Showing posts with label Leslie Scott. Show all posts
Showing posts with label Leslie Scott. Show all posts

Saturday, April 29, 2023

Saturday Morning Western Pulp: West, January 1949


A simple but very effective cover by Sam Cherry on this issue of the Western pulp with the simplest name: WEST. And of course there's plenty of red and yellow on there, too. The lineup of authors inside includes one of my favorites, Leslie Scott, with a novella, plus the always dependable Johnston McCulley, Larry Harris, and Steuart Emery. Nothing fancy, just good solid Western entertainment, I'll bet.

Saturday, January 13, 2018

Saturday Morning Western Pulp: Thrilling Ranch Stories, July 1935


THRILLING RANCH STORIES always had action-packed covers. It was meant as a competitor to RANCH ROMANCES, but other than the presence of a woman on the covers (usually ridin' or shootin' right alongside the stalwart cowboy hero), it looks more like a regular Western pulp with the emphasis on adventure. I particularly like this cover, but I don't know who the artist is. Inside this issue are stories by some top Western pulpsters: Eugene Cunningham, Leslie Scott writing as A. Leslie, Lee Bond, Stephen Payne, George M. Johnson, and a couple of house-names, Jackson Cole and Sam Brant. There's also a story by a female author, Zaida Packard, but it seems to have been her only Western pulp yarn.

Friday, December 26, 2014

Forgotten Books: Killer Country - Jackson Cole (A. Leslie Scott)


We wrap up the Forgotten Books series for another year with an old favorite of mine, an author I've been reading for close to 50 years. In the early Sixties, when I was volunteering in the local public library, I came across some Western paperbacks that looked interesting in a batch of books somebody had donated. They were about a Texas Ranger named Walt Slade, and they were written by an author I'd never heard of, Bradford Scott.


Well, I read them and thought they were great, so I started buying the new Walt Slade paperbacks that came out every month. Of course, I had no idea at the time who Bradford Scott really was or about the history of the Walt Slade character, but I didn't care. I just read the books and enjoyed them.

But over time I also discovered and became a fan of a paperback series about another Texas Ranger, Jim Hatfield, published under the name Jackson Cole. By then I was aware of pulps and eventually learned that the Jim Hatfield novels being published by Popular Library had appeared originally in the pulp magazine TEXAS RANGERS. It struck me that the style varied considerably from book to book, so I figured out that Jackson Cole must not be a real person, but rather several different authors. And one of them wrote an awful lot like Bradford Scott...


Well, it's too late to make a long story short, but let's move along. Bradford Scott, for those of you who don't already know this, was really Alexander Leslie Scott, a prolific pulp author who also wrote under the names A. Leslie and A. Scott Leslie. He even had some poetry published in WEIRD TALES. In 1936 Scott created the Jim Hatfield character in the first issue of TEXAS RANGERS, in a novel called "The Lone Wolf Rides". Several years later, in the pages of THRILLING WESTERN, a pulp published by the same company, he came up with the Walt Slade character and wrote a long series of novellas about him under the name Bradford Scott, while continuing to write some of the Jim Hatfield novels as Jackson Cole. Scott didn't write all the Hatfields, but he and Tom Curry tied for the largest number of entries in the series at 55 novels.

Then in the early Fifties, Scott stopped writing for TEXAS RANGERS and the other pulps, and I don't believe I've ever heard exactly why. But he moved right over into the new paperback market and took the Jim Hatfield character with him, writing a series of novels for Pyramid Books featuring the Hatfield character. Some of these books were rewrites of Hatfield novels from TEXAS RANGERS, and some were new stories.

Ned Pines, the publisher of TEXAS RANGERS, got wind of this and demanded that Scott stop writing Hatfield novels for Pyramid, since he (Pines) was still publishing the character in the pulp and using the Jackson Cole house-name. Scott resurrected the Walt Slade character from THRILLING WESTERN and starting using him instead in the novels from Pyramid Books. Evidently Pines didn't mind about that. (Slade and Hatfield are almost, but not quite, carbon copies of each other.) Again, some of the early Walt Slade novels were rewrites of pulp stories, but for the most part they were originals. The series was very successful, too, running for more than a hundred books and lasting until 1971.

But to get to the real subject of this post (at last!), the novel KILLER COUNTRY is a Jim Hatfield story from the period when Scott was doing them for Pyramid. I don't know if it's a rewrite or an original. Hatfield is sent to the border country in West Texas to find out who's responsible for terrorizing the Mexican villages on both sides of the Rio Grande. Farmers are being crucified on giant cactus plants, staked out on anthills, thrown into snake pits, and other assorted atrocities. Mysterious night riders are striking terror into the area. Rustling and stagecoach robbery are rampant. In other words, plenty of work for a hard-ridin', hard-shootin' Texas Ranger to take care of.

Hatfield does just that, of course, wading through a flurry of ambushes and a myriad of suspects as he tries to uncover the identity of the hidden mastermind who's really behind all the trouble. Scott's plots nearly always follow this formula, but he throws in a few nice twists in this one and I actually wasn't sure who the villain would turn out to be until the end.

Scott is noted for a couple of things: his flowery, long-winded descriptions of the scenery (he was getting paid by the word for his pulp stories, after all) and his over-the-top action scenes. He's in fine form on both scores in KILLER COUNTRY. Actually, his work has had a considerable influence on my own writing as far as the action scenes go, although I don't write the same sort of long descriptive passages at all. KILLER COUNTRY has some nice lines and a breakneck pace, and I really enjoyed reading it. A lot of modern readers probably wouldn't like it because it's silly and unrealistic, but those things don't bother me when I'm in a nostalgic mood.

Leslie Scott was an interesting writer with a tendency for getting the most financial return out of his work. He rewrote some of his Hatfield novels, changing Hatfield's name to Jim Woodward, and sold them to lending library publishers. The early Ace Double BADLANDS MASQUERADER, published under the Leslie Scott name and featuring Walt Slade, is actually a rewritten Hatfield novel from TEXAS RANGERS. In the early Fifties he wrote soft-core erotica for the hardcover publisher Arco Books and later resold the novels as paperbacks to Beacon Books. He also wrote a number of stand-alone Western novels for Arcadia Books that are a notch above most of his paperback originals. His wife Lily was also a pulp writer, and their son Justin Scott is a writer as well and still in the business, having published a number of well-regarded mysteries and currently writing thrillers with Clive Cussler. I just like Leslie Scott's work, although I don't think it would be to everybody's taste. A couple of his Jim Hatfield novels, including KILLER COUNTRY, are currently available as e-books, and used copies of many of his books are easily found on-line.





Monday, October 14, 2013

My Favorite Western Authors

A friend of mine with a growing interest in Westerns who hasn't read much in the genre suggested that I do a blog post about my favorite Western authors. After some thought, I decided that I can do that, with one condition: I have to confine it to authors who are no longer with us. I know almost everyone who's currently writing Westerns, and I don't want any of them coming across this post and wondering why I didn't mention them. It's an unavoidable fact: some writers I love as people but don't care for their books. Others I love their books but don't . . . well, never mind. I'm going to confine the list to ten, with the usual warning that if you ask me again tomorrow, the selections might change. I'm also going to keep it to authors whose work is at least somewhat readily available. I love Harry Olmsted's stories, for example, but none of them have been reprinted and you'd have to buy the original pulps to read them. Some are acquired tastes, too, real love 'em or hate 'em authors, so consider that fair warning.

Enough qualifying. On to the list, which is in alphabetical order.

Walt Coburn – Maybe the most inconsistent Western author ever, capable of sheer, breathtaking excellence as well as utter mediocrity composed in a drunken haze. But Coburn at the top of his game captured the authenticity of the Old West probably better than any other author I've ever read. He also came up with some of the most complicated plots filled with raw emotional angst that you'll ever find in the genre.

H.A. DeRosso – The darkest of all the Western noir authors, the Jim Thompson of the Western. He wrote only a handful of novels, but they're all good. Several of them have been reprinted in the past fifteen years.

T.T. Flynn – Flynn's plots are pretty traditional, but he writes so well it doesn't matter. Also, his novels are often more emotionally complex than they appear at first.

Ben Haas – Writing as John Benteen, Richard Meade, Thorne Douglas, and Ben Elliott, Haas was the best action writer of the Twentieth Century other than Robert E. Howard. I've written plenty on this blog about him. Pick up anything he wrote. I guarantee you're in for a good time.

Elmer Kelton – The man picked by a poll of the Western Writers of America as the best Western author of all time. I have a hard time singling out one author as the best of anything, but Kelton was very, very good for a long time. Nobody was ever better at writing about the contemporary West. And he was one of the nicest people you'd ever want to meet, too.

Lewis B. Patten – Patten's work is similar to DeRosso's, but his novels usually have happy endings that keep them from being quite as bleak. His books became more inconsistent as his career went along, so you're usually better off looking for novels from the Fifties and Sixties, although he was still capable of good work during the Seventies. If you run across a book you don't like, give him another chance.

Leslie Scott – Scott is one of those acquired tastes. He wrote many of the Jim Hatfield novels in the pulp TEXAS RANGERS under the house-name Jackson Cole. You'll be more likely to find some of his long series of paperback novels about Texas Ranger Walt Slade, published under the name Bradford Scott. His plots are repetitious, his prose is really purple at times (especially when he's describing landscapes), but he wrote great, over-the-top action scenes. His stand-alones, often based on historical incidents, are also good. But if you try one of his books and don't like it, there's not much point in trying another, except for the fact that his earlier books generally have better plots.

Gordon D. Shireffs – Almost the equal of Flynn, Haas, and Short when it comes to hardboiled action Westerns, and his depictions of the American Southwest are maybe the best of them all. He was also an excellent plotter.

Luke Short (Frederick D. Glidden) – Not quite noir, but his Westerns are definitely on the hardboiled side and often have some sort of mystery angle. He could write great action scenes as well. His books from the Forties and Fifties are the best as far as I'm concerned, although all his work is worth reading.

W.C. Tuttle – Really the only humorous Western writer I like, and that's probably because the comedy (which borders on slapstick at times) is balanced by plenty of action and complex mystery plots. Tuttle is best known for his stories and novels featuring range detectives Hashknife Hartley and Sleepy Stevens, but he also wrote a long series of novellas in the pulp EXCITING WESTERN about a similar pair known as Tombstone and Speedy. He's also famous for a series about a W.C. Fields-like vaudeville performer who winds up the sheriff of an Arizona town. His stand-alones are good, too.

I would have included Robert E. Howard if he had lived to write more Westerns, as according to his letters he planned to do. He actually invented the Western noir in stories such as "The Vultures of Whapeton", "Wild Water", and "Vulture's Sanctuary". If you haven't picked up the collection of his traditional Westerns from the Robert E. Howard Foundation Press, I give it a high recommendation. (In the spirit of full disclosure, I wrote the outline for that collection.)

So there are ten Western writers and a sort-of bonus eleventh one you'd be well-advised to seek out if you're looking to broaden your Western reading horizons. You probably won't like all of them, but I think the chances are good you'll discover some new favorite authors among them. If any of you want to throw in recommendations for other authors, feel free to do so in the comments. If there are enough, I'll do a follow-up post based on them.


(The links below are just examples of some of the books by these authors. Many more are available on Amazon and other on-line booksellers and in used bookstores.)