
I’m sure I’ve mentioned before
that my introduction to The Spider was in 1969, when Berkley Medallion
reprinted the first two books in the series, THE SPIDER STRIKES and THE WHEEL
OF DEATH, both by R.T.M. Scott. They released these in an odd, “buy one, get
one free” scheme which saw the two paperbacks bound together with a paper band
around them. I bought them off the spinner rack in a drugstore in Stephenville,
Texas. My mother and I were on our way to my aunt’s house in Blanket, Texas,
and I usually talked her into stopping at that store in Stephenville because
they had good paperback and comic book spinners, as well as a big magazine rack
where I saw some of the late issues of RANCH ROMANCES but didn’t buy any because I was spending my money on paperbacks
like those two Spider novels.
Anyway, to get back to the subject at hand . . . Berkley reprinted a couple
more Spider novels, these by Norvell Page writing under the house-name Grant
Stockbridge. Page was far and away the most prolific Spider author and really
defined the series’ tone with his wild, over-the-top plots and almost non-stop
action. The problem is, I never saw those paperbacks. They just didn’t show up
in any my usual book-buying haunts. It was more than a decade before I read any
more of the Spider series, although by then I had read quite a bit about
it. A few more reprints started trickling out in the early Eighties, a trio of
trade paperbacks published by an outfit called Dimedia, and I found an issue of
the actual pulp in a thrift store, and I picked up used copies of several
novels published by Pocket Books that had been rewritten and “updated” but
still retained some of the pulp feel. More actual reprints followed, some in
mass market paperback, some in facsimile editions from small press publishers,
and I read most of them. I’m not a Spider expert—I’ve read maybe half of the
series in one format or another—but I always enjoy the character and his wild
exploits.
Which brings us to The Wild Adventures of the Spider, a series of brand-new
novels by pulp expert and fine writer Will Murray. The first one, THE DOOM
LEGION, guest-starred two other characters from Popular Publications pulps, G-8
(the Flying Spy) and Operator 5, Jimmy Christopher his own self. I loved it.
Murray’s latest Spider novel, the recently released FURY IN STEEL, also has
some guest stars, in this case Emile C. Tepperman’s intrepid trio of
fast-shooting FBI agents, the Suicide Squad: Johnny Kerrigan, Dan Murdoch, and
Stephen Klaw. I’ve read half a dozen of Tepperman’s Suicide Squad stories, and
they’re great. So seeing them in the same book with The Spider was a big draw
for me. They don’t exactly team up—in fact, for most of the book the FBI agents
are trying to arrest Richard Wentworth and in fact succeed in doing so at one
point—but their efforts against an invasion of New York by giant killer robots
makes for some great reading.
That’s right, giant killer robots that can bite off a man’s head, tear him limb
from limb, and, like steel termites, gnaw away the foundations of skyscrapers
to bring them crashing down. Another week, another apocalypse in the Big Apple,
a crazed scheme by another villain to wreak havoc, panic the nation, and cause
the deaths of thousands. And the only one who can stop it, of course, is The
Spider.
FURY IN STEEL is just pure fun from start to finish. The plot is
well-structured, flowing smoothly from great action scene to great action
scene, Murray’s prose captures the frantic tone perfectly, and he has a keen
sense of the absurd, pushing the boundaries but always stopping short of
letting things get silly. I enjoyed this novel a great deal, and if you’re a
fan of The Spider, or just a fan of wild pulp adventures in general, I give it
my highest recommendation.