TV Series I've Missed Until Now: Cranford (2007-2009)

Not gonna lie, we like us some high-class British historical drama. Yeah, they’re generally soap operas, but everybody dresses so nice and talks so fancy.

And so it is with CRANFORD, made by the BBC in 2007 and based on a series of novels by Elizabeth Gaskell. Technically, it has two seasons, but the first has only five episodes and the second consists of two movie-length episodes. So, seven episodes overall that cover a couple of years’ time in the 1840s in the small English village of Cranford, located in Cheshire. (I’d have to look that up to know where in England that is, and I’m not that ambitious.)

This is definitely a soap opera. We’ve got unrequited love, doomed love, disease, death, ambition, rotters, noble doctors, a heroine who wants to be a writer, scandal, and the inexorable changes wrought by time. It’s very well-made and well-acted, with scripts (all by Heidi Thomas, the main writer on CALL THE MIDWIFE, another show we like) that range from pretty darned funny to really sad. Everything that happens is pretty predictable, and I was extremely annoyed when the show came to an end and left a major plotline unresolved. All I can think is that they planned to address that in the next season and didn’t know the show was coming to an end.

Mostly, though, CRANFORD is a series where you spend a lot of time going, “Hey, it’s that guy from DOWNTON ABBEY!” (Jim Carter, who played Carson the butler on that show and is Captain Brown, a retired military man in charge of building a railroad here. Carter is one of those guys who has a great voice and I like just listening to him talk) and “Hey, it’s Lady Mary from DOWNTON ABBEY!” (Michelle Dockery, who also has a great voice) and “Hey, it’s Loki from the Marvel movies!” (Tom Hiddleston, who’s a very good guy here) and “Hey, it’s Doctor Who!” (Jodie Whittaker, whose run as the Doctor I’ve never seen and never will) and “Hey, it’s Doc Martin’s aunt!” (Eileen Atkins from one of our favorite British series, DOC MARTIN) and “Hey, it’s Judi Dench!” (too many things to list).

Despite what you might think from my sarcasm, I really enjoyed CRANFORD. I wish they had made more seasons. I’m not going to read the books, mind you, but I’d have been happy to watch more of the TV version.

Review: Crime Nest - Edwin Truett Long (Detective Dime Novels, April 1940)

I’d read a number of pulp stories over the years by Edwin Truett Long, writing under various pseudonyms and house-names, and I always enjoyed them. But I’ve become more interested in him and his work since discovering that he lived for a while on the west side of Fort Worth and is buried on the east side. One of these days, I’m going to drive over to the cemetery and find his grave. But for now, I’m trying to read more of his stories. This time, it’s “Crime Nest”, from the April 1940 issue of DETECTIVE DIME NOVELS, which was published under the transparent pseudonym Edwin Truett. This is the first of three novels featuring Dr. Thaddeus C. Harker, one of the more offbeat characters from the pulp era.

Doc Harker, as he’s often known, is a traveling medicine show huckster, tooling around the country in a bright red coupe and pulling an equally red trailer in which he concocts his cure-all, the world-famous Chickasha Remedy. However, that’s just a cover for his true activities. Doc Harker is actually a brilliant scientific criminologist, and his passion is solving murders and other crimes with the help of two assistants, former wrestler Hercules Jones, who handles the strongarm stuff, and the beautiful Brenda Sloan, whose specialty is infiltrating gangs and gathering intelligence. In “Crime Nest”, our intrepid trio of detectives heads for Abbottsville, a resort town in Texas (although Long never specifies the state) famous for its hot springs. Abbottsville is loosely based on the real town of Mineral Wells.

They’re there in answer to a plea for help from one of Doc’s old friends, who sends Doc a letter explaining that a cabal of criminals from New York and New Jersey have moved in and taken over the town. Doc intends to break their hold on the place and bring them to justice, but the situation gets more complicated when there’s a grisly murder the first night after they arrive.

From there it’s mostly breakneck action with a little detective work thrown in as Long packs in a lot of plot in the span of not much more than 24 hours. More murders, a missing fortune, beautiful women, shootouts, clouts over the head, and lights that go out just as Doc is about to spring a major revelation—we get all that good stuff and more. Long wasn’t a meticulous plotter, but he usually wrestles all those colorful characters and fast-paced action into scenarios that make sense, mostly.

I really enjoyed this yarn and had a grand time reading it. It’s the kind of stuff I grew up on and I still get a kick out of it. One interesting note: the character who sends for Doc Harker is named Arthur Wallace, which just happens to be the name of a pulpster who contributed scores of stories to the Spicy pulps, as did Long. There’s been some mystery as to whether Wallace was a real name or a house-name. Based on Long using the name in this novel, I suspect he was a real guy and that he and Long were friends. That’s only a hunch, though. Maybe somebody will uncover the facts someday.

My friend Tom Johnson was a fan of the Doc Harker series and reprinted all three novels as small-press chapbooks many years ago. I owned all of them but never got around to reading any of them. More recently, Altus Press has reprinted the series in a handsome volume called DR. THADDEUS C. HARKER: THE COMPLETE TALES, with an introduction by none other than Tom Johnson, who provides more biographical information about Long than I’ve found anywhere else. This is where I read “Crime Nest”. The collection is available in paperback and e-book editions, and if you enjoy offbeat pulp detective yarns, I give it a high recommendation.

Sunday Morning Bonus Pulp: Detective Fiction Weekly, February 17, 1934

This is the first appearance of the Park Avenue Hunt Club on the cover of DETECTIVE FICTION WEEKLY, with only the second story in the long-running series. And to be honest, in this cover by Lejaren Hiller, an artist I hadn't heard of, the guys look more like villains than the heroes they actually were. Judson Philips, the author of that series and many others, and Edward Parrish Ware are the only authors I recognize in this issue. The others who contributed stories are Herbert O. Yardley, Augustus Muir, and Milo Ray Phelps. The Park Avenue Hunt Club stories have been reprinted in a couple of expensive hardcovers that are no longer available. I'm hoping we'll get some affordable trade paperback and/or e-book editions at some point. The ones I've read are really good.

Saturday Morning Western Pulp: Texas Rangers, June 1954

This is a pulp that I own and read recently. That’s my copy in the scan. The cover artwork is by Sam Cherry, who did nearly all of the TEXAS RANGERS covers during the Fifties and always did a great job. This one illustrates, sort of, the opening scene of this issue’s novel.

As far as I’m concerned, there’s a Big Four of authors who wrote Jim Hatfield novels under the house-name Jackson Cole: A. Leslie Scott, the creator of the series; Tom Curry; Walker A. Tompkins; and Peter Germano, the author of this issue’s novel “The Outlaw Nobody Knew”. Germano, who also wrote a lot of very good novels under the name Barry Cord, was the most hardboiled of the bunch. His prose is terse and fast-moving, and there’s no “Yuh mangy polecat” dialect. While I love the standard Western pulp dialogue, I like this approach, too. (Roe Richmond actually wrote more Hatfields than Germano, but I don’t like his novels so I don’t count him as a major Hatfield author.)

Germano really packs a lot of plot and characters into “The Outlaw Nobody Knew”. The mysterious bandit boss of the title has kidnapped the governor’s son in an attempt to keep his brother from being hanged. Hatfield has only six days and the narrowest of leads to find the boy. His search takes him to a mining town in West Texas. At the same time, a young former carnival tightrope walker shows up in town on a quest of his own. Also on hand are a shady gambler/saloonkeeper, assorted gunmen, a hotel owner who quotes classic Greek literature, and an old desert rat prospector who thinks he’s actually a sea captain. There’s so much going on that it’s actually a little hard to keep track of at times, but Germano keeps the story racing along anyway until it arrives at a twist ending that isn’t really that much of a surprise but is very effective anyway.

There’s an oddity about this one in that Hatfield dresses differently than he usually does, sporting a long black frock coat, a string tie, and a flat-crowned black hat. That just happens to be what a character is wearing in an interior illustration which also features another character who looks like Wild Bill Hickok. And Germano specifically mentions that the local marshal resembles Wild Bill Hickok. My hunch is that this illustration existed before the story was written, and Germano made the descriptions match it. No way of knowing, of course, but I’m always suspicious about such things. What’s important, though, is that “The Outlaw Nobody Knew” is a good solid Hatfield novel, not one of the top rank but well worth reading.

Robert Virgil published only four stories, according to the Fictionmags Index. “Rancher’s Woman” in this issue is the first of those. And it’s a really good one, a well-written Western noir about a middle-aged rancher, his younger, beautiful, restless wife, and the world-weary hired hand who signs on. This is the stuff of countless Gold Medal novels, but Virgil distills it down to a few pages and then gives us a surprising, very effective ending. I know I have at least one of his other stories and may go ahead and read that issue soon.

Ben Frank was the pseudonym of a writer named Frank Bennett, who wrote mostly humorous Westerns for the pulps. He had a long series about an old-timer known as Doc Swap, and another about a deputy named Boo-Boo Bounce. I’m not a fan of either of those series. Frank’s story in this issue, “The Champ of Cottonwood County”, is a stand-alone, and while it’s a comedy, it’s not as silly as some of his that I’ve read. It’s a romantic comedy, at that, about a hapless rancher trying to woo the girl of his dreams while ignoring the fact that a female friend of his is prettier and more suitable in every way than the girl he pines after. There’s also a robbery, a fugitive outlaw, an overbearing rival rancher, and a little bit of action before things come to a predictable conclusion. It’s fairly well-written and mildly amusing, and for a Ben Frank yarn, I thought it was pretty good.

I’m a big fan of the cavalry novelettes Steuart Emery wrote for TEXAS RANGERS, and he did quite a few of them. The one featured in this issue is ”The Shooting Sawbones”. The protagonist, John Rawdon, is about to graduate from West Point when an accident leaves him with a permanent bum knee. He can’t serve as a combat officer, but he can become a medical officer, which he does. His first post is an isolated fort in Arizona Territory, and wouldn’t you know it, a series of unusual circumstances leaves Rawdon in command of the fort just as a horde of hostile Apaches show up to attack it. There’s also a girl—there’s always a girl—who, in this case, is the daughter of a bitter retired officer who hates army doctors. Sure, I knew most of what was going to happen in this one, but Emery can really write and his military stories have a definite air of authenticity. Plus his characters often don’t turn out exactly the way you think they will, and he can surprise me now and then with a plot twist. “The Shooting Sawbones” is a very entertaining story and I look forward to reading more of Emery’s work. He wrote hundreds of stories, going back to 1919, many of them aviation and air war yarns in the Twenties and Thirties. I need to sample some of those.

D.S. Halacy Jr. wrote dozens of stories for the pulps and the slicks in several different genres, including Westerns, mysteries, and sports stories. His contribution to this issue, a short-short titled “Family Affair” is about a U.S. Marshal corralling an outlaw, with a twist ending that’s pretty obvious. This is a minor but well-written story that doesn’t pack as much punch as it thinks it does.

Peter Fernandez is another author who published only a few stories, half a dozen according to the Fictionmags Index. “Apache Alibi” is about a shipment of gold on a stagecoach and the various would-be thieves plotting to get their hands on it. Like “Rancher’s Wife”, this is pure Western noir and is about as bleak as they come. It’s a good story, but it’ll leave you feeling a little grubby.

W.J. Reynolds wrote about 120 stories, most of them Westerns, in a career that covered the Forties, Fifties, Sixties, and a little way into the Seventies. “The Devil Walks Loudly” is about a braggart who tries to make himself into a fast gun, an effort that seems doomed to failure from the start. This story is hurt a little by the fact that there’s not a single likable character in it, but it moves along and works fairly well. Reynolds is worth reading, but this one isn’t one of his best stories.

There’s an installment of S. Omar Barker’s “Sagebrush Savvy” column, in which he answers questions from readers (supposedly; who know whether they’re legit or not) and I always enjoy these. Barker was an entertaining writer.

This is a good issue of TEXAS RANGERS. While some stories are better than others, they’re all worth reading and several of them are very good. The pulp era was starting to wind down by this point, but there was still plenty of good reading to be found among the ones that survived that long.

A Rough Edges Rerun Review: Loser Friendly - Jake Cassidy

New Pulp Publishing is a new small press producing primarily e-books (although printed copies are available, too), in a variety of genres. As their website puts it: “New Pulp Publishing is dedicated to delivering blistering novella length fiction in the crime, suspense, horror, science fiction, fantasy, and western venues.” Their first book, LOSER FRIENDLY, has just been released and features Miami recovery agent Jake Cassidy (a name the author of the series is also using as a pseudonym). Jake seems to be a bit of a cross between Travis McGee and Mack Bolan. He lives on a boat (a yacht, not a houseboat) and for a fee, recovers things that people have lost, usually to some bad guys. But he also has a lot of heavy weapons and is very proficient in their use. Despite those influences, Jake takes on his own character and is a very likable hero and narrator, tough but not flawless, just enough of a smart-ass to be funny, and a good guy to have on your side when you’re in trouble.

In LOSER FRIENDLY, he starts out doing a favor for an old girlfriend and finds himself trying to rescue a would-be Hollywood screenwriter who has run afoul of some mobsters. They want a script the writer has written even more than they want the guy himself, and Jake winds up having to recover it, too. Occasionally the story pauses to take a breath, but for the most part it’s very fast-paced action and very effectively written, too. I thoroughly enjoyed it.

The author behind the Jake Cassidy name is a prolific writer who has been published in a wide variety of genres (it’s not, repeat not, me; I don’t have anything to do with New Pulp Publishing except as a satisfied reader). I had a great time reading LOSER FRIENDLY and look forward to the next book in the series.

(I felt a real rush of nostalgia when I came across this post, which was first published on July 3, 2010. Everything about it is reminiscent of the early days of the Kindle boom, when e-book publishing was really the Wild West, Amazon was a boomtown, and there was plenty of money to be made. It was a far cry from the business it is today, a lot less slick maybe, but still a lot of fun. I think I knew at the time who was behind New Pulp Press and who Jake Cassidy really was, but I've slept since then, as the old saying goes. New Pulp Publishing put out one more book as far as I can tell, the sword and sorcery novel THE COLOSSUS OF MAHRASS, which was written by Mel Odom under the name R.J. Salter. Was Mel also Jake Cassidy? Maybe if he's reading this, he'll let us know. I could email him and ask him, of course, but what's the fun in that? There was another Jake Cassidy novella in the works called TWICE SHY. The cover for it is on New Pulp Publishing's website, which is still on-line although it hasn't been updated since 2011. And LOSER FRIENDLY is available on Amazon in e-book and paperback editions. The e-book is even on Kindle Unlimited!) 

Review: The Murder on the Links - Agatha Christie

I mentioned a while back that Erle Stanley Gardner’s Perry Mason books are, for me, a surefire cure for an impending reading funk. Well, so are Agatha Christie’s Hercule Poirot novels, and feeling dissatisfaction with a couple of books I attempted to read, I turned instead to THE MURDER ON THE LINKS, originally published in 1923 as the second book in the Poirot series. It's been reprinted many times, and there are several different e-book and print editions available on Amazon since it's now in public domain.

In this one, Poirot and his friend Captain Hastings are summoned to France by an urgent message from a wealthy English businessman who has a villa near Calais. It seems that the man made his fortune in South America, and now some mysterious threat from his past has cropped up. He mentions Santiago, Chile, but doesn’t go into any details, just asks Poirot to come to France and help him, promising to pay any fee Poirot requests. Poirot and Hastings answer this plea for help, but they’re too late. When they arrive, they find that the man has been murdered, stabbed in the back and left next to an open grave on a golf course that’s under construction next door—hence the title.

Well, not surprisingly, not everything is as it seems. Even though his would-be client is dead, Poirot investigates and along the way clashes with an arrogant French detective. Several beautiful women have to be questioned, including the dead man’s wife, his possible mistress, the possible mistress’s daughter, and a lovely but mysterious theatrical performer Hastings encounters several times. A number of pieces of possible evidence have to be examined, among them a broken watch. We get a disappearing murder weapon that reappears lodged in the chest of a second victim. We get discussions of train schedules. (Cozy mysteries love them some train schedules.) We get our intrepid pair of detectives shuttling back and forth from England to France as the trail leads hither and yon. And then we get the solution to the mystery . . . no, wait, that’s not it, this is the solution . . . no, wait, that’s not right, either. This is the real solution . . . I think.

Some of this might get a little bit tiresome if not for the fact that Christie was such a good writer. The pace crackles right along even when people are just standing around talking. Poirot is a fascinating character, as always, and the dialogue is excellent. Hastings is dense but likable in his role as Watson. I sometimes think Poirot is a little too mean to him, but there’s not much of that in this book.

In the end, I really enjoyed THE MURDER ON THE LINKS. I don’t know how it’s regarded by Christie fans. I wouldn’t put it in the top rank of Poirot novels because the plot seems a little more far-fetched and melodramatic than usual, not surprising since it’s only the second book in the series and Christie was probably still figuring out what she was doing. But it’s still a solid yarn and very entertaining. I even figured out a pretty good chunk of the plot as I went along, although I didn’t have the murderer’s identity pinned down. I’ll probably read another one before too much longer.

Movies I've Missed Until Now: Cold Pursuit (2019)

Let me start by saying that I’m not a Liam Neeson fan. Don’t get me wrong. I’ve enjoyed some of the movies he’s made (DARKMAN is a favorite), and I don’t let his presence in a film keep me from watching it. But there’s just something about the guy that rubs me the wrong way. However, I was in the mood for an action movie, and we’d never seen 2019’s COLD PURSUIT, so I figured, why not?

That turns out to have been a good choice. Neeson plays the protagonist of this movie, a snow plow driver in a small ski town in Colorado, but there are long stretches where other characters take over. Neeson’s son runs afoul of some drug smugglers and winds up dead of an apparent overdose, but he’s not convinced that’s what really happened and sets out to find the truth. When he does, he goes on a vengeance quest that gets rather convoluted with plot twists and competing gangs. And Neeson’s character has a secret in his background that makes things even more interesting.

What starts out as a pretty grim movie winds up having a lot of dry, oddball humor in it. In fact, COLD PURSUIT (which is based on a Norwegian movie) is a pretty oddball film overall. But it’s well-made, well-acted, reasonably suspenseful, and I wound up enjoying it more than I expected to. If you’re in the mood for a offbeat action movie, I recommend it.

Review: Swords of the Crags - Fred Blosser

After reading Fred Blosser’s sword and sorcery novella SWORDS OF PLUNDER recently, I was in the mood to dive back into more of his work. I picked his collection SWORDS OF THE CRAGS.

This volume collects six stories that might have been the sort of thing Robert E. Howard wrote for the Spicy pulps in the mid-Thirties. The title story, “Swords of the Crags”, is set in Peshawar, India, and in the Khyber Hills. The protagonist is Pike Braxton, an American adventurer and former gunfighter from Texas who functions as a sort of unofficial secret agent for the British. When a beautiful young American heiress gets caught up in the schemes of a sinister Russian agent, Pike has to rescue her and recover some vital information. Seems fairly straightforward, if dangerous, but then Pike and the beautiful blonde find themselves confronting an otherworldly menace. This fast-moving tale is like placing Howard’s El Borak in a SPICY ADVENTURE STORIES plot, with a dash of Lovecraft thrown in. It’s well-written, works very well, and races along to a satisfactory conclusion. I really enjoyed it. (And it puts me in mind of Howard’s comments in a letter to Lovecraft where he suggested that Lovecraft should try to crack the Spicy market. He could use a pseudonym, Howard says, and just write up a fictionalization of one of his own “sex adventures”. Just the thought of Lovecraft’s reaction when he read that suggestion always makes me chuckle.)

In “Alleys of Terror”, the scene shifts to Shanghai and the protagonist is Ridge Braxton, Pike’s younger brother who’s just as fast with his guns and fists. The beautiful Eurasian pirate and smuggler Olga Zukor is framed for murder. The victim held the key to a deadly conspiracy Ridge is investigating, so he and Olga have to team up to untangle the mess even though they dislike and distrust each other at first.

Ridge Braxton returns to his West Texas stomping grounds in “Witch of Snakebit Creek”, a creepy contemporary Western that reminds me a bit of Howard’s “Old Garfield’s Heart” and “For the Love of Barbara Allen” although it turns out to be a very different kind of story. This is actually more of a mystery yarn with a nice late twist.

“The Girl From Hell’s Half Acre” finds another two-fisted, fast-shooting Texan adventurer, Esau Reynolds (a very Howardian name) turning detective as he tries to find a wealthy man’s missing daughter, who’s a beautiful blonde, of course. The trail leads Reynolds to the waterfront area of an unnamed city, where he clashes with—and beds—the beautiful queenpin of the area’s criminal underworld. This story, reminiscent of some of Howard’s Steve Harrison yarns, moves like the proverbial wind and is very entertaining.

“Sin’s Sanctuary” is another El Borak-like tale, with a heaping helping of Talbot Mundy influence, as an American adventurer infiltrates a hidden monastery in Tibet in search of a missing Englishman. He’s helped by a beautiful woman, of course, and they encounter unexpected danger inside the walls of the monastery. This is a really well-written and exciting story.

“Scarlet Lust” is a direct sequel to SWORDS OF PLUNDER and finds Cronn, the northern barbarian, out to steal a fabulous gem which he hopes will help him win the throne of one of the countries in his world. He gets some help, of course, from a beautiful woman. These are Conan pastiches, in a way, there’s no denying that, and they’re also better than most of the official Conan pastiches that have been published in the past few years. Like John C. Hocking, Scott Oden, and Chuck Dixon, Blosser understands the character and the setting. I don’t know if there are more of these Cronn stories, but if there are, I definitely want to read them. And if there aren’t, well, maybe Blosser will write some.

Blosser rounds out this collection with five articles about Howard’s efforts to crack the Spicy and Weird Menace markets, the spicier Conan yarns, and the influence of Harold Lamb and Talbot Mundy on Howard’s work. As always with Blosser’s work, these essays are informative, entertaining, and well worth a Howard fan’s time.

Overall, SWORDS OF THE CRAGS is an excellent volume and a lot of fun to read. While it’s true that the main influence on these stories is Robert E.Howard, I found them reminiscent of E. Hoffmann Price, Edgar Rice Burroughs, and Talbot Mundy, as well. Also, in Blosser’s stories the spicy bits are considerably spicier than what authors could get away with in the Thirties. They’re not overly graphic, but those scenes don’t fade out as quickly as the ones in the pulps did. So while they’re definitely Howardian, don’t mistake these tales for pale imitations. They stand on their own, and they’re well worth reading. SWORDS OF THE CRAGS is available on Amazon in a paperback edition, and an e-book edition containing the first three stories and the first two articles is available as well.

Sunday Morning Bonus Pulp: Thrilling Adventures, December 1932

Pith helmet alert! Seeing bullets whizzing through Stetsons was common on Western pulp covers, but I don't recall ever seeing any Injury to a Hat covers involving pith helmets. Surely, there must have been some. Allan K. Echols, author of the cover story in this issue of THRILLING ADVENTURES, was best known for his Westerns, but obviously he wrote some jungle yarns, too. Something about this one seems to me like the cover painting might have existed first and Echols wrote the story to fit it, but that's pure speculation on my part and could be entirely wrong. The other authors in this issue make it a pretty strong lineup: Malcolm Wheeler-Nicholson, Arthur J. Burks, Anthony M. Rud, Wayne Rogers, Perley Poore Sheehan (with a Captain Trouble story--I have a collection of those and need to get around to reading them!), and Thomson Burtis. Those guys were all popular, prolific pulpsters who knew how to spin a yarn.

Saturday Morning Western Pulp: Ranch Romances, First October Number 1940

This is a pulp that I own and read recently. That's my copy in the scan. I don’t know who did the cover artwork, but I like it. You don’t see too many dogs on Western pulp covers. I’m always glad when one shows up. Most of the issues of RANCH ROMANCES I’ve read have been from later in the run when it was part of the Thrilling Group. I’ve read only a few from the era when it was published by Warner Publications, but they were good issues. The editor on this one was the legendary Fanny Ellsworth.

After all these decades as an avid reader, it’s still nice to discover authors who are new to me that I enjoy. The lead novella in this issue (and it’s almost long enough to be an actual novel) is “Kirby of the Flying K” by Amos Moore. You’d expect that Kirby would be the owner of the Flying K Ranch, wouldn’t you? I did. But I was wrong. The Flying K Ranch was owned by Peter Kilgour, who died recently under somewhat mysterious circumstances and left the spread to his niece, Peg Hampden. Lane Kirby, who the story hints has spent the past few years as a town-taming lawman, has some equally vague connection to the ranch. As far as I could tell, he was friends with the late Peter Kilgour. When he drifts back into the area, the first thing he comes across is an attempted lynching, with Kilgour’s former foreman as the intended victim. Well, Kirby puts a halt to that, of course, befriends the beautiful and plucky Peg Hampden, clashes with some old enemies, and generally stirs things up in a Save The Ranch yarn with plenty of action. This is a fairly standard plot, but the characters are excellent and it doesn’t end exactly how I thought it would, which is always a bonus.

“Amos Moore” contributed a lot of stories to RANCH ROMANCES, but I didn’t know until I read this one and looked “him” up that the name is a pseudonym for the writing team of Lillian Bennet-Thompson and George Hubbard, whose careers go all the way back to the early 1900s. Several silent movies were based on novels they wrote. They did mostly romance and mystery stories until they started publishing Westerns as Amos Moore in 1928. They turned out more than 50 Westerns including a dozen or so novels between then and 1942, when Bennet-Thompson died. Hubbard lived until 1958 but didn’t publish anything after Bennet-Thompson’s death. I don’t know a thing in the world about their personal lives. Were they a couple or just collaborators? Did Bennet-Thompson do most of the writing and Hubbard was the primary plotter? That would explain why he didn’t publish anything else. But I just don’t know. What I’m sure of is that “Kirby of the Flying K” is a really good story, well-written and fast-moving, and I’m going to be keeping my eyes open for the Amos Moore byline. I may even order some of their Western novels, most of which were serialized in RANCH ROMANCES before being published as books.

Elsa Barker was a prolific contributor to RANCH ROMANCES, and I’ve enjoyed what I’ve read by her. Her story “Kitchen Courage” in this issue starts out as a fairly standard romance with the heroine in love with a young rancher. She decides to make him some jams and jellies and can some fruit for him while he’s away at the roundup, but while she’s at his ranch, somebody else rides up and the story takes an unexpected turn. This is another very good yarn.

“The Man From Nowhere” is by Paul Evan Lehman, who wrote a lot for the Western pulps but was even more popular as a Western novelist. It’s about a young cowboy who stumbles on a plot by a crooked lawyer to swindle a beautiful young woman out of her ranch. Of course, he has to take a hand and help her, even though he does so in a way that’s bound to cause him trouble. There’s definitely a romance angle in this one, but it's more of a hardboiled crime story and a good one, too.

Marie de Nervaud is another prolific author who published almost exclusively in RANCH ROMANCES. I don’t recall reading anything by her until I came to the novelette “Ransom Range” in this issue. It’s okay, another Save the Ranch story about a cowboy who steps in to help a girl he knew when she was just a kid. Of course, she’s grown up into a beautiful woman. There’s nothing wrong with this story, but with a plot this well-worn, I need good writing to elevate it (as in the Amos Moore story discussed above), and de Nervaud’s prose just never gripped me much. I didn’t dislike it and I would read more by her, but I won’t be especially looking for her stories.

I can’t find much on-line about Lucretia Whitehead Payne, just enough to think that she may have been married to Western author Stephen Payne, but that’s mostly speculation on my part and if anyone can confirm or deny it, I’d be most appreciative. She published about two dozen stories, mostly in RANCH ROMANCES but a few in other Western romance pulps. Her story “There’s Always a Crowd” is pure rom-com at first, with a young cattleman trying to court the pretty young cook even though the colorful ranch crew is always around, but then there’s a nice burst of action and a little crime element at the end. I would have said this isn’t really my kind of story, but I surprised myself by liking it a lot.

Kingsley Moses wrote several hundred stories for the pulps. Traditional Westerns, Western romances, sports, detective, aviation, adventure, he hit most of the genres at one time or another and was also one of the crew of house-name writers at WILD WEST WEEKLY. With a resumé like that, it’s hard to say whether I’ve read anything by him or not. His story in this issue, “Aunt Azalea Gentles ’Em” is also something of a romantic comedy as the gun-toting Aunt Azalea has to help a young lawman deal with some horse thieves and keep the ex-convict father of the girl he loves from being sent back to prison. Not a great story, but it’s reasonably entertaining and had a pretty satisfying ending.

There’s also a serial installment (5^th of 6) of “Rangeland Rebels” by Robert Dale Denver, who was really Ray Nafziger. I’m not sure why more of Nafziger’s RANCH ROMANCES serials weren’t published as novels. He did at least a dozen of them that could have been done as books, and some of his novellas probably could have been, too. As far as I know, though, only one of them, “Guns of Salvation Valley” (serialized in RANCH ROMANCES as by Robert Dale Denver in 1934) was published as a book of the same name, also in 1934, as by Grant Taylor. Anyway, I didn’t read this installment of “Rangeland Rebels”—I might have if it had been the concluding episode—but it looks good, as usual with Nafziger’s work. Like Harry Olmsted, he ought to be better remembered than he is.

The usual assortment of columns and features round out this issue. I hope some of the people who wrote in to “Our Air Mail” got good pen pals out of the deal. When I was about halfway through reading this one, I thought it might turn out to be one of the best Western pulps I’ve read, based on the stories by Moore, Barker, and Lehman. The others didn’t come up to that standard, but they’re all okay to good. Overall, this issue of RANCH ROMANCES is worth reading, and I’m glad I did. 

Happy Fourth of July!

 

The art on this cover is by Robert Gibson Jones, who did a bunch of covers, most of them excellent, for FANTASTIC ADVENTURES. William Brengle, author of the lead novella, is a house-name, and the actual author behind this one is Howard Browne. Also on hand in this issue are William P. McGivern, Robert Bloch (twice, once as himself and once as Tarleton Fiske), Don Wilcox, Harold Lawlor, and Leroy Yerxa. That's a pretty good line-up. I don't own this issue, but you can find a PDF of it here, along with a bunch of other issues of FANTASTIC ADVENTURES. In the meantime, Happy Fourth of July to everyone reading this in the United States, and I hope it's a great day for you and everyone elsewhere in the world, too.

Review: Gangland's Doom: The Shadow of the Pulps (50th Anniversary Edition) - Frank Eisgruber Jr.

I’ve been hearing about GANGLAND’S DOOM, the ground-breaking study of The Shadow by Frank Eisgruber Jr., for many years. By the time I got into pulp fandom in the early Eighties, the book’s original edition, published by Robert Weinberg, had been out for several years. It was reprinted later by Starmont House and Altus Press, but I never got around to picking up a copy and reading it.

When the fine folks at The Shadowed Circle decided to do a special 50^th Anniversary Edition, I got on board right away, knowing the quality of the work they do. And they certainly didn’t disappoint. I’ve just read the new edition of GANGLAND’S DOOM, and it’s fantastic.

This was one of the very first books of pulp scholarship. Eisgruber takes a good look at The Shadow’s true identity, the various false identities he employed in his war against crime, the many agents and helpers who also enlisted in that war, the great villains against whom The Shadow and his organization battled, and the multitude of settings used in the almost 400 novels in the pulp series. He covers as well the three main authors of the saga, Walter B. Gibson, Theodore Tinsley, and Bruce Elliott, and this new edition provides several appendixes, correspondence between Eisgruber and fellow Shadow expert Will Murray, and an interview with him.

Will long-time Shadow fans learn much that’s new in this volume? Well, probably not much. Numerous other books have been published that delve deeply into the history of the character, not to mention the many articles from the journal THE SHADOWED CIRCLE and earlier pulp fanzines. But is GANGLAND’S DOOM well-written, informative, and highly entertaining? It absolutely is. I don’t know of any Shadow fan who wouldn’t greatly enjoy this affectionate look at a favorite character.

And I did come across one idea I’d never encountered before, at least as far as I recall. Eisgruber discusses—and rightfully dismisses—Philip José Farmer’s speculation that the flying spy G-8, The Spider, and The Shadow were all the same man. I don’t buy that for a second, but Eisgruber mentions an alternate possibility, that following World War I, G-8 became the detective and master of disguise Secret Agent X, and I can believe that. I don’t know if it’s true or not, but it seems feasible to me. (Using the word “true” loosely, of course, since we are talking about pulp characters . . .)

As for the book itself, it’s beautifully produced. You’d expect no less from editor/publisher Steve Donoso and his associates. I was a Kickstarter backer and got my copy that way, but it’s available on Amazon in a hardcover edition with a cover and illustrations by Joseph Booth (the edition I read) and a paperback with a cover by Marcin Nowacki. There’s also a Kindle edition. You can also buy the print editions and plenty of other great Shadow material directly from the publisher, which is always an excellent option. If you’re a fan of The Shadow, I can’t recommend this one highly enough. It’s a great book and one of the best I’ve read so far this year.

Movies I've Missed Until Now: Colette (2018)

It’ll come as no surprise to any of you that I haven’t read anything by the famous French author Colette, and I knew very little about her life. But I enjoy period dramas and I like Keira Knightley okay, so we watched COLETTE, a biopic with Knightley playing the title role. I was a little surprised by it, too, and wound up enjoying it more than I expected for one reason: it’s about ghostwriting.

You see, I had no idea that Colette’s first novels were actually ghost jobs published under her husband’s name, or rather, his pen-name Willy. As the character (played by Dominic West) says several times during the film, Willy is a brand, and it doesn’t matter who actually writes the books as long as they get written. That line really resonates with me, of course, as do the bits about trying to wrestle money that’s due out of publishers and obsessing over the number of pages and the time spent writing. I’m here to tell you, all that stuff really rings true in this movie. I’ve been in those positions many times.

Over and above that, COLETTE is a well-made, well-acted movie that’s long and leisurely but never seemed to drag much. I have no idea how historically accurate it is. I was curious enough after watching it to look up the real Colette and was surprised to find that she didn’t die until 1954, which means I was alive at the same time as her. Things like that always interest me, like knowing that when my parents were born, both Wyatt Earp and Bat Masterson were still alive. In some ways, history is more recent than we think.

Review: Run of the Brush - William MacLeod Raine

Young cowboy Jim Delaney finds himself falling in with some bad company in the brush country between San Antonio and the Rio Grande. He’s not exactly an owlhoot and a rustler yet, but he’s drifting in that direction. Then he rides into San Antonio to see the elephant (a cowboy term for having some new experiences, for those of you unfamiliar with the term) and winds up rescuing a beautiful girl from the clutches of an evil gambler and saloonkeeper. This lands Jim right in the middle of a deadly feud between the Gliddens, an outlaw family, and upstanding cattleman Pike Corcoran and his family and friends. Jim will have to figure out which side of the trail he’s going to ride.

That pretty much sums up the plot of RUN OF THE BRUSH, a 1936 Western novel by William MacLeod Raine, one of the early stars in the genre who continued writing Westerns until his death in 1954. This novel was serialized in SHORT STORIES in January and February 1936 before being published in hardcover by Houghton Mifflin. That's my copy of the Seventies paperback and the edition I read in the scan above.

Born in England but raised from the age of 10 in the western United States, Raine published more than 80 novels, most of them Westerns with a few historical and contemporary novels mixed in. I’ve read maybe half a dozen of his books and enjoyed them, although with some reservations. RUN OF THE BRUSH, from just past the halfway point in his career, continues that streak.

Raine’s novels often contain characters and incidents loosely based on history. The reformed outlaw King Cooper in this novel is pretty clearly based on the historical character King Fisher, but Cooper’s involvement in the plot is strictly fictional. The notion of a feud with numerous deaths on both sides is common in Texas history, of course. I don’t know if the conflict between the Gliddens and Corcorans in this book is based on a specific feud, but it certainly has an air of authenticity about it, as do the ways Raine’s characters speak and act. The man knew the West, there’s no doubt about that.

However, despite the fact that there are some great action scenes in this book (the final battle verges on epic but doesn’t quite get there), there are long stretches that are very leisurely paced. Well-written, amusing at times, with good characters, but slow to get through. There’s also a romantic triangle, and I’ll just go ahead and say it, Jim Delaney picks the wrong girl. Another thing that bothered me is that Jim is also known as Slim, and one of the main villains is named Sim. That’s not very good character-naming.

So overall, there’s enough to like about this novel that I’m glad I read it, and if you don’t mind a Western yarn that takes its time about getting where it’s going, I’d recommend it and anything else written by William MacLeod Raine. I’ll probably continue reading one of his books every now and then. I don’t think he’ll ever be one of my favorite Western authors, though.

Sunday Morning Bonus Pulp: Ten Detective Aces, May 1941

Of course it's a clown causing trouble on the cover of this issue of TEN DETECTIVE ACES. You can't trust those guys! Or maybe he's actually the hero, although I wouldn't bet on that. But you can bet that any cover by Norman Saunders will be dramatic and/or action-packed, and this one certainly is. You've got knives, bullets, and blackjacks! (Hmm, "Knives, Bullets, and Blackjacks!" That wouldn't be a bad title.) Anyway, I don't own this issue, but I'm sure that inside its pages, a reader could find plenty of action. Authors include Emile C. Tepperman (twice, with a Marty Quade story under his own name and a story as by Anthony Clemens), Harold Q. Masur (also twice, once as himself and once as Hal Quincy), G.T. Fleming-Roberts, Cyril Plunkett, Joe Archibald, and several authors unfamiliar to me, James A. Kirch, Arthur T. Harris, Clark Frost, and H.F. Sorensen. I really should have read more from TEN DETECTIVE ACES over the years. It looks like a really good detective pulp.

Saturday Morning Western Pulp: Lariat Story Magazine, November 1931

Although not as common as the iconic trio of stalwart cowboy, gun-totin' redhead, and wounded geezer, or the poker game that erupts in gunplay, or the shootout that takes place inside or in front of a barber shop, there's a scene that shows up on Western pulp covers from time to time featuring some gun-hung hombre standing in front of a wanted poster bearing his name and likeness. The November 1931 issue of LARIAT STORY MAGAZINE features one such cover. I don't know who did the artwork. I tend to prefer the later issues of LARIAT STORY, but these early issues have some good authors in their pages, too. This issue includes stories by Harry F. Olmsted, Stephen Payne, John G. Pearsol, Ray Humphreys, Dabney Otis Collins, and Frank Carl Young. Miles Overholt is mentioned on the cover, but isn't actually in this one, according to the Fictionmags Index. I don't own this issue, but Olmsted, Pearsol, and Payne are always worth reading.

A Rough Edges Rerun Review: Twice Murdered - Laurence Donovan

TWICE MURDERED is another in the outstanding series of pulp reprint collections coming out from Black Dog Books. Laurence Donovan is probably best known for the house-name novels he wrote starring Doc Savage, The Phantom Detective, The Skipper, and The Whisperer, but he also had a long and prolific career producing detective and Western yarns for a variety of pulps. This volume collects a dozen stories published in the Thirties and Forties in the pulps PRIVATE DETECTIVE, SPICY DETECTIVE, HOLLYWOOD DETECTIVE, BLACK BOOK DETECTIVE, and SUPER DETECTIVE, under Donovan’s name and his pseudonym Larry Dunn.

Donovan had three main strengths as a writer: he was able to come up with complex plots, he used interesting settings, and he wrote fast-moving, effective action scenes. Most of the protagonists in these stories are private eyes, and like Roger Torrey’s private eye characters, they share a lot of similarities despite having different names. I think Donovan’s shamuses come across a little more as individuals, though.

All of the stories included here are good solid pulp tales, consistently entertaining. Some of them are stand-outs, though. “Death Dances on Dimes” is set in a dime-a-dance joint, and it’s unusual in that it has a female narrator. There’s something else about her that’s unusual for the pulps, too, but you’ll have to read the story to find out what it is. “The Man Who Came to Die” is about an insurance racket and manages to be pretty creepy while at the same time packing enough plot and action for a full-length novel into a novelette. “The Greyhound Murders” is another complicated murder mystery with an interesting setting (a dog racing track) and a high body count. “Footprint of Destiny” is about the movie business and features the sort of plot that Dan Turner is usually untangling. I guess Dan was out of town that week.

In addition to the stories, editor/publisher Tom Roberts provides a fine introduction that includes more biographical information about Donovan than I’ve seen anywhere else, as well as an extensive bibliography of Donovan’s work. TWICE MURDERED is an excellent addition to the Black Dog Books line, and if you’re a pulp fan, I highly recommend it.

(This post originally appeared on June 14, 2010. And even though more than 15 years have passed since then, TWICE MURDERED is still available in both e-book and paperback editions, and my high recommendation of it stands.)

Review: Swords of Plunder - Fred Blosser

Fred Blosser is one of my favorite scholars of Robert E. Howard’s life and work. I’ve been enjoying his informative and entertaining articles about REH for decades. As it turns out, when it comes to writing fiction, he’s pretty darned good at spinning yarns himself. The latest thing I’ve read by him is a sword and sorcery novella called SWORDS OF PLUNDER, which is available on Amazon in paperback and e-book editions.

This story finds a barbarian warrior from the north, who’s in command of a pirate ship, coming across two old rivals, a beautiful blond female pirate and a red-bearded brigand who has come close to crossing swords with our hero several times in the past. The barbarian pulls the two of them from the sea, where they’re clinging to some wreckage from a sunken ship. They have an intriguing tale to tell, too, about a fabulous treasure hidden on a lost island, and only the blonde knows how to get there. So the three of them form an uneasy partnership to go after the loot, but of course, when they reach their destination they find more danger waiting for them than they expected.

The barbarian’s name is Cronn, by the way, and I know what you’re thinking. I would have been, too, if I hadn’t happened to know that SWORDS OF PLUNDER is based on unused parts of an outline Blosser wrote for THE SAVAGE SWORD OF CONAN many years ago, during the era in which I first encountered his work. As he explains in a very entertaining and informative afterword to this story, he was writing articles about Robert E. Howard for SSOC when editor Roy Thomas asked him to plot some of the new stories featuring the Cimmerian. This story grew out of one of those outlines, with the serial numbers filed off, as they say.

And it’s a really good yarn, too, no matter what the protagonist is called. Well-written, fast-moving, with plenty of action and some genuinely creepy scenes where our heroes have to face deadly perils in a cave on a lost island. This is pure pulp done the way I like it. I give SWORDS OF PLUNDER a high recommendation and plan to read more by Fred Blosser very soon.

Movies I've Missed Until Now: Cocktail (1988)

There’s no point in talking too much about the plot in this movie since all of you probably saw it more than 35 years ago. But I never did until now, so to sum up very briefly: Tom Cruise plays an ambitious young man who wants to make a million dollars in business but instead winds up a hotshot bartender in New York City. Romance and drama ensue.

A few things struck me about this one. Looking at Tom Cruise in 1988 and looking at him now, it’s obvious he ages at about one-third the rate of a normal human being. Elizabeth Shue sure was cute, even with that big Eighties hair. There’s not a cell phone in sight nor a mention of the Internet, and other than a little nudity and language, this movie could have been made in 1938 instead of 1988. All it would take is a little tweaking of Heywood Gould’s screenplay. And speaking of that screenplay, it has a great line spoken by Bryan Brown, who plays Cruise’s bartending mentor: “All things end badly, otherwise they wouldn’t end.” That’s a pretty noirish line.

Overall, I enjoyed COCKTAIL quite a bit. It’s old-fashioned, just a story meant to entertain and hold your interest without much, if any, message. And I was entertained.

Review: Death in a Lighthouse - Edward Ronns (Edward S. Aarons)

Back in the Sixties, I was a big fan of the Sam Durrell/Assignment series of espionage novels by Edward S. Aarons. I read most of them until the series ended with Aarons’ death in the mid-Seventies. (There were some ghosted books after Aarons passed away, but I never read any of them as far as I recall.) Over the years I’ve also read stand-alone mystery and suspense novels of his published by Gold Medal and other publishers. He was a very solid author, always entertaining.

I didn’t figure I’d ever read his earliest novels, though, since they were fairly obscure. Published by lending library publisher Phoenix Press under the pseudonym Edward Ronns, they’re fairly hard to come by. But then wouldn’t you know it, the fine folks at Stark House have reprinted Aarons’ first two novels, DEATH IN A LIGHTHOUSE and MURDER MONEY. I’ve just read DEATH IN A LIGHTHOUSE and found it something of a surprise.

The Sam Durrell novels and Aarons’ later stand-alones aren’t exactly humorless, but they’re pretty straightforward and not exactly a laugh a minute. DEATH IN A LIGHTHOUSE, though, has a frantic, almost screwball quality to it, especially in the first half. Journalist Peter Willard wakes up after having amnesia for three years. He quickly discovers that during those years, he lived a dangerous life as a gangster and gunman known as The Deuce. He was part of Aces Spinelli’s mob, a gang that’s actually bossed by a masked criminal mastermind known as The Cowl. Now, with his memory back, Willard is a danger to The Cowl and his men, so they’re out to get him. There are also a couple of beautiful women involved, Willard’s former fiancée who is now engaged to his ne’er-do-well brother, and a redhead who’s a stranger to him but who seems to have been involved with The Deuce. Aarons piles on the shootouts, double-crosses, captures, and escapes in a breakneck fashion that’s very reminiscent of the pulps. The first half of this novel easily could be mistaken for a “Book-Length Novel” by, say, Norman A. Daniels that was published in THRILLING DETECTIVE.

Then, so fast it’ll give you whiplash, the scene shifts and DEATH IN A LIGHTHOUSE becomes an Impossible Crime/English Country House novel, only instead of an English Country House, a seemingly impossible murder takes place at an estate on the New Jersey coast that has an abandoned lighthouse on it. And darned if Aarons doesn’t do a good job with a very different second half of this book, too. The Cowl is still around, by the way, but by the end of the novel he reminds me more of an Edgar Wallace villain than a pulp mastermind.

So, basically, what you’ve got here is a bit of a kitchen sink book as Aarons throws in plenty of colorful characters and bizarre twists and tone shifts and somehow makes the whole thing work as a coherent whole. If you’ve never read Aarons before, don’t think this novel is typical of his later career, but you can still read it with great enjoyment. If you’re already an Aarons fan, DEATH IN A LIGHTHOUSE may make you scratch your head a little in surprise, but that won’t keep you from having a fine time reading it. I certainly did, and I’ve been reading the guy’s books for 60 years now. The DEATH IN A LIGHTHOUSE/MURDER MONEY double volume is available from Amazon in e-book and trade paperback editions. I hope to get to the other half of it in the near future.

Sunday Morning Bonus Pulp: Railroad Stories, May 1935

Emmett Watson provides a dramatic cover for this issue of RAILROAD STORIES. Inside are stories by E.S. Dellinger, the star author of RAILROAD STORIES, as well as John A. Thompson (who wrote as The Engine Picture Kid), Earle Davis, and Searle B. Faires, who got the cover story. Faires is a mystery to me. He published half a dozen stories in 1933-35, all of them in RAILROAD STORIES, and that's the extent of his career. I'm always curious about writers like that who appear to be on the verge of success but then disappear. It's possible that he died, of course, or just stopped writing for some other reason. But the mystery always intrigues me.

Saturday Morning Western Pulp: Wild West Weekly, December 12, 1936

This is a pulp that I own and read recently. That’s my copy in the scan, complete with tape around the edges applied by some previous owner. The cover art is by Albin Henning, who appears to have done more interior illustrations for the pulps and the slicks than he did covers. I think this one is okay, but I don’t like it as well as the covers by R.G. Harris and H.W. Scott, who did most of the WILD WEST WEEKLY covers during the Thirties and Forties.

The lead novelette in this issue is “Long-rider’s Loot” by William A. Todd, a house-name used on the Risky McKee series by Norman W. Hay. Hay wrote hundreds of stories for WILD WEST WEEKLY under half a dozen pseudonyms and house-names, including approximately three dozen about a young rancher in Arizona named Risky McKee, who raises and trains horses. This is the first Risky McKee story I’ve read. In it, a drug-addicted outlaw named Hypo Crawley (great name) escapes from prison and tries to recover the loot from a bank robbery he hid several years earlier. Crawley double-crossed his gang and stole the money from them, so they’re after it, too, and hope he’ll lead them to it. Risky finds himself in the middle of all this, assisted by his sidekick Sufferin’ Joe, a hypochondriac old codger always complaining about one ailment or another acting like he has one foot in the grave. This is a pretty decent, if standard plot, and Hay throws in a couple of nice twists in before the end. There’s a great line that put a smile on my face: “He’s so crooked he could hide behind a corkscrew.” Sufferin’ Joe is a good character, too, definitely comedy relief but also tough and competent when he needs to be. The only real problem about this story is Risky himself, who is such a bland and shallow character that he’s barely there on the page. I don’t know if he comes off better in the other stories—I’d certainly read more of them because I like Hay’s writing overall—but he keeps this yarn from being anything more than average.

Hay is also the author of the second story in this issue, a stand-alone called “Six-gun Wages” published under the house-name Philip F. Deere. This is a much better story about a young cowboy who discovers a rustling operation along the border between Arizona and Mexico. It’s a well-written tale and one of the characters who seems like a villain turns out not to be, which is always a nice twist. I enjoyed this one quite a bit. As I said, I like Norman W. Hay’s work. As far as I can tell, he published only a handful of stories under his own name, and maybe that’s the way he wanted it, but I think that’s kind of a shame. I wish he’d written some Western novels.

J. Allan Dunn wrote more than 150 stories about Texas Ranger Bud Jones for WILD WEST WEEKLY. I’ve read only one other one before now, and I liked it fairly well with a few reservations. The Bud Jones yarn in this issue is called “Hide-out” and opens with a gang of desperate outlaws fleeing with the loot from a bank robbery they’ve pulled. Bud is the Ranger who sets out to track them down, but he seems stymied when their trail mysteriously disappears, until he figures out the clever trick they’ve pulled. No reservations on this one. It’s a solid, well-plotted yarn with a great showdown at the end.  By the way, has anyone ever tried to figure out how much Dunn wrote? His total wordage has to be right up there with Frederick Faust, H. Bedford-Jones, and Erle Stanley Gardner.

Lee Bond wrote two long-running series about good guy outlaws and the lawmen who dogged pursue them, the Long Sam Littlejohn series that ran for some 50 stories in TEXAS RANGERS and the Oklahoma Kid series in WILD WEST WEEKLY which was even more popular, lasting for approximately 70 stories. “Boot Hill Gamble” is the Oklahoma Kid novelette in this issue, and it finds the Kid (whose real name is Jack Reese, but that’s hardly ever used) on the trail of some outlaws who held up a stage, murdered the driver and guard, and got away with $30,000 in gold bars. The Kid is blamed for this crime, and the only way to clear his name is to round up the real culprits. This is a very standard plot, as usual for Bond, but he does a good job with it and includes plenty of well-written action, which is his strong suit. I like the Long Sam yarns considerably more than the ones featuring the Oklahoma Kid, but Bond’s work is nearly always worth reading although it seldom rises to the top rank of Western pulp fiction.

Claude Rister wrote more than a hundred stories for the pulps, mostly Westerns but with some detective, adventure, and aviation yarns mixed in. He also wrote a number of Western novels under the pseudonym Buck Billings. His story in this issue, “Outlaw Option”, is about a cowboy who’s had a bit of a shady past coming to the aid of an old-timer who’s about to be finagled out of his ranch by a slick gambler. In order to do that, the protagonist enlists the help of several other former owlhoots. There’s nothing special about the plot in this one, but Rister writes well and isn’t as heavy-handed with the dialect as some Western pulpsters can be. I’ve enjoyed everything I’ve read by him and need to read more.

There’s also a Texas Triggers novelette by Walker A. Tompkins to round out this issue, but that series was fixed up into a novel called TEXAS TRIGGERS, and since I happen to own that book, I didn’t read the novelette. I’ll get to it when I read the book.

Overall, this isn’t a bad issue of WILD WEST WEEKLY. All the stories are readable and fairly entertaining. But it’s not an outstanding issue, either. It's about as average as you can get with a Western pulp. Fortunately, with WILD WEST WEEKLY, that means it’s enjoyable enough to be worth reading if you have a copy.

A Rough Edges Rerun Review: Lawless Guns - Dudley Dean (Dudley Dean McGaughey)

The protagonist of this novel, Chase Iverton, has chosen a tough path for himself. Following the Civil War, Chase, a Texan who fought for the Union, returns to his ranch in the Big Bend county of West Texas, finds himself surrounded by former friends who now despise him as a turncoat, and makes things even worse for himself by marrying the daughter of his late father’s worst enemy. It’s no wonder that as the novel opens, a mob wants to tar and feather Chase. That’s hardly the worst thing that happens to him before LAWLESS GUNS is over, though.

Dudley Dean (real name Dudley Dean McGaughey, who also wrote Westerns as Dean Owen, Bret Sanders, and assorted other pen-names) was one of those authors who really liked to torment his heroes. This book is no different, as Chase Iverton has to deal with rustlers, Mexican revolutionaries, and a wife he may or may not be able to trust. McGaughey piles troubles on his head until it seems impossible for Chase to overcome the odds against him, but somehow, he’s tough enough to do so, even though he’s hardly the superheroic figure you find in some Western novels. McGaughey also throws in a plot twist or two that I wasn’t expecting.

McGaughey belongs in the same group of hardboiled Western authors who came to prominence in the genre in the Forties and Fifties: Lewis B. Patten, H.A. De Rosso, Giles Lutz, and William Heuman, to name a few. He could be as gritty as any of them, and the climax of this novel is pretty dark and harrowing, especially for a book published in 1959. There’s very little heroic about it, but it sure is effective.

I really admire McGaughey. For more than thirty years, he worked steadily in the paperback field, in addition to his Westerns turning out hardboiled mysteries as Dudley Dean, Owen Dudley, and Hodge Evens, plus the occasional movie novelization, TV tie-in, or hardboiled sleaze novel. If you haven’t read his work, LAWLESS GUNS would be as good a place to start as any, but really, I’ve never read a book under his various pseudonyms that I didn’t enjoy.

(This post originally appeared on June 4, 2010. McGaughey remains one of my favorite hardboiled Western authors.)

Western Webcomic: The Ranger and the Spectacular Steed - Luke Varner

I've recently discovered this new webcomic that mixes Westerns, steampunk, and horror. Written and drawn by Luke Varner, it's a lot of fun and I'm enjoying reading it. It's available on Instagram, and you can find it here. Here are a couple of early Sunday strips you should be able to click on to read.

Review: The Case of the Terrified Typist - Erle Stanley Gardner

Any time I feel like a reading funk might be coming on, a Perry Mason novel is a sure-fire way of nipping it in the bud. THE CASE OF THE TERRIFIED TYPIST was published originally by William Morrow in 1956 and has been reprinted in paperback many times since then, like most of the Perry Mason novels. It’s currently available in e-book and paperback editions from Amazon.

In this one, Mason needs to hire a temporary typist to type up a legal brief in a hurry. His secretary Della Street calls the temp agency and tells them to send a girl right over. So, when a young woman shows up at Mason’s office a short time later, everybody assumes she’s the typist. She’s actually really good at it, too. But the reader is going to figure out right away that she’s not really the one sent by the temp agency, and she’s actually there because she’s mixed up in a complicated criminal conspiracy involving smuggled diamonds, an apparent suicide, a lobotomized mental patient, several beautiful women, and an alleged murder even though the victim’s body has been lost at sea.

If you like the courtroom scenes in the Perry Mason novels—and who doesn’t?—this novel is a veritable feast. Except for a few short interludes, the entire second half of the book is a series of one crackling courtroom scene after another as Mason, with the help of Della Street and private detective Paul Drake, untangles the whole thing and exposes the real killer.

I’m not sure Erle Stanley Gardner nails down the plot quite as well as he usually does. There’s at least one hole that’s not really resolved. But Gardner does spring a surprise that’s never occurred in the series up to this point, then neatly uses it to turn everything on its head. Anyway, I’ve long since reached the point where I stopped reading these books for the plots. The plots are just an excuse to watch Mason at work and enjoy the fast-paced prose and the occasional bursts of humor. Plus the friendship between Perry, Della, and Paul is one of the most appealing in fiction. THE CASE OF THE TERRIFIED TYPIST isn’t one of the best Perry Mason novels, but did I race right through it and have a very good time reading it? You bet I did.