Saturday Morning Western Pulp: Exciting Western, May 1947

This is a pulp that I own and read recently. That’s my somewhat ragged copy in the scan. The cover is by Sam Cherry, as usual, and I like it, also as usual.

Ah, Tombstone and Speedy! A ghost story seems perfect for this pair of bumbling but surprisingly astute range detectives, and the novella “Ghost of the Tumbling K” brings them to the title ranch on their latest assignment for the Cattlemen’s Protective Association. However, they don’t know why they’re there, because the rancher who sent for them lies seriously wounded and unconscious. Tombstone and Speedy fetch help for the injured man and, in the process, discover that the ranch is supposed to be haunted. Since they don’t know why they were summoned, they decide to stay there and keep an eye on the place, which, of course, leads to a ghostly encounter.

Author W.C. Tuttle packs a lot of plot into his yarn, as he always does with the Tombstone and Speedy stories. Most of it revolves around the hidden loot of a mysterious outlaw known as the Yellow Mask, who is believed to have died several years earlier. But is he really dead? If he is, could it be his spirit haunting the Tumbling K? Tombstone and Speedy untangle the whole thing, of course, with plenty of action and humorous banter along the way. These stories are pretty formulaic, but they sure are entertaining.

“Indian Slap” is by Barry Scobee, the only pulp Western author with a mountain named after him. Scobee’s work is hit-or-miss for me but mostly good, and I enjoyed this tale about a white boy who was a captive of the Comanches trying to fit back in among a community of settlers. Scobee does a good job with the Central Texas setting, too.

“West of Windigo” is a novelette by Norrell Gregory. I don’t recall if I’ve read anything by Gregory before, but I liked this story of a railroad detective trying to find out who’s been stealing construction supplies, smuggling whiskey to the Indians, and generally trying to stir up trouble on a spur line that’s being built. Gregory moves things along nicely. This would have made a good B-Western movie in the Forties or Fifties.

“Badmen Are Plumb Foolish” is by Donald Bayne Hobart, a very prolific pulpster whose work I’ve come to enjoy. This story is about a gambler framed for a murder he didn’t commit, and despite its short length, maybe 2500 words, Hobart manages to work in a train robbery and a plot twist, too. This is a nice, enjoyable yarn by a real pro.

“Sheriff” by William O’Sullivan uses the “old lawman whose time has passed” plot, and not surprisingly, the old badge-toter has some life left in him after all, as an election campaign against his young whippersnapper deputy proves. This isn’t a memorable story at all, but it’s well-written and pleasant enough.

I’m convinced that Donald Bayne Hobart is also the author of “Bait for a Range-War Gallows”, even though it was published under the house-name Jackson Cole. The style reads very much like Hobart’s work. This is a range war story, as you probably guessed from the title, but it starts with a very nice twist: the range war is already over when the story begins. And everybody who supported the losing side is now considered an outlaw, including young cowboy Dake Latimer, who is holed up in an old adobe hut trying to fight off a horde of gunmen led by his mortal enemy who hates him because Latimer once stopped the lowdown hombre from raping a young woman. Hobart drops the reader down right in the middle of the action, which is something I always enjoy. Latimer gets out of that scrape but almost immediately finds himself in another one with a wounded youngster’s life on the line. Hobart packs a lot into this story and the action never slows down for more than a few paragraphs. This is just a superb Western yarn, one of the best I’ve read recently.

The protagonist of Nels Leroy Jorgensen’s novelette “Longrider Gun-Law” is also a good-guy owlhoot, the son of an Arizona lawman. He’s been below the border in Mexico rustling cattle and horses as part of a gang of American outlaws, but when the group disbands, he heads home to find the area being plagued by a series of stagecoach robberies. The plot developments in this one are pretty predictable, but Jorgensen’s tough prose makes it entertaining reading. Jorgensen’s career started in the early Twenties with detective and adventure yarns. He was a regular contributor to BLACK MASK during that pulp’s early glory days and eventually became a prolific Western pulpster, as well. I’ve enjoyed everything I’ve read by him.

There’s also an animal story by Harold F. Cruickshank in this issue, but I didn’t even try to read it. I loved wildlife yarns when I was a kid, but they just don’t work for me anymore.

Other than that, every story in this issue is good and I think it’s a fine issue overall. Although, as usual when there’s not a Navajo Tom Raine story, I missed that series.

To end on a more serious note that usual, I’ve realized that on several occasions recently, I’ve read and reviewed books and pulps that I previously read and reviewed several years ago, with absolutely no memory of reading and reviewing them before. At my age, this is a mite worrisome. If I have any doubts about a book or a pulp, I try to remember to search the blog and see if I’ve already covered it. But the key phrase there is “try to remember” because that’s where the problem lies, isn’t it? If any rate, if you see such duplication, it’s not intentional, and don’t hesitate to bring it to my attention. It’s helpful for me to know about such things.

Saturday Morning Western Pulp: Exciting Western, January 1947

This is a pulp that I own and read recently. That’s my copy in the scan, complete with a little scribbling on a dramatic Sam Cherry cover that I like. EXCITING WESTERN has become one of my favorite Western pulps because I really enjoy two of the series that ran regularly in its pages.

One of those series is, of course, the Tombstone and Speedy stories by W.C. Tuttle. The lead novella in this issue, “Trail of the Flame”, finds our intrepid heroes, range detective Tombstone Jones and Speedy Smith, enjoying some unexpected and newfound wealth in the form of a reward they received for capturing a notorious outlaw. Despite that, they run smack-dab into trouble—literally—when there’s a collision between the buggy they’ve bought and a fella on horseback fleeing from some pursuers. This lands the duo in the middle of a case involving a fabulously valuable gem, a herd of stolen polo ponies, a wealthy eastern dude who has come west, a town south of the border that’s a bandit stronghold, and a sinister Chinese smuggler. As you can tell, Tuttle crams a lot of plot into this yarn, and to be honest, it doesn’t hold together quite as well as some of the other stories in the series. But there’s plenty of action, the story races along at a fast clip, the banter is genuinely amusing, and Tombstone and Speedy are as likable as ever. As always, I really enjoyed reading it.

The other long-running series in EXCITING WESTERN that I like a lot is that featuring Arizona Ranger Navajo Tom Raine, the son of a famous lawman who was raised by the Navajo after his father was murdered in a range war. This series was started by Lee Bond writing under the house-name Jackson Cole, and C. William Harrison is known to have written many of the stories, too. I have a pretty strong hunch that the novelette “Loot of the Lobo Legion” in this issue is by Harrison. He’s a more polished and less formulaic writer than Bond. (Don’t get wrong, I enjoy Bond’s work, too.) In this story, Raine is sent to investigate the mysterious lynchings of three men, but when he arrives on the scene, he discovers that they were actually murdered before they were strung up. It appears that the local cattle baron is making a land grab and trying to get rid of the smaller ranchers in the area, but everything may not be exactly as it seems at first. Harrison’s Navajo Tom Raine stories usually have some sort of mystery angle to them, which is another thing that makes me believe he wrote this one. It’s a well-plotted tale, not much action until the end, but still very entertaining. Every time I read one of these, I find myself wanting to write a Navajo Tom Raine story myself. He’s a fine character.

I read another story by Barry Scobee not long ago and enjoyed it quite a bit, so I was predisposed to like his story in this issue, a novelette called “Hated Wire”. It has an intriguing premise: a cattle baron fences off his entire spread with barbed wire and has only one gate into the place. Any outsiders who venture onto the wrong side of the fence are never seen or heard from again. A neighboring rancher sets out to find out what happened to one of the men who disappeared. There’s a bizarre late twist which kind of comes out of left field, but it’s the sort of thing I generally like. However, in this case, I just didn’t care for the story. Something about the style rubbed me the wrong way, and none of the characters are likable, even the protagonist. This one might strike some other readers completely differently, but for me it’s a misfire.

Stephen Payne’s short story “Old Timer” is an unacknowledged reprint from the April 7, 1934 issue of STREET & SMITH’S WESTERN STORY MAGAZINE. It’s a well-written, low-key, poignant tale about an old range rider who gives up cowboying to become a farmer in partnership with an old friend. There’s no action and the entire story is character-driven, but I liked it anyway. I need to read more of Payne’s work.

Gunnison Steele was really Bennie Gardner. He was a top-notch writer who did some fine novels for the Western character pulps, but he was great with short stories, too, like this issue’s “The Meanest Man”. In this one, a rancher robs the local bank, kills the banker, and gets away with it, but then his partner turns him in. But is that what actually happened? Gardner throws in a clever way of getting to this story’s resolution and I enjoyed this one.

Sam Brant was a house-name, so we don’t know who wrote “Manhunters Ain’t Human”, the short story that wraps up this issue. The plot seems pretty simple: a merciless lawman tracks down a killer, but again there are some twists waiting for the reader that lead to a very satisfying conclusion. This story has a very similar feel to the Gunnison Steele story, which makes me suspect that Bennie Gardner might have been the author here, too, but again, it’s impossible to say for sure.

This is a good issue of EXCITING WESTERN. Not an outstanding one due to the Scobee story I didn’t like and the slightly below average Tombstone and Speedy yarn. But the Navajo Tom Raine novelette is excellent and the short stories are all solid. I’m already looking forward to the next issue of EXCITING WESTERN that I read.

Saturday Morning Western Pulp: Texas Rangers, April 1950

This is a pulp that I own and read recently. That’s my copy in the scan, with one of my favorite Sam Cherry covers and maybe the single best depiction of Jim Hatfield that I’ve ever seen. That’s definitely the way Hatfield looks in my head as I read these pulps.

The Hatfield novel in this issue, “The Rimrock Raiders”, is by A. Leslie Scott writing as Jackson Cole. It centers around the conflict between some cattlemen in West Texas and the oil wildcatters who are moving into the region. One of those wildcatters strikes a gusher, resulting in an oil boom town and even more trouble. Naturally, it’s going to take a Texas Ranger to clean things up and expose the true villain behind all the problems, and of course that Ranger is Jim Hatfield.

In addition to knowing a lot about mining and railroading, Scott was also well-versed in geology and the oil business, and that knowledge comes through in this novel. I’m a long-time fan of oilfield yarns and this is a good one with a real sense of authenticity. There are two great scenes, one in which Hatfield comes up with a unique way of dealing with an oil rig that’s on fire, the other being the literally explosive climax that’s one of the best I’ve read in the series. Scott was at the top of his game in this one, which he rewrote and expanded a few years later into the Walt Slade novel GUNSMOKE OVER TEXAS, published by Pyramid in 1956. I read that version when I was in high school. I remembered the cover but nothing about the plot, so it didn’t spoil “The Rimrock Raiders” for me.

This novel, with its oilfield element, also reminds me of a strange discrepancy in the Hatfield series. Scott’s entries seem to be set around the turn of the 20^th Century, based on historical references, while the Hatfield novels by Tom Curry, the other main writer on the series for many years, read more like they’re set about twenty years earlier, around 1880. The novels by Walker A. Tompkins and Peter Germano are harder to pin down as to time period, but most of them seem to me to be set in the 1880s or 1890s. I find these continuity glitches, if you want to call them that, interesting, but they absolutely don’t bother me. I just enjoy the stories.

Tex Holt was a house-name used by Leslie Scott, Archie Joscelyn, and Claude Rister on novels. It also shows up on a dozen or so stories in various Thrilling Group Western pulps. That’s the by-line on “Ghost Riders of Haunted Pass” in this issue, a lightweight tale about a couple of drifting cowboys named Jim Norton and “Hungry” Hill who encounter a couple of phantom owlhoots. The banter between the protagonists reminded me a little of Syl McDowell’s Swap and Whopper stories, but not as silly and the story’s action doesn’t descend into slapstick comedy. It’s an okay story, but I have no idea who wrote it.

“Long Sam Crowns a King” is another entry in Lee Bond’s long-running series about the good-guy outlaw Long Sam Littlejohn. In this one, set in the South Texas brush country, Long Sam clashes with an old enemy, a former carpetbagger turned would-be cattle king. There’s some nice action, and for a change, the characters don’t stand around explaining the plot to each other. Long Sam’s nemesis, U.S. Marshal Joe Fry, is mentioned but doesn’t make an appearance. This is a solid story in a formulaic but consistently entertaining series.

“Red Butte Showdown” is by Jim Mayo, who we all know was actually Louis L’Amour. This story centers around a mysterious stranger who protects a couple of orphans (one of whom is a beautiful young woman, of course) from a villain who’s after the mine they’ve inherited. That plot sounds pretty well-worn, and to tell the truth, most of L’Amour’s plots were pretty standard stuff. But he was really, really good at them most of the time, and “Red Butte Showdown” is no exception. Not only that, but he throws in a pretty good plot twist at the end of this one. I’ve said for a long time that I think L’Amour was a better short story writer than he was a novelist, and this is a good example. I enjoyed this story a lot. It’s probably been reprinted in one of the many L’Amour short story collections, but I don’t know which.

Barry Scobee’s “Good Country for Murder” is a modern-day Western in which a park ranger in West Texas’s Big Bend encounters a vicious criminal. It’s a suspenseful, very well-written yarn that I thoroughly enjoyed. As I’ve mentioned before, Barry Scobee is the only pulp writer I know of who has a mountain named for him. It’s just outside Fort Davis, Texas, and was named after Scobee to honor his efforts in preserving the old military fort there. In addition to writing for the pulps, he was a newspaper reporter and editor in West Texas and his work really rings true when it’s set in that region. This is another very good story by him.

And this is a very good issue of TEXAS RANGERS, as well. A top-notch Hatfield novel, and four out of the five back-up stories are very good to excellent. The one story that’s weaker than the others is still entertaining. If you’re a fan of this pulp, have this issue on your shelves, and haven’t read it, I give it a high recommendation. (If you want to read the rewritten, Walt Slade version of the novel, GUNSMOKE OVER TEXAS, it’s available as an e-book on Amazon and would be well worth your time, too.)

Saturday Morning Western Pulp: Texas Rangers, March 1946

This is a pulp that I own and read recently. That’s my battered, scribbled-on copy in the scan. When I see a math problem written on a cover or in a book, I can’t help but wonder about the person who wrote it and what they were trying to figure out. I like that vague connection with previous owners/readers of the book or pulp. At any rate, I think the cover art is by George Rozen. It sure looks like other Thrilling Group Western covers attributed to him.

The Jim Hatfield novel in this issue, “The Empire Trail”, is by A. Leslie Scott writing under the house name Jackson Cole. There’s no question this is Scott’s work, as the story revolves around plot elements he used over and over: smugglers bringing contraband over the border from Mexico in pack mule trains; owlhoots under the command of a mysterious mastermind trying to stop the railroad expanding into a new area; an underground stronghold from which Hatfield has to escape; Hatfield working undercover and not revealing that he’s a Ranger; and multiple suspects for the true identity of the outlaw boss.

So if you’ve read other Hatfield novels by Scott and liked them, you ought to like this one, because even though the plot is familiar, he’s really at the top of his game as far as the writing goes. I love Scott’s work because of the vivid (some might say florid) descriptive scenes and the over-the-top action scenes. “The Empire Trail” is full of both. The pace races along, and for once I was truly uncertain for a while who the villain would turn out to be. Usually, I can pick him out as soon as he appears. This is top-notch Scott and Hatfield, the kind of pulp Western yarn I’ve been reading and enjoying for close to 60 years, and I had a great time with it.

The Hatfield novel is long enough that there are only two short stories in this issue, “Doc Swap’s Fiddle Talk” by Ben Frank and “Things Happen in Threes” by Barry Scobee (the only pulp writer with a mountain named after him; you can look it up). I’m not a fan of the Doc Swap series, but I read this one, which features Doc Swap’s dangerous encounter with a bank robber, and it’s okay. The Scobee story is about a superstitious rancher and a drought, and it never engaged my interest at all. Reading these sure made me miss the days when Lee Bond’s Long Sam Littlejohn stories were the regular back-up series in TEXAS RANGERS.

So if you have this issue, you can safely skip the short stories, but you definitely should pull it down from the shelf and read “The Empire Trail”. It’s one of the best Jim Hatfield novels I’ve read in a while.

Saturday Morning Western Pulp: Texas Rangers, August 1951

This is a pulp that I own and read recently. That’s my copy in the scan. The cover is by Sam Cherry, of course.

The Jim Hatfield story in this issue, “Rustlers Ride”, has been attributed to A. Leslie Scott, but when I started reading it, I said, “Wait a minute. This has to be a Tom Curry story.” The first two chapters have all the hallmarks of a Hatfield yarn by Curry, including several scenes setting up the plot before Hatfield is ever introduced and a proxy hero in the person of stalwart young rancher Arch Haley. The prose is the straightforward storytelling of Curry, as well, lacking any of the descriptions and catch phrases you always find in Scott’s work.

Then, in Chapter 3, everything changes. The writing is definitely Scott’s, and that continues to the end of the novel. There are a number of plot twists that don’t turn out the way they seem to be set up in the first two chapters. If I had to guess, I’d say Tom Curry started this novel, and then for some unknown reason Scott took over with the third chapter. I could be ’way off on that theory, of course. This is pure speculation on my part. But it comes from reading a bunch of both authors’ work over the past 60 years.

Anyway, regardless of who wrote what, is “Rustlers Ride” a good Jim Hatfield novel? Yes, it is. Despite the title, rustling plays almost no part in this story. Instead, it’s about a gold strike in West Texas and the gang of outlaws preying on the mines and the nearby town. Hatfield foils numerous of the gang’s plans before finally figuring out who the mastermind is, and even though the big boss’s identity is pretty obvious, it still involves one of those nice twists mentioned above. The breakneck pace and the action scenes are good, as always. There’s nothing here Hatfield fans haven’t read many times before, but it’s done well and I had a really good time reading this story.

Moving on, Leslie Ernenwein’s short story “Outlaw Hunch” is about a former owlhoot gone straight and turned livery stable owner who has to consider a return to outlawry, but for noble reasons. This is a fairly lightweight, almost humorous story until it turns deadly serious near the end. I really like the way Ernenwein writes, and this is a very good story, reprinted from the March 1946 issue of THE RIO KID WESTERN. I need to read more of Ernenwein’s novels.

Wayne D. Overholser’s novelette “Traitors’ Blood is Red” originally appeared in the April 1947 issue of THRILLING WESTERN. Like much of Overholser’s work, it’s set in the Pacific Northwest. This story involves espionage and a conspiracy during the Civil War which, if it succeeds, will not only alter the course of the war but change the entire country as well. It’s an odd plot—you don’t often think of the Pacific Northwest in terms of being important to the Civil War, or at least I don’t—but Overholser makes it work. The writing is a little bland, but I find that to be true of most of Overholser’s stories.

Tom Curry appears under his own name with a short story original to this issue, “Stranger in Town”. A drifting gambler is blamed for a murder he didn’t commit and has to uncover the truth. It’s a fairly common plot, but Curry, always a dependable writer, does a good job with it.

I don’t know anything about Cibolo Ford except that he published several dozen stories in various Western pulps in the Thirties, Forties, and Fifties. The name has always sounded like a pseudonym to me, but I don’t know that it is. His story story “Widelooper Luck”, also original to this issue, features cowpokes Stony Lonesome and Stingaree Stanton helping their friend Gooble Nutter save his ranch from the evil scheming of lawyer J. Tubelo Zero. Those names were almost enough to make me skip this one, but I stuck with it and it’s actually okay. Mildly humorous, and I found myself liking the characters, which I didn’t expect to.

Barry Scobee is the only pulp writer to have a mountain named after him. It’s in the Davis Mountains in West Texas, near the town of Fort Davis. In addition to writing for the pulps, Scobee was a journalist and newspaper publisher and was instrumental in getting old Fort Davis, an abandoned military outpost from frontier days, restored and turned into a tourist attraction. His story in this issue, “Always Wanting Something”, is a reprint from the January 1946 issue of THE RIO KID WESTERN. It’s about a young cowboy at a turning point in his life, trying to figure out which direction to go, and is well written enough but never really very involving.

Best remembered for his Western poetry, S. Omar Barker turned out quite a bit of fiction as well. His story “Rowdy Romance”, as you’d expect from that title, is a humorous tale about a cowboy who sets aside his wild, devil-may-care ways in order to try to win a girl, only to have things turn out differently than he expects. Barker had an appealing way with words and the story is entertaining without ever really amounting to much. It’s a reprint from the December 1936 issue of THRILLING WESTERN.

There are also interior illustrations by H.L. Parkhurst and Nick Eggenhoffer, among other, unsigned illustrations.

I enjoyed this issue because “Rustlers Ride” is a slightly above-average Jim Hatfield novel and the short story by Leslie Ernenwein is pretty good. The other stories are highly forgettable. But I’m glad I read the Hatfield yarn.

Saturday Morning Western Pulp: West, March 1950

An interesting cover by an unknown artist. The shadow almost makes the guy look like he's wearing a mask. And of course, this cover is further evidence that no poker game in the Old West ever ended peacefully. I also find it curious that a story by Harry C. Rubicam Jr. gets such prominent treatment when ol' Harry, whoever he was, apparently only published one other story in his career, also in WEST a couple of years earlier. He wrote a few non-fiction books and at least one Western novel, but this issue also includes stories by Johnston McCulley, Allen K. Echols, Richard Brister, and Dupree Poe, and if I was the editor I would have put any of them on the cover ahead of Rubicam. Barry Scobee is on the cover and was a top-notch pulpster, so I agree with that editorial decision. Anyway, it's an eye-catching cover.

Saturday Morning Western Pulp: Exciting Western, May 1950

Bears don't always chase beautiful Canadian girls. Sometimes they chase beautiful American ranch girls, too. This isn't a particularly realistic-looking bear, in my opinion, and I'm not that fond of the cover art overall, but there's a great bunch of authors inside this issue of EXCITING WESTERN: W.C. Tuttle with a Tombstone and Speedy yarn; a Navajo Tom Raine, Arizona Ranger story by somebody writing under the house-name Jackson Cole; and stories by L.P. Holmes, Gladwell Richardson, and Barry Scobee (the only pulp writer to have a mountain named after him, as far as I know). Below average cover or not, I'd read this issue.

Saturday Morning Western Pulp: Exciting Western, April 1946

Injury to a hat alert! I like this cover by Sam Cherry, as I do most of Cherry's work. I also like EXCITING WESTERN, especially the Tombstone and Speedy stories by W.C. Tuttle. They're not as good as the Hashknife and Sleepy stories, but they're pretty entertaining. There's also an Alamo Paige story by Reeve Walker (a house name; I think maybe Walker Tompkins wrote this series), and stories by Syl McDowell, Gunnison Steele (Bennie Gardner), Archie Joscelyn, and Barry Scobee (the pride of Fort Davis, Texas). Looks like a good issue.