Showing posts with label Barry Cord. Show all posts
Showing posts with label Barry Cord. Show all posts

Saturday, March 08, 2025

Saturday Morning Western Pulp: Famous Western, Summer 1942


I don't own this issue of FAMOUS WESTERN, so I haven't read it. But I like the cover, which is credited on the Fictionmags Index to someone named Cooper, who did only a couple of pulp covers and a few interior illustrations. It has a nice dramatic look to it, though, and I like the color scheme. Inside are stories by Barry Cord (Peter Germano), Archie Joscelyn, Lee Floren, Zachary Strong (who was usually E.B. Mann), and lesser-known names Costa Carousso, Carleton Carr, and Steve Lynch. Maybe not the strongest lineup, but Germano, Mann, and Joscelyn are always worth reading, and Floren sometimes is. Don't know about the other guys. 

Saturday, July 08, 2023

Saturday Morning Western Pulp: Fifteen Western Tales, April 1948


There's a lot going on in this cover by Sam Cherry, more than you might realize at first glance. We have our stalwart hero in a red shirt . . . or is he a hero? He's clearly been wearing the mask that just fell down around his neck, and there's a bag of stolen bank loot lying beside him. He's been lassoed, his horse is running away in the background, and there's a guy on the porch behind him probably shooting at him. He must have been trying to make his getaway after robbing the bank when somebody dabbed a loop on him. But that's a Lone Ranger/Masked Rider type of mask, not a bank robber mask. So I don't really know what's going on, but it's a good cover anyway, as you'd expect from Sam Cherry. Inside this issue of FIFTEEN WESTERN TALES are stories by Wayne D. Overholser, Clifton Adams, Barry Cord (Peter Germano), Talmage Powell, Joe Archibald, Thomas Calvert McClary, Kenneth Fowler, Wallace Umphrey, and the obscure Ruland Waltner. FIFTEEN WESTERN TALES included features and articles in that count, so there are actually only nine pieces of fiction in this issue, but they look like pretty good stories.

Saturday, September 03, 2022

Saturday Morning Western Pulp: Mammoth Western, October 1950


Robert Gibson Jones is probably best known for his covers on the Ziff-Davis pulp FANTASTIC ADVENTURES, but he did quite a few covers for Z-D's MAMMOTH WESTERN, as well, including this one which I like quite a bit. I'll always be fond of gun-totin' redheads, and this one is in an intriguing situation. "Robert Eggert Lee", author of the lead story "This Grave for Hire" (a nice title) was actually Ziff-Davis stalwart Paul W. Fairman. Also on hand in this issue are John Reese. writing as John Jo Carpenter, John Prescott, and Peter Germano writing as Barry Cord. Those are the Western writers of note in this issue, although there's also a story (and I'm sure a good one) by William P. McGivern, and yarns by the likes of Frances M. Deegan, Karl Kasky, and Larry Becker.   

Saturday, February 12, 2022

Saturday Morning Western Pulp: .44 Western Magazine, September 1944


I always think of Sam Cherry as doing covers for the various Thrilling Group Western pulps, but he did quite a few for Popular Publications as well, including this one on the September 1944 issue of .44 WESTERN MAGAZINE featuring a dynamic action scene. This particular issue doesn't have an abundance of familiar names inside. Barry Cord (Peter Germano), Frank C. Robertson, and John A. Saxon are the best known. The other authors, who had decent careers but are pretty much forgotten, are James Shaffer, Le Roy Boyd, Stuart Friedman, and Melvin W. Holt.

Saturday, February 27, 2021

Saturday Morning Western Pulp: Fifteen Western Tales, June 1947


We can add another category to the things we see on Western pulp covers: Injury to a Saddle. This is a really nice, dynamic cover on this issue of FIFTEEN WESTERN TALES. And as was common with the Popular Publications Western pulps, a strong group of authors with stories inside, as well. In this case, Peter Dawson (Jonathan Glidden), William Heuman, Walker A. Tompkins, William R. Cox (twice, once as himself and once as house-name David Crewe), Joe Archibald, Barry Cord (Peter Germano), T.C. McClary, the mysterious Frank Morris, Wallace Umphrey, James Shaffer, and house-name Lance Kermit. A very entertaining issue, I suspect.

Saturday, October 03, 2020

Saturday Morning Western Pulp: New Western, September 1940


I feel like I ought to know who painted the cover on this issue of NEW WESTERN. The hat on the cowboy with the red bandanna looks awfully familiar. I kind of want to say Walter Baumhofer, but I don't really think that's right. Anyway . . . There are some popular, prolific writers in this issue: Barry Cord (Peter Germano), James P. Olsen, John G. Pearsol, Rolland Lynch, Lee Floren, and Glenn H. Wichman, along with Marian O'Hearn, who appeared most often in RANCH ROMANCES and the other Western romance pulps. 

Saturday, December 15, 2018

Saturday Morning Western Pulp: Ace-High Western Stories, September 1941


I don't think the art is great on this issue of ACE-HIGH WESTERN STORIES, but the scene has a really dynamic feel to it that I like. And since this is a Popular Publications pulp, you know there'll be some good authors inside and some memorable story titles (most of them come up with by the editor, no doubt). The authors in this issue include Ed Earl Repp, Barry Cord (Peter Germano), Gunnison Steele (Bennie Gardner), Jim Kjelgaard (of juvenile dog novel fame; one of my favorite writers when I was a kid), Rolland Lynch, Dabney Otis Collins, Ralph Berard (Victor White), and Jack Bloodhart. As for titles, you've got "Steel Tracks Through Hell", "The Gun-Cub's Turn to Howl", and "That Die-Hard Texan!", among others. I'd read those.

Friday, May 04, 2018

Forgotten Books: Hell in Paradise Valley - Barry Cord (Peter Germano)


As I’ve mentioned numerous times in the past, Peter Germano, who wrote mostly under the pseudonym Barry Cord, was one of the most dependable authors of traditional Westerns. An Ace Double paperback original from 1972, HELL IN PARADISE VALLEY is on the other side of Ray Hogan’s THE NIGHT HELL’S CORNERS DIED, which I wrote about a while back. I’ve read the Germano novel now and found it equally enjoyable.

HELL IN PARADISE VALLEY is a cattlemen vs. sheepherders book, but with a nice twist in that it’s a group of Texas cowboys, led by rugged trail boss Jess Riley, that gets tricked into agreeing to deliver a herd of sheep to Paradise Valley. A plot like this could easily be played for comedy, but in Germano’s hands it’s a tough, hardboiled action yarn. He throws in some other twists, too, such as not all the characters turning out like they appear to be at first, as well as danger from the past for some of them. He doesn’t try to cram too much into the book’s relatively short length, though. The way this book is plotted and structured, right down to the final shoot-outs, reminds me very much of a late Fifties, early Sixties TV Western. It could have been adapted into an episode of RAWHIDE with no trouble at all, although a few things would have had to be changed.

HELL IN PARADISE VALLEY doesn’t break any new ground, but it does a very good job of telling a mostly familiar story. If you’re a fan of traditional Westerns, it’s well worth reading.

Saturday, March 31, 2018

Saturday Morning Western Pulp: Real Western, November 1937


Did any stagecoaches in the Western pulps ever get where they were going without being attacked by bad guys? Judging by the covers, the answer is no. Here's more evidence on the cover of the November 1937 issue of REAL WESTERN. The art looks like the work of H.W. Scott to me, but I could be 'way off about that. Inside are stories by Eugene Cunningham, William Patterson White, Jack Bertin, and someone named Frank Cox, who published only a handful of stories in the late Thirties. Jack Bertin has an interesting background. According to the Fictionmags Index, his real name was Giovanni Bertignono. He published several dozen Westerns and a few detective and science fiction stories in the decade between 1928 and 1938. I seem to remember that he was also the uncle of the much more prolific Peter Germano, best remembered under the pseudonym Barry Cord, but I could be wrong about that. There's some connection, though, because Germano is credited with writing two science fiction novels in 1970 that were published under the name Jack Bertin, possibly based on outlines written by Bertignono. I have a copy of at least one of those and ought to read it.

Saturday, March 25, 2017

Saturday Morning Western Pulp: Texas Rangers, March 1956


This is a pulp that I own and read recently. The scan is of my copy, which I try to do when possible.

The Jim Hatfield novel in this issue, "Guns Across the River", was written by Peter Germano under the Jackson Cole house-name. It's a cattleman vs. sheepherders yarn, but Germano puts a lot more plot that that into the story. In fact, there are almost too many characters and too much plot for a novel that runs maybe 40,000 words. Hatfield is sent to Peaceful Valley to stop a bloody range war before it breaks out, but he's barely gotten there when he finds a dead body and then a would-be killer takes a shot at him. There's a weak sheriff, a stubborn deputy, a cattle baron, the cattle baron's two beautiful daughters, a former schoolteacher turned gunslinger, a kidnapped youngster, an old-timer who's supposed to be dead but apparently isn't, a blustering lawyer who seems to have been inspired by W.C. Fields (his name is H. Goldwyn Pepper), and a West Texas winter storm. The action hardly ever slows down for more than a few paragraphs.

Germano was the most hard-boiled and realistic of the Hatfield authors, and he was also capable of the occasional touch of poetry in his work. I was a little worried that he had crammed too much into this story, but he maintained control over the plot and I wound up liking it a great deal. The somewhat bittersweet ending is very effective. Germano rewrote and expanded this into the novel WAR IN PEACEFUL VALLEY, which was published three years later as half of an Ace Double under his usual Barry Cord pseudonym. Texas Ranger Jim Hatfield becomes Deputy U.S. Marshal Matt Vickers, but everything else appears to be pretty much the same. I have this book but haven't read it, and I probably won't, now that I've read and enjoyed the original version.

George Roulston is an author I'm not familiar with. He appears to have published only half a dozen stories in the mid-Fifties. But his story in this issue, "Moment of Violence", is a good one. It's about an ex-convict returning to his home town after serving ten years for a stagecoach robbery in which the driver was killed. It was the convict's partner who actually pulled the trigger, but he never revealed who that was (although it's no secret from the reader). The reactions his return provokes lead to more violence. There's enough plot here for a novel, the sort that Gold Medal published during that era, but Roulston does a good job boiling it down to a short story.

H.G. Ashburn is another author unknown to me who published a few stories in the mid-Fifties. "Miguel's Private Miracle" is about scalphunters who show up at a small mission and try to terrorize the priest in revealing the hiding place of a group of Indian women and children. It's more about the nature of religious faith than anything else, making it a little offbeat for a Western pulp, but it's well-written and I enjoyed it.

The parade of unknown-to-me authors continues with Pat Pfeifer, another whose work appears to be confined to a handful of stories in the mid-Fifties. "Time Enough to Die" is about the showdown between a marshal and two brothers who want to either kill him or run him out of town. The marshal's newly hired deputy is a former friend of one of the brothers, so the lawman doesn't know if he's really facing two enemies, or three. Everything plays out like you'd expect it to, but the writing is good enough that it makes for an enjoyable yarn.

Even more obscure is Cameron Roosevelt, who has only two stories listed in the Fictionmags Index, "Showdown at Jericho" in this issue, and a story in an issue of 2-GUN WESTERN a couple of months later. "Showdown at Jericho" is a revenge tale, with the protagonist tracking down the man who stole both his wife and his money. The inevitable gunfight is resolved in a fairly clever manner, but what sets this story apart is its noirish tone and some excellent writing. This one is good enough that it's hard to believe Roosevelt sold only one other story, which makes me wonder if the name is a pseudonym for another, more well-known writer.

Finally we come to an author I've heard of, John Jo Carpenter, who was really John Reese. Reese used the Carpenter pseudonym for scores of stories in various Western pulps during the Forties and Fifties, while writing mystery and slick magazine stories under his real name. Later he wrote hardback and paperback Western novels as John Reese, a couple of which I've read and remember enjoying. His story in this issue, "The Reluctant Hangman", is a real oddity for a Western pulp in that there's no action in it at all. Instead it's a tale of psychological turmoil as a young deputy struggles with having to carry out a murderer's hanging because the sheriff is laid up with a heart attack. It's a gripping, very well-written story and makes me think I need to read more by Reese as John Jo Carpenter.

Eric Allen is another familiar name. He wrote a number of paperback Westerns, including a series set in a town called Whiskey Smith. I've never read any of them, but his novelette that wraps up this issue, "Death on the Chaco", is a good one, if a little by-the-numbers when it comes to the plot. It's a yarn about a young man who comes home to the ranch he just inherited from his murdered uncle, only find himself caught up in a brewing range war with a group of sodbusters. The plot twists in this one are pretty obvious, but Allen writes in a nice, easygoing style and I enjoyed the story.

There are also a few columns and features, but as usual I just skimmed them. My interest is in the fiction, and in that respect, this is an above-average issue. There's not a bad story in the bunch, and three of them—the Hatfield novel and the stories by Cameron Roosevelt and John Reese—are excellent. The quality of TEXAS RANGERS remained high right up until its end a couple of years later, and if you happen to have a copy of this issue on your shelves, it's well worth reading.

Saturday, January 28, 2017

Saturday Morning Western Pulp: Western Aces, December 1940


Another fine-looking issue of WESTERN ACES, with a good cover and stories by L.P. Holmes, Walker A. Tompkins, Gunnison Steele, Barry Cord, Wilfred McCormick, and WESTERN ACES perennial J. Edward Leithead. Four of those authors, Leithead, Tompkins, Steele (Bennie Gardner), and Cord (Peter Germano) also wrote Jim Hatfield novels for TEXAS RANGERS as Jackson Cole.

Saturday, November 21, 2015

Saturday Morning Western Pulp: Ace-High Western Stories, November 1946


An old codger with a bullet hole in his hat and his hands full of dynamite . . . he told those darn kids to stay off his lawn and away from his gold mine! I like this cover, probably because a lot of the time I feel about like this guy looks. But inside this issue of ACE-HIGH WESTERN STORIES are yarns by Ed Earl Repp, Barry Cord, Ray Gaulden, and some lesser-known names and house-names, so I'm sure if I sat down and read it, my mood would improve.

Friday, February 20, 2015

Forgotten Books: Last Chance at Devil's Canyon - Barry Cord (Peter Germano)


I hadn't intended to read the other side of that Ace Double Western from last week quite so soon, but that's the way things worked out. And that's fine because LAST CHANCE AT DEVIL'S CANYON is a pretty entertaining novel.

The title is sort of a pun, because the protagonist is former boxer turned gunfighter Dave Chance, who was known as "Last" Chance during his pugilist days. But he was double-crossed by his manager, who ran off with all of Dave's money. Dave gave up boxing and devoted himself to tracking down the crooked manager. The trail leads him to the mining boomtown called Paydirt, but on the way there Dave gets mixed up in a shooting that leaves a man dead at the hands of bushwhackers.

When Dave takes the body into town, he soons finds himself in a convoluted plot that involves two lawmen (the county sheriff and the town marshal), neither of whom can be trusted, a troublemaking gambler, and missing mine payrolls. The crooked fight manager Dave's been after is on hand, too, using the money he stole to buy a railroad spur that's in danger of going bankrupt. He offers Dave a half-share in the railroad to find out who stole the mine payrolls from the train. And there's the sheriff's beautiful daughter to complicate things, too.

There's not much in LAST CHANCE AT DEVIL'S CANYON you haven't seen before if you've read very many traditional Westerns, but Germano's work is always worth reading because of his hardboiled prose, his tough heroes, and the occasional nice plot twist, of which there are a few in this novel. There are plenty of shootouts and ambushes, and given Dave's background as a fighter you know there's going to be a boxing match somewhere along the way. Germano doesn't disappoint in that regard, either.

This isn't as good a book as the Gordon D. Shirreffs novel on the other side of this Ace Double, but I had a fine time reading it anyway. Actually, I've never read a Barry Cord novel that wasn't good. He's a dependable author if you like tough, lean, hardboiled Westerns.

Friday, November 07, 2014

Forgotten Books: Trail Boss From Texas - Barry Cord (Peter Germano)

(This post originally appeared in different form on April 25, 2005)

Originally published by Phoenix Press in 1948, this is Peter Germano’s first novel under the pseudonym Barry Cord, and as far as I know, his first full-length novel overall, although his shorter fiction had been appearing in the Western pulps as far back as the mid-Thirties.

Larry Brennan is the title character, who has brought a herd of cattle from Texas to Colorado to deliver them to an old friend of his boss. Unfortunately, the rancher Jeff Halliday, who was supposed to take delivery of the cattle, is murdered just before Brennan arrives, and after wiring his boss to ask him what to do next, Brennan has no choice but to wait for an answer. This delay gives him plenty of time to get mixed up in a range war that he originally wants no part of, as well as a land grab motivated by the impending arrival of the railroad.

These are classic Western story elements, of course, and Germano doesn’t really do anything new with them. This is a good solid traditional Western, though. Germano has been quoted (in TWENTIETH CENTURY WESTERN WRITERS) as saying that his writing was influenced by the work of Ernest Haycox and Luke Short (Frederick D. Glidden). That can be seen in his terse, unsentimental prose style and his hardboiled action scenes. His books often have strong mystery elements in them, as well. TRAIL BOSS FROM TEXAS suffers a little at first as Germano crowds in too many characters and plot angles in too few pages, but eventually everything gets straightened out and the story flows better. In the Fifties, when he was one of the regular writers of the Jim Hatfield novels in TEXAS RANGERS under the Jackson Cole house-name, and during the Sixties, when he was a prolific novelist for the Ace Double line, among other publishers, his storytelling abilities were more developed and he became one of the best Western writers of the period.