It Rhymes With Lust - Arnold Drake, Leslie Waller, and Matt Baker

Last week after I reviewed Arnold Drake’s novel THE STEEL NOOSE, a friend reminded me that Drake also co-authored what is considered by some the first graphic novel, IT RHYMES WITH LUST, published in 1950 as a digest-sized paperback by the comic book publisher Archer St. John. Drake co-wrote the script with Leslie Waller under the pseudonym Drake Waller. The black-and-white art is by Matt Baker (pencils) and Ray Osrin (inks). This book has been reprinted in both paperback and e-book editions, so I picked up a copy of the e-book to check it out.

IT RHYMES WITH LUST is set in Copper City, somewhere in a Western state. If you want to figure it’s loosely based on Butte, Montana, that works for me. Buck Masson is the kingpin who runs everything in Copper City from the criminal underworld to the mines. But when Buck dies, control of his empire falls to his beautiful, cunning, and ruthless wife Rust (whose name rhymes with lust, get it?) who brings in an old flame of hers, newspaperman Hal Weber, to edit the local paper that supposedly is opposed to the Masson criminal empire. Weber is supposed to be a crusading journalist who’s out to reform things, but he’s really just a tool for Rust to use to undermine Marcus Jeffers, her late husband’s second-in-command who now figures he’s going to take over. Weber wants to play things straight, especially after he meets and falls for Audrey Masson, old Buck’s beautiful blond daughter by his first wife. But can Weber escape from Rust’s clutches?

This lurid, hardboiled crime/melodrama is very reminiscent of the type of yarn Gold Medal published all through the Fifties, only IT RHYMES WITH LUST was published just as the Gold Medal line was getting started. The main influence on Drake and Waller’s script was probably the noir movies of the late Forties. It works very well in graphic novel format. The script has the rat-a-tat-tat pace you’d expect. The art is easy to follow and very effective.

I talked about Drake in the last post about him. Leslie Waller wasn’t nearly as prolific, but he wrote some well-regarded thrillers under his own name as well as some popular movie novelizations. Matt Baker was a well-known comic book artist in the Forties and Fifties. Ray Osrin worked as an artist and inker in comic books and later became an editorial cartoonist. All of them do excellent work in IT RHYMES WITH LUST.

Archer St. John followed this publication with another mystery graphic novel, THE CASE OF THE WINKING BUDDHA, written by Manning Lee Stokes with art by Charles Raab. This one seems to be a lot harder to find than IT RHYMES WITH LUST. Neither sold well, and that was the end of the experiment as far as St. John was concerned. Since IT RHYMES WITH LUST is readily available, I don’t hesitate to recommend it to fans of hardboiled crime fiction. I really enjoyed it.

The Steel Noose - Arnold Drake

I’ve been aware of Arnold Drake’s work as a comic book writer for a long, long time, having been a fan of one of his best-known creations, the Doom Patrol, ever since those stories began appearing in DC’s MY GREATEST ADVENTURE comic more than half a century ago. In the Seventies, I was also a regular reader of his GUARDIANS OF THE GALAXY series for Marvel. But I had no idea he was also a novelist until Black Gat Books reprinted THE STEEL NOOSE, originally published by Ace Books in 1954. It’s an Ace that I just never came across over the years.

THE STEEL NOOSE is narrated by fast-talking, wise-cracking New York gossip columnist Boyd McGee, who moves in a world of cabbies, tycoons, gamblers, chorus girls, gangsters, and cops. An item he includes in his column inadvertently gets him mixed up in multiple murders and the hunt for half a million dollars in blackmail loot. Boyd gets beaten up more than once but dishes out some punishment, too. And of course, there are also several beautiful women involved in the convoluted plot.

Drake could have played this pretty straight, and in some stretches he does, but for a lot of the novel, the genuinely funny banter dished out by Boyd as he navigates this labyrinth of crime puts me in mind of something else. It’s like reading the novelization of a Bob Hope movie that was never made. Boyd McGree isn’t exactly cowardly like the characters Hope usually played, but every quip he made, I heard it in Hope’s voice. To a Bob Hope fan like me, reading THE STEEL NOOSE was a hugely entertaining experience. I wouldn’t be a bit surprised if Drake had Hope in mind while he was writing this. And it’s fitting, at least to me, that a decade later, Drake was writing DC’s THE ADVENTURES OF BOB HOPE comic book, which I read occasionally in those days, although not as much as I should have because I tended not to pick up anything except superhero, Western, and war comics. I’m sure I missed some good stuff.

As far as I know, THE STEEL NOOSE is Arnold Drake’s only novel. That’s kind of a shame because it’s really good and he might have given us more like it. On the other hand, if he’d been a successful novelist, we might never have had the Doom Patrol and the Guardians of the Galaxy. I’m not sure I’d make that trade, but I’m very glad Black Gat Books decided to reprint this one. You can pre-order it on Amazon, and I give it a high recommendation.

Sunday Morning Bonus Pulp: Smashing Detective Stories, May 1955

This is an issue from late in the pulp era that I own and read recently. That’s my copy in the scan. I think the cover art is okay, not great but effective enough. I don’t know who the artist is.

This is also a momentous issue, although you wouldn’t necessarily think that an issue of SMASHING DETECTIVE STORIES, a low-budget, last gasp pulp from Columbia Publications, would ever fall into that category. But it contains the final Race Williams story by Carroll John Daly. That’s right, 32 years after the character made his debut in “Knights of the Open Palm” in the June 1, 1923 issue of BLACK MASK, the series comes to an end with “Head Over Homicide” in this issue.

I’d never read any of the later Race Williams stories, even though I have the Black Dog Books collection RACE WILLIAMS’ DOUBLE DATE and the massive complete stories collections from Altus Press. The only ones I’ve read come from the Twenties and Thirties. So I found “Head Over Homicide” pretty interesting. The story opens with Race rescuing the beautiful, kidnapped daughter of an oil tycoon. But when he returns her to her family, he quickly realizes that not everything is as it seems, and it’s not long until murder rears its ugly head. Or does it?

The writing is a little smoother and more polished than in the early stories but still unmistakably Daly. Nobody else’s writing ever sounded like his. And honestly, it seemed a little out of place to me in a story obviously set in the Fifties with several references to television. But I still enjoy Daly’s voice. This is a cleverly plotted yarn, too, going back and forth on what’s true and what’s not, and Daly keeps a nice final twist on reserve for very late in the story. It could have used more action—there’s hardly any—but all in all, for a final story in the series it’s hardly an embarrassment. I rather enjoyed it.

I was familiar with Arnold Drake as a comic book writer—how can you be a comics fan and not know the guy who co-created The Doom Patrol, Deadman, and the Guardians of the Galaxy?—but didn’t realize he turned out a few pulp stories as well, including “The Lady and the Lawyer” in this one. It’s a private eye yarn, with the detective narrator hired by a lawyer to shadow a beautiful young socialite who he insists is homicidal. The story moves along well, has just enough twists in the plot to be intriguing, but then the ending is completely limp and lacking in drama, a surprise from somebody with Drake’s talent.

Betty Brooks turned out only a handful of stories, all for Columbia detective pulps. Her story in this issue, “The Cocky Robbins Kill”, is about a murder in a small-town hotel during a blizzard. There are a lot of characters, but the plot is well-handled and she did a good job with the hotel setting. This one’s nothing special but well-written enough that I enjoyed it.

I read a science fiction story by Basil Wells a while back that I didn’t care for. His story in this issue, “Red is the Tower”, is about murder on a farm (the tower in the title is a silo), and while it was better than the SF yarn, I still didn’t like it much and found it overly literary and pretentious. Wells may be one of those writers whose work just doesn’t resonate with me. That’s not really his fault.

“He Had To Be Tough” is about a young, scientific-minded police detective trying to convince the grizzled veterans he works with that they ought to give up their strongarm tactics. Then something happens that makes him rethink that, and it’s furious action the rest of the way in this yarn. This is a good, entertaining story despite a late twist that may come from a little too far out in left field. The author is J.J. Matthews, who wrote approximately 120 Western, detective, and sports stories during the Fifties, all of them appearing in various Columbia pulps. Even though this isn’t an acknowledged house name, I have a strong hunch that it is.

If not for a few sales to Fiction House’s JUNGLE STORIES, I would think that Francis C. Battle was a Columbia house name, too. Nearly all of his several dozen detective and Western stories appeared in Columbia pulps. “Ju-Ju for the White Man” is a jungle story, too, as well as an “Off-Trail Crime Story”, as the blurb says. A big game hunter schemes to use witchcraft to get rid of a rival. The ending, while predictable, is effective, and it’s not a bad little yarn.

Mat Rand is a well-known and widely used house name, so there’s no telling who actually wrote “Jailbreak”. It’s about a convicted murderer trying to come up with an escape plan before he’s executed. Like the previous story, the ending is pretty obvious, but again, it’s well-written and reasonably entertaining.

Despite the presence of Race Williams, nobody is ever going to mistake SMASHING DETECTIVE STORIES for BLACK MASK or DIME DETECTIVE (where Race also appeared), but I had a pretty good time reading this issue. The Arnold Drake story is disappointing because of the ending and I didn’t like the Basil Wells story, but all the others kept me turning the pages and entertained me. If I come across any more issues, I wouldn’t hesitate to give them a try.