This is a well-made, perfectly fine film, but what's the damn point in remaking a movie that's only ten years old? Does Hollywood think the public's attention span is that short? Well, actually, they may have a point about that . . .
So, taken for what it is, THE AMAZING SPIDER-MAN has its good points and its not-so-good. As usual with comic book movies, it takes characters and plot points from years of continuity and crams them together in an arbitrary fashion to come up with a story. Movies like this always turn me into Comic Book Guy from THE SIMPSONS, as I sit there mentally grousing about this change and that change and that other thing they got totally wrong.
However, this new version gets some things right that the 2002 movie got wrong, primarily giving Spidey web-shooters instead of making his web-spinning a natural ability. A lot of the shots are very Ditko-esque, enough so that I think it had to be deliberate. They get the feeling of the early issues right part of the time, anyway.
Why, though, do you take somebody like Emma Stone, who would have made an excellent Mary Jane Watson, and cast her as Gwen Stacy instead? And I would have liked to see a nod to the other Marvel movies, as well. I mean, Spidey met the Fantastic Four in the very first issue of his own title, after making his debut in AMAZING FANTASY #15. He's always been part of the Marvel Universe. Why not acknowledge that?
Sequels are clearly intended. If they get made, I'm sure I'll watch them, since I found enough to like in this one to keep me interested. What I'd really like to see, though, is a comic book movie that stays faithful to its source material.
Toy Soldier Saturday: MARX 60mm CAVALRY
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