Review: The Pirate and the Lady - Leslie Turner White

Sometimes I’m in the mood for a good, old-fashioned, swashbuckling historical adventure novel. THE PIRATE AND THE LADY by Leslie Turner White, published as a paperback original by Ace Books in 1961, seemed like it might be just what I was looking for. That’s my copy in the scan. The cover is by an artist named Chuck Smith, whose work I’m not familiar with.

The book opens in Cornwall, where the protagonist, a ship’s captain known as Black Anthony Bartholomew, works for the local magistrate, who also happens to be the kingpin of the smuggling ring that’s operating in the area. Tony is also the lover of the magistrate’s insatiable young wife, and that’s what ultimately leads to him being charged unjustly with murder and forced to flee to the colonies. During that voyage, he meets and falls in love with the daughter of an English nobleman who’s being sent to the Caribbean to put a stop to the piracy plaguing the area. The nobleman’s plan includes issuing letters of marque to British sailors so they can hunt down the French and Spanish pirates. This seems like a perfect job for Tony.

Unfortunately, he gets sidetracked to a plantation in Virginia owned by the brother of his former lover back in England. She’s there, too, and expects that she and Tony will take up right where they left off. Tony wants to get to the Caribbean, though, and be reunited with the fair Kathleen, and this leads to no end of trouble.

All this set-up actually takes up too much space in the book, but once Tony finally makes it to the Spanish Main, there’s buccaneering action a-plenty. Capture, escape, sea battles, daring plans, swordfights, even a great sidekick named Half-Arsed Jones. White, whose writing career started in the pulps, seems torn between spinning a breakneck yarn and writing a more sedate, respectable historical novel, albeit one with some spicy plot twists. It’s a combination that works more often than it doesn’t, thankfully.

Although THE PIRATE AND THE LADY looks almost like a romance, there’s actually not much domestic drama in it, mostly in the opening and then very late in the book. I enjoyed this novel quite a bit. It’s short, colorful, and reads quickly. The author, as Leslie T. White, wrote quite a few detective and adventure stories for the pulps before becoming a bestselling novelist as Leslie Turner White. The line “First Book Publication” on the cover of this one might be an indication that it’s an expanded serial or novella from the pulps, but if that’s the case, I couldn’t pin down the source. I think it’s just as likely that White wrote it as an original and then maybe sold it to Ace when it failed to sell to a hardback publisher. Either way, it’s a good yarn and well worth reading if you enjoy vintage historical adventures.

Sunday Morning Bonus Pulp: Detective Fiction Weekly, January 11, 1936

I like the cover on this issue of DETECTIVE FICTION WEEKLY. I don't know who the artist is. Paul Stahr, maybe? There are some fine writers inside, including Max Brand, Cornell Woolrich, Borden Chase, Hulbert Footner, Howard Wandrei (as H.W. Guernsey), and J. Lane Linklater. Like the other Munsey pulps, the frequent serials are a bit of a problem with DETECTIVE FICTION WEEKLY, but there was still an awful lot of good fiction to be found in those pages. 

Saturday Morning Western Pulp: Thrilling Ranch Stories, March 1937

This issue of THRILLING RANCH STORIES, which I don't own, sports a nice action-packed cover. I don't know the artist. There are stories inside by some very solid Western pulpsters including Tom Curry, Lee Bond, Larry A. Harris, Edward Parrish Ware, and Dabney Otis Collins. Rounding out the TOC are lesser-known William Dixon Bell, William Bruner, and U. Stanley Aultman. I had hoped to continue my streak of posting about pulps that I own and have read, but I ran out of time this week. 

Review: Double or Quits - A.A. Fair (Erle Stanley Gardner)

Once again I found myself in need of a book that would read quickly and provide sure-fire entertainment. Well, fry me for an oyster, what better choice than Donald Lam, Bertha Cool, and Erle Stanley Gardner writing as A.A. Fair?

DOUBLE OR QUITS is the fifth book in the series, published in hardback by William Morrow in December 1941 and reprinted more times than I want to count in paperback since then, as well as currently being available in an e-book edition. As with most of Gardner’s novels, the plot is so complicated that it’s difficult to follow and almost impossible to summarize. Bertha Cool is on a bit of a health kick as this one opens, and she and Donald are out fishing on a barge. I immediately figured they were actually there working on a case, but no, they’re doing it for the exercise. However, a casual conversation with another angler nets them a new client and a challenging case. Their new fishing buddy is a doctor, and some of his wife’s valuable jewels have been stolen from a safe in their house. The wife is an invalid, and her secretary/companion has disappeared, so naturally the girl is the most logical suspect. The doctor hires Donald and Bertha to find the girl and recover the jewelry.

Of course, it’s nowhere near as simple as that. Before you know it, someone is dead from carbon monoxide poisoning. Was it an accident, a suicide . . . or murder? As with many of Gardner’s novels, the plot hinges on his knowledge of some obscure point of law, in this case exactly what an insurance company considers a death by accidental means. Double indemnity is riding on the answer.

Along the way, there’s another murder, some false identities, several nice bits of trickery by Donald where he fools not only some of the other characters but also the reader, and finally a solution that, by and large, makes sense once Donald explains everything, which doesn’t happen until he’s almost become a murder victim himself. A month from now I’ll remember very little of the plot.

I will, however, remember that I had a lot of fun reading DOUBLE OR QUITS. I’ve long since given up trying to out-think Erle Stanley Gardner. I did pick out the murderer in this one, but it was mostly a guess. Instead of trying to figure it out, as I would, say, with an Ellery Queen or Agatha Christie novel, I just go along for the ride. In this series, it’s Donald’s brisk, funny narrative voice; in the Perry Mason books, it’s Mason’s hard-charging character, the give-and-take between Mason, Della Street, and Paul Drake, and those great courtroom scenes. Gardner’s just a thoroughly entertaining writer, as far as I’m concerned, and that’s really the reason I read. If you’re a Cool and Lam fan, you’ll enjoy this one, and if you’re not, you really should give the series a try.

Review: The Devil's Ray - Donald E. Keyhoe (Flying Aces, December 1931)

I don’t know about you, but when a story opens with a mortally wounded spy gasping out a warning to our heroes about how they should look out for the dwarf at Hoi Xiang’s, a gambling and opium den in Macao, I know right away that’s my kind of yarn! “The Devil’s Ray” is a novelette by Donald E. Keyhoe that appeared in the December 1931 issue of the iconic aviation pulp FLYING ACES.

Those heroes I mentioned are Dusty Rhoades, a huge Chief Petty Officer who’s also an ace pilot despite appearing too big to fit in a plane’s cockpit, and the much smaller, cold-eyed Mike Doyle, an accused killer who joined the Marines under a fake name because the law was after him in the States. (It should be noted that Keyhoe makes it clear right away Doyle was accused of murder unjustly, but he’s still pretty hardboiled and ruthless in a fight.) The two of them are serving on the aircraft carrier Lexington, which is cruising through the South China Sea on a secret mission to locate a hidden base where a German scientist is working on a deadly new weapon. It’s also worth mentioning that this story was published several years before the Nazis rose to power in Germany, so making the villain German is a holdover from the Great War.

Mike and Dusty are recruited to work undercover on this mission and parachute into Macao. Up to this point there’s been a lot of aerial action, dogfights over the Lexington, the bad guys employing their deadly ray that turns pilots into mindless husks, etc. Mike and Dusty penetrate the villains’ sanctum, of course, and much more running, fighting, shooting, and flying action ensues. In fact, there aren’t many paragraphs in this story where some sort of breakneck adventure isn’t going on. Man, it moves!

When I was a kid, I was a big fan of Donald E. Keyhoe’s books about UFOs, but that’s all I knew about him. Eventually, I discovered that he was a prolific pulp writer long before he began writing about flying saucers. He turned out hundreds of stories, mostly aviation and air-war yarns, but he also wrote detective and non-aviation adventure stories. I haven’t read a lot of his pulp work yet, but I’m becoming a big fan. I really like the terse, punchy, action-packed style in which he writes, and since he was a Marine pilot at one time, his stories have a definite ring of authenticity to them.

“The Devil’s Ray” reads like it ought to be the first of a series, but as far as I know it’s the only appearance of Mike Doyle and Dusty Rhoades. I had a great time reading it. It’s just pure pulp fun. You can read it, and many other great stories, on the Age of Aces website, and Age of Aces has also published many of Keyhoe’s stories in print collections, too, most of which I own and will get to eventually.

On a side note, the aircraft carrier U.S.S. Lexington, which plays a major part in this story, was sunk by the Japanese during the Battle of the Coral Sea during World War II. My friend, the late Western writer Jack Ballas, was in the Navy and serving on the Lexington at the time. I spent some wonderful hours talking to Jack and picking his brain about the experience when I was writing my World War II series, and I owe him a lot for the help he gave me. The Lexington was replaced with a second carrier of that name, which sailed honorably for many years before being docked permanently in Corpus Christi, Texas, where it now serves as a museum. I’ve visited it several times and toured it from the engine rooms to the bridge, and walking the flight deck and imagining what it must have been like in those days was a profoundly moving experience. If you’re ever in the Corpus Christi area, I highly recommend paying a visit to the Lexington.

Now Available: California Powdersmoke - James Reasoner

Death waits in the wasteland! Deputy Tanner Stewart just wants to deliver his prisoner, the notorious outlaw Dash Marlowe, to the California authorities who are waiting for him. Beautiful sisters Sabine and Genny LeBlanc are desperate to escape from the vengeance-seeking killer pursuing them. And in an abandoned settlement on the edge of a burning desert, a madman plots his explosive revenge on those he believes have wronged him.

CALIFORNIA POWDERSMOKE is the latest action-packed Western from legendary author James Reasoner. Guns will blaze and not everyone will make it out of the desert alive in this fast-paced adventure yarn that’s sure to please readers of traditional Westerns. See why James Reasoner has been entertaining readers for almost 50 years!

(Once again, a new release date has sneaked up on me. This new Western novel is now available on Amazon. It'll be the last new release under my name for a while. I hope to have another Snakehaven novella done by the end of the year, and there'll be at least one more new Western novel next year. In the meantime, if you're a fan of traditional Westerns, I think you'll enjoy CALIFORNIA POWDERSMOKE.)

Sunday Morning Bonus Pulp: Black Mask Detective Magazine, July 1951

This is the very last issue of BLACK MASK in its original run and features an eye-catching cover by Harry Barton. It's hard to go wrong with a sexy redhead, at least as far as pulp covers go. I've read enough noir novels to know there are a lot of ways you can go wrong with a sexy redhead in real life. There are only two original stories in this issue, a novelette by G.T. Fleming-Roberts and a short story by Robert C. Dennis. There are four reprints: a Harley Quin story by Agatha Christie (Christie's only appearance in BLACK MASK? I don't know, but it seems likely she wasn't a regular), a Flashgun Casey story by George Harmon Coxe, a Daffy Dill story by Richard Sale, and a non-series yarn by Francis K. Allan. There have been several attempts to bring back BLACK MASK since 1951, but I'm not sure I consider any of them the real deal, admirable though some of them were. If you want to check out this final issue, the whole thing is on-line and can be found here.

Saturday Morning Western Pulp: New Western Magazine, May 1954

This is a pulp that I own and read recently. That’s my copy in the scan. I don’t know who did the cover art, but I’m not very impressed with it. I don’t guess they can all be by Norman Saunders or Robert Stanley or Sam Cherry, can they? Not that I could do any better, I hasten to add. I have no artistic ability whatsoever, so maybe I shouldn’t be complaining.

Anyway, this is the next to last issue of NEW WESTERN, a run that lasted twenty years. It’s also a pulp that was on the stands after I was born, although being less than a year old at the time, I doubt if I ever saw a copy back then. It leads off with a short story, something of a rarity since most pulps had a novella or novelette in the first position. “Blood Star for Satan” is by William Heuman, one of my favorite Western authors. The title doesn’t fit the story at all, and neither does the blurb that some editor at Popular Publications came up with. However, the story itself is a taut little tale about an inexperienced lawman having to deal with a trio of train robbers who ride into his town. Heuman has never disappointed me and he does a fine job with this suspenseful story.

Next is “Blast a Red Trail!” by Robert L. Trimnell, billed as a novelette on the Table of Contents but closer to novella length in my opinion. And it packs in enough plot that it could almost have been a novel. The story opens with the protagonist, Blaine Sandford, in jail, charged with murdering a man he hired to help him on his freight line. Sandford is innocent, of course, and the man who was killed had dropped some hints about having enemies back in the town where he came from, two hundred miles away. So when Sandford escapes, that’s where he heads, determined to dig up the secrets of the murdered man’s past and uncover the real killer.

He winds up in the middle of a war between a freight line operated by a beautiful young woman known as The Wench and some hired killers and corrupt businessmen working with the railroad that wants to extend into the area. If that’s not enough, there’s a lot of psychological drama going on behind the scenes and the sort of family secrets that often show up in the work of Ross Macdonald, Walt Coburn, and Max Brand. In fact, this offbeat story reminds me quite a bit of some of the stories by Max Brand (Frederick Faust).

“Blast a Red Trail!” took me completely by surprise. I’d read only one other story by Robert L. Trimnell in the past, as far as I recall, and it was a humorous Western I didn’t like very much. But this story is an absolutely terrific hardboiled Western yarn with fascinating characters and a terse, fast-moving style. Trimnell wrote about 120 stories in a pulp career that lasted only eight years from 1948 to 1956. After that, he wrote one historical novel published by Lion Books and a number of soft-core novels published by Beacon/Softcover Library under the pseudonym Brian Black, before turning out a Western series called The Loner in the Seventies. Those three novels were published under his real name by Manor Books and are expensive if you can find them. I don’t think I have any, but I’m going to check my shelves. And I’m certainly going to keep my eyes open for his name on Western pulp TOCs in the future. I want to read more by this guy.

“A Man Must Fight” is a short story by Roe Richmond, not one of my favorite Western authors but one who usually can depended on for a decent story. This one is very reminiscent of the movie HIGH NOON, with a lawman who is reluctant to seek help from the townspeople when a couple of outlaws show up intent on killing him. It’s set up as a moral dilemma story but is resolved pretty easily. Other than that, it’s okay but not very memorable.

“The Rider From Hell” is another title that must have been slapped on by an editor at Popular Publications, because it doesn’t fit J.L. Bouma’s story at all. This is another lawman story as a young deputy with new-fangled ideas about keeping the peace clashes with a hard-nosed old town-taming marshal of the “shoot ’em all and sort it out later” school. It’s a low-key tale without much action, and the drama comes more from the characters than from gunplay. It’s very well-written, and although this kind of story normally isn’t really in my wheelhouse, I enjoyed it quite a bit. Bouma is one of those authors who did mostly good work, published steadily for a long time, never achieved any real fame, and is mostly forgotten these days. He’s almost always worth reading, though.

Walt Coburn’s “The Death Dealer” is a long novelette that’s a reprint. It appeared originally in the July 1938 issue of DIME WESTERN MAGAZINE as “Signed On to Die”. That title makes a little more sense than “The Death Dealer”, although quite a bit of death is dealt in this yarn. As usual with Coburn’s work, there’s a ton of back-story and a plot that’s almost too complicated to follow and difficult to describe. What we have is a stalwart young cowboy from Montana who buys a spread in Arizona known as the Haunted Cave Ranch because, well, there’s a cave on it that may well be haunted. You see, a gang of outlaws used it as a hideout and there’s a rumor that a fortune in loot is hidden in it. There’s even supposed to be a map split up in a number of pieces that, if combined, will lead to the treasure. Throw in not two but three, count ’em, three feuding owlhoot families, a beautiful girl and her spunky twin brother, a crooked range detective, some false identities, and last-minute revelations from ’way out in left field, and you have a confusing but fast-moving, action-packed, and downright compelling tale . . . which accurately describes a lot of Coburn’s work. This one is goofy as all get-out, but I still enjoyed it a lot.

I’ve probably mentioned before how I met Fred Grove at the Western Writers of America convention in San Angelo, Texas, in 1990. Let me tell you, sitting and talking with Fred Grove for a couple of hours at an outdoor barbecue, under some giant pecan trees on the banks of the Concho River as the cool of the evening settled down over West Texas, is a pretty darned good memory. His short story “Satan’s Saddlemate” wraps up this issue. (What was it with the editor of this issue? This is the second story with “Satan” in the title, plus we also have “The Rider From Hell”.) This one is about a cavalry patrol in Texas coming on a family of settlers massacred by Comanches and trailing the war party back to their village for a showdown. There’s also a white girl captive to be rescued. Although there’s some nice action late in this story, most of it is rather low-key and introspective. Grove was a really fine writer and does a good job of capturing the time and place. He’s always worth reading, and this story is no exception.

This is a very solid issue of NEW WESTERN MAGAZINE. There’s not a bad story in the bunch, and several of them are very good to excellent. If you have a copy on your shelves, it’s very much worth reading.

Review: Wild - Gil Brewer

WILD is actually the first Gil Brewer novel I ever read, approximately 40 years ago. I had heard of Brewer but didn’t know anything about him or his books except that my buddies Bill Crider and Ed Gorman said they were good. That was enough of a recommendation for me. When a copy of the original Fawcett Crest edition from 1958 came in at the used bookstore I managed, I grabbed it for myself and read it. All these years later, with Black Gat Books reprinting this novel recently, it seemed like a perfect time for one of my rare rereads.

Lee Baron is one of the few private eye protagonists in Gil Brewer’s fiction. Lee, who has been working as a private detective in California, returns to his hometown of Tampa, Florida, to take over the agency of his late father, who has just passed away. For his first case, he’s hired by an old flame to talk to her husband, from whom she’s estranged, and try to set up a reconciliation. This seems like an odd assignment for a private detective, but Lee takes the case and, wouldn’t you know it, discovers a dead body almost right away. The corpse has been mutilated, so it’s hard to tell who the dead man is. Is it the old flame’s husband? Is it one of the guys who was involved in a recent bank robbery that netted the thieves almost half a million bucks? Loot which is still missing, by the way. Or maybe the dead man was tied in with whoever hired the hulking, out-of-town thug to hand Lee a beating and scare him off the case, or kill him if he won’t scare. Let’s not forget the second murder, or the old flame’s beautiful but slutty sister, who Lee was also involved with in the old days.

And all of this is just in the first twelve hours after Lee takes the case.

WILD is a real whirlwind of a novel. Gil Brewer is known for the propulsive nature of his plots and writing, and that quality is in full force in this one. I had no clue what was going to happen next, and Lee Baron sure as hell doesn’t. But something is going to happen, you can be sure of that, and it’ll probably be bad.

I have a confession to make. When I first read WILD back in the Eighties, I didn’t care much for it. It didn’t make me a Gil Brewer fan, and I didn’t read anything else by him for quite a while. But then I read the Hard Case Crime reprint of his novel THE VENGEFUL VIRGIN (which just happens to be the next novel Brewer published after WILD) and thought it was terrific, one of the best hardboiled/noir novels I’d read in a long time. I’ve gone on to read many more of his novels and have enjoyed every one of them.

So what did I think of WILD when I reread it? I’m happy to report that I liked it much better this time around. The plot is suitably twisty, the characterization is vivid, and Brewer’s writing is quite poignant, almost poetic in places. At the same time, it still manages to capture the white-hot desperation of the people involved in this swamp of lust and greed. If you’re already a Gil Brewer fan and haven’t read WILD, you’ll definitely want to check it out. If you haven’t read Brewer, as I hadn’t all those years ago, you might want to start with one of his classics like 13 FRENCH STREET, SATAN IS A WOMAN, or THE VENGEFUL VIRGIN, as mentioned above. But WILD is well worth reading, make no mistake about that. It’s available in paperback and e-book editions. 

 

Manville Moon #7: Pay Up or Die - Richard Deming

“Pay Up or Die” is the seventh and last of the Manville Moon novellas to be reprinted in e-book format. It originally appeared in the May 1951 issue of BLACK MASK DETECTIVE. There are about a dozen more Moon short stories and novelettes that appeared in various pulps and digests, mostly MANHUNT, throughout the Fifties. Maybe a publisher will collect them one of these days.

This yarn finds our one-legged private eye protagonist being hired to protect an actress who’s been getting death threats. Before Moon can even get started, though, a murder takes place. His client is the intended victim, and there are several suspects for the killer, including a dangerous mobster who used to be married to her. Sure enough, Moon gets taken for a ride again (this seems to happen a lot) and barely escapes with his life before he untangles the case and discovers the murderer’s identity.

The plot in this one is a little more complicated than in the previous two stories, but I still figured it out well before the end. No matter. Manville Moon is as likable as ever and Richard Deming’s polished prose is a pleasure to read. There are three full-length novels featuring Moon. I have all of them and am looking forward to reading them.