
The story begins in the middle of the action, with a posse chasing down a fugitive atop a rugged plateau. When the man they’re after holes up in an old cabin, the posse members surround the place, but then the sheriff throws them a curve by riding up to the cabin and walking in to confront the outlaw . . . who, as it turns out, is the lawman’s adopted son.
From there, as the posse waits for nightfall so they can close in, Patten backtracks to fill in the story of what brought the characters to this point, and it’s a years-long saga of drunkenness, prostitution, robbery, and murder worthy of any of the more contemporary Gold Medals. Sex serves as the motivation for most of this, and while the scenes aren’t graphic, there are quite a few of them for a traditional Western published in 1956. He also puts his heroes through a lot of torment, both emotional and physical, that was unusual for the time period. Patten’s tendency to come up with somewhat happy endings keeps his books from falling completely into the Western noir category, but they come close enough to satisfy most readers of crime fiction, I think. ROPE LAW certainly does.
A couple of words of warning, though: Not all of Patten’s novels are as dark as what I’ve described here. Some of them are very traditional Westerns with nothing really to distinguish them except a competent readability (not something to be taken lightly in its own right, mind you). And he’s also an inconsistent writer, especially in his later books which are carelessly written to the point that I’ve started some of them and not finished them. But pick up ROPE LAW or LYNCHING AT BROKEN BUTTE or THE SCAFFOLD AT HANGMAN’S CREEK (Patten likes hangings as plot instigators, too) or any number of other novels, and I think you’ll be thoroughly entertained.



