Showing posts with label Darrell Jordan. Show all posts
Showing posts with label Darrell Jordan. Show all posts

Sunday, April 19, 2026

Sunday Morning Bonus Pulp: Gold Seal Detective, January 1936


I don't know if the cover painting by Rafael DeSoto on this issue of GOLD SEAL DETECTIVE was meant to illustrate the story "Rough-'Em-Up Radigan", but if it wasn't, it should have been! This is actually the first of five novelettes starring Rough-'Em-Up Radigan by Clark Aiken, who was really the great pulpster Frederick C. Davis. I've suggested before that we need a reprint volume called THE COMPLETE ADVENTURES OF ROUGH-'EM-UP RADIGAN, and I stand by that. Also in this issue are stories by Norman A. Daniels (once as himself and once as by David M. Norman), Paul Chadwick, Frederick C. Painton, Tom Roan, and Darrell Jordan. If you want to check out this issue, it's available on the Internet Archive. I've downloaded it myself, and I hope I get around to reading it in the relatively near future.

Saturday, February 14, 2026

Saturday Morning Western Pulp: All Western Magazine, February 1937


This is a pulp that I own and read recently. That’s my copy in the scan. Although there’s no cover credit on the TOC page and it’s unattributed on the Fictionmags Index, I suspect it’s the work of Arthur Mitchell. It looks like one of his paintings, and he did a lot of covers for ALL WESTERN MAGAZINE during this period.

The lead novella, “Gun Smoke on the Pecos”, is the third and final story in the Roaming Reynolds series by Charles M. Martin. I haven’t read the first one, but I read the second one a while back and liked it fairly well. In this story, Roaming Reynolds and Texas Joe, a pair of drifting cowboys/gunfighters/adventurers, return to their home country in West Texas and immediately find themselves mixed up in a range war. The plot is very much by-the-numbers, right down to the rancher the boys are working for having a beautiful daughter, and Martin’s heavy-handed pulp cowboy lingo and narrative style wear thin pretty quickly. If I’m being honest, and I try to be here, this is a rather mediocre story. And yet . . . the numerous action scenes work really well, the setting rings true, and Martin does a good job of playing up the epic, mythological clashes between Roaming Reynolds and the evil gunfighter on the other side. When they face off at the end, I could hear Ennio Morricone music welling up inside my head. So this novella has that going for it, anyway, and ultimately, that was enough for me, but you might feel differently.

Harry F. Olmsted is one of my favorite Western pulp authors. His story “Headboard Tally” in this issue packs quite a bit of plot in a few thousand words. It’s a revenge yarn, as a cowboy tries to track down the four men responsible for lynching his brother, but as it opens, he’s already killed three of the four and doesn’t know the identity of the final man. He finds out in what turns out to be a pretty far-fetched coincidence, but Olmsted writes well enough I’ll cut him that much slack. For a story that’s mostly bleak and dark, this one turns out to have a heartwarming element to it, as well. It worked for me, and I enjoyed it quite a bit.

James P. Olsen, who also wrote a lot for the pulps as James A. Lawson, was a consistently good author, with many stories that tend toward over-the-top action. For that reason, “Malachi Murphy—Cowboy” is something of an oddity among Olsen’s work in that it’s a quiet little slice-of-life story about an old cowboy spending the winter at an isolated high country line camp. Not much happens, but it’s well-written and the title character is an interesting one.

I’ve read quite a few stories over the years by Hapsburg Liebe, real name Charles Haven Liebe. While his work is usually enjoyable, I’ve never considered myself a fan of his stories. “Bullet” is about a teenage boy whose father is an outlaw. When Bullet’s pa and another owlhoot rob a bank and are caught, it’s up to Bullet to save them from being lynched. This is a well-written, cleverly plotted story, one of the best from Liebe that I’ve read.

Darrell Jordan is best remembered for almost a hundred stories he wrote for the aviation and air war pulps, but he also turned out a few detective and Western yarns, including the novelette “Range War Nemesis” in this issue. The protagonist, young cowboy Brad Bannon, wants to repay the man who grubstaked his father twenty years earlier, but that effort lands Brad in the middle of a range war, and the fact that he’s a dead ringer for a notorious gunman complicates the issue. This isn’t a bad story and there are some nice action scenes, but the plot is pretty muddled and hard to keep up with. I don’t recall ever reading anything by Jordan before. I ought to try one of his aviation stories.

Sam H. Nickels wrote the long-running Hungry and Rusty series in WILD WEST WEEKLY as well as a lot of stand-alone stories under his own name and various house-names. His stories appeared outside of the pages of WILD WEST WEEKLY from time to time, too, as in this issue with “When the Sheriff Lied”. This is a pretty good action yarn with a protagonist who pretends to be an outlaw and winds up saving a lawman’s life. The reason behind the deception isn’t very surprising, but the story works effectively.

Ralph Condon was a life-long newspaperman who wrote several dozen stories for various Western pulps in the Thirties and Forties. “Red Trail” is about a cowboy and his grizzled old sidekick trying to track down a herd of stolen horses. It’s almost all action and fairly well-written, nothing special but entertaining enough.

There’s also a story by S. Omar Barker in his Boosty Peckleberry series, and that’s another one I don’t read. Just not a fan of humorous tall tales, I guess.

Overall, this is probably the weakest issue of ALL WESTERN MAGAZINE I’ve read, with most of the stories falling into the readable but unmemorable range. The ones by Olmsted and Olsen are the best, but I wouldn’t put either in the top rank of those authors’ work. I believe I’ve now read all the issues of ALL WESTERN that I own and I probably won’t seek out any more.

Sunday, February 08, 2026

Sunday Morning Bonus Pulp: Dare-Devil Aces, July 1937


Man, Frederick Blakeslee could really pack a lot into an air-war pulp cover! Nine planes (assuming I didn't miss any), plus a bunch of ack-ack bursts in the air and bombs going off on the ground. I think this scene does a great job of conveying the controlled chaos of aerial combat in World War I. Inside, this issue features three authors I associate more with Westerns: Orlando Rigoni, Claude Rister, and William O'Sullivan. Also on hand are aviation pulp stalwarts Robert Sidney Bowen and Darrell Jordan, house-names William Hartley and Larry Jones, and Fred Flabb, which I suspect is this little-published author's real name, because it doesn't sound like what you'd come up with as a pseudonym.

Sunday, September 01, 2019

Sunday Morning Bonus Pulp: Gold Seal Detective, April 1936


That's a pretty brutal cover on this issue of GOLD SEAL DETECTIVE, a short-lived pulp that appears to have featured mostly stories about G-Men. The lead novella is part of the Rough 'Em Up Radigan series by "Clark Aiken", who was really Frederick C. Davis, so you know it's got to be pretty good. With five of these novellas running in GOLD SEAL DETECTIVE, I wonder if the series would be a good candidate for reprinting. I don't know about you, but I'd buy THE COMPLETE ADVENTURES OF ROUGH 'EM UP RADIGAN. Norman A. Daniels is also on hand in this issue, twice, in fact, once as himself and once as David A. Norman. James Perley Hughes and Darrell Jordan are the best-known names among the other authors, and they're best remembered for their work in the aviation pulps. But I think this issue would be worth reading just for Davis and Daniels.