When the law makes things too hot in Montana for notorious
rustler Wild Will Wilson, he drifts down to the West Texas cowtown of El Centro
and forces his way into a rustling ring masterminded by railroad superintendent
T.K. “Track” Zuter. (This isn’t a spoiler; Zuter’s villainy is revealed right
away.) Wilson proves his bona fides by wide-looping some cattle from the nearby
Diamond A Ranch, owned by Jim Blair. Then Wilson comes up with an even more audacious
scheme to swipe some cattle right of the very railroad cars in which they’re
being shipped. Along the way, he also romances Marjorie Blair, the beautiful daughter
of Jim Blair.Then, halfway through this book, the author pulls off a nice plot twist in which
it turns out hardly anything is what it appeared to be. This development would
be even more effective if the dust jacket copy hadn’t given it away, but even
so, it works well and plunges the reader into a rather dizzying array of
complications, double-crosses, and hidden identities.
RUSTLERS THREE was published in hardback by Arcadia House in 1943 under the
name Buck Billings. As far as I know, it was never reprinted, at least not
under that title and by-line. Buck Billings is a pseudonym that’s been
connected to prolific pulpsters Claude Rister and A. Leslie Scott, but there’s
no definitive list of who wrote what. A friend of mine and I have been trying
to figure that out, but it’s a daunting task involving a lot of guesswork and
speculation. For example, there’s a long novella entitled “Rustlers Three” that
was published in the November 1939 issue of the pulp magazine WEST under the
house-name Sam Brant. This could well be the source of the Arcadia House novel.
I haven’t been able to lay my hands on a copy of that issue or find a scan of
it in order to compare. Neither Rister nor Scott have been known to write under
the Sam Brant name, but in the world of pulp magazine house-names, almost
anything is possible.
The best I can do as far as authorship of RUSTLERS THREE goes is to make an
educated guess. Most of this novel reads like it was written by A.
Leslie Scott, who had a fairly distinctive style. But some of it doesn’t read
like Scott. He had a habit of taking one of his pulp novels, rewriting it, and
adding material from a short story in order to make the yarn long enough for
book publication. Something like that happens in RUSTLERS THREE, but I have to
wonder if someone else (maybe Scott’s wife Lily, who wrote for the love pulps)
did the actual combining and rewriting to produce the Arcadia House version of
the novel. That’s some of the pure speculation I mentioned above. The one thing
I can say with relative certainty is that the book wasn’t written by Claude
Rister. I’m no expert on his work, but it seems very different in style to me.
But to get to the most important question, is RUSTLERS THREE any good? Well,
yeah, it is. It’s a fast-moving tale with a likable protagonist and some good
action scenes. It could have used a little more action, to be honest, but what’s
there is exciting and well-written. I raced through this book and had a good
time reading it. If you’re a fan of traditional Westerns from the Thirties and
Forties, it’s worth reading if you come across a copy, which, admittedly, is likely
to be pretty uncommon these days.
