Review: The Blonde and Johnny Malloy - William Ard writing as Ben Kerr

A couple of weeks ago, I read and enjoyed William Ard’s SHAKEDOWN, a breezy, fast-moving private eye yarn recently reprinted by Stark House in a double volume with THE BLONDE AND JOHNNY MALLOY. I’ve read that one now, too, and as a grim, gritty hardboiled crime novel, it’s quite a contrast to SHAKEDOWN. But it’s every bit as good, if not better.

Johnny Malloy is a young convict working on a prison road gang in Florida, serving a ten-year sentence for driving drunk and causing an accident in which two people were killed. He’s five years into that sentence when a couple of unexpected things happen. A beautiful blonde in a red car starts driving by the place where the prisoners are working every day, giving them an eyeful. And then, without any warning, Johnny is paroled, an arrangement set up by his brother-in-law, a gambler and nightclub owner who has considerable political influence.

Johnny is grateful for being released, of course, but he soon discovers that his brother-in-law didn’t act out of the goodness of his heart. Far from it, in fact, since the guy has a plan that involves Johnny winding up dead. Oh, and that beautiful blonde? She works for the brother-in-law, of course, and before you know it, Johnny realizes he might be safer back on the road gang.

Ard makes the wise decision to spin this tough yarn in a relatively compressed time frame of five days, Monday through Friday, and he packs a lot of action and plot twists into those days, too. There’s a heavyweight prize fight with a fortune bet on it, a coalition of gangsters, cops, beautiful women, kidnapping, and a whole pile of trouble for Johnny Malloy. He handles it well. He’s not incredibly tough, or smart, for that matter, but he gets by. He’s a good protagonist, the villains are suitably despicable,  and the blonde is a better developed character than most beautiful babes in books like these.

I really enjoyed THE BLONDE AND JOHNNY MALLOY. Ard was a fine storyteller, no doubt about that. This one was published originally as a paperback by Popular Library in 1958 and is one of Ard’s later novels. He died much too young in 1960 at the age of 37 and no doubt would have given us many more fine novels if he had lived longer. You can read this one in that top-notch double volume from Stark House, available in paperback and e-book editions. If  you’re a fan of hardboiled novels, I give it a high recommendation.

Review: Shakedown - William Ard writing as Ben Kerr

Johnny Stevens is a private detective working for an agency in New York. His boss sends him to Miami Beach on what seems like a simple assignment: Johnny is supposed to keep tabs on a doctor who may be blackmailing a young wastrel/playboy who happens to be the son-in-law of a canned food tycoon. The client is actually the public relations firm that represents the father-in-law. Johnny doesn’t know what the outcome is supposed to be and doesn’t really care. His assignment is just to keep track of where the doctor goes at night and who he sees. Just a simple shadowing job, right?

Well, you know it’s not going to stay simple, and sure enough, there’s a murder attempt the first night Johnny is on the job. On the second night, the killer succeeds, and even though the murder takes place in front of 300 witnesses, Johnny finds himself on the spot for it and has to figure out who the real killer is in order to clear his name. That’s not the only murder before this case is wrapped up, either. Throw in several beautiful young women for Johnny to juggle, some gangsters, gambling dens, and nightclubs, and you have all the elements for a highly entertaining private eye novel of the sort that I grew up reading.

SHAKEDOWN was published originally in hardcover by Henry Holt in 1952 and reprinted in paperback by Popular Library in 1954. The by-line on the book is Ben Kerr, but the actual author was William Ard, the popular Fifties writer who passed away in 1960 at the much too young age of 37. In addition to the stand-alone mystery and suspense novels and a two-book series featuring PI Barney Glines that he authored as Ben Kerr, he wrote a well-regarded series under his own name featuring PI Timothy Dane and a couple of books starring ex-con Danny Fontaine. He started a series starring private eye Lou Largo but wrote only part of the first book before dying. Lawrence Block completed that book, and John Jakes wrote several more under Ard’s name featuring Lou Largo. Ard’s most successful work during his lifetime may well have been the Western series he wrote in the late Fifties starring adventurer Tom Buchanan, published under the pseudonym Jonas Ward. Ard wrote five of those and started the sixth one, which was completed by Robert Silverberg. Used copies of the Buchanan novels were easily found in used bookstores when I was a kid, and I eagerly bought and read all of them, without having any idea who actually wrote them, of course. Nor did I care, at that point.

The fine folks at Stark House Press are about to reprint SHAKEDOWN and another of Ard’s Ben Kerr novels, THE BLONDE AND JOHNNY MALLOY, in a double volume with an excellent introduction by Nicholas Litchfield. I’ll be getting to THE BLONDE AND JOHNNY MALLOY soon, but for now I can give this book a high recommendation based on SHAKEDOWN. It’s very fast-paced, written in a breezy, entertaining style, and Johnny Stevens is a likable protagonist, tough but not overly so, smart but not brilliant, quick with a quip and charming with the ladies. I’m a little surprised that this is his only appearance, but hey, Ard was busy with other things. I love this kind of book and always will. I had a really good time reading SHAKEDOWN.