I first met Carlton Stowers many years ago at one of the mass autograph parties TCU Press used to sponsor every December. The idea was that they would gather twenty or thirty local authors in one place, and people could come and buy signed books to give as Christmas presents. The events were usually held at the Fort Worth Botanic Gardens in those days. It seemed like they sold quite a few books, but for me, the real appeal was the chance to see old friends I didn’t run into in person that often—Elmer Kelton, Jory Sherman, Kerry Newcomb, G. Clifton Wisler—and to make new friends such as, well, Carlton Stowers.
I knew who Carlton Stowers was before that. I’d seen the name many times and
knew he was an Edgar Award-winning author of true crime books. I believe he was
acquainted with Bill Crider, too, and I’d heard Bill speak of him. But I didn’t
read true crime books so I’d never sampled his work. However, when we were
introduced and I spent some time talking to the guy, we were friends right
away. His interests ranged ‘way beyond true crime, and I remember telling him
one time, after he’d spun a great yarn about a distant relative of his who’d
ridden with Pancho Villa, “You really need to be writing fiction. You’d be
great at it.”
Eventually he did, but we’ll get to that.
For several years, Stowers attended the annual Howard Days get-together in
Cross Plains with his friend and literary agent Jim Donovan (a fine writer his
own self), and we had lengthy, hugely enjoyable conversations about everything under
the sun, as they say. I haven’t been able to make it to Cross Plains for several
years now, and those conversations with Carlton are among the things I really
miss. Maybe one of these days.
So, to the point of this review, last year TCU Press published STORYTELLER:
HELPFUL HINTS AND TALL TALES FROM THE WRITING LIFE. It’s part memoir, part
how-to book, and it’s full of entertaining stories about Stowers’ life and his
varied careers as a sports reporter, columnist, feature writer, ghostwriter for
sports and entertainment figures, and of course, his award-winning years as an
author of true crime books. I said above that I didn’t read true crime, and I
still don’t, but I swear, I really need to read Carlton’s books because I know
they must be well-written and compelling. Mixed in with these reminiscences are
plenty of useful, practical tips about writing non-fiction of all sorts.
There’s also a section about Stowers’ career as a Western novelist. He’s
written six novels so far, and they’re all excellent. I hope he does more. In
the meantime, and until I get around to reading some of those true crime books,
I’m very glad to have read STORYTELLER. It’s a superb book about the writing
life, and if that interests you, I give it my highest recommendation. You can
find it in trade paperback on Amazon.
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