Saturday Morning Western Pulp: Exciting Western, November 1946

This is a pulp that I own and read recently. That’s my copy in the scan. I think the cover is by Sam Cherry. The horse and rider look like his work to me. The Fictionmags Index agrees and attributes the cover to Cherry.

I always enjoy the Tombstone and Speedy stories by W.C. Tuttle, and the lead novella in this issue of EXCITING WESTERN, “Coyote Luck for Tombstone”, is no exception. Our somewhat hapless range detective heroes, Tombstone Jones and Speedy Smith, are sent to find out who’s behind the rustling on a ranch in southern Arizona, but in the process they run afoul of a mysterious bandit known as the Red Mask who’s been terrorizing the border country. Could it be that the two cases are connected? What do you think? With some help from a coyote that’s been turned into a pet and a trip across the border to a bandit sanctuary, not to mention a few attempts on their lives, Tombstone and Speedy untangle the mess and expose the villains. It’s another well-plotted, light-hearted, but also action-packed entry in the series.

I’m also a fan of the series about Arizona Ranger Navajo Tom Raine. In this issue’s “Ranger on the Run”, Raine is bushwhacked by a gunman who’s supposed to be locked up behind bars and winds up facing a showdown in an abandoned mine tunnel. These stories were published under the house-name Jackson Cole, and at least two authors contributed yarns to the series, Lee Bond (who created it) and C. William Harrison. I feel certain this is one of Bond’s efforts, since the villains spend a lot of time standing around explaining their schemes to each other and the final shootout features Raine against three bad guys. Both of those things are very common in Bond’s stories. Predictable they may be, but they move along nicely and have plenty of well-written action.

Gunnison Steele was really Bennie Gardner. I was fortunate enough to be friends with his son Barry Gardner for several years before Barry passed away. Bennie Gardner wrote quite a few novels featuring various Western pulp characters, but he was also really prolific when it comes to short-shorts, possessing the ability to pack interesting characters and plenty of plot into three or four pulp pages. His story in this issue, “Smoke on the Mountain”, is one of those, centered around an outlaw’s attempt to force an old-timer to reveal the location of some hidden money. The old-timer’s clever way of dealing justice to his tormentor is very effective. I’ve read a bunch of Gunnison Steele stories and enjoyed every one of them.

Del Rayburn published about two dozen stories in various Western pulps between 1944 and 1950 and also wrote one episode of the TV series DEATH VALLEY DAYS. Some of his stories were reprinted in a Powell Books paperback in the Sixties called TRAIL-BLAZERS WEST. His novelette “Tough Texas Tophand” from this issue was reprinted in the November 1951 issue of THRILLING WESTERN, where I’d read it before. To quote what I said about it then: The story is about the clash between a Texas cowboy and a clan of renegade Mormons in Montana. It’s a little over-the-top (the protagonist’s name is Hondo Uvalde) but the author won me over with plenty of well-written action and some interesting characters. I wouldn’t call “Tough Tophand” a Western classic, but it’s an enjoyable story. That’s still an accurate assessment. Curious about Rayburn, I did a little more digging and came across online claims that he was actually a TV network executive with some connection to STAR TREK. Some posters on a Star Trek bulletin board make a pretty scurrilous charge against him. The whole thing seems highly unlikely to me, but it’s an interesting example of the theory that you never know what you’re going to come across on the Internet.

Another masked bandit, this time known by the name Blue Mask, shows up in “Right Handy With a Rope” by veteran Western pulpster Donald Bayne Hobart. A new ranch hand with a secret shows up to hunt down the outlaw. This is another short-short, only four pages long. Hobart was a dependable writer so it’s fairly entertaining, but it’s a really minor piece of work.

The other long-running series in EXCITING WESTERN featured Pony Express rider Alamo Paige. These were published under the house-name Reeve Walker. “In the Line of Duty” in this issue finds Paige having to helping rescue a cavalry patrol besieged by a Sioux war party. The plot is pretty simple, but the story is very well-written and features more character development than usual for Paige, implying that he used to be a cowboy, or perhaps a cavalryman, or maybe even a reformed outlaw. I’ve seen speculation connecting Tom Curry, Charles N. Heckelmann, Walker A. Tompkins, and Chuck Martin with the Reeve Walker house-name, but really there’s no telling who wrote “In the Line of Duty” and the other Alamo Paige stories. It might be Heckelmann’s work, since his stories often have more fully developed characters, but really, who knows. Whoever wrote this one, it’s really good, probably the best Alamo Paige story I’ve read so far.

This is a really solid issue of EXCITING WESTERN overall. Some of the stories are better than others, of course, but all of them are entertaining and the yarns featuring Tombstone and Speedy and Alamo Paige are top-notch, outstanding entries in those series. If you have a copy of this one on your shelves, it’s very much worth reading.

Saturday Morning Western Pulp: Exciting Western, October 1945

This is a pulp that I own and read recently. That’s my copy in the scan. The Fictionmags Index attributes the cover to Sam Cherry, but I wonder if it might be by Robert Stanley, based on the facial features and the distinctively large hands. As always when it comes to art, I could be wrong and welcome any opinions on who painted this cover.

One of the longest-running series in EXCITING WESTERN was the Tombstone and Speedy series by one of my favorite authors, W.C. Tuttle. Tombstone Jones and Speedy Smith are a couple of range detectives working for the Cattleman’s Association, but their boss insists they have no detective skills and solve their cases through pure luck. Tombstone and Speedy seem to share that opinion, but I don’t know. They usually manage to do some actual detective work in these humorous, action-packed yarns. “Trouble Trailers in Tomahawk” finds the duo traveling to Tomahawk City to find a rich Easterner’s son who wants to become a rancher, while at the same time assisting an old friend of their boss who needs some help. Not surprisingly at all, the two cases turn out to be connected, and soon the bodies are dropping as three murders take place not long after Tombstone and Speedy arrive in town. Of course, they eventually untangle everything and bring the villains to justice. The plot in this one seems a little weaker to me than some, but it’s still a highly entertaining novelette. I always get a kick out of Tombstone and Speedy’s antics and their non-stop banter.

The longest-running (almost 50 stories) series in this pulp stars Arizona Ranger Navajo Tom Raine, the son of a famous lawman who was raised by the Navajo after his father was killed during a range war. In “Navajo Turns Firebug”, Raine is sent to corral a vengeance-seeking young outlaw who’s been burning down ranch houses. Of course, not everything turns out to be as it appears at first. We know that two authors, Lee Bond and C. William Harrison, wrote Navajo Raine stories that were published under the house-name Jackson Cole, and other authors may have contributed to the series as well. I’m pretty sure this story isn’t the work of Harrison, whose plots and characters were usually a bit more complex. It might be by Lee Bond, but my hunch is that it’s by some as yet unidentified pulpster.

“A Meal For a Rodent” is a short-short by Allan K. Echols about an encounter between a homesteader and a bank robber on the run from the law. Very predictable for the most part, but it’s well-written and has a bit of a twist at the end.

Another long-running series in EXCITING WESTERN featured Pony Express rider Alamo Paige. The by-line is Reeve Walker, a house-name used by Charles N. Heckelmann, Tom Curry, and no doubt numerous other Western pulpsters. I don’t think any of the Alamo Paige stories have been attributed to the actual author. The story in this issue, “Stage Line to Hell”, finds Alamo helping out a friend who quit riding for the Pony Express because of an injury and started a stage line instead. When he’s hurt in a robbery, Alamo steps in to round up the thieves. Alamo Paige is a likable protagonist and this yarn is decently plotted and has some nice action. A worthwhile entry in the series.

I don’t know anything about Jack Gleoman except that he published a few stories in the Western and detective pulps. His short-short in this issue, “A Waddy Counts Days”, is about a cowboy accused of a murder he didn’t commit. It features as an illustration a black-and-white version of the cover art, which actually depicts a scene in the story. This is an okay but very minor story, and I’m not sure why it warranted a piece of cover art. Unless . . . Jack Gleoman was actually the pseudonym of an editor at the Thrilling Group (since all his published stories appear in Thrilling Group pulps) and he wrote the story to fit the cover that was already scheduled to be used on this issue when the contents came up a few pages short. That seems like a plausible explanation, but it’s pure speculation on my part, of course.

The issue wraps up with “Vanishing Trails”, a novelette by R.S. Lerch, an author I associate more with the Fiction House pulps even though he actually wrote for a wide variety of publishers in several different genres. This story, set in Montana during a snowstorm, has a bit of a Northern feel to it, although its plot is pure Western pulp. U.S. Marshal Crack Forsythe (a great name) trails a bandit from Wyoming to Montana and finds himself in the middle of a deadly feud between two families. This is a well-written story with a lot of action. Lerch is pretty much forgotten these days, but I’ve enjoyed most of the stories I’ve read by him. Nothing special, maybe, but dependably entertaining.

Which is a pretty good description of this entire issue. All of the stories are enjoyable but have an air of forgettableness about them. Is forgettableness a word? If it’s not, it ought to be. This issue is worth reading for fans of the Tombstone and Speedy, Navajo Tom Raine, and Alamo Paige series, but if you don’t fall into that category, don’t rush to your shelves to look for it.

Saturday Morning Western Pulp: Exciting Western, December 1944

This is a pulp that I own and read recently. That’s my rather ragged copy in the scan. The cover art is by Sam Cherry, not one of his best, in my opinion, but still a decent cover.

Despite being called a novel on the cover, the lead story in this issue is more of a novelette. It’s “The Dude Wrangler” by William Polk. This is a contemporary Western, set on a dude ranch in West Texas during World War II. Young cowboy Tom Glenning rides in looking for a job. Tom’s family once owned the spread when it was a working cattle ranch, but when he inherited it, he lost the place because he was such a wastrel. Now he’s reformed and just looking for a job, with no hard feelings. Or so he says. It won’t take readers very long to realize that this is one of those stories where nothing is what it appears to be. And the author does a good job of spinning a highly entertaining yarn.

William Polk has ten stories listed in the Fictionmags Index. The first nine of them appeared in the Twenties and Thirties in various slick and literary magazines. “The Dude Wrangler” is the tenth story in that list, and it’s the only Western and the only pulp story. Which leads me to suspect that “William Polk” is a pseudonym, probably slapped on by a Thrilling Group editor who was unaware of the previous stories published under that byline. However, that’s pure speculation on my part. Maybe the other William Polk actually did have a pulp Western story in him. Chances are we’ll never know, and it’s a good story no matter who wrote it.

Bascom Sturgill appears to have been the real name of an author who published a dozen stories in various Western pulps during the Forties. His short-short in this issue, “Snake-Bite Justice”, is about an old prospector seeking to avenge his partner’s murder. It’s well-written, has a nice little twist in the end, and is a pretty good story.

I’ve always found the series about Alamo Paige, Pony Express rider, to be okay, some stories better than others (which is to be expected in a house-name series) but always readable. The novelette in this issue, “The Pony Express Pays Off”, finds Paige and another Pony Express rider trying to save a fortune in diamonds that will rescue the company from debt. There’s a considerable amount of action, but at the same time the story seems to meander around a lot, filling pages but not in a very compelling fashion. I’d say this is a below average entry in the series. I don’t have any idea who wrote it under the name Reeve Walker, but I did notice a couple of oddities in style that might help me identify him someday: characters have a habit of exclaiming “What in time!” and they carry their guns in “skin-holsters”.

I’ve come to be fond of the work of Archie Joscelyn, who was a prolific pulpster but wrote even more novels under his own name and several pseudonyms, most notable among them Al Cody and Lynn Westland. His story in this issue, “Out of the Horse’s Mouth”, is an entertaining tale about a circus performer who’s framed for a robbery and murder. It’s well-written, moves right along, and has just enough of a clever plot to be interesting. Joscelyn was a consistently good author.

I don’t know anything about Hal White except that he published about fifty stories in the pulps, a mixture of Westerns, air war stories, and detective yarns. His short-short in this issue, “Man on a Horse”, about an outlaw seeking revenge on a lawman, isn’t very good. I had to read the ending twice just to figure out what happened, and I wasn’t impressed when I did understand it.

Donald Bayne Hobart is another writer, like Archie Joscelyn, who was both prolific and consistently good. “Job for the Boss”, his story in this issue, is about a young cowboy trying to bring about peace between a couple of feuding old-timers, one of whom is the owner of the spread the cowboy rides for. It’s okay, reasonably entertaining but nothing more than that, and not one of the better efforts I’ve read from Hobart.

I’ve become quite a fan of the Navajo Tom Raine series, especially the novelettes written by C. William Harrison under the Jackson Cole house-name. I’m pretty sure that “Not By a Dam Site” is by Harrison, and it’s another in a run of top-notch stories that includes “Boothill Beller Box” in the previous issue and “Passport to Perdition” in the issue after this. “Not By a Dam Site”, as you’d probably guess, centers around government efforts to build a dam and flood a valley in Arizona, and the resistance to that plan from the townspeople, ranchers, and homesteaders who live in that valley. A couple of government surveyors have died under mysterious circumstances, and Arizona Ranger Tom Raine is sent in to get to the bottom of things. He does, of course, after some suitable action. However, the plot’s not quite as complex in this one and the action a bit more sparse than usual, so I wouldn’t put it in the top rank of Navajo Raine stories, but it’s still entertaining and well worth reading. Raine is an excellent character.

I’d say this is a pretty average issue overall of EXCITING WESTERN. It begins and ends very well with “The Dude Wrangler” and “Not By a Dam Site”. The stories in between are okay with the one exception, but none of them are outstanding. If you have a copy on hand, it’s worth reading, but I wouldn’t go to a lot of trouble to rustle one up.

Saturday Morning Western Pulp: Exciting Western, October 1944

This is a pulp that I own and read recently. That’s my copy in the scan. The cover art is by George Rozen, and it accurately illustrates a scene from the lead novella in this issue of EXCITING WESTERN.

That lead novella, “Gun Thunder in Broken Bow”, is by one of my favorite Western authors, W.C. Tuttle. Most of Tuttle’s career was spent writing novels and stories in the several different series he created, but he wrote a fair number of stand-alone yarns, too. This is one of them, and it finds former convict Tex Colton returning to his hometown after spending several years in prison for a crime he didn’t commit. Everybody believes Tex has returned so he can get the loot he stashed, but he can’t do that since he didn’t pull the robbery in the first place. However, his brother, who has taken over his ranch in the meantime, did. (Not a spoiler—this is revealed very early on.) To add injury to insult, or vice versa, Tex’s brother has also married his old sweetheart.

As usual in a Tuttle story, there are some broadly comic characters and situations to go along with a solid Western mystery and some good action. It’s a winning formula with variations from story to story regarding which element is stressed the most and never fails to entertain me. The balance is very good in this one, with the added bonus of a nice twist in the end that I probably should have seen coming but didn’t. “Gun Thunder in Broken Bow” isn’t the equal of Tuttle’s Hashknife Hartley series, but it’s a solidly enjoyable yarn.

T.W. Ford was a pulp editor as well as an author, and he turned out hundreds of Western, detective, and sports stories for just about every publisher in the business. I’ve found him to be an inconsistent but mostly very good author. His short story in this issue, “Law in His Blood”, about a rancher who’s mistaken for a notorious outlaw, has a pretty predictable main twist to it, but the writing is excellent and Ford sneaks in another twist at the end that’s very effective. I liked this one as well.

Ralph J. Smith’s short story “Gunned From the Grave” is his only credit in the Fictionmags Index. It’s about an old gunsmith’s encounter with the man who killed his son in a shootout. A poignant, reasonably well-written story that is okay but doesn’t leave much of an impression.

The novelette “Boothill Beller Box” is a notable one. It’s part of a long series starring Arizona Ranger “Navajo” Tom Raine, and this story features Raine teaming up with Wayne Morgan, the Masked Rider, and Morgan’s sidekick, the Yaqui Indian Blue Hawk. As far as I know, this is one of only two such crossover stories between Thrilling Group Western characters. Steve Reese from RANGE RIDERS WESTERN appears in an earlier Navajo Raine story, “Rawhide Ranger”, in the April 1944 issue of EXCITING WESTERN. The title “Boothill Beller Box” refers to a telephone line being strung from a cowtown to a nearby logging camp. This is a loggers vs. cattlemen story in which Wayne Morgan is framed for murder. Just like in 1960s Marvel Comics, the two heroes meet and fight at first before realizing they’re on the same side, after which they team up to defeat the bad guy. The author of this one packs quite a bit into it and it’s a really good yarn. Unfortunately, a proofreading and/or typesetting error almost ruins the story by completely invalidating the big twist in the plot. I salvaged it by editing it in my head back to what it should have been. The author’s identity is also a mystery, since the Navajo Raine stories were published under the house-name Jackson Cole. I suspect this one may be by Chuck Martin. It reads like his work to me, and he’s known to have written Navajo Raine stories as well as contributing several Masked Rider novels to that pulp under his own name. But that’s just an educated guess on my part and may be totally wrong.

I also suspect that the next story in this issue, “Cheyenne Death Trap”, is by Chuck Martin. It’s part of the long-running series featuring Pony Express Rider Alamo Paige that was published under the house-name Reeve Walker. Paige is a good character, compact in stature as most of the Pony Express Riders were but tough, smart, and handy with a gun. In this yarn, another rider is robbed and murdered, and Paige sets out to track down the killer. In the process, he faces a death trap unlike any I’ve ever encountered in a Western pulp. This is a clever story and also a very good one.

Mel Pitzer published about 50 stories in various Western pulps between the mid-Thirties and the late Forties. His story “Killer on the Range” wraps up this issue. He uses present tense to tell this story, a technique I hardly ever see in a Western pulp and one that I don’t really care for. It works okay in this case, as an old wrangler tells the story about a stallion accused of killing a rancher. What really happened is pretty obvious, but the story reads okay and is entertaining, although still the weakest in the issue.

This is an above average issue overall of EXCITING WESTERN, which was usually pretty good to start with. W.C. Tuttle, T.W. Ford, Navajo Tom Raine, and Alamo Paige are all dependable Western pulp enjoyment. If you have a copy on your shelves, it’s worth reading.