Davis Dresser was the kind of writer I really admire and have tried to be in my career, a guy who was willing and able to turn his hand to different kinds of fiction and do all of them well. In the late Thirties, he was writing Western novels, spicy romances, and of course mysteries. He’d already had some success with MUM’S THE WORD FOR MURDER, published under the pseudonym Asa Baker, set in El Paso, Texas, Dresser’s home town, and starring special police detective Jerry Burke. In 1939, he published his second Burke novel, THE KISSED CORPSE, which Carlyle House brought out in hardcover.
Asa Baker isn’t just the pseudonym Dresser used on these books. Baker is also a character in them, a Western and mystery novelist who’s pretty obviously a stand-in for Dresser himself. He tags along with his friend Jerry Burke and narrates the stories of Burke’s investigations. In THE KISSED CORPSE, though, it’s Baker who turns up a murder and gets Burke involved.
He’s staying at a friend’s cabin in a canyon just outside El Paso. Millionaire oilman Raymond Dwight has an estate in the same canyon. Also not far away is the bungalow where former soldier of fortune Leslie Young lives with his beautiful wife Myra. Baker discovers that the oil tycoon is a peeping tom, spying on a sunbathing Myra Young through a telescope. Unfortunately, Myra’s husband makes that same discovery, and not long after that, Baker discovers his body while walking through the canyon.
Since this is a Davis Dresser novel, things are nowhere near as simple as they appear to be starting out, though. It seems that the Mexican government has taken over Dwight’s oilfield properties below the border, and he’s trying to put together a shady deal to recoup the loss. There are mysterious notes and threats and a seedy hacienda below the Rio Grande where the beautiful leader of a Mexican nationalist group holds secret meetings. There’s a beautiful, ambitious female reporter poking around who may or may not have been romantically involved with the murdered man. The oilman has a hard-drinking, gorgeous teenage daughter. Throw in a little blackmail, too, and Jerry Burke will have his hands full untangling the whole mess.
With its dangerous nighttime visit to the mysterious hacienda below the border, THE KISSED CORPSE has a rather pulpish feel starting out, but for a long stretch, it settles down and becomes almost an English country house type of mystery, with a bunch of suspects at a fancy estate and the dogged detective interrogating them. It’s a millionaire’s mansion in the Franklin Mountains, but the idea is the same. There’s some moving around later on, but eventually all the suspects come together again so Burke can reveal the killer and explain everything.
Dresser was a master of this sort of blend between the traditional and hardboiled mysteries. I don’t think he has the plot nailed down quite as well in THE KISSED CORPSE as he would in the Mike Shayne novels he wrote over the next decade, but it works well enough. Jerry Burke is a good character, too: a former cowboy, Texas Ranger, intelligence operative during World War I, soldier of fortune, and cop. Asa Baker is a likable narrator. Dresser spins his yarn in fast-moving prose that mostly has a breezy feel to it, although things can get rough now and then.
The same year this novel came out, Dresser also published DIVIDEND ON DEATH, the first book in the Mike Shayne series, and although he worked on other things besides Shayne over the next couple of decades, he never went back to Jerry Burke. I think the Shaynes are much better overall, but I wouldn’t have minded a few more Jerry Burke novels, too. Both books featuring him are pretty entertaining. MUM’S THE WORD FOR MURDER was reprinted twice under the Brett Halliday name. THE KISSED CORPSE got a single digest paperback reprint under the Asa Baker pseudonym. It is, however, available these days in an e-book edition under the Halliday name, and if you’re a Mike Shayne fan, I think you’ll enjoy both of the Jerry Burke novels, too.




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