
I guess I've been watching too many of those 1950s science
fiction movies lately, because I was in the mood to read something along those
lines. What better place to look for it than the pages of the SF digests from
that era, especially those published by William Hamling?
Well, you could check out a publishing company called Armchair Fiction, which
has reprinted a lot of short novels from those magazines. That's where I read
Dwight V. Swain's TERROR STATION, which appeared originally in the September
1955 issue of IMAGINATIVE TALES, with a cover by Harold W. Macauley that matches the story quite well. I met Dwight Swain at a convention in Oklahoma City
in 1991, a year before he passed away, and I'm glad I got a chance to talk to
him, even briefly. I hadn't read much of his work at the time, but I've since
read quite a bit and enjoyed most of it.
TERROR STATION, like a lot of those movies I was talking about, is set in the
desert, although it involves a military base, not a small town. The protagonist
is Carl Stone, the head of security for the base, where some top-secret
research is going on. Stone is driving back to the base one night, returning
from a trip to Washington, when a terrified woman runs out in front of his
headlights, an opening a little reminiscent of Mickey Spillane's KISS ME,
DEADLY.

The story isn't the least bit Spillane-like after that, however. The woman is
being pursued by a tentacle-waving alien. Stone tries to rescue her, but she's
cut down by a death ray. The alien gets away. But when Stone takes the woman's
body to the base, nobody believes him about the alien, and he's accused of
murdering her. Everybody on the base is on edge and paranoid and acting out of
character, including the director of the research project, who's Stone's old
friend, and the base psychiatrist, who happens to be Stone's former girlfriend.
Could it be that the evil aliens are influencing their minds? Why has a
mysterious giant tower been erected on the base while Stone was gone? What are
those strange lights in the sky?
I think you can probably answer all those questions without even reading the
book, but if you're looking for a groundbreaking plot, TERROR STATION isn't the
place. If you're in the mood for a slam-bang, two-fisted, hardboiled SF
adventure yarn with a satisfying ending, this one is just about perfect. Swain
really knew how to keep a story racing along for 30,000 words with hardly a
pause for breath, and old geezer that I am, I had a great time reading it. I
have a big stack of these Armchair Fiction double volumes, which are made to
look a lot like the old Ace Doubles, so expect more posts like this to be
showing up in the near future.