The Saint Settles a Score - Keith Chapman

When I was in junior high, it would have been difficult to decide who was my favorite fictional character: the Saint, Doc Savage, or Ben Grimm. I'm sure it depended on what I was reading at the time. But I loved all three of them and still do. I've written before about how I discovered the Saint and told the story again in the introduction I provided for the most recent reprint of THE SAINT IN MIAMI, which is available in an inexpensive e-book edition and can even be read for free if you have Kindle Unlimited.

So I don't know how I missed "The Saint Settles a Score", a 16-page Saint comic book story from the early Sixties written by Keith Chapman, an old friend of this blog. It was reprinted on Gary Dobbs' Tainted Archive blog a number of years ago, but I'm just now catching up to it. And I'm glad I did, because it really takes me back to those days when I was devouring Saint stories as fast as I could get my hands on them.

"The Saint Settles a Score" is very much influenced by Leslie Charteris's early stories about the character. Simon Templar answers a call for help from an old friend, a professional burglar who's opposed to violence. The fellow is in trouble, and it catches up to him quickly when he keeps a rendezvous with Simon. He's gunned down by some thugs and lives just long enough to put Simon on the trail of his killers, an investigation that involves wealthy art dealers, a beautiful blonde, a fabulously valuable painting, and some deadly double crosses.

Chapman's script is swift, humorous in places, and has plenty of action. Its light yet adventurous tone matches up very well in comparison to Charteris's Saint yarns. The art, furnished by an unknown Spanish artist, does a pretty good job of capturing Simon's personality and conveying the action. All in all, this is a very good story and I really enjoyed reading it.

If you're a Saint fan and missed this one like I did, you can find all 16 pages in two posts on the Tainted Archives blog, here and here. Be sure and read the comments, too, as they contain further information about the story and Chapman's involvement with the character. Check out this post, as well, for more background. It's great stuff.

Sunday Morning Bonus Pulp: Mystery Book Magazine, Winter 1948

For some reason, I like this cover. The colors are eye-catching, the couple seem so suave and sophisticated, and yet there's the element of action with the bullet shattering the glass. I guess that's three reasons I like it, isn't it? Inside there's a Saint story by Leslie Charteris (one of my favorite series and authors), as well as stories by Q. Patrick (the guys who also wrote as Patrick Quentin, usually pretty good), Will Oursler (whose name is familiar to me, but I don't know why), O.B. Myers (who I think of as an aviation pulp author), and Leslie Gordon Barnard (who I never heard of). I'd read this issue just for the Saint story.

Sunday Morning Bonus Pulp: Double Detective, November 1937

I'm often amazed at the table of contents in some of these pulps. Like this one: stories by Leslie Charteris (a Saint yarn), Max Brand, Cornell Woolrich, Richard Sale, Cleve F. Adams, Roger Torrey, Dale Clark, and Walter Ripperger. That's all. Just a normal issue in those days.

Now Available: The Saint in Miami - Leslie Charteris (Introduction by James Reasoner)

Today's mail brought a fine Christmas present two days after the fact: a copy of the new British reprint of THE SAINT IN MIAMI, my favorite Saint novel, for which I was fortunate enough to write the introduction. When Ian Dickerson, the series editor, asked me if I'd like to do one of the intros and did I have a preference which volume it would be, I didn't waste any time in answering him. I've loved this book ever since I first read it, lo, those many years ago, an event which I go into in more detail in the introduction. I can't tell you how pleased I am to see my name on the cover of this book. It seems to be available through Amazon UK (here's the page) but not the American Amazon, but I'm sure that if you're in the U.S. and want to get your hands on a copy, there are ways that can be done. You'll just have to use your imagination, as the actress said to the bishop...