I’ve been a big fan of Cary Grant’s movies for a long time, but there are some I’ve just never gotten around to watching. I’m not sure how I missed THE BACHELOR AND THE BOBBY-SOXER, from 1947, since it ran endlessly on TV when I was a kid, but I’ve seen it now. Probably most of you have, too, so bear with me.
Grant plays Richard Nugent, a famous painter who’s also something of a ladies’
man. After a nightclub brawl, he comes up in front of Judge Margaret Turner
(Myrna Loy, who will always be Nora Charles to me), who lets all the
participants go with a warning not to get into any more trouble, especially
Nugent. Later, he gives a lecture on art at the high school where Judge
Turner’s younger sister Susan (Shirley Temple, no longer a child star but a cute
19-year-old in real life) is a student. Susan falls in love with Nugent, sneaks
into his apartment, and is caught there with him the next morning by her sister
and the assistant district attorney (Rudy Vallee, of all people). Nothing
happened, but the impropriety of the situation lands Nugent in trouble, as does
the punch he lands on the ADA’s jaw. After that, the court psychiatrist, who
happens to be the uncle of the Turner sisters and is played by Ray Collins, who
will always be Lt. Tragg from PERRY MASON as far as I’m concerned, hatches the
crazy scheme of having Nugent pretend to date Susan so that she’ll grow tired
of him naturally and realize he’s much too old for her.
If you’ve followed all that convoluted set-up so far, you’ll know that it’s all
just a flimsy excuse for Grant to act like a teenager, spouting slang and
driving a jalopy and being his usual charming but flustered self. It’s a
well-worn bit, but let’s face it, nobody was ever better at it than Cary Grant.
And there are no bonus points for anticipating that a real romance will develop
between Grant and Loy, who admittedly have some pretty darned good screen
chemistry together.
The cast is top-notch, no doubt about that. I think the director, Irving Reis,
could have kept things moving at a bit faster pace at times. This movie was
written by Sidney Sheldon, long before he created I DREAM OF JEANNIE and became
a best-selling novelist, and it won the 1947 Academy Award for Best Original
Screenplay. I didn’t think this was my idea of an award-winning script at all.
It’s consistently pleasant, mildly amusing now and then, but not all that funny
and the cast has to work hard to achieve the laughs they do. Don’t get me
wrong. THE BACHELOR AND THE BOBBY-SOXER is not a bad film. I enjoyed it and am
glad I finally watched it. But I don’t think it lives up to its reputation.
2 comments:
And I always thought it wasn't helped by the terrible title.
Cary Grant, like Robert Mitchum, was good in everything he ever did. Grant, also like Mitchum, really wasn't in all that many great movies. Maybe they needed Jimmy Stewart to manage them.
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