In 1933, Erle Stanley Gardner launched the Perry Mason series with the novel THE CASE OF THE VELVET CLAWS, and he was also still a prolific and highly successful pulp author at the time. A year later, under the pseudonym Carleton Kendrake, he published THE CLEW OF THE FORGOTTEN MURDER, which may have been intended as the start of another series featuring freelance criminologist Sidney Griff. Instead, this novel was Griff’s only appearance, probably because Gardner was busy with the Mason novels, his pulp work, and then a few years later the great Donald Lam/Bertha Cool series under the name A.A. Fair. But THE CLUE OF THE FORGOTTEN MURDER, as it was retitled when it was reprinted under Gardner’s name, is a good book on its own.
As is common with these early Erle Stanley Gardner novels, the plot is ridiculously complicated, with all sorts of double identities, impersonations, blackmail, past crimes, phony alibis, gangsters, poisonings, and more. I won’t even attempt to get into the details. Eventually Sidney Griff sorts it all out into at least a semblance of coherence, but I’m still not sure how he figured out everything. I will say, however, that I spotted the vital clue as soon as it was introduced.
This book is from the more hardboiled phase of Gardner’s career and has some nice action in it, including a shootout with a guy standing on the running board of a speeding car and blasting away. You gotta love that stuff, or at least I do. There’s also quite a bit of humor and snappy patter, and of course the usual rapid-fire pacing. The early Gardner novels are nice snapshots of their era. Reading them is like watching a good 1930s B-movie. If you’re in that sort of mood, they’re great entertainment, and THE CLUE OF THE FORGOTTEN MURDER definitely falls into that category. Here’s the opening paragraph, which I really like:
Crime sifted into police headquarters and then seeped down into the press room in the basement with the unfailing regularity of dirty water draining through the waste pipe of a bathtub.
I couldn’t find a scan of the original edition, but like most Gardner novels, there were numerous paperback reprints which can still be picked up fairly inexpensively.
9 comments:
I admire Erle Stanley Gardner's versatility and productivity. He's an underrated writer.
I lived in a house with few books but ESG was one writer on my mother's shelves.
Sounds like one I'd like. My favorite Perry Mason novel is the first - where Perry is one hardboiled dude.
It's fascinating that the first cover here is a redrawing of the third cover, which looks like an earlier version. The third cover also kind of looks like Harlequin from the fifties.
You're certainly right about Gardner's early novels being only ridiculously complicated. Gardner was obviously trying out a lot of characters at first,probably to see which ones would stick. His publisher, Morrow was happy for him to writer 3 or 4 novels a years but even so must have known that the market could absorb that many Perry Mason stories.
I love Gardner's Mason novels, don't much like the Lam/Cool books, not even sure why, but this is one I know I'd really enjoy. I agree with Evan on the first one, but I'm reading through the whole series, or those I have, which is about 2/3 of them, and am enjoying them as I go, and it's interesting to see the changes as the series matures.
One comment on this one: I want it. That's the second FFB today I've said that about. And I'm not allowed to buy any book now, due to the move... DRAT. But I have this list...
I didn't notice the similarity between those two covers until Brian pointed it out. The older cover (the one lower in the post) is the dust jacket from a 1942 hardcover reprint by Sun Dial Press. The edition I read was also a hardcover reprint, this one published in 1944 by Blakiston/Triangle.
I agree with Mr. Reasoner: The Clue of the Forgotten Murder is a terrific book, if incredibly complicated in its plotting. (How Erle Stanley Gardner ever mapped out his early, intricate plots--and then produced so many of them--is beyond me.) I'm sorry that this novel marks the only appearance of criminologist Sidney Griff; he was a quirky yet enjoyable figure. However, if giving up Griff in order to find time to write the Lam and Cool series is what Gardner had to do, then he definitely made the right call.
Cheers,
Jeff
I have a copy from the first Pocket Book printing (1947) with the cover of the first illustration here. I agree it was overly complicated but I still liked it. I read my first Perry Mason novel in 1970 (!) but this is the first ESG non-Mason novel I've read (I have read some of the Ken Corning short stories). I only have three Perry Mason novels/stories left to read plus the two Chastain novels although I have re-read many of the Mason novels. I do have a question concerning the original title with the word "clew." Was this a common spelling in the 1930s? I noticed the word clue popped up in the novel a few times. Were they originally spelled clew there as well? In chapter six the spelling clew pops up in my copy in the sentence "Can we get any clews from what he was working on?"
I've seen "clew" quite a bit in the original editions of mysteries first published before 1940, although it's most common in the early years of the Twentieth Century. I don't know if the word "clue" in the text of this one was spelled that way in the first edition, but it wouldn't surprise me at all. The one occasion it's used in the 1947 edition may just be a case of one that slipped past an editor and didn't get changed.
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