Review: Boss of the Chisholm Trail - Guy L. Maynard

Guy L. Maynard wrote thirteen stories starring red-headed, gunslinging trail boss Flame Burns for the pulp WILD WEST WEEKLY in 1936, ’37, and ’38. But Flame also starred in BOSS OF THE CHISHOLM TRAIL, a Big Little Book published in 1939. Most of you are probably familiar with Big Little Books, those small, thick, chunky juvenile novels that featured text on the left-hand pages and illustrations on the right-hand pages. That wasn’t always the case—there are a couple of places in this book where text appears on both pages—but for the most part the books are about half as long as they appear to be, and the print is pretty big, so BOSS OF THE CHISHOLM TRAIL is more of a novella than a novel.

The question is, did Maynard adapt it from any of his Flame Burns stories in WILD WEST WEEKLY? That certainly seems possible. Most of the Flame Burns pulp stories also feature Billy the Kid as a character, and in BOSS OF THE CHISHOLM TRAIL, Flame meets Billy for the first time, suggesting that this Big Little Book may have been taken from “Trail Pardners”, Flame’s debut novelette in the February 29, 1936 issue of WILD WEST WEEKLY. Not having a copy of that issue, I can’t check for sure.

But what about BOSS OF THE CHISHOLM TRAIL, you ask? Is it any good? Well, I enjoyed it quite a bit, for whatever that’s worth. As the book opens, Flame has just arrived in Santa Fe with a trail herd he had to take over and bring in when the regular trail boss was killed. This is the first time Flame has acted as trail boss, but it won’t be the last. He soon meets the famous rancher known as “Old Man” Chisholm, whose bodyguard and closest ally is Billy the Kid. Chisholm hires Flame to ramrod a trail drive from the Texas Panhandle to Abilene.

This is as good a place as any to mention that Maynard totally mixes up Jesse Chisholm, who laid out the route that came to be known as the Chisholm Trail, and John Chisum, the New Mexico rancher who was both friend and enemy to Billy the Kid at different times. However, is strict historical accuracy all that important in a book like this? Probably not.

Flame sets out to deliver Chisholm’s cattle to Abilene, but trouble lurks along the way in the person of the evil Whiskey Dick Slavens and his gang of rustlers. Flame has a personal run-in with Slavens even before leaving Santa Fe, so the varmint has a grudge against our hero to start with. Stampedes and gunfights ensue as Flame tries to meet the challenges of his first real job as a trail boss.

Despite being aimed at a juvenile audience, BOSS OF THE CHISHOLM TRAIL is no namby-pamby, “nobody dies” kid’s book. On the contrary, guns blaze a lot, and hombres both good and bad get ventilated on a regular basis. The violence may have been toned down a little, but this is a pretty hardboiled yarn. Obviously, kids in the Thirties were expected to be tough enough to take it. The story races along and comes to a satisfying conclusion.

My copy is missing the spine and is in fairly rough shape, but the text is all there and easy to read. The cover is truly ugly. The interior illustrations are by Ralph Hitchcock, and while most of them are pretty crude, some are not bad and do a good job of capturing the action. I’m not a collector or a regular reader of Big Little Books, although I read a lot of them as a kid when they were easier to find. But when one comes my way, I’m not going to hesitate to pick it up if it looks interesting.

I had read one of the later Flame Burns stories in WILD WEST WEEKLY and thought it was okay but nothing more than that. I think I actually enjoyed this version more. It’s an oddity, sure, but an entertaining one.

Saturday Morning Western Pulp: Wild West Weekly, March 12, 1938

I don’t own this pulp, but thanks to the kindness of my friend Cullen Gallagher, I was able to read a PDF of its lead novelette, “Feud of the Haunted Corral”, featuring T.W. Ford’s best-known series character Solo Strant, also known as the Silver Kid. The cover on this issue of WILD WEST WEEKLY is by H.W. Scott, and it’s an excellent illustration of the Silver Kid in action.

Solo Strant is a drifting gunfighter. He doesn’t hire out his gun, but he’s quick to pitch in when he sees someone being taken advantage of or an innocent person being threatened. As this yarn opens, that’s what happens when a gang of gun-wolves attacks a small ranch. Solo rides to the rescue, but as it turns out, he may not have done the right thing after all, since it looks like the rancher he rescued may be a murderer!

That’s the first mistake Solo makes in this story, but it’s not the last one. In fact, he seems uncharacteristically prone to making the wrong decisions. But that may have something to do with the extremely complicated plot Ford comes up with, which deals with a generations-long feud between two ranching families, assorted murders, mistaken identities, and the Haunted Corral, which is not a corral at all but rather an area of badlands where folks go in, but they seldom come out alive. The whole “shadow of the past” element in this novelette reminds me of many of Walt Coburn’s novels and stories.

“Feud of the Haunted Corral” is a fast-moving, entertaining story. Solo Strant is a likable protagonist, and I’ve enjoyed every story I’ve read about him. It’s pretty easy to spot the evil mastermind in this one, but that doesn’t take away from the pleasure of reading it. My thanks to Cullen for making that possible.

Elsewhere in this issue are stories by a number of WILD WEST WEEKLY stalwarts. Norman W. Hay, writing under the house-name William A. Todd, contributes a Risky McKee yarn. (All the Risky McKee stories are by Hay, and while William A. Todd is considered a house-name, it’s possible Hay wrote everything under that by-line. We’ll probably never know for sure.) There’s a Calamity Boggs story by Lee Bond. Guy L. Maynard pitches in with a Reckless Blaine story. (There are six Reckless Blaine stories, published in six consecutive issues of WILD WEST WEEKLY. I’d be surprised if Maynard didn’t cobble them together into a fix-up novel, but if he did, I can’t find any record of it.) J. Allan Dunn, Charles M. Martin, and Carl Raht contribute stand-alone stories. This appears to be a very good issue of one of my favorite Western pulps.

Saturday Morning Western Pulp: Wild West Weekly, July 18, 1936

This is a pulp that I own and read recently. That’s my copy in the scan. The excellent cover by R.G. Harris illustrates a scene from the lead novelette by Walker A. Tompkins, “Tommy Rockford’s Coffin Clew”.

In this installment of Tompkins’ long-running series about the young railroad detective who carries a pair of gold-plated handcuffs, Rockford arrives in an isolated Arizona settlement on a stormy night in pursuit of a notorious train robber. However, when he gets there he discovers that his quarry has already been brought to justice, drilled in a gunfight with the local sheriff. Then the sheriff himself turns up dead, and Tommy has to solve his murder. This is one of those stories where the big plot twist is pretty obvious, but that doesn’t stop Tompkins from spinning it into a very entertaining yarn with his usual skill. I was a little disappointed in the last Tommy Rockford story I read, but not this one. It’s well-written, atmospheric, and suspenseful. Also, I didn’t figure out the “coffin clew” of the title, so that’s one final surprise Tompkins saves for the story’s last paragraph. Fine work in this one.

Hal Davenport wrote a lot of stories under the various WILD WEST WEEKLY house-names, including more than 20 novelettes in the Billy West and Circle J series as Cleve Endicott. His story in this issue, “Six-guns Say No”, is a stand-alone published under his own name. It’s a range war yarn as a young rancher fights to defend the waterhole on which his spread depends from a bunch of no-good crooks trying to steal it. This story is almost all action, and while there’s nothing in it we haven’t seen many, many times before, Davenport does a good job of storytelling and comes up with an entertaining tale.

Samuel H. Nickels also wrote prolifically under house-names for WILD WEST WEEKLY, but under his own name he authored almost 140 short stories about a pair of young Texas Rangers named “Hungry” Hawkins and “Rusty” Bolivar. In this issue’s Hungry and Rusty yarn, “Rangers’ Rescue”, our intrepid pair set out to find a rancher’s son who’s been kidnapped by outlaws. This is another tale that’s almost all action. This is the first Hungry and Rusty story I’ve read. I enjoyed it and found them a very likable pair of protagonists. Definitely wouldn’t mind reading more of these.

Guy L. Maynard was another regular house-name scribe but also wrote several popular series under his own name, the longest-running of which featured a character called Señor Red Mask. He wrote a dozen stories featuring a redheaded cowboy, trail driver, and adventurer known as Flame Burns. Some legendary historical Old West characters appeared in these as well, much like the Rio Kid series. In this issue’s novelette, “Death Riders of Dodge”, Flame is in Dodge City, having just delivered a herd of cattle he brought up the trail from Texas. He’s set upon by outlaws and robbed of the payoff for that herd, and the rest of the story concerns his efforts to get the money back and avenge the death of a friend in a shootout. He gets some help in this from none other than Calamity Jane, who bears only a passing resemblance to the historical Calamity Jane. There’s one mention of her nursing the sick during an epidemic, and other than that she’s strictly the fictional version that’s shown up in so many movies, TV shows, and novels. This is the first thing I’ve read by Maynard, as far as I know, and when I read it, I wasn’t very impressed by it. It seemed a little too simple and juvenile. It’s sticking with me more than I expected, though. I’ll have to read more by Maynard to form a worthwhile opinion of his work.

“King of Colts” is by Charles M. Martin, who sometimes wrote as Chuck Martin. It’s a vengeance yarn, as a young rancher sets out after the three outlaws responsible for the death of the grandfather who raised him. That’s all there is to it, but Martin writes in a terse style that I enjoy, and since he was an actual cowboy, like Walt Coburn, his work has a strong sense of authenticity. Also like Coburn, Martin wound up taking his own life by hanging, which is a shame. He was a pretty darned good writer.

There are some assorted features and one other piece of fiction in this issue, the novelette “Whizz Fargo Springs a Murder Trap” by George C. Henderson. This is one of six linked novelettes about Whizz Fargo that were fixed up into the novel WHIZZ FARGO, GUNFIGHTER. I happen to own a copy of that novel, so I skipped the story in this issue, preferring to read it in the novel version. Which I’ll get around to soon, I hope. I’ve read some stories by Henderson in the past and enjoyed them, as far as I recall.

Overall, this is a good but not great issue of WILD WEST WEEKLY. Tompkins’ Tommy Rockford story is definitely the highlight. The other stories are all perfectly readable and entertaining, but they didn’t really make a strong impression on me. Having said that, I’m glad I read it and believe it’s worth your time if you happen to own a copy of it.

Saturday Morning Bonus Pulp: Wild West Weekly, July 4, 1931

This issue of WILD WEST WEEKLY may not have a patriotic cover, but it is dated July 4, 1931. The art is by H.W. Reusswig, and I think it's a pretty good cover. As usual for WILD WEST WEEKLY, the contents lean heavily toward series stories and house names. Lee Bond, William F. Bragg, Clee Woods, and Samuel H. Nickels have stories under the own names. There's a Circle J story by Norman Hay writing as Cleve Endicott, a Whistlin' Kid story by Guy L. Maynard writing as Emery Jackson, and entries in other series I'm not familiar with by Galen C. Colin, Reginald C. Barker, and Houston Irvine. (I'm not familiar with Barker and Irvine, either.) But overall, it looks like an entertaining issue and a good way to pass the time in the summer of 1931, if you had an extra dime and nickel in your pocket. Which a lot of people didn't in those days. But I'm glad the pulps were able to survive.

Saturday Morning Western Pulp: Wild West Weekly, January 21, 1939

This is an excellent gun and knife cover by H.W. Scott, who has become one of my favorite cover artists. He could work in a variety of styles, but his paintings are always distinctive and eye-catching. As always, there are some good authors in this issue of WILD WEST WEEKLY: T.W. Ford with a Silver Kid story, Laurence Donovan with a Pete Rice story under the Austin Gridley house-name (I didn't know that Donovan wrote any Pete Rice stories, but I'm not surprised; he wrote a little bit of everything and did it well), Chuck Martin, Anson Hard, and Guy L. Maynard.