Showing posts with label Rex Whitechurch. Show all posts
Showing posts with label Rex Whitechurch. Show all posts

Saturday, February 22, 2025

Saturday Morning Western Pulp: Real Western Stories, October 1953


This is a pulp that I own and read recently. That’s my copy in the scan. I don’t know why the front cover is missing that strip at the bottom. That’s the way I got it. Luckily, the loss doesn’t detract too much from the cover by A. Leslie Ross. Not in the top rank of Ross’s work, to my mind, but his covers are always worthwhile. I’ll put a scan of the whole cover from the Fictionmags Index at the end of this post.

This issue opens with a novelette (probably closer to a novella, really) by Seven Anderton, a distinctly named author who’s mostly forgotten but who produced consistently good work for the Western and detective pulps. “Cactus Basin Showdown” features a pair of protagonists who fit the mold of many other Western pulp yarns: Brick Gordon is a handsome, two-fisted, fast-shooting cowboy, while his sidekick Galena Jones is a much older and grizzled old codger. If you’re thinking Buster Crabbe and Al “Fuzzy” St. John, well, so was I while reading this story. Anderton adds a nice variation to the story, though. Brick handles most of the action, but Galena is really the thinking half of the duo as they pitch in to help some homesteaders who are being run out of Cactus Basin by the local cattle baron/range hog. Yes, it’s a cattleman vs. sodbusters yarn, a very standard plot, but Anderton makes it fresh with his solid writing and characterizations. Even the main villain has a little depth to him. I enjoyed this story quite a bit.

The line at the top of the cover says “15 Action-Packed Stories”, but what it doesn’t tell you is that six of them are historical articles and features. I have nothing against such things and when I come across them in pulps, I usually skim them and read the more interesting ones, but really, I’m there for the fiction, so I’m not going to delve into the non-fiction. The next actual story in this issue is “The Haunted Town” by Lon Williams, an entry in his series of Weird Westerns about Deputy Sheriff Lee Winters. In this one, Winters encounters a werewolf—or does he? I’ve been aware of this series for years and always figured it would be right in my wheelhouse, but I’ve read several of them now, including this one, and for some reason I just don’t really like them very much. Something about the writing in them doesn’t resonate with me, and I don’t find Winters to be a very likable protagonist. Maybe I’m wrong about them. I’d be willing to try a few more before giving up on the series, but at this point, I’m not optimistic.

I’ve read several stories by Richard Brister and enjoyed them. “The Ioway Upstart” in this issue is about a tenderfoot from Des Moines who’s stranded in a rough, lawless mining camp. Either picked on or looked down upon by nearly everybody in the camp, he comes up with a clever way to win their respect, and also the heart of the best-looking girl in town. This is an entertaining, well-written story and makes me think I need to try one of Brister’s novels.

I read another story in the Able Cain series by A.A. Baker not long ago and enjoyed it, but his entry in this issue, “Able Cain’s Arena”, left me kind of cold. The title character is a judge in a mining boomtown and comes up with the idea of building a boxing arena so the miners can settle their disputes without shooting each other. It’s not a bad idea, but the story never generated much excitement or interest in me. My fault, maybe. Too soon to pass judgment on this series, but I’ve definitely had mixed reactions to it so far.

Gene Austin wrote a lot of stories for the Western pulps, but he seems to have been on autopilot in “Whistling in Boothill”. This story about the clash between two ranchers has some nice action at the end that almost redeems it, but the plot is really thin.

“The Hombre That Hell Wouldn’t Have” is a good title. The story is by Humphrey Jones, who wrote several dozen stories for assorted Western, detective, and sports pulps. It’s a decent yarn about a prospector who’s robbed and left to die in the desert. The resolution is pretty far-fetched, but overall, not a bad story.

Ralph Berard was the pseudonym of the very prolific pulpster Victor H. White. His story in this issue, “Gold Country Boothill”, is a very suspenseful tale about a young prospector framed for murder and the trial-by-vigilante that results. This is well-written, well-plotted, and has a very nice final twist that I didn’t see coming. I liked this one.

J.J. Mathews was another very prolific pulpster who turned out scores of Western, detective, and sports stories. His story in this issue is “Devil’s Homemaker”, which isn’t a very good title for this yarn about a young man’s quest for vengeance on the man who gunned down his father. But it’s got a decent plot and some emotional complexity, and the writing has a nice hardboiled tone to it. This is another good one from a forgotten but reliable pro.

Rex Whitechurch was a pseudonym that appeared on dozens of Western, detective, and sports stories, all of them published in various Columbia pulps edited by Robert Lowndes. Was it a house-name? That’s possible, I suppose, but I honestly have no idea. The Whitechurch story in this issue, “The Bronc Riders”, is a modern-day rodeo story and more of a romance than an action story. In fact, much of it reads more like mainstream fiction than genre Western. And it’s really, really good, too—until it runs smack into an ending that left me staring at the page in disbelief. Talk about a story falling apart at the last minute! This one is promising but very disappointing.

So what we have here is an issue of REAL WESTERN STORIES that’s a very mixed bag. Several of the stories are very good to excellent, and others I didn’t like at all. I’m glad I read it and will be on the lookout for more stories by Seven Anderton and Richard Brister. Heck, I’d even give Rex Whitechurch another try, and he made me want to throw the pulp across the room! But don’t race to your shelves to look for this one.



Sunday, June 30, 2024

Sunday Morning Bonus Pulp: Crack Detective Stories, November 1945


This issue of CRACK DETECTIVE STORIES has a nice cover by Irene Endris, one of several female pulp cover artists I know of. Inside are stories by T.W. Ford (probably best remembered as a Western author although he wrote a little bit of everything in the pulps), Talmage Powell, Emil Petaja (best known as a science fiction author), Rex Whitechurch, Marcus Lyons (who was really James Blish, definitely well-known as a science fiction author), and house-names Cliff Campbell and Grant Lane. As usual with a pulp produced on a very small budget by editor Robert W. Lowndes, this is probably better than it has any right to be. I haven't read it, but if you want to check it out, the whole issue can be found here.  

Sunday, February 20, 2022

Sunday Morning Bonus Pulp: Speed Detective, August 1945


The cover on this issue of SPEED DETECTIVE is by Gordon Samstag, who did only one other pulp cover (an issue of ADVENTURE in 1946) but was well-regarded as a painter and sculptor. I think it's a pretty good cover, even though the girl is dressed more sedately than most on the covers of pulps from Trojan Publications. Inside are stories by some top-notch writers, including a Dan Turner yarn by Robert Leslie Bellem and stories by Roger Torrey and Howard Wandrei (as Robert A. Garron), plus Rex Whitechurch and Elizabeth Starr. 

Saturday, December 05, 2020

Saturday Morning Western Pulp: Western Action, August 1952


A nice colorful, dynamic cover on this issue of WESTERN ACTION. I don't know who the artist is. Most of the issue is taken up by a novel by an author whose name I've seen many times but never read, as far as I recall, Allan K. Echols. Back-up stories are by a couple of prolific but little-known pulpsters, Rex Whitechurch and Ben Smith. So as far as the contents go, who knows, might be good, might not.

Sunday, February 23, 2020

Sunday Morning Bonus Pulp: Private Detective Stories, January 1945


That's a nice cover by Richard Lillis, an artist I'm not familiar with, on this issue of PRIVATE DETECTIVE STORIES. There's so much red and yellow on there I almost feel like I'm looking at a Western pulp cover. This issue is kind of an oddity in that there are no stories by Robert Leslie Bellem. However, the lineup of authors is still a good one: Roger Torrey, Wyatt Blassingame, Howard Wandrei (as Robert A. Garron), Victor Rousseau (as Lew Merrill), and lesser known writers Geoffrey North, Rex Whitechurch, and Donald C. Cameron.

Saturday, March 30, 2019

Saturday Morning Western Pulp: Famous Western, October 1949


That's a bright, eye-catching cover on this issue of FAMOUS WESTERN. Inside there's an interesting mix of authors, too, and a story title I really like, "The Buzzard Cheaters", by Allan K. Echols. Other authors with stories in this issue include A.A. Baker and Rex Whitechurch, house-names Mat Rand and Cliff Campbell, John Van Praag (who was really Scott Meredith, later famous as a literary agent), and John Lackland (who was really editor Robert W. Lowndes). Not exactly the first string when it comes to Western pulpsters, but I'll bet there are some entertaining stories in there.