(This post originally appeared in somewhat different form on May 21, 2008.)
To the people of Jasper Valley, that’s a good description of The Streak, who quickly becomes a legend when he first arrives in the valley, interrupting a hold-up and sending seven outlaws fleeing for their lives.
The reader knows, though, even if the citizens of Jasper Valley don’t, that The Streak is really just easy-going cowboy Blondy Torrance, and his outlaw-taming is nothing more than luck and exaggeration by those who witness it. Likewise with his taming of the wild stallion Rocket. The Streak is a typical Faust hero on the surface, but a sham underneath. The fact that Faust sets this novel in contemporary (to him) times, with automobiles, telephones, and phonographs, provides even more contrast between the mythological Old West that Faust mined for so much of his fiction and the reality of a developing West where the real estate speculator was rapidly replacing the rancher. In the end, THE STREAK is as much a hardboiled mystery as it is a Western, as two of Blondy’s cowpoke friends try to solve a murder for which The Streak is blamed.
Despite the satirical overtones, there’s plenty of action in this book. Blondy eventually does find something of a heroic nature inside him. No modern reader will be surprised by that, or by the identity of the murderer, who seems pretty obvious from the first. But this is still one of the best Faust novels I’ve read, with some keen observations on the nature of legends versus reality and some fine dialogue. Faust wrote like no one else ever did, and most of his strengths are on display here.