I hadn’t read a Lewis B. Patten Western in a while, and when my buddy Pete Brandvold picked up a copy of this one, which I’d never even heard of, I figured it was a sign I should get my hands on a copy of my own and read it. That turned out to be a good decision.
FLAME IN THE WEST was published as a paperback original by Berkley Medallion in
1962 and reprinted a few years later. I read the second edition, and that’s my
copy in the scan. The cover art has a signature, but I can’t make it out. There
was also a British paperback from Fontana in 1965, but that appears to be it. Online
scans of the original Berkley edition and the Fontana edition are below. I’m
surprised there was never a large print edition, given Patten’s consistent
popularity as a Western writer in the library market.
With that bibliographic stuff out of the way, how’s the book itself, you ask?
Well, pretty darned good. Almost great. We’ll get to why I say “almost”. But it
starts out fantastic with a first-person account of Quantrill’s famous raid on
Lawrence, Kansas, in 1863. The narrator is Matt Leatherman, an orphan who works
for local merchant Eben Sundine. Sundine doesn’t really support the
Confederacy, but he is from the South so the local abolitionists hate him and
have dubbed him a Copperhead. They’ve even vandalized his store by writing that
on the front wall. Quantrill’s raiders see that and don’t destroy Sundine’s
store, but in the aftermath of the violence, the local citizens blame Sundine
for what has happened, so they burn down his store and house, killing his wife
and badly burning his son in the process. An embittered, hate-filled Eben
Sundine takes his son and daughter and heads west to Colorado to start a new
life. Young Matt Leatherman tags along, since he has nothing keeping him in
Lawrence.
Experienced Western readers will have a pretty good idea where the rest of this
novel is going. Sundine, with Matt’s help, becomes a successful rancher after
the war. His badly scarred son becomes a vicious gunman. His daughter grows up
into a beautiful woman and she and Matt fall in love. Sundine battles smaller
ranchers who try to encroach on what he considers his domain. Despite the fact
that FLAME IN THE WEST is fairly short, maybe 45,000 words, Patten achieves a
real epic feel in this novel.
If you’ve read much of Patten’s work, you know it’s well-written, very bleak,
and essentially humorless. If not for the fact that he usually came up with
semi-happy endings, I’d say his books are even darker than H.A. DeRosso’s.
That’s certainly the case in FLAME IN THE WEST, where he piles tragedy after
tragedy and bad decision after bad decision on his characters. Because of that,
I wouldn’t want a steady diet of Patten’s work, but when I’m in the right mood,
it’s very effective.
Where FLAME IN THE WEST is slightly disappointing is in its ending. To be
honest, by that point, Patten has written his characters into such a terrible
corner that I’m not sure it’s even possible to write a satisfying ending to
such a tale. Despite that weakness, this is a very good book and contains some
of Patten’s best writing. Matt Leatherman is a fine narrator/protagonist and
Patten does a good job of capturing his various moral dilemmas. I raced through
this book, reading the whole thing in a day and staying up late to finish it,
which is very unusual for me. If you’re a Patten fan or a fan of traditional
Westerns with a dark edge, it’s well worth reading.
2 comments:
James has long spoke of the darkness of Patten's novels. Back in 2008 I was pleased to incorporate his very pertinent thoughts in an article about "noir" as it could be applied to the Western genre. At that time, James elected the Gold Medal book ROPE LAW to be "the best Patten novel I've read so far". The entire article can be found at www.http://blackhorsewesterns.com/bhe11/
That link I gave doesn't seem to work. Try it as just http://blackhorsewesterns.com/bhe11/
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