Showing posts with label William Ard. Show all posts
Showing posts with label William Ard. Show all posts

Monday, September 15, 2025

Review: The Blonde and Johnny Malloy - William Ard writing as Ben Kerr



A couple of weeks ago, I read and enjoyed William Ard’s SHAKEDOWN, a breezy, fast-moving private eye yarn recently reprinted by Stark House in a double volume with THE BLONDE AND JOHNNY MALLOY. I’ve read that one now, too, and as a grim, gritty hardboiled crime novel, it’s quite a contrast to SHAKEDOWN. But it’s every bit as good, if not better.

Johnny Malloy is a young convict working on a prison road gang in Florida, serving a ten-year sentence for driving drunk and causing an accident in which two people were killed. He’s five years into that sentence when a couple of unexpected things happen. A beautiful blonde in a red car starts driving by the place where the prisoners are working every day, giving them an eyeful. And then, without any warning, Johnny is paroled, an arrangement set up by his brother-in-law, a gambler and nightclub owner who has considerable political influence.

Johnny is grateful for being released, of course, but he soon discovers that his brother-in-law didn’t act out of the goodness of his heart. Far from it, in fact, since the guy has a plan that involves Johnny winding up dead. Oh, and that beautiful blonde? She works for the brother-in-law, of course, and before you know it, Johnny realizes he might be safer back on the road gang.


Ard makes the wise decision to spin this tough yarn in a relatively compressed time frame of five days, Monday through Friday, and he packs a lot of action and plot twists into those days, too. There’s a heavyweight prize fight with a fortune bet on it, a coalition of gangsters, cops, beautiful women, kidnapping, and a whole pile of trouble for Johnny Malloy. He handles it well. He’s not incredibly tough, or smart, for that matter, but he gets by. He’s a good protagonist, the villains are suitably despicable,  and the blonde is a better developed character than most beautiful babes in books like these.

I really enjoyed THE BLONDE AND JOHNNY MALLOY. Ard was a fine storyteller, no doubt about that. This one was published originally as a paperback by Popular Library in 1958 and is one of Ard’s later novels. He died much too young in 1960 at the age of 37 and no doubt would have given us many more fine novels if he had lived longer. You can read this one in that top-notch double volume from Stark House, available in paperback and e-book editions. If  you’re a fan of hardboiled novels, I give it a high recommendation.

Wednesday, September 03, 2025

Review: Shakedown - William Ard writing as Ben Kerr


Johnny Stevens is a private detective working for an agency in New York. His boss sends him to Miami Beach on what seems like a simple assignment: Johnny is supposed to keep tabs on a doctor who may be blackmailing a young wastrel/playboy who happens to be the son-in-law of a canned food tycoon. The client is actually the public relations firm that represents the father-in-law. Johnny doesn’t know what the outcome is supposed to be and doesn’t really care. His assignment is just to keep track of where the doctor goes at night and who he sees. Just a simple shadowing job, right?

Well, you know it’s not going to stay simple, and sure enough, there’s a murder attempt the first night Johnny is on the job. On the second night, the killer succeeds, and even though the murder takes place in front of 300 witnesses, Johnny finds himself on the spot for it and has to figure out who the real killer is in order to clear his name. That’s not the only murder before this case is wrapped up, either. Throw in several beautiful young women for Johnny to juggle, some gangsters, gambling dens, and nightclubs, and you have all the elements for a highly entertaining private eye novel of the sort that I grew up reading.


SHAKEDOWN was published originally in hardcover by Henry Holt in 1952 and reprinted in paperback by Popular Library in 1954. The by-line on the book is Ben Kerr, but the actual author was William Ard, the popular Fifties writer who passed away in 1960 at the much too young age of 37. In addition to the stand-alone mystery and suspense novels and a two-book series featuring PI Barney Glines that he authored as Ben Kerr, he wrote a well-regarded series under his own name featuring PI Timothy Dane and a couple of books starring ex-con Danny Fontaine. He started a series starring private eye Lou Largo but wrote only part of the first book before dying. Lawrence Block completed that book, and John Jakes wrote several more under Ard’s name featuring Lou Largo. Ard’s most successful work during his lifetime may well have been the Western series he wrote in the late Fifties starring adventurer Tom Buchanan, published under the pseudonym Jonas Ward. Ard wrote five of those and started the sixth one, which was completed by Robert Silverberg. Used copies of the Buchanan novels were easily found in used bookstores when I was a kid, and I eagerly bought and read all of them, without having any idea who actually wrote them, of course. Nor did I care, at that point.

The fine folks at Stark House Press are about to reprint SHAKEDOWN and another of Ard’s Ben Kerr novels, THE BLONDE AND JOHNNY MALLOY, in a double volume with an excellent introduction by Nicholas Litchfield. I’ll be getting to THE BLONDE AND JOHNNY MALLOY soon, but for now I can give this book a high recommendation based on SHAKEDOWN. It’s very fast-paced, written in a breezy, entertaining style, and Johnny Stevens is a likable protagonist, tough but not overly so, smart but not brilliant, quick with a quip and charming with the ladies. I’m a little surprised that this is his only appearance, but hey, Ard was busy with other things. I love this kind of book and always will. I had a really good time reading SHAKEDOWN.

Friday, March 19, 2021

Forgotten Books: No Angels for Me - William Ard


(This post originally appeared in somewhat different form on August 18, 2006.)

I was in the mood to read a vintage hardboiled paperback, and this is what came to hand. I'd never read any of William Ard's mysteries before, but years ago I read all the Westerns he wrote under the name Jonas Ward. He created the long-running Buchanan series and wrote the first five books featuring the character (one of which was made into a movie starring Randolph Scott). Ard died during the writing of the sixth book, which was completed by Robert Silverberg, and then the series was continued by Brian Garfield (one book) and William R. Cox (all the others), with Jonas Ward becoming a house-name.

But I'm getting off the subject here. I knew that Ard wrote mysteries as well as Westerns and have half a dozen of them on my shelves, including NO ANGELS FOR ME. The hero of this one is New York private detective Luke MacLane, who works for the All-States Detective Agency rather than being a loner PI like so many. But all the other usual elements of the genre are here. The book opens with MacLane identifying the body of a fellow PI for All-States who had been on the trail of some stolen diamonds. Vowing vengeance for his friend's murder, MacLane sets out to track down the killer as well as the loot from the diamond heist. Along the way, assorted beautiful women in varying stages of undress throw themselves at him, he gets hit on the head, drugged, and taken for a ride, and there are double-crosses galore.

This sounds pretty hokey and cliched now, but it probably wasn't in 1954, when this book was published. I enjoyed it quite a bit. There are some nice turns of phrase here and there, the action scenes are good, and even if beautiful women really don't throw themselves at private eyes all the time, I want to believe they do. I wouldn't hesitate to read another of Ard's mystery novels.

Wednesday, May 30, 2018

Coming From Black Gat Books: You'll Get Yours - William Ard


A dark room...a warm woman...a cold knife... It begins at the end of the line with a killing. But it had started simply enough when press agent Archie St. George hires private investigator Barney Glines to retrieve some missing jewels stolen from his beautiful client, Kyle Shannon. Glines knows he's being set-up for something but he goes along with the exchange out of curiosity more than anything. That and Kyle Shannon. Turns out that the real jewels are a cache of nude photos of Miss Shannon, who is now being blackmailed. Soon Glines finds himself in a dead woman's room who's been shot with his own gun and the police are jumping to conclusions. It's beginning to look like whoever's behind the blackmail wants to make sure that Glines is the fall guy. Unless Glines can find him first.

I've actually reviewed the original edition of this fine private eye novel twice already on the blog, first back in 2006 and then a couple of years ago as a Forgotten Books post. I enjoyed it and am glad to see that Black Gat Books is making it available again. Good cover on the new edition, too.

Friday, October 14, 2016

Forgotten Books: You'll Get Yours - Thomas Wills (William Ard)


(This post appeared originally in somewhat different form on September 9, 2006.)

This novel was published by the legendary Lion Books in 1952.
The narrator is New York private eye Barney Glines. A PI named Barney Glines also appears in William Ard’s two Danny Fontaine novels, published about a decade later. I haven’t read the Fontaine books yet, so I don’t know if the character is supposed to be the same one or just has the same name. This novel has a very atmospheric opening in which Barney is in a seedy hotel in Mexico, having come there to kill a man. Someone beats him to it, though, and from there the story backtracks to how and why Barney set out on this murderous quest. The yarn includes a beautiful actress, stolen diamonds, blackmail photos, strippers, vicious junkies, and a particularly brutal murder for which Barney is framed. In other words, all the stuff you need for a good private eye novel.

Which YOU’LL GET YOURS certainly is. In the end, the plot is a little too simple and seems to be lacking a twist or two, but the book is fast-paced, the action scenes are very good, and Barney Glines is a likable character. Its strongest aspect, though, is the nightmarish quality that hangs over the entire book, as if it might just be a fever dream rather than reality. One of Ard’s other novels is called HELL IS A CITY, and in this book, New York is pretty hellish. But in an entertaining way for hardboiled readers, of course.