after watching him play nice guys in dozens of movies and TV shows all the way back to a forgotten series called PETE AND GLADYS. There's a mild romantic triangle involving Stewart with beautiful saloon owner Ruth Roman and tomboyish Corinne Calvet. The location photography is beautiful, and the screenplay by Borden Chase clips right along at a good pace and climaxes with a good shootout between Stewart and McEntire that I actually remembered from the last time I saw this movie more than forty years ago.
Stewart seems to be struggling a little with his own affable nature in this one. He was always capable of reaching into some dark corners, most notably in his films directed by Frank Capra (there's at least one shot in IT'S A WONDERFUL LIFE that's as noir as anything ever put on screen), but there are a few moments in THE FAR COUNTRY that seem almost like Elwood P. Dowd became a cowboy.
Despite that—or hell, maybe because of it—I like this movie quite a bit. It's nothing special, just a good solid hour and a half of Western entertainment. Just the ticket sometimes.
Stewart's sidekicks are the always watchable Walter Brennan and Jay C. Flippen. McEntire's chief henchman is a young, slender, and very sinister Jack Elam, one of my favorite character actors. (You've all heard the "Who's Jack Elam?" story, I assume?) Henry Morgan is also one of the villains, which is a little hard to accept after watching him play nice guys in dozens of movies and TV shows all the way back to a forgotten series called PETE AND GLADYS. There's a mild romantic triangle involving Stewart with beautiful saloon owner Ruth Roman and tomboyish Corinne Calvet. The location photography is beautiful, and the screenplay by Borden Chase clips right along at a good pace and climaxes with a good shootout between Stewart and McEntire that I actually remembered from the last time I saw this movie more than forty years ago.
Stewart seems to be struggling a little with his own affable nature in this one. He was always capable of reaching into some dark corners, most notably in his films directed by Frank Capra (there's at least one shot in IT'S A WONDERFUL LIFE that's as noir as anything ever put on screen), but there are a few moments in THE FAR COUNTRY that seem almost like Elwood P. Dowd became a cowboy.
Despite that—or hell, maybe because of it—I like this movie quite a bit. It's nothing special, just a good solid hour and a half of Western entertainment. Just the ticket sometimes.
9 comments:
Although the title sounds familiar, I don't think I have ever seen this one. Maybe it's just similar to THE BIG COUNTRY titlewise.
PETE AND GLADYS was a spinoff from DECEMBER BRIDE. Pete was in that one and always spoke about his wife, Gladys, who was never shown until the spinoff.
Sorry, I got caught up on old time memories. I'll go back now to the remainder of the entry. Thank you.
Ruth Roman was my love idol for a while - way back then.
Dang, Rick, you stole my PETE AND GLADYS thunder. IIRC, Cara Williams played Gladys.
Saw this one a just few days ago.
Jimmy Stewart is one of my all time favorites. This is a very good movie.
there's at least one shot in IT'S A WONDERFUL LIFE that's as noir as anything ever put on screen
David Thomson's wonderful novel Suspects- a meditation and medley of noir elements- was inspired by how close It's a Wonderful Life comes to being a noir film.
That novel sounds great. I just ordered a copy. Thanks for the tip.
Stark House is releasing another 2-in-1 volume of Don Elliott books later in the year....
That's excellent news, Rick.
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