Cave of a Thousand Tales

CAVE OF A THOUSAND TALES, Milt Thomas, Arkham House, 2004

This new biography of the legendary pulp author Hugh B. Cave was based on many personal interviews Milt Thomas conducted with Cave over several years.  Not surprisingly, it's a very intimate portrait of Cave as both a writer and a human being.  I knew very little about his childhood or personal life; all I knew was that he produced a multitude of stories that were both very well-written and very enjoyable.  Discovering that Cave was so prolific in part because he was trying to escape from some unpleasant personal circumstances gives the stories an added poignancy.

The first half of the book covers Cave's childhood, adolescence, his first attempts at writing, and his blossoming pulp career.  Thomas's account moves on to Cave's foray into the slick magazine market, his experiences as a war correspondent during World War II (I wish I'd known that Cave was around Guadalcanal; I would have had him make a cameo appearance in one of my World War II novels), his trips to Haiti, where he learned so much about voodoo that would form the basis for many of his later works, his years as the owner of a coffee plantation in Jamaica, his mainstream novels and his later horror novels, and the rebirth of interest in his pulp work that began with Karl Edward Wagner's publication of the collection MURGUNSTRUMM in 1977.  In reading this book I discovered that Cave was at the fourth World Fantasy Convention in Fort Worth in 1978, a convention that I didn't know about until it was over.  Within a few years, though, I met quite a few people who were at that very convention, including Bill Crider and Joe Lansdale.  Paralleling the story of Cave's professional life are the varied tragedies of his personal life.  You can't help but feel a little sympathy for Cave, who was a modest, genuinely decent man.

As for CAVE OF A THOUSAND TALES, it's a well-written, well-researched, beautifully-produced book.  I was a little unsure about Thomas's habit of fictionalizing certain incidents in the lives of Cave's parents and in Cave's early life, but the technique worked just fine.  I might have a quibble or two with certain of his comments about pulp history, but those are very minor points.  All in all, this is a highly readable account of the life and career of one of my favorite writers, and it's one of the best books I've read this year.

On another note, I'm glad to see that Ed's Place  is up and running again.  This blog by Ed Gorman is one of the sites I visit every day, and it's what got me interested in blogging in the first place.

I worked on editing and revising that big manuscript again today.  I ought to be able to finish going over it tomorrow and then I can get back to producing new pages.