Sunday, July 28, 2019

Sunday Morning Bonus Pulp: Detective Tales, November 1936


This issue of DETECTIVE TALES sports a good cover by Tom Lovell and a great line-up of authors: Norbert Davis, Norvell Page, Steve Fisher, Arthur Leo Zagat, Wayne Rogers, and Fred MacIsaac. Those are some fine yarn-spinners!

Saturday, July 27, 2019

Saturday Morning Western Pulp: 10 Story Western Magazine, August 1941


I really like the action-packed cover on this issue of 10 STORY WESTERN MAGAZINE. I don't know who the artist is, but he did a fine job of coming up with a dynamic cover. The authors inside are no slouches, either: Harry F. Olmsted, Tom W. Blackburn, Cliff Farrell, Ed Earl Repp, David X. Manners, Dave Sands (a house name) and Rutherford Montgomery (who went on to write a bunch of popular juvenile novels about animals) are the best known names.

Friday, July 26, 2019

Forgotten Books: The Twisted Mistress - Ennis Willie



The telegram finally caught Tagger on a dismal morning-after in a New Orleans brothel.

That’s the opening line in Ennis Willie’s excellent hardboiled mystery novel THE TWISTED MISTRESS, published in 1963 by Merit Books and, to my knowledge, never reprinted. And if you can read that and not feel compelled to keep flipping the pages, you’ve got more self-control than I do.

Tagger is Lash Tagger (Willie’s protagonists always had great names). Years earlier, as a runaway from the orphanage where he was raised, Tagger was taken under the wing of Alex Beaumont, a textile mill owner who had worked his own way up from hardship to riches. Beaumont has a son and daughter of his own, but Tagger almost becomes like a son to him as well, until a falling-out between them causes Tagger to take off on his own when he’s a young man.

Now several years have passed and Tagger is broke, but the telegram changes all that. Beaumont is dead, and Tagger has to return to the town where the mill is located for the reading of the will. When he gets there, he finds that not only has he inherited a third of Beaumont’s fortune, but Beaumont has given him control of the business as well and charged him with preventing the takeover of the mill by a ruthless competitor. Needless to say, Beaumont’s grown children don’t like this arrangement at all. The situation becomes even more complicated and dangerous when Tagger discovers that Beaumont was murdered, and when he starts poking around in that, somebody paints a target on his back, as well.

Oh, and there are three or four beautiful women involved, too, all of whom are attracted to Tagger whether they want to be or not, and some of whom probably can’t be trusted . . . but I probably didn’t have to tell you that.

THE TWISTED MISTRESS is just an enormous amount of fun for a fan of hardboiled, slightly sleazy crime and mystery novels from the early Sixties. Willie’s prose is so smooth and fast-paced that it’s a joy to read and you wind up flying through the pages. There was a time I would have read this in one sitting, I’m sure, and even though I can’t do that now because I don’t have as much time to read, I still got through it quickly. Lash Tagger is plenty tough, not exactly likable but certainly easy to root for. Maybe the women all fall for him a little too quickly and easily, maybe the plot could have used one more twist, but that doesn’t matter because this is a book designed to be gulped down. I wish I could tell you to go out and buy a copy, but like I said above, it’s never been reprinted and like all Ennis Willie books, it’s a little hard to come by and a little pricey if you do. But if you ever see a copy, my advice is to grab it.

By the way, I realize the cover says TWISTED MISTRESS, but the spine and the title page add THE, so that’s the title I went with. And unlike the titles of some of the books of this type from this era, the title actually does have something to do with the story. The cover also says “Adult Reading”, but don’t let that fool you. There’s sex in it, but very tame and mostly off-screen.

Monday, July 22, 2019

Men of Violence: All Review Special - Justin Marriott, ed.



The latest volume in the excellent MEN OF VIOLENCE series is an All Review Special, featuring more than a hundred reviews of men’s adventure novels and series, ranging from classics of the genre to obscure little gems that you’ve probably never heard of. Editor Justin Marriot has assembled a wonderful book to browse and enjoy, and I guarantee you’ll learn a few things, even if you’re an expert on men’s adventure fiction. If you’re a newcomer to the genre, this book is a crash course on it. Not all the reviews are positive, either; some warn potential readers which books to stay away from. Although such things are competely subjective, of course. If a book sounds interesting to you, I always say give it a try and see for yourself. MEN OF VIOLENCE: ALL REVIEW SPECIAL is available as a handsome, very affordable trade paperback. I really enjoyed it and give it a high recommendation.

Sunday, July 21, 2019

Sunday Morning Bonus Pulp: Argosy, June 17, 1933


Nothing says "pulp" to me quite as much as ARGOSY. If it weren't for all those dang serials, it would be just about the perfect adventure pulp magazine! Take this issue, for example. You've got a colorful, dramatic cover by Paul Stahr, and inside are stories by Erle Stanley Gardner (a Whispering Sands yarn), Talbot Mundy, Theodore Roscoe, Donald Barr Chidsey (with his series character Nick Fisher), George F. Worts (part of a Peter the Brazen serial as by Loring Brent), Fred MacIsaac, Ralph Milne Farley, Cliff Farrell, and Armand Brigaud. To say that's an impressive line-up is quite an understatement! And ARGOSY did that week after week. Truly an iconic pulp. 

Saturday, July 20, 2019

Saturday Morning Western Pulp: Thrilling Ranch Stories, July 1948


One of the things I really like about Western pulp covers is that while there are plenty of "damsel in distress" type covers, there are also a lot that feature women who are just as tough and competent as the men. This cover by Sam Cherry from the July 1948 issue of THRILLING RANCH STORIES is a good example. There's not even a guy in sight, other than the hand of the one holding the gun, and that blonde is about to make him wish their trails had never crossed. Inside this issue are stories by some fine writers: L.P. Holmes, Giles A. Lutz, Stephen Payne, Samuel Mines, Joe Archibald, Cliff Walters, and Gladwell Richardson. The so-called Western romance pulps had plenty to like for traditional Western readers.

Friday, July 19, 2019

Forgotten Books: John Severin's Billy the Kid, Western Outlaw, Volume 1 - Joe Gill and John Severin



I never read too many comics published by Charlton when I was a kid. I started reading mostly Dell comics, discovered DC and then Marvel, so the smaller publishers didn’t get much of my allowance money, plus they weren’t distributed very well around here. However, I do remember reading some issues of BILLY THE KID, WESTERN OUTLAW when I was very young. Too young to know anything about artists, for sure.

But in later years, John Severin became one of my favorite comic book artists during his long run on SGT. FURY AND HIS HOWLING COMMANDOS, a title I read faithfully and always enjoyed. Severin’s art was a big part of that, and when I came across his work in other places, I continued to enjoy it. He did quite a bit for Charlton in the early Sixties, including the Billy the Kid stories in this volume, which reprints ten stories from BILLY THE KID, WESTERN OUTLAW #20-23.

These are very short stories, running six or seven pages each, and journeyman writer Joe Gill’s scripts are pretty simplistic, as you’d expect at that length. There’s no attempt to make the Billy the Kid anything like his actual historical counterpart. He’s only vaguely regarded as an outlaw. Mostly he’s just a drifting do-gooder seemingly loved by common people and lawmen alike, whose only real goal in life is to fight rustlers, bank robbers, and bullies. The writing is serviceable, but no more than that.

Severin’s art makes these stories worth reading, though. It’s not overly detailed but always has a gritty air of Old West authenticity about it. He does a good job with guns, horses, Western landscape, etc., and his action scenes are dynamic. He’s just a good comic book artist in the classic style, with a strong storytelling sense. I thoroughly enjoyed this collection.

You can read these stories for free on-line, but I thought this inexpensive collection, which also includes some photos and biographical material on Severin, was worthwhile. I plan to seek out more of his Billy the Kid stories.

Tuesday, July 16, 2019

Overlooked Movies: Stan & Ollie (2018)



I’ve been a Laurel & Hardy fan about as far back as I can remember. I didn’t like them as much as the Three Stooges or Abbott & Costello, but I watched many of their movies on TV and always enjoyed them. So I was a pretty good target audience for STAN & OLLIE, a biopic from last year that focuses on the final year of their performing career.

This movie actually combines a couple of different European tours made by Laurel & Hardy into one storyline, but it works and is fairly accurate in other respects, as far as I know. (I’m a fan but not an expert on the duo, by any means.) Steve Coogan plays Stan Laurel and John C. Reilly is Oliver “Babe” Hardy. Reilly is an odd bit of casting, but again it works well. It’s kind of a sad film, as both men are aging, nowhere near the stars they once were, and Hardy is plagued by health problems. All of that is portrayed well, and the production values are high.

Ah, but when they start doing classic Laurel & Hardy bits, the comedy kicks in and I start to grin. No, they’re not as good at it as the real thing, but the bits are still funny. I also appreciated the fact that the script makes it clear how much of the writing and directing of their films was done by Stan Laurel, whether he received any credit for it or not. They were both really talented guys, and STAN & OLLIE does a good job of showing that.

By the way, I also really like Oliver Hardy as John Wayne’s sidekick in THE FIGHTING KENTUCKIAN and wish he had done more roles along those lines.

Anyway, I didn’t even know STAN & OLLIE existed until we watched it recently, but I’m glad we did. If you’re a fan of classic movie comedies and watched them all the time on TV while you were growing up, as I did, you might like it, too.

Monday, July 15, 2019

Reign of Terror - Paul Bedford



Frontiersman Jared Tucker has brought his family to a ranch on the Brazos River for a new start in Texas, unaware that roving bands of Comanche, frustrated by their defeat at the Battle of Adobe Walls, are looking for just such isolated ranches where they can vent their anger against the white settlers. An attack on his home leaves a grieving Tucker searching for his 13-year-old daughter, the only survivor of the massacre, who has been carried off by the renegades.

Tucker falls in with buffalo hunter Woodrow Clayton, who has faced the Comanches before at Adobe Walls. Together, the two men join forces with a cavalry column led by Colonel Ranald Mackenzie, bound for a showdown with Chief Quanah Parker’s forces at a place called Palo Duro Canyon. Tucker, along with Clayton, hopes to find and rescue his daughter before it’s too late . . .

I read another historically based Western novel by Paul Bedford not long ago and enjoyed it, and REIGN OF TERROR is even better. He does a fine job of mixing history and fiction and presents an accurate portrayal of the Battles of Adobe Walls and Palo Duro Canyon and the leaders on both sides, Quanah Parker and Ranald Mackenzie, all the while spinning a compelling fictional yarn as well. The search among the Indians for a white captive is a very traditional Western plot, so the execution becomes even more important. Bedford pulls it off, even more impressive considering that he’s an English author and REIGN OF TERROR is part of the Black Horse Western line, soon to be published in England but available for pre-order in the U.S. as well. I plan to read more by Paul Bedford, and if you’re a fan of traditional Westerns, I recommend his books.

Sunday, July 14, 2019

Sunday Morning Bonus Pulp: Ten Detective Aces, February 1935

I don't know much about Emery Clarke, who did the cover on this issue of TEN DETECTIVE ACES, except that he was pretty active as a pulp cover artist from the mid-Thirties to the mid-Forties, including doing the covers for a number of issues of DOC SAVAGE. The guy on this one looks kind of dumb with his hand spread out like that as he reaches for his gun, but that's a fine-looking blonde beside him. Inside is the usual strong line-up for this pulp, including a Moon Man story by Frederick C. Davis and other yarns by G.T. Fleming-Roberts, Emile C. Tepperman, Philip Ketchum writing as Carl McK. Saunders, Joe Archibald, and J. Lane Linklater.