"Plague of the Golden Death", from the December
1937 issue of the pulp magazine SECRET AGENT X, is one of the more unusual
entries I've read in this series. Like The Shadow and The Spider, the Secret
Agent is a veteran of the Great War and served as an American intelligence
officer during that conflict. Most of the time in the pulps, the crime-fighting
hero's wartime exploits are just mentioned, but "Plague of the Golden
Death" actually opens during World War I and gives us a glimpse of Secret
Agent X during those perilous days.
Only the first chapter, though, and then the scene jumps ahead twenty years to
Hollywood, where X has come in response to a plea for help. Many will die if he
doesn't solve the secret of the Golden Death, that mysterious summons claims,
and sure enough, that happens when the crowd at a movie premiere is attacked
with a deadly gas. Almost before you know it, X is captured by the minions of
the criminal mastermind who calls himself the Golden Death (yes, the bad guy
and the murder method have the same name, which is a little confusing at times)
and hauled to the top of the HOLLYWOOD sign, where he's about to be thrown off
to his death!
And after that, things start to get a little goofy. In fact, for most of the
novel the plot seems to make very little sense, and this in a series that was
never known for being rigorously plotted to start with. Secret Agent X (a
master of disguise, remember?) spends most of his time pretending to be matinee
idol Grant Howard, who's starring in a World War I epic called
"Armistice". Naturally, X winds up acting in the movie instead of
Howard and gets to take part in some battle scenes much like the ones in which
he really participated. Inspector Burks, X's nemesis from New York, shows up,
as does his sometimes girlfriend and assistant, perky blond reporter Betty
Dale. The Golden Death kills a bunch of people. And after I spent a lot of time
thinking there's no way author G.T. Fleming-Roberts could ever find a way for
this hodge-podge of a plot to make sense . . . darned if he doesn't do just
that. In fact, he nails down just about every plot point. Sure, some of them
may be a little bit of a stretch . . . but I'm not going to worry about that in
a pulp novel, are you?
Even when I thought the whole yarn had come off the rails, I enjoyed many of
the scenes. As over the top as it is, the stuff about the HOLLYWOOD sign works
really well in Fleming-Roberts' hardboiled prose. So does the big battle scene
on the movie studio back-lot that forms the novel's climax. Once the Agent's
summation of the plot at the end put everything in its place, I wound up
thinking that this is one of the best Secret Agent X novels I've read. It's
certainly one of the strangest. If you're a fan of this series, you definitely
need to read it, which you soon can in an inexpensive reprint editon from Beb
Books.